Nikon Z5 vs Panasonic FZ1000 II
The Nikon Z5 and the Panasonic Lumix DC-FZ1000 II are two digital cameras that were officially introduced, respectively, in July 2020 and February 2019. The Z5 is a mirrorless interchangeable lens camera, while the FZ1000 II is a fixed lens compact. The cameras are based on a full frame (Z5) and an one-inch (FZ1000 II) sensor. The Nikon has a resolution of 24.2 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z5 and the Panasonic Lumix DC-FZ1000 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Nikon Z5 and the Panasonic FZ1000 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ1000 II is somewhat smaller (3 percent) than the Nikon Z5. It is worth mentioning in this context that the Z5 is splash and dust resistant, while the FZ1000 II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ1000 II has a lens built in, whereas the Z5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the Z5 gets 470 shots out of its EN-EL15c battery, while the FZ1000 II can take 350 images on a single charge of its DMW-BLC12 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) | Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon Z5 | 134 mm | 101 mm | 67 mm | 675 g | 470 | Y | Jul 2020 | 1,399 | ||
2. | Panasonic FZ1000 II | 136 mm | 97 mm | 131 mm | 810 g | 350 | n | Feb 2019 | 899 | ||
3. | Fujifilm X-T4 | 135 mm | 93 mm | 64 mm | 607 g | 500 | Y | Feb 2020 | 1,699 | ||
4. | Leica C-LUX | 113 mm | 67 mm | 46 mm | 340 g | 370 | n | Jun 2018 | 1,049 | ||
5. | Nikon Z7 II | 134 mm | 101 mm | 70 mm | 705 g | 420 | Y | Oct 2020 | 2,999 | ||
6. | Nikon Z6 II | 134 mm | 101 mm | 70 mm | 705 g | 410 | Y | Oct 2020 | 1,999 | ||
7. | Nikon Z6 | 134 mm | 101 mm | 67 mm | 675 g | 310 | Y | Aug 2018 | 1,999 | ||
8. | Nikon Z7 | 134 mm | 101 mm | 67 mm | 675 g | 330 | Y | Aug 2018 | 3,399 | ||
9. | Nikon D7500 | 136 mm | 104 mm | 73 mm | 720 g | 950 | Y | Apr 2017 | 1,299 | ||
10. | Olympus E-M5 III | 125 mm | 85 mm | 50 mm | 414 g | 310 | Y | Oct 2019 | 1,199 | ||
11. | Panasonic LX100 II | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Aug 2018 | 999 | ||
12. | Panasonic TZ200 | 111 mm | 65 mm | 45 mm | 340 g | 370 | n | Feb 2018 | 799 | ||
13. | Panasonic G9 | 137 mm | 97 mm | 92 mm | 658 g | 400 | Y | Nov 2017 | 1,699 | ||
14. | Panasonic FZ2000 | 138 mm | 102 mm | 135 mm | 915 g | 350 | n | Sep 2016 | 1,199 | ||
15. | Panasonic FZ1000 | 137 mm | 99 mm | 131 mm | 831 g | 360 | n | Jun 2014 | 899 | ||
16. | Sony A9 II | 129 mm | 96 mm | 76 mm | 678 g | 690 | Y | Oct 2019 | 4,499 | ||
17. | Sony A6600 | 120 mm | 67 mm | 69 mm | 503 g | 810 | Y | Aug 2019 | 1,399 | ||
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ1000 II was launched at a lower price than the Z5, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon Z5 features a full frame sensor and the Panasonic FZ1000 II an one-inch sensor. The sensor area in the FZ1000 II is 86 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 24.2MP, the Z5 offers a higher resolution than the FZ1000 II (20MP), but the Z5 nevertheless has larger individual pixels (pixel pitch of 5.95μm versus 2.41μm for the FZ1000 II) due to its larger sensor. Moreover, the Z5 is a somewhat more recent model (by 1 year and 5 months) than the FZ1000 II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Nikon Z5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z5 for good quality output (200 dots per inch) amounts to 30.1 x 20.1 inches or 76.4 x 51 cm, for very good quality (250 dpi) 24.1 x 16.1 inches or 61.1 x 40.8 cm, and for excellent quality (300 dpi) 20.1 x 13.4 inches or 50.9 x 34 cm. The corresponding values for the Panasonic FZ1000 II are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The Z5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon Z5 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DC-FZ1000 II are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports | DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon Z5 | Full Frame | 24.2 | 6016 | 4016 | 4K/30p | .. | .. | .. | .. | |
2. | Panasonic FZ1000 II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | .. | .. | .. | .. | |
3. | Fujifilm X-T4 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | .. | .. | .. | .. | |
4. | Leica C-LUX | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | .. | .. | .. | .. | |
5. | Nikon Z7 II | Full Frame | 45.4 | 8256 | 5504 | 4K/60p | .. | .. | .. | .. | |
6. | Nikon Z6 II | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | .. | .. | .. | .. | |
7. | Nikon Z6 | Full Frame | 24.3 | 6048 | 4024 | 4K/30p | 25.3 | 14.3 | 3299 | 95 | |
8. | Nikon Z7 | Full Frame | 45.4 | 8256 | 5504 | 4K/30p | 26.3 | 14.6 | 2668 | 99 | |
9. | Nikon D7500 | APS-C | 20.7 | 5568 | 3712 | 4K/30p | 24.3 | 14.0 | 1483 | 86 | |
10. | Olympus E-M5 III | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | .. | .. | .. | .. | |
11. | Panasonic LX100 II | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | .. | .. | .. | .. | |
12. | Panasonic TZ200 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | .. | .. | .. | .. | |
13. | Panasonic G9 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | .. | .. | .. | .. | |
14. | Panasonic FZ2000 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | .. | .. | .. | .. | |
15. | Panasonic FZ1000 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 11.7 | 517 | 64 | |
16. | Sony A9 II | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.0 | 3434 | 93 | |
17. | Sony A6600 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.8 | 13.4 | 1497 | 82 |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the Z5 offers a substantially higher resolution than the one in the FZ1000 II (3690k vs 2360k dots). The adjacent table lists some of the other core features of the Nikon Z5 and Panasonic FZ1000 II along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Size (inch) |
LCD Resolution (000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Mech Shutter Speed |
Shutter Flaps (1/sec) | Built-in Flash (yes/no) | Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon Z5 | 3690 | n | 3.2 | 1040 | tilting | Y | 1/8000s | 4.5 | n | Y | |
2. | Panasonic FZ1000 II | 2360 | n | 3.0 | 1240 | swivel | Y | 1/4000s | 12.0 | Y | Y | |
3. | Fujifilm X-T4 | 3690 | n | 3.0 | 1620 | swivel | Y | 1/8000s | 15.0 | n | Y | |
4. | Leica C-LUX | 2330 | n | 3.0 | 1240 | fixed | Y | 1/2000s | 10.0 | Y | Y | |
5. | Nikon Z7 II | 3690 | Y | 3.2 | 2100 | tilting | Y | 1/8000s | 10.0 | n | Y | |
6. | Nikon Z6 II | 3690 | Y | 3.2 | 2100 | tilting | Y | 1/8000s | 14.0 | n | Y | |
7. | Nikon Z6 | 3690 | Y | 3.2 | 2100 | tilting | Y | 1/8000s | 12.0 | n | Y | |
8. | Nikon Z7 | 3690 | Y | 3.2 | 2100 | tilting | Y | 1/8000s | 9.0 | n | Y | |
9. | Nikon D7500 | optical | Y | 3.2 | 922 | tilting | Y | 1/8000s | 8.0 | Y | n | |
10. | Olympus E-M5 III | 2360 | n | 3.0 | 1040 | swivel | Y | 1/8000s | 10.0 | n | Y | |
11. | Panasonic LX100 II | 2764 | n | 3.0 | 1240 | fixed | Y | 1/4000s | 11.0 | n | Y | |
12. | Panasonic TZ200 | 2330 | n | 3.0 | 1240 | fixed | Y | 1/2000s | 10.0 | Y | Y | |
13. | Panasonic G9 | 3680 | Y | 3.0 | 1040 | swivel | Y | 1/8000s | 20.0 | n | Y | |
14. | Panasonic FZ2000 | 2360 | n | 3.0 | 1040 | swivel | Y | 1/4000s | 12.0 | Y | Y | |
15. | Panasonic FZ1000 | 2359 | n | 3.0 | 921 | swivel | n | 1/4000s | 12.0 | Y | Y | |
16. | Sony A9 II | 3686 | n | 3.0 | 1440 | tilting | Y | 1/8000s | 10.0 | n | Y | |
17. | Sony A6600 | 2359 | n | 3.0 | 922 | tilting | Y | 1/4000s | 11.0 | n | Y |
One difference between the cameras concerns the presence of an on-board flash. The FZ1000 II has one, while the Z5 does not. While the built-in flash of the FZ1000 II is not very powerful, it can at times be useful as a fill-in light.
The FZ1000 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the Z5 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z5 and the Panasonic FZ1000 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the Z5 and the FZ1000 II write their files to SDXC cards. The Z5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the FZ1000 II only has one slot. The Z5 supports UHS-II cards (on both slots), while the FZ1000 II can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z5 and Panasonic Lumix DC-FZ1000 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Microphone |
Internal Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support | NFC Support | Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon Z5 | Y | stereo | mono | Y | Y | micro | 3.2 | Y | - | Y | |
2. | Panasonic FZ1000 II | Y | stereo | mono | Y | - | micro | 2.0 | Y | - | Y | |
3. | Fujifilm X-T4 | Y | stereo | mono | Y | - | micro | 3.1 | Y | - | Y | |
4. | Leica C-LUX | - | stereo | mono | - | - | micro | 2.0 | Y | - | - | |
5. | Nikon Z7 II | Y | stereo | mono | Y | Y | micro | 3.2 | Y | - | Y | |
6. | Nikon Z6 II | Y | stereo | mono | Y | Y | micro | 3.2 | Y | - | Y | |
7. | Nikon Z6 | Y | stereo | mono | Y | Y | micro | 3.1 | Y | - | Y | |
8. | Nikon Z7 | Y | stereo | mono | Y | Y | micro | 3.1 | Y | - | Y | |
9. | Nikon D7500 | Y | stereo | mono | Y | Y | mini | 2.0 | Y | - | Y | |
10. | Olympus E-M5 III | Y | stereo | mono | Y | - | micro | 2.0 | Y | - | Y | |
11. | Panasonic LX100 II | Y | stereo | mono | - | - | micro | 2.0 | Y | - | Y | |
12. | Panasonic TZ200 | - | stereo | mono | - | - | micro | 2.0 | Y | - | Y | |
13. | Panasonic G9 | Y | stereo | mono | Y | Y | full | 3.0 | Y | - | Y | |
14. | Panasonic FZ2000 | Y | stereo | mono | Y | Y | micro | 2.0 | Y | - | - | |
15. | Panasonic FZ1000 | Y | stereo | mono | Y | - | micro | 2.0 | Y | Y | - | |
16. | Sony A9 II | Y | stereo | mono | Y | Y | micro | 3.1 | Y | Y | Y | |
17. | Sony A6600 | Y | stereo | mono | Y | Y | YES | 2.0 | Y | Y | Y |
Both the Z5 and the FZ1000 II are recent models that are part of the current product line-up. The FZ1000 II replaced the earlier Panasonic FZ1000, while the Z5 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
Review summary
So what is the bottom line? Which of the two cameras – the Nikon Z5 or the Panasonic FZ1000 II – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Advantages of the Nikon Z5:
- More detail: Offers more megapixels (24.2 vs 20MP) with a 10% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.70x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (470 versus 350) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Is somewhat more recent (announced 1 year and 5 months after the FZ1000 II).

Arguments in favor of the Panasonic Lumix DC-FZ1000 II:
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1040k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 4.5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the Z5 necessitates an extra lens.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in February 2019).
If the count of relative strengths (bullet points above) is taken as a measure, the Z5 is the clear winner of the match-up (18 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon Z5 and the Panasonic FZ1000 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the Z5 or the FZ1000 II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon Z5 | 4/5 | .. | 89/100 | 4.5/5 | 4/5 | Jul 2020 | 1,399 | ||
2. | Panasonic FZ1000 II | .. | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2019 | 899 | ||
3. | Fujifilm X-T4 | 5/5 | + + | .. | 5/5 | 5/5 | Feb 2020 | 1,699 | ||
4. | Leica C-LUX | .. | .. | .. | 4.5/5 | 4/5 | Jun 2018 | 1,049 | ||
5. | Nikon Z7 II | 4.5/5 | .. | .. | 4.5/5 | 4.5/5 | Oct 2020 | 2,999 | ||
6. | Nikon Z6 II | 4.5/5 | .. | 89/100 | 4.5/5 | 4.5/5 | Oct 2020 | 1,999 | ||
7. | Nikon Z6 | 5/5 | .. | .. | 4.5/5 | 5/5 | Aug 2018 | 1,999 | ||
8. | Nikon Z7 | 5/5 | + | 89/100 | 4.5/5 | 5/5 | Aug 2018 | 3,399 | ||
9. | Nikon D7500 | 4.5/5 | + + | 86/100 | 5/5 | 4.5/5 | Apr 2017 | 1,299 | ||
10. | Olympus E-M5 III | 5/5 | + | 82/100 | 4.5/5 | 4.5/5 | Oct 2019 | 1,199 | ||
11. | Panasonic LX100 II | 4.5/5 | + | 82/100 | 4.5/5 | 4.5/5 | Aug 2018 | 999 | ||
12. | Panasonic TZ200 | .. | + + | 81/100 | 4.5/5 | 4.5/5 | Feb 2018 | 799 | ||
13. | Panasonic G9 | .. | + + | 85/100 | 5/5 | 5/5 | Nov 2017 | 1,699 | ||
14. | Panasonic FZ2000 | .. | + | 82/100 | 4.5/5 | 5/5 | Sep 2016 | 1,199 | ||
15. | Panasonic FZ1000 | 4/5 | + + | 82/100 | 4.5/5 | 4.5/5 | Jun 2014 | 899 | ||
16. | Sony A9 II | .. | .. | 90/100 | 5/5 | 5/5 | Oct 2019 | 4,499 | ||
17. | Sony A6600 | 4/5 | + | 83/100 | 4.5/5 | 4/5 | Aug 2019 | 1,399 | ||
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Check Amazon price Panasonic FZ1000 II:
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Other camera comparisons
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Specifications: Nikon Z5 vs Panasonic FZ1000 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon Z5 | Panasonic FZ1000 II |
---|---|---|
Camera Type | Mirrorless system camera | Fixed lens compact camera |
Camera Lens | Nikon Z mount lenses | 25-400mm f/2.8-4.0 |
Launch Date | July 2020 | February 2019 |
Launch Price | USD 1,399 | USD 899 |
Sensor Specs | Nikon Z5 | Panasonic FZ1000 II |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | Full Frame Sensor | 1" Sensor |
Sensor Size | 35.9 x 23.9 mm | 13.2 x 8.8 mm |
Sensor Area | 858.01 mm2 | 116.16 mm2 |
Sensor Diagonal | 43.1 mm | 15.9 mm |
Crop Factor | 1.0x | 2.7x |
Sensor Resolution | 24.2 Megapixels | 20 Megapixels |
Image Resolution | 6016 x 4016 pixels | 5472 x 3648 pixels |
Pixel Pitch | 5.95 μm | 2.41 μm |
Pixel Density | 2.82 MP/cm2 | 17.18 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 4K/30p Video |
ISO Setting | 100 - 51,200 ISO | 125 - 12,800 ISO |
ISO Boost | 50 - 102,400 ISO | 80 - 25,600 ISO |
Image Processor | EXPEED 6 | Venus |
Screen Specs | Nikon Z5 | Panasonic FZ1000 II |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.80x | 0.70x |
Viewfinder Resolution | 3690k dots | 2360k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 3.0inch |
LCD Resolution | 1040k dots | 1240k dots |
LCD Attachment | Tilting screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Nikon Z5 | Panasonic FZ1000 II |
Focus System | On-Sensor Phase-detect | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/4000s |
Continuous Shooting | 4.5 shutter flaps/s | 12 shutter flaps/s |
Electronic Shutter | up to 1/8000s | up to 1/16000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | In-body stabilization | Lens-based stabilization |
Fill Flash | no On-Board Flash | Build-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Second Storage Option | Dual card slots | Single card slot |
UHS card support | Dual UHS-II | UHS-I |
Connectivity Specs | Nikon Z5 | Panasonic FZ1000 II |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 3.2 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Nikon Z5 | Panasonic FZ1000 II |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | EN-EL15c | DMW-BLC12 |
Battery Life (CIPA) | 470 shots per charge | 350 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
134 x 101 x 67 mm (5.3 x 4.0 x 2.6 in) |
136 x 97 x 131 mm (5.4 x 3.8 x 5.2 in) |
Camera Weight | 675 g (23.8 oz) | 810 g (28.6 oz) |
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