Nikon L840 vs Panasonic LX7
The Nikon Coolpix L840 and the Panasonic Lumix DMC-LX7 are two digital cameras that were announced, respectively, in February 2015 and July 2012. Both the L840 and the LX7 are fixed lens compact cameras that are based on a 1/2.3-inch (L840) and a 1/1.7-inch (LX7) sensor. The Nikon has a resolution of 15.9 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Coolpix L840 and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Nikon L840 and the Panasonic LX7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The L840 can be obtained in two different colors (black, red), while the LX7 is also available in two color-versions, but different ones (black, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is notably smaller (14 percent) than the Nikon L840. Moreover, the LX7 is substantially lighter (45 percent) than the L840. In this context, it is worth noting that neither the L840 nor the LX7 are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon L840 | 113 mm | 78 mm | 96 mm | 538 g | 590 | n | Feb 2015 | 299 | ebay.com | |
2. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | 499 | ebay.com | |
3. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | 549 | ebay.com | |
4. | Canon SX60 | 128 mm | 93 mm | 114 mm | 650 g | 340 | n | Sep 2014 | 549 | ebay.com | |
5. | Canon SX520 | 120 mm | 82 mm | 92 mm | 441 g | 210 | n | Jul 2014 | 399 | ebay.com | |
6. | Canon SX530 | 120 mm | 82 mm | 92 mm | 442 g | 210 | n | Jan 2015 | 429 | ebay.com | |
7. | Fujifilm X10 | 117 mm | 70 mm | 57 mm | 350 g | 270 | n | Sep 2011 | 599 | ebay.com | |
8. | Nikon B500 | 114 mm | 78 mm | 95 mm | 541 g | 600 | n | Jan 2016 | 299 | ebay.com | |
9. | Nikon B600 | 122 mm | 82 mm | 99 mm | 500 g | 280 | n | Jan 2019 | 349 | ebay.com | |
10. | Nikon B700 | 125 mm | 85 mm | 107 mm | 565 g | 350 | n | Feb 2016 | 499 | ebay.com | |
11. | Nikon P900 | 140 mm | 103 mm | 137 mm | 899 g | 360 | n | Mar 2015 | 599 | ebay.com | |
12. | Panasonic GF3 | 108 mm | 67 mm | 32 mm | 264 g | 300 | n | Jun 2011 | 549 | ebay.com | |
13. | Panasonic GF5 | 108 mm | 67 mm | 37 mm | 267 g | 360 | n | Apr 2012 | 499 | ebay.com | |
14. | Panasonic LX5 | 110 mm | 65 mm | 43 mm | 271 g | 400 | n | Jul 2010 | 499 | ebay.com | |
15. | Sony H200 | 123 mm | 83 mm | 87 mm | 530 g | 240 | n | Jan 2013 | 249 | ebay.com | |
16. | Sony H400 | 130 mm | 95 mm | 122 mm | 628 g | 300 | n | Feb 2014 | 319 | ebay.com | |
17. | Sony HX80 | 102 mm | 58 mm | 36 mm | 245 g | 390 | n | Mar 2016 | 349 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The L840 was launched at a markedly lower price (by 40 percent) than the LX7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon L840 features a 1/2.3-inch sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 50 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 4.65. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the Nikon L840 offers a higher resolution of 15.9 megapixels, compared with 10 MP of the Panasonic LX7. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.33μm versus 2.05μm for the LX7). However, it should be noted that the L840 is much more recent (by 2 years and 6 months) than the LX7, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the L840 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon L840 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the L840 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Nikon Coolpix L840 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon L840 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60i | 20.2 | 11.6 | 721 | 47 | |
2. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
3. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
4. | Canon SX60 | 1/2.3 | 14.2 | 4608 | 3072 | 1080/60p | 19.2 | 10.8 | 127 | 39 | |
5. | Canon SX520 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/30p | 20.1 | 11.5 | 672 | 46 | |
6. | Canon SX530 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/30p | 20.2 | 11.6 | 712 | 47 | |
7. | Fujifilm X10 | 2/3 | 12.0 | 4000 | 3000 | 1080/30p | 20.5 | 11.3 | 245 | 50 | |
8. | Nikon B500 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60i | 20.3 | 11.7 | 810 | 48 | |
9. | Nikon B600 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/30p | 20.7 | 12.2 | 1095 | 52 | |
10. | Nikon B700 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.4 | 11.8 | 818 | 48 | |
11. | Nikon P900 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.2 | 11.6 | 727 | 47 | |
12. | Panasonic GF3 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.6 | 10.1 | 459 | 50 | |
13. | Panasonic GF5 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.5 | 10.0 | 573 | 50 | |
14. | Panasonic LX5 | 1/1.7 | 10.0 | 3648 | 2736 | 720/60p | 19.6 | 10.8 | 132 | 41 | |
15. | Sony H200 | 1/2.3 | 15.2 | 5184 | 2930 | 720/30p | 19.9 | 11.2 | 529 | 44 | |
16. | Sony H400 | 1/2.3 | 19.9 | 5152 | 3864 | 720/30p | 20.1 | 11.4 | 630 | 45 | |
17. | Sony HX80 | 1/2.3 | 18.0 | 4896 | 3672 | 1080/60p | 20.4 | 11.8 | 822 | 48 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the LX7 provides a faster frame rate than the L840. It can shoot movie footage at 1080/60p, while the Nikon is limited to 1080/60i.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The L840 and the LX7 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The following table reports on some other key feature differences and similarities of the Nikon L840, the Panasonic LX7, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon L840 | none | n | 3.0 / 921 | tilting | n | 1/4000s | 7.4/s | Y | Y | |
2. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
3. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
4. | Canon SX60 | 922 | n | 3.0 / 922 | swivel | n | 1/2000s | 6.4/s | Y | Y | |
5. | Canon SX520 | none | n | 3.0 / 461 | fixed | n | 1/2000s | 1.6/s | Y | Y | |
6. | Canon SX530 | none | n | 3.0 / 461 | fixed | n | 1/2000s | 1.6/s | Y | Y | |
7. | Fujifilm X10 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
8. | Nikon B500 | none | n | 3.0 / 921 | tilting | n | 1/4000s | 7.4/s | Y | Y | |
9. | Nikon B600 | none | n | 3.0 / 921 | fixed | n | 1/4000s | 7.4/s | Y | Y | |
10. | Nikon B700 | 921 | n | 3.0 / 921 | swivel | n | 1/4000s | 5.0/s | Y | Y | |
11. | Nikon P900 | 921 | n | 3.0 / 921 | swivel | n | 1/4000s | 7.0/s | Y | Y | |
12. | Panasonic GF3 | none | n | 3.0 / 460 | fixed | Y | 1/4000s | 3.2/s | Y | n | |
13. | Panasonic GF5 | none | n | 3.0 / 920 | fixed | Y | 1/4000s | 4.0/s | Y | n | |
14. | Panasonic LX5 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 2.5/s | Y | Y | |
15. | Sony H200 | none | n | 3.0 / 460 | fixed | n | 1/1500s | 0.8/s | Y | Y | |
16. | Sony H400 | 210 | n | 3.0 / 460 | fixed | n | 1/2000s | 0.7/s | Y | Y | |
17. | Sony HX80 | 638 | n | 3.0 / 922 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The Panasonic LX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the L840 and the LX7 have zoom lenses built in. The L840 has a 22.5-855mm f/3.0-6.5 optic and the LX7 offers a 24-90mm f/1.4-2.3 (focal lengths in full frame equivalent terms). Hence, the Nikon provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Panasonic. The LX7 offers the faster maximum aperture.
Concerning the storage of imaging data, both the L840 and the LX7 write their files to SDXC cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Coolpix L840 and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon L840 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
2. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
4. | Canon SX60 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
5. | Canon SX520 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
6. | Canon SX530 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
7. | Fujifilm X10 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
8. | Nikon B500 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
9. | Nikon B600 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
10. | Nikon B700 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
11. | Nikon P900 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
12. | Panasonic GF3 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic GF5 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
14. | Panasonic LX5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
15. | Sony H200 | - | mono / mono | - | - | - | 2.0 | - | - | - | |
16. | Sony H400 | - | mono / mono | - | - | micro | 2.0 | Y | - | - | |
17. | Sony HX80 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the L840 offers wifi support, while the LX7 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the L840 and the LX7 have been discontinued, but can regularly be found used on ebay. The LX7 was replaced by the Panasonic LX10, while the L840 was followed by the Nikon B500. Further information on the features and operation of the L840 and LX7 can be found, respectively, in the Nikon L840 Manual (free pdf) or the online Panasonic LX7 Manual.
Review summary
So how do things add up? Is the Nikon L840 better than the Panasonic LX7 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Nikon Coolpix L840:
- More detail: Offers more megapixels (15.9 vs 10MP) with a 26% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Can take more shots (590 versus 330) on a single battery charge.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (40 percent cheaper at launch).
- More modern: Reflects 2 years and 6 months of technical progress since the LX7 launch.
Arguments in favor of the Panasonic Lumix DMC-LX7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Faster burst: Shoots at higher frequency (11 vs 7.4 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/3.0).
- More compact: Is smaller (111x68mm vs 113x78mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 240g or 45 percent) and is thus easier to take along.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in July 2012).
If the count of relative strengths (bullet points above) is taken as a measure, the LX7 is the clear winner of the contest (15 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon L840 and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the L840 or the LX7 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon L840 | .. | + + | .. | .. | 3.5/5 | 4/5 | Feb 2015 | 299 | ebay.com | |
2. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | 499 | ebay.com | |
3. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 549 | ebay.com | |
4. | Canon SX60 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Sep 2014 | 549 | ebay.com | |
5. | Canon SX520 | .. | + | .. | .. | 3.5/5 | 3.5/5 | Jul 2014 | 399 | ebay.com | |
6. | Canon SX530 | .. | + + | .. | .. | 4/5 | 4/5 | Jan 2015 | 429 | ebay.com | |
7. | Fujifilm X10 | .. | .. | .. | 76/100 | 4/5 | 4.5/5 | Sep 2011 | 599 | ebay.com | |
8. | Nikon B500 | .. | + | .. | .. | 4/5 | 3.5/5 | Jan 2016 | 299 | ebay.com | |
9. | Nikon B600 | .. | + | .. | .. | 3.5/5 | 3/5 | Jan 2019 | 349 | ebay.com | |
10. | Nikon B700 | .. | + | .. | .. | 4/5 | 4/5 | Feb 2016 | 499 | ebay.com | |
11. | Nikon P900 | .. | .. | .. | 77/100 | 4/5 | 4/5 | Mar 2015 | 599 | ebay.com | |
12. | Panasonic GF3 | 3/5 | 82/100 | .. | 71/100 | 4.5/5 | 4/5 | Jun 2011 | 549 | ebay.com | |
13. | Panasonic GF5 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2012 | 499 | ebay.com | |
14. | Panasonic LX5 | 4/5 | + | .. | 73/100 | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
15. | Sony H200 | .. | .. | .. | .. | 3.5/5 | 3.5/5 | Jan 2013 | 249 | ebay.com | |
16. | Sony H400 | .. | o | .. | .. | 3.5/5 | 3.5/5 | Feb 2014 | 319 | ebay.com | |
17. | Sony HX80 | .. | .. | .. | .. | .. | .. | Mar 2016 | 349 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 20D vs Panasonic LX7
- Canon T3i vs Nikon L840
- Fujifilm GFX 100 vs Nikon L840
- Leica D-LUX 7 vs Nikon L840
- Leica Digilux 3 vs Panasonic LX7
- Leica M-E Typ 240 vs Panasonic LX7
- Nikon A1000 vs Nikon L840
- Nikon L840 vs Panasonic ZS70
- Nikon L840 vs Sony A7 III
- Panasonic LX7 vs Sony A5100
- Panasonic LX7 vs Sony A7R II
- Panasonic LX7 vs Sony NEX-5T
Specifications: Nikon L840 vs Panasonic LX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon L840 | Panasonic LX7 |
---|---|---|
Camera Type | Fixed lens compact camera | Fixed lens compact camera |
Camera Lens | 22.5-855mm f/3.0-6.5 | 24-90mm f/1.4-2.3 |
Launch Date | February 2015 | July 2012 |
Launch Price | USD 299 | USD 499 |
Sensor Specs | Nikon L840 | Panasonic LX7 |
Sensor Technology | CMOS | CMOS |
Sensor Format | 1/2.3" Sensor | 1/1.7" Sensor |
Sensor Size | 6.17 x 4.55 mm | 7.44 x 5.58 mm |
Sensor Area | 28.0735 mm2 | 41.5152 mm2 |
Sensor Diagonal | 7.7 mm | 9.3 mm |
Crop Factor | 5.6x | 4.65x |
Sensor Resolution | 15.9 Megapixels | 10 Megapixels |
Image Resolution | 4608 x 3456 pixels | 3648 x 2736 pixels |
Pixel Pitch | 1.33 μm | 2.05 μm |
Pixel Density | 56.73 MP/cm2 | 24.04 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 1080/60i Video | 1080/60p Video |
ISO Setting | 100 - 6,400 ISO | 80 - 6,400 ISO |
ISO Boost | no Enhancement | 80 - 12,800 ISO |
DXO Sensor Quality (score) | .. | 50 |
DXO Color Depth (bits) | .. | 20.7 |
DXO Dynamic Range (EV) | .. | 11.7 |
DXO Low Light (ISO) | .. | 147 |
Screen Specs | Nikon L840 | Panasonic LX7 |
Viewfinder Type | no viewfinder | Viewfinder optional |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 921k dots | 920k dots |
LCD Attachment | Tilting screen | Fixed screen |
Shooting Specs | Nikon L840 | Panasonic LX7 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Continuous Shooting | 7.4 shutter flaps/s | 11 shutter flaps/s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | no |
Connectivity Specs | Nikon L840 | Panasonic LX7 |
External Flash | no Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | mini HDMI |
Wifi Support | Wifi built-in | no Wifi |
Near-Field Communication | NFC built-in | no NFC |
Body Specs | Nikon L840 | Panasonic LX7 |
Battery Type | Nikon 4xAA | Panasonic DMW-BCJ13 |
Battery Life (CIPA) | 590 shots per charge | 330 shots per charge |
Body Dimensions |
113 x 78 x 96 mm (4.4 x 3.1 x 3.8 in) |
111 x 68 x 46 mm (4.4 x 2.7 x 1.8 in) |
Camera Weight | 538 g (19.0 oz) | 298 g (10.5 oz) |
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