Nikon Z50 vs Olympus E-5

The Nikon Z50 and the Olympus E-5 are two digital cameras that were revealed to the public, respectively, in October 2019 and September 2010. The Z50 is a mirrorless interchangeable lens camera, while the E-5 is a DSLR. The cameras are based on an APS-C (Z50) and a Four Thirds (E-5) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Olympus provides 12.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon Z50		Olympus E-5
Mirrorless system camera		Digital single lens reflex
Nikon Z mount lenses		Four Thirds lenses
20.7 MP – APS-C sensor		12.2 MP – Four Thirds sensor
4K/30p Video		720/30p Video
ISO 100-51,200 (100 - 204,800)		ISO 100-6,400
Electronic viewfinder (2360k dots)		Optical viewfinder
3.2" LCD – 1040k dots		3.0" LCD – 920k dots
Tilting touchscreen		Swivel screen (not touch-sensitive)
11 shutter flaps per second		5 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		Weathersealed body
320 shots per battery charge		750 shots per battery charge
127 x 94 x 60 mm, 450 g		142 x 117 x 75 mm, 873 g

Check Z50 price at
amazon.com
Check E-5 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z50 and the Olympus E-5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Nikon Z50 and the Olympus E-5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-5 is notably larger (39 percent) than the Nikon Z50. Moreover, the E-5 is substantially heavier (94 percent) than the Z50. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the Z50 gets 320 shots out of its Nikon EN-EL25 battery, while the E-5 can take 750 images on a single charge of its Olympus BLM-5 power pack. The power pack in the Z50 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon Z50	127 mm	94 mm	60 mm	450 g	320	Y	Oct 2019	859	amazon.com
2.		Olympus E-5	142 mm	117 mm	75 mm	873 g	750	Y	Sep 2010	1,699	ebay.com
3.		Canon M50	116 mm	88 mm	59 mm	390 g	235	n	Feb 2018	779	ebay.com
4.		Fujifilm X-T3	133 mm	93 mm	59 mm	539 g	390	Y	Sep 2018	1,499	ebay.com
5.		Nikon D3500	124 mm	97 mm	70 mm	415 g	1550	n	Aug 2018	429	ebay.com
6.		Nikon D5300	125 mm	98 mm	76 mm	480 g	600	n	Oct 2013	799	ebay.com
7.		Nikon D5500	124 mm	97 mm	70 mm	470 g	820	n	Jan 2015	899	ebay.com
8.		Nikon Z30	128 mm	74 mm	60 mm	405 g	330	Y	Jun 2022	709	amazon.com
9.		Nikon Z fc	135 mm	94 mm	44 mm	445 g	300	n	Jun 2021	959	amazon.com
10.		Olympus E-1	141 mm	104 mm	81 mm	738 g	750	Y	Jun 2003	1,699	ebay.com
11.		Olympus E-3	142 mm	116 mm	75 mm	876 g	750	Y	Oct 2007	1,699	ebay.com
12.		Olympus E-30	142 mm	108 mm	75 mm	701 g	750	n	Nov 2008	1,299	ebay.com
13.		Olympus E-510	136 mm	92 mm	68 mm	538 g	750	n	Mar 2007	799	ebay.com
14.		Olympus E-520	136 mm	92 mm	68 mm	535 g	750	n	May 2008	699	ebay.com
15.		Sony A6100	120 mm	67 mm	59 mm	396 g	420	n	Aug 2019	749	ebay.com
16.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	999	ebay.com
17.		Sony A6400	120 mm	67 mm	50 mm	403 g	410	Y	Jan 2019	899	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The Z50 was launched at a markedly lower price (by 49 percent) than the E-5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Nikon Z50 features an APS-C sensor and the Olympus E-5 a Four Thirds sensor. The sensor area in the E-5 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the Z50 has a native 3:2 aspect ratio, while the one in the E-5 offers a 4:3 aspect.

With 20.7MP, the Z50 offers a higher resolution than the E-5 (12.2MP), but the Z50 has marginally smaller individual pixels (pixel pitch of 4.22μm versus 4.29μm for the E-5). However, the Z50 is a much more recent model (by 9 years) than the E-5, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the Z50 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Nikon Z50 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z50 for good quality output (200 dots per inch) amounts to 27.8 x 18.6 inches or 70.7 x 47.1 cm, for very good quality (250 dpi) 22.3 x 14.8 inches or 56.6 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.1 x 31.4 cm. The corresponding values for the Olympus E-5 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.

The Z50 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Nikon Z50 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 100-204800. The corresponding ISO settings for the Olympus E-5 are ISO 100 to ISO 6400 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon Z50	APS-C	20.7	5568	3712	4K/30p	24.1	13.6	1963	84
2.		Olympus E-5	Four Thirds	12.2	4032	3024	720/30p	21.6	10.5	519	56
3.		Canon M50	APS-C	24.0	6000	4000	4K/24p	23.8	13.3	1684	81
4.		Fujifilm X-T3	APS-C	26.0	6240	4160	4K/60p	24.0	13.4	1853	83
5.		Nikon D3500	APS-C	24.0	6000	4000	1080/60p	24.0	13.4	1851	83
6.		Nikon D5300	APS-C	24.0	6000	4000	1080/60p	24.0	13.9	1338	83
7.		Nikon D5500	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1438	84
8.		Nikon Z30	APS-C	20.7	5568	3712	4K/30p	24.3	13.9	2230	86
9.		Nikon Z fc	APS-C	20.7	5568	3712	4K/30p	24.2	13.8	2131	85
10.		Olympus E-1	Four Thirds	4.9	2560	1920	none	20.0	9.7	-145	44
11.		Olympus E-3	Four Thirds	10.0	3648	2736	none	21.6	10.5	571	56
12.		Olympus E-30	Four Thirds	12.2	4032	3024	none	21.3	10.4	530	55
13.		Olympus E-510	Four Thirds	10.0	3648	2736	none	21.2	10.0	442	52
14.		Olympus E-520	Four Thirds	10.0	3648	2736	none	21.4	10.4	548	55
15.		Sony A6100	APS-C	24.0	6000	4000	4K/30p	24.1	13.6	1947	84
16.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
17.		Sony A6400	APS-C	24.0	6000	4000	4K/30p	24.0	13.6	1431	83
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the Z50 provides a higher video resolution than the E-5. It can shoot video footage at 4K/30p, while the Olympus is limited to 720/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the Z50 has an electronic viewfinder (2360k dots), while the E-5 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the Z50 has a higher magnification than the one of the E-5 (0.68x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon Z50 and Olympus E-5 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon Z50	2360	n	3.2 / 1040	tilting	Y	1/4000s	11.0/s	Y	n
2.		Olympus E-5	optical	Y	3.0 / 920	swivel	n	1/8000s	5.0/s	Y	Y
3.		Canon M50	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
4.		Fujifilm X-T3	3690	n	3.0 / 1040	full-flex	Y	1/8000s	11.0/s	n	n
5.		Nikon D3500	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
6.		Nikon D5300	optical	n	3.2 / 1037	swivel	n	1/4000s	5.0/s	Y	n
7.		Nikon D5500	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
8.		Nikon Z30	none	n	3.0 / 1040	swivel	Y	1/4000s	11.0/s	Y	n
9.		Nikon Z fc	2360	Y	3.0 / 1040	swivel	Y	1/4000s	11.0/s	n	n
10.		Olympus E-1	optical	Y	1.8 / 134	fixed	n	1/4000s	3.0/s	n	n
11.		Olympus E-3	optical	Y	2.5 / 230	swivel	n	1/8000s	5.0/s	Y	Y
12.		Olympus E-30	optical	Y	2.7 / 230	swivel	n	1/8000s	5.0/s	Y	Y
13.		Olympus E-510	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	Y
14.		Olympus E-520	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	Y
15.		Sony A6100	1440	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	n
16.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
17.		Sony A6400	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The Z50 has a touchscreen, while the E-5 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Z50 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Nikon Z50 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The Z50 writes its imaging data to SDXC cards, while the E-5 uses Compact Flash or xD Picture cards. The E-5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the Z50 only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z50 and Olympus E-5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon Z50	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
2.		Olympus E-5	Y	stereo / -	-	-	mini	2.0	-	-	-
3.		Canon M50	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
4.		Fujifilm X-T3	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
5.		Nikon D3500	Y	mono / mono	-	-	mini	2.0	-	-	Y
6.		Nikon D5300	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
7.		Nikon D5500	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
8.		Nikon Z30	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
9.		Nikon Z fc	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
10.		Olympus E-1	Y	- / -	-	-	-	2.0	-	-	-
11.		Olympus E-3	Y	- / -	-	-	-	2.0	-	-	-
12.		Olympus E-30	Y	- / -	-	-	-	2.0	-	-	-
13.		Olympus E-510	Y	- / -	-	-	-	2.0	-	-	-
14.		Olympus E-520	Y	- / -	-	-	-	2.0	-	-	-
15.		Sony A6100	Y	stereo / mono	Y	-	micro	2.0	Y	Y	Y
16.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
17.		Sony A6400	Y	stereo / mono	Y	-	micro	2.0	Y	Y	Y

It is notable that the Z50 has a microphone port, which is missing on the E-5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Olympus E-5 (unlike the Z50) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The Z50 is a recent model that features in the current product line-up of Nikon. In contrast, the E-5 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the E-5 from Olympus. Further information on the features and operation of the Z50 and E-5 can be found, respectively, in the Nikon Z50 Manual (free pdf) or the online Olympus E-5 Manual.

Review summary

So what conclusions can be drawn? Is the Nikon Z50 better than the Olympus E-5 or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Nikon Z50:

• More detail: Offers more megapixels (20.7 vs 12.2MP) with a 33% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4K/30p vs 720/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.68x vs 0.58x).
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (127x94mm vs 142x117mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 423g or 48 percent) and hence easier to carry around.
• Easier travel charging: Can be conveniently charged via its USB port.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More affordable: Was introduced into a lower priced category (49 percent cheaper at launch).
• More modern: Reflects 9 years of technical progress since the E-5 launch.

Arguments in favor of the Olympus E-5:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Longer lasting: Gets more shots (750 versus 320) out of a single battery charge.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been around for much longer (launched in September 2010).

If the count of individual advantages (bullet points above) is taken as a guide, the Z50 is the clear winner of the match-up (25 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon Z50 and the Olympus E-5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the Z50 or the E-5 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon Z50	5/5	..	5/5	85/100	4.5/5	4.5/5	Oct 2019	859	amazon.com
2.		Olympus E-5	4/5	..	..	75/100	4/5	4.5/5	Sep 2010	1,699	ebay.com
3.		Canon M50	..	+	4/5	79/100	..	3.5/5	Feb 2018	779	ebay.com
4.		Fujifilm X-T3	5/5	+ +	4.5/5	88/100	5/5	5/5	Sep 2018	1,499	ebay.com
5.		Nikon D3500	4/5	..	4/5	75/100	4/5	4.5/5	Aug 2018	429	ebay.com
6.		Nikon D5300	4/5	+ +	..	79/100	4.5/5	4.5/5	Oct 2013	799	ebay.com
7.		Nikon D5500	5/5	+	..	79/100	4.5/5	4.5/5	Jan 2015	899	ebay.com
8.		Nikon Z30	4/5	..	4/5	86/100	4.5/5	4/5	Jun 2022	709	amazon.com
9.		Nikon Z fc	4/5	..	4.5/5	86/100	5/5	4.5/5	Jun 2021	959	amazon.com
10.		Olympus E-1	..	..	..	+	o	..	Jun 2003	1,699	ebay.com
11.		Olympus E-3	..	88/100	..	+ +	o	4/5	Oct 2007	1,699	ebay.com
12.		Olympus E-30	..	..	..	71/100	4.5/5	4/5	Nov 2008	1,299	ebay.com
13.		Olympus E-510	..	89/100	..	+ +	3.5/5	4.5/5	Mar 2007	799	ebay.com
14.		Olympus E-520	..	87/100	..	+ +	4.5/5	4.5/5	May 2008	699	ebay.com
15.		Sony A6100	..	..	4/5	82/100	4/5	5/5	Aug 2019	749	ebay.com
16.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	999	ebay.com
17.		Sony A6400	4/5	+	4/5	85/100	4.5/5	4/5	Jan 2019	899	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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