Nikon W150 vs Sony A6500
The Nikon Coolpix W150 and the Sony Alpha A6500 are two digital cameras that were revealed to the public, respectively, in April 2019 and October 2016. The W150 is a fixed lens compact, while the A6500 is a mirrorless interchangeable lens camera. The cameras are based on a 1/3.1-inch (W150) and an APS-C (A6500) sensor. The Nikon has a resolution of 13 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Coolpix W150 and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon W150 and the Sony A6500. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The W150 can be obtained in five different colors (blue, orange, white, flower, resort), while the A6500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is notably larger (9 percent) than the Nikon W150. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the W150 is water-proof up to 10m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the W150 has a lens built in, whereas the A6500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6500 and their specifications in the Sony E-Mount Lens Catalog.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Nikon W150||110 mm||67 mm||38 mm||177 g||220||Y||Apr 2019||159||amazon.com|
|2.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399||ebay.com|
|3.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995||amazon.com|
|4.||Nikon B600||122 mm||82 mm||99 mm||500 g||280||n||Jan 2019||349||amazon.com|
|5.||Nikon A1000||114 mm||72 mm||41 mm||330 g||250||n||Jan 2019||429||amazon.com|
|6.||Nikon P1000||146 mm||119 mm||181 mm||1415 g||250||n||Jul 2018||999||amazon.com|
|7.||Nikon W300||112 mm||66 mm||29 mm||231 g||280||Y||May 2017||389||amazon.com|
|8.||Panasonic TS7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449||amazon.com|
|9.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199||ebay.com|
|10.||Ricoh WG-6||118 mm||66 mm||33 mm||246 g||340||Y||Feb 2019||399||amazon.com|
|11.||Ricoh WG-60||123 mm||62 mm||30 mm||193 g||300||Y||Oct 2018||279||ebay.com|
|12.||Sony RX0 II||59 mm||41 mm||35 mm||132 g||240||Y||Mar 2019||699||amazon.com|
|13.||Sony A6600||120 mm||67 mm||69 mm||503 g||810||Y||Aug 2019||1,399||amazon.com|
|14.||Sony RX0||59 mm||41 mm||30 mm||110 g||240||Y||Aug 2017||699||ebay.com|
|15.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999||ebay.com|
|16.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399||ebay.com|
|17.||Sony NEX-7||120 mm||67 mm||43 mm||400 g||430||n||Aug 2011||1,349||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The W150 was launched at a lower price than the A6500, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon W150 features a 1/3.1-inch sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 2194 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 7.4 and 1.5. The sensor in the W150 has a native 4:3 aspect ratio, while the one in the A6500 offers a 3:2 aspect.
With 24MP, the A6500 offers a higher resolution than the W150 (13MP), but the A6500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 1.11μm for the W150) due to its larger sensor. However, the W150 is a much more recent model (by 2 years and 6 months) than the A6500, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the W150 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Nikon W150 are 20.8 x 15.6 inches or 52.8 x 39.6 cm for good quality, 16.6 x 12.5 inches or 42.3 x 31.7 cm for very good quality, and 13.9 x 10.4 inches or 35.2 x 26.4 cm for excellent quality prints.
The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon Coolpix W150 has a native sensitivity range from ISO 125 to ISO 1600. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|3.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|9.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|12.||Sony RX0 II||1-inch||15.4||4800||3200||4K/30p||22.1||12.4||555||65|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6500 provides a better video resolution than the W150. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A6500 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the W150 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Nikon W150, the Sony A6500, and comparable cameras.
|1.||Nikon W150||none||n||2.7 / 230||fixed||n||1/2000s||4.7/s||Y||n|
|2.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||Y|
|3.||Leica Q2||3680||n||3.0 / 1040||fixed||Y||1/2000s||20.0/s||n||Y|
|4.||Nikon B600||none||n||3.0 / 921||fixed||n||1/4000s||7.4/s||Y||Y|
|5.||Nikon A1000||1166||n||3.0 / 1036||tilting||Y||1/4000s||7.0/s||Y||Y|
|6.||Nikon P1000||2359||n||3.2 / 921||swivel||n||1/4000s||7.0/s||Y||Y|
|7.||Nikon W300||none||n||3.0 / 921||fixed||n||1/4000s||7.0/s||Y||Y|
|8.||Panasonic TS7||1170||n||3.0 / 1040||fixed||n||1/1300s||10.0/s||Y||Y|
|9.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0/s||n||Y|
|10.||Ricoh WG-6||none||n||3.0 / 1040||fixed||n||1/4000s||1.0/s||Y||n|
|11.||Ricoh WG-60||none||n||2.7 / 230||fixed||n||1/4000s||8.0/s||Y||n|
|12.||Sony RX0 II||none||n||1.5 / 230||tilting||n||..||5.5/s||n||n|
|13.||Sony A6600||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||n||Y|
|14.||Sony RX0||none||n||1.5 / 230||fixed||n||..||5.5/s||n||n|
|15.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|16.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0/s||Y||Y|
|17.||Sony NEX-7||2359||n||3.0 / 921||tilting||n||1/4000s||10.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The A6500 has a touchscreen, while the W150 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The W150 writes its imaging data to SDXC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. The A6500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the W150 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Coolpix W150 and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon W150||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|2.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|3.||Leica Q2||Y||stereo / mono||-||-||-||-||Y||-||Y|
|4.||Nikon B600||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|5.||Nikon A1000||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|6.||Nikon P1000||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|7.||Nikon W300||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|8.||Panasonic TS7||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|10.||Ricoh WG-6||-||mono / mono||-||-||micro||3.0||-||-||-|
|11.||Ricoh WG-60||-||mono / mono||-||-||micro||2.0||-||-||-|
|12.||Sony RX0 II||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|13.||Sony A6600||Y||stereo / mono||Y||Y||YES||2.0||Y||Y||Y|
|14.||Sony RX0||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|15.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Sony NEX-7||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the A6500 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The W150 does not feature such a mic input.
The W150 is a recent model that features in the current product line-up of Nikon. In contrast, the A6500 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the A6500 was succeeded by the Sony A6600. Further information on the features and operation of the W150 and A6500 can be found, respectively, in the Nikon W150 Manual (free pdf) or the online Sony A6500 Manual.
So what is the bottom line? Is there a clear favorite between the Nikon W150 and the Sony A6500? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Nikon Coolpix W150:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Has a lens built-in, whereas the A6500 requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A6500).
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 10m).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 6 months of technical progress since the A6500 launch.
Reasons to prefer the Sony Alpha A6500:
- More detail: Has more megapixels (24 vs 13MP), which boosts linear resolution by 39%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (11 vs 4.7 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (350 versus 220) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been around for much longer (launched in October 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the A6500 is the clear winner of the contest (23 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon W150 and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the W150 or the A6500. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon W150||..||+||..||..||3.5/5||3/5||Apr 2019||159||amazon.com|
|2.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399||ebay.com|
|3.||Leica Q2||..||..||4.5/5||84/100||4.5/5||4/5||Mar 2019||4,995||amazon.com|
|4.||Nikon B600||..||+||..||..||3.5/5||3/5||Jan 2019||349||amazon.com|
|5.||Nikon A1000||..||+ +||3.5/5||..||3.5/5||3/5||Jan 2019||429||amazon.com|
|6.||Nikon P1000||..||+||3.5/5||73/100||3.5/5||3.5/5||Jul 2018||999||amazon.com|
|7.||Nikon W300||..||+||..||..||4/5||4/5||May 2017||389||amazon.com|
|8.||Panasonic TS7||..||+||..||..||..||3.5/5||May 2018||449||amazon.com|
|9.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199||ebay.com|
|10.||Ricoh WG-6||..||..||..||..||3.5/5||3.5/5||Feb 2019||399||amazon.com|
|11.||Ricoh WG-60||..||..||..||..||..||..||Oct 2018||279||ebay.com|
|12.||Sony RX0 II||..||..||..||..||3.5/5||4/5||Mar 2019||699||amazon.com|
|13.||Sony A6600||4/5||+||4/5||83/100||4.5/5||4/5||Aug 2019||1,399||amazon.com|
|14.||Sony RX0||..||..||..||..||3.5/5||4/5||Aug 2017||699||ebay.com|
|15.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999||ebay.com|
|16.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399||ebay.com|
|17.||Sony NEX-7||5/5||+ +||..||81/100||4.5/5||5/5||Aug 2011||1,349||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon G7 X Mark III vs Nikon W150
- Contax N Digital vs Nikon W150
- Epson R-D1 vs Sony A6500
- Fujifilm X-A3 vs Nikon W150
- Kodak S-1 vs Nikon W150
- Nikon D3400 vs Sony A6500
- Nikon D5500 vs Sony A6500
- Nikon W150 vs Pentax K-5
- Nikon W150 vs Sony RX0 II
- Olympus E-M10 vs Sony A6500
- Panasonic FZ80 vs Sony A6500
- Panasonic GF7 vs Sony A6500
Specifications: Nikon W150 vs Sony A6500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon W150||Sony A6500|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||30-90mm f/3.3-5.9||Sony E mount lenses|
|Launch Date||April 2019||October 2016|
|Launch Price||USD 159||USD 1,399|
|Sensor Specs||Nikon W150||Sony A6500|
|Sensor Format||1/3.1" Sensor||APS-C Sensor|
|Sensor Size||4.7 x 3.5 mm||23.5 x 15.6 mm|
|Sensor Area||16.45 mm2||366.6 mm2|
|Sensor Diagonal||5.9 mm||28.2 mm|
|Sensor Resolution||13 Megapixels||24 Megapixels|
|Image Resolution||4160 x 3120 pixels||6000 x 4000 pixels|
|Pixel Pitch||1.11 μm||3.91 μm|
|Pixel Density||78.90 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||125 - 1,600 ISO||100 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 51,200 ISO|
|DXO Sensor Quality (score)||..||85|
|DXO Color Depth (bits)||..||24.5|
|DXO Dynamic Range (EV)||..||13.7|
|DXO Low Light (ISO)||..||1405|
|Screen Specs||Nikon W150||Sony A6500|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.7inch||3.0inch|
|LCD Resolution||230k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon W150||Sony A6500|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||4.7 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||up to 1/2000s||YES|
|Image Stabilization||no shake reduction||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Nikon W150||Sony A6500|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Nikon W150||Sony A6500|
|Environmental Sealing||Waterproof body (10m)||Weathersealed body|
|Battery Life (CIPA)||220 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||USB charging|
110 x 67 x 38 mm
(4.3 x 2.6 x 1.5 in)
120 x 67 x 53 mm
(4.7 x 2.6 x 2.1 in)
|Camera Weight||177 g (6.2 oz)||453 g (16.0 oz)|
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