Nikon Z5 vs Olympus E-M5
The Nikon Z5 and the Olympus OM-D E-M5 are two digital cameras that were officially introduced, respectively, in July 2020 and February 2012. Both the Z5 and the E-M5 are mirrorless interchangeable lens cameras that are based on a full frame (Z5) and a Four Thirds (E-M5) sensor. The Nikon has a resolution of 24.2 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z5 and the Olympus OM-D E-M5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon Z5 and the Olympus E-M5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The E-M5 can be obtained in two different colors (black, silver), while the Z5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 is notably smaller (20 percent) than the Nikon Z5. Moreover, the E-M5 is substantially lighter (37 percent) than the Z5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the Z5 gets 470 shots out of its EN-EL15c battery, while the E-M5 can take 360 images on a single charge of its BLN-1 power pack. The power pack in the Z5 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Nikon Z5||134 mm||101 mm||67 mm||675 g||470||Y||Jul 2020||1,399||amazon.com|
|2.||Olympus E-M5||122 mm||89 mm||43 mm||425 g||360||Y||Feb 2012||1,299||ebay.com|
|3.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499||amazon.com|
|4.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699||amazon.com|
|5.||Nikon Z9||149 mm||150 mm||91 mm||1340 g||740||Y||Oct 2021||5,499||amazon.com|
|6.||Nikon Z7 II||134 mm||101 mm||70 mm||705 g||420||Y||Oct 2020||2,999||amazon.com|
|7.||Nikon Z6 II||134 mm||101 mm||70 mm||705 g||410||Y||Oct 2020||1,999||amazon.com|
|8.||Nikon Z6||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999||ebay.com|
|9.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399||ebay.com|
|10.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199||ebay.com|
|11.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||ebay.com|
|12.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399||ebay.com|
|13.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||ebay.com|
|14.||Panasonic GH5 II||139 mm||98 mm||87 mm||727 g||400||Y||May 2021||1,699||amazon.com|
|15.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999||amazon.com|
|16.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||ebay.com|
|17.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499||amazon.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-M5 was somewhat cheaper (by 7 percent) than the Z5 at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon Z5 features a full frame sensor and the Olympus E-M5 a Four Thirds sensor. The sensor area in the E-M5 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the Z5 has a native 3:2 aspect ratio, while the one in the E-M5 offers a 4:3 aspect.
With 24.2MP, the Z5 offers a higher resolution than the E-M5 (15.9MP), but the Z5 nevertheless has larger individual pixels (pixel pitch of 5.95μm versus 3.76μm for the E-M5) due to its larger sensor. Moreover, the Z5 is a much more recent model (by 8 years and 5 months) than the E-M5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Nikon Z5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z5 for good quality output (200 dots per inch) amounts to 30.1 x 20.1 inches or 76.4 x 51 cm, for very good quality (250 dpi) 24.1 x 16.1 inches or 61.1 x 40.8 cm, and for excellent quality (300 dpi) 20.1 x 13.4 inches or 50.9 x 34 cm. The corresponding values for the Olympus E-M5 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Z5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon Z5 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-102400. The corresponding ISO settings for the Olympus OM-D E-M5 are ISO 200 to ISO 25600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Nikon Z5||Full Frame||24.2||6016||4016||4K/30p||25.3||14.3||2929||95|
|2.||Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|3.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|5.||Nikon Z9||Full Frame||45.4||8256||5504||8K/30p||26.3||14.4||2451||98|
|6.||Nikon Z7 II||Full Frame||45.4||8256||5504||4K/60p||26.3||14.7||2841||100|
|7.||Nikon Z6 II||Full Frame||24.3||6048||4024||4K/60p||25.0||14.4||3303||94|
|8.||Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|9.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|10.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|11.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|12.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|13.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|14.||Panasonic GH5 II||Four Thirds||20.2||5184||3888||4K/60p||23.7||13.1||1136||79|
|15.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||25.1||14.5||2697||94|
|16.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|17.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the Z5 provides a higher video resolution than the E-M5. It can shoot video footage at 4K/30p, while the Olympus is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the Z5 offers a substantially higher resolution than the one in the E-M5 (3690k vs 1440k dots). The following table reports on some other key feature differences and similarities of the Nikon Z5, the Olympus E-M5, and comparable cameras.
|1.||Nikon Z5||3690||n||3.2 / 1040||tilting||Y||1/8000s||4.5/s||n||Y|
|2.||Olympus E-M5||1440||n||3.0 / 610||tilting||Y||1/4000s||9.0/s||n||Y|
|3.||Canon R6||3690||n||3.0 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|4.||Fujifilm X-T4||3690||n||3.0 / 1620||swivel||Y||1/8000s||15.0/s||n||Y|
|5.||Nikon Z9||3690||Y||3.2 / 2089||full-flex||Y||1/32000s||30.0/s||n||Y|
|6.||Nikon Z7 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||10.0/s||n||Y|
|7.||Nikon Z6 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||14.0/s||n||Y|
|8.||Nikon Z6||3690||Y||3.2 / 2100||tilting||Y||1/8000s||12.0/s||n||Y|
|9.||Nikon Z7||3690||Y||3.2 / 2100||tilting||Y||1/8000s||9.0/s||n||Y|
|10.||Olympus PEN-F||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|11.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|12.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0/s||n||Y|
|13.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0/s||Y||Y|
|14.||Panasonic GH5 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||12.0/s||n||Y|
|15.||Panasonic S5||2360||n||3.0 / 1840||swivel||Y||1/8000s||7.0/s||n||Y|
|16.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|17.||Sony A9 II||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Z5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the Z5 and the E-M5 write their files to SDXC cards. The Z5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-M5 only has one slot. The Z5 supports UHS-II cards (on both slots), while the E-M5 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z5 and Olympus OM-D E-M5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon Z5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|2.||Olympus E-M5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon R6||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Fujifilm X-T4||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|5.||Nikon Z9||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|6.||Nikon Z7 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|7.||Nikon Z6 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|8.||Nikon Z6||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|9.||Nikon Z7||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|10.||Olympus PEN-F||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|12.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|13.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Panasonic GH5 II||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|15.||Panasonic S5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|16.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|17.||Sony A9 II||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
It is notable that the Z5 has a microphone port, which is missing on the E-M5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The Z5 is a recent model that features in the current product line-up of Nikon. In contrast, the E-M5 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-M5 was succeeded by the Olympus E-M5 II. Further information on the features and operation of the Z5 and E-M5 can be found, respectively, in the Nikon Z5 Manual (free pdf) or the online Olympus E-M5 Manual.
So what is the bottom line? Is the Nikon Z5 better than the Olympus E-M5 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Nikon Z5:
- More detail: Offers more megapixels (24.2 vs 15.9MP) with a 26% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 1440k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.58x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 610k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (470 versus 360) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 8 years and 5 months of technical progress since the E-M5 launch.
Reasons to prefer the Olympus OM-D E-M5:
- Faster burst: Shoots at higher frequency (9 vs 4.5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (122x89mm vs 134x101mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 250g or 37 percent) and is thus easier to take along.
- More heavily discounted: Has been around for much longer (launched in February 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the Z5 is the clear winner of the match-up (24 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon Z5 and the Olympus E-M5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the Z5 and the E-M5 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon Z5||4/5||..||4/5||89/100||4.5/5||4/5||Jul 2020||1,399||amazon.com|
|2.||Olympus E-M5||4/5||+ +||..||80/100||4.5/5||5/5||Feb 2012||1,299||ebay.com|
|3.||Canon R6||5/5||+ +||4/5||90/100||4.5/5||5/5||Jul 2020||2,499||amazon.com|
|4.||Fujifilm X-T4||5/5||+ +||5/5||88/100||5/5||5/5||Feb 2020||1,699||amazon.com|
|5.||Nikon Z9||5/5||..||4.5/5||94/100||5/5||5/5||Oct 2021||5,499||amazon.com|
|6.||Nikon Z7 II||4.5/5||..||4.5/5||..||4.5/5||4.5/5||Oct 2020||2,999||amazon.com|
|7.||Nikon Z6 II||4.5/5||..||4/5||89/100||4.5/5||4.5/5||Oct 2020||1,999||amazon.com|
|8.||Nikon Z6||5/5||..||5/5||89/100||4.5/5||5/5||Aug 2018||1,999||ebay.com|
|9.||Nikon Z7||5/5||+||4.8/5||89/100||4.5/5||5/5||Aug 2018||3,399||ebay.com|
|10.||Olympus PEN-F||..||..||4/5||82/100||4.5/5||5/5||Jan 2016||1,199||ebay.com|
|11.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099||ebay.com|
|12.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399||ebay.com|
|13.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999||ebay.com|
|14.||Panasonic GH5 II||4.5/5||..||4.5/5||85/100||4.5/5||5/5||May 2021||1,699||amazon.com|
|15.||Panasonic S5||4.5/5||+ +||4.5/5||88/100||4.5/5||4.5/5||Sep 2020||1,999||amazon.com|
|16.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999||ebay.com|
|17.||Sony A9 II||..||..||5/5||90/100||5/5||5/5||Oct 2019||4,499||amazon.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
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Specifications: Nikon Z5 vs Olympus E-M5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon Z5||Olympus E-M5|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Nikon Z mount lenses||Micro Four Thirds lenses|
|Launch Date||July 2020||February 2012|
|Launch Price||USD 1,399||USD 1,299|
|Sensor Specs||Nikon Z5||Olympus E-M5|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||35.9 x 23.9 mm||17.3 x 13.0 mm|
|Sensor Area||858.01 mm2||224.9 mm2|
|Sensor Diagonal||43.1 mm||21.6 mm|
|Sensor Resolution||24.2 Megapixels||15.9 Megapixels|
|Image Resolution||6016 x 4016 pixels||4608 x 3456 pixels|
|Pixel Pitch||5.95 μm||3.76 μm|
|Pixel Density||2.82 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||100 - 51,200 ISO||200 - 25,600 ISO|
|ISO Boost||50 - 102,400 ISO||no Enhancement|
|Image Processor||EXPEED 6||TruePic VI|
|DXO Sensor Quality (score)||..||71|
|DXO Color Depth (bits)||..||22.8|
|DXO Dynamic Range (EV)||..||12.3|
|DXO Low Light (ISO)||..||826|
|Screen Specs||Nikon Z5||Olympus E-M5|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1040k dots||610k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Nikon Z5||Olympus E-M5|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||4.5 shutter flaps/s||9 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||100 000 actuations|
|Electronic Shutter||up to 1/8000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Nikon Z5||Olympus E-M5|
|USB Connector||USB 3.2||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Nikon Z5||Olympus E-M5|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||470 shots per charge||360 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
134 x 101 x 67 mm
(5.3 x 4.0 x 2.6 in)
122 x 89 x 43 mm
(4.8 x 3.5 x 1.7 in)
|Camera Weight||675 g (23.8 oz)||425 g (15.0 oz)|
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