Nikon D90 vs Sony A7
The Nikon D90 and the Sony Alpha A7 are two enthusiast cameras that were announced, respectively, in August 2008 and October 2013. The D90 is a DSLR, while the A7 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D90) and a full frame (A7) sensor. The Nikon has a resolution of 12.2 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D90||Sony A7|
|Digital single lens reflex||Mirrorless system camera|
|Nikon F mount lenses||Sony E mount lenses|
|12.2 MP, APS-C Sensor||24 MP, Full Frame Sensor|
|720/24p Video||1080/60p Video|
|ISO 200-3200 (200-6400)||ISO 100-25600 (50-51200)|
|Optical viewfinder||Electronic viewfinder (2400k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1230k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|4.5 shutter flaps per second||5 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|850 shots per battery charge||340 shots per battery charge|
|132 x 103 x 77 mm, 703 g||127 x 94 x 48 mm, 474 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D90 and the Sony Alpha A7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D90 and the Sony A7. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 is notably smaller (12 percent) than the Nikon D90. Moreover, the A7 is markedly lighter (33 percent) than the D90. It is noteworthy in this context that the A7 is splash and dust-proof, while the D90 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D90) and the Sony FE Lens Catalog (A7). Mirrorless cameras, such as the A7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the D90 gets 850 shots out of its EN-EL3e battery, while the A7 can take 340 images on a single charge of its NP-FW50 power pack. The power pack in the A7 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon D90»||132 mm||103 mm||77 mm||703 g||850||n||Aug 2008||1,299||Nikon D90|
|Sony A7«||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699||Sony A7|
|Canon 40D« »||146 mm||108 mm||74 mm||822 g||750||n||Aug 2007||1,299||Canon 40D|
|Nikon D7500« »||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299||Nikon D7500|
|Nikon D7200« »||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199||Nikon D7200|
|Nikon D7100« »||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199||Nikon D7100|
|Nikon D610« »||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999||Nikon D610|
|Nikon D7000« »||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499||Nikon D7000|
|Nikon D3000« »||126 mm||97 mm||64 mm||536 g||500||n||Jul 2009||599||Nikon D3000|
|Nikon D5000« »||127 mm||104 mm||80 mm||590 g||510||n||Apr 2009||749||Nikon D5000|
|Nikon D60« »||126 mm||94 mm||64 mm||522 g||500||n||Jan 2008||629||Nikon D60|
|Nikon D40X« »||124 mm||94 mm||64 mm||522 g||520||n||Mar 2007||729||Nikon D40X|
|Nikon D80« »||132 mm||103 mm||77 mm||668 g||600||n||Aug 2006||999||Nikon D80|
|Samsung NX1« »||139 mm||102 mm||66 mm||550 g||500||Y||Sep 2014||1,499||Samsung NX1|
|Sony A7 II« »||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||Sony A7 II|
|Sony A7S« »||127 mm||94 mm||48 mm||489 g||380||Y||Apr 2014||2,499||Sony A7S|
|Sony A7R« »||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299||Sony A7R|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D90 was launched at a somewhat lower price (by 24 percent) than the A7, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon D90 features an APS-C sensor and the Sony A7 a full frame sensor. The sensor area in the A7 is 129 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A7 offers a higher resolution than the D90 (12.2MP), but the A7 nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 5.53μm for the D90) due to its larger sensor. Moreover, the A7 is a much more recent model (by 5 years and 1 month) than the D90, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Nikon D90 are 21.4 x 14.2 inch or 54.5 x 36.2 cm for good quality, 17.2 x 11.4 inch or 43.6 x 28.9 cm for very good quality, and 14.3 x 9.5 inch or 36.3 x 24.1 cm for excellent quality prints.
The A7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon D90 has a native sensitivity range from ISO 200 to ISO 3200, which can be extended to ISO 200-6400. The corresponding ISO settings for the Sony Alpha A7 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7 offers substantially better image quality than the D90 (overall score 17 points higher). The advantage is based on 2.1 bits higher color depth, 1.7 EV in additional dynamic range, and 1.2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Nikon D90||APS-C||12.2||4288||2848||720/24p||22.7||12.5||977||73||Nikon D90|
|Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Canon 40D||APS-C||10.1||3888||2592||none||22.1||11.3||703||64||Canon 40D|
|Nikon D7500||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Nikon D7200||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Nikon D7100||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83||Nikon D7100|
|Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Nikon D7000||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80||Nikon D7000|
|Nikon D3000||APS-C||10.0||3872||2592||none||22.3||11.1||563||62||Nikon D3000|
|Nikon D5000||APS-C||12.2||4288||2848||720/24p||22.7||12.5||868||72||Nikon D5000|
|Nikon D60||APS-C||10.0||3872||2592||none||22.5||11.4||562||65||Nikon D60|
|Nikon D40X||APS-C||10.0||3872||2592||none||22.4||11.4||516||63||Nikon D40X|
|Nikon D80||APS-C||10.0||3872||2592||none||22.1||11.2||524||61||Nikon D80|
|Samsung NX1||APS-C||28.0||6480||4320||4K/30p||24.2||13.2||1363||83||Samsung NX1|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87||Sony A7S|
|Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7 provides a better video resolution than the D90. It can shoot movie footage at 1080/60p, while the Nikon is limited to 720/24p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7 has an electronic viewfinder (2400k dots), while the D90 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7 offers a wider field of view (100%) than the one in the D90 (96%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7 has a higher magnification (0.71x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Nikon D90 and Sony A7 in connection with corresponding information for a sample of similar cameras.
|Nikon D90||optical||Y||3.0||920||fixed||n||1/4000s||4.5||Y||n||Nikon D90|
|Sony A7||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Canon 40D||optical||Y||3.0||230||fixed||n||1/8000s||6.5||Y||n||Canon 40D|
|Nikon D7500||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
|Nikon D7200||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Nikon D7100||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7100|
|Nikon D610||optical||Y||3.2||921||fixed||n||1/4000s||6.0||Y||n||Nikon D610|
|Nikon D7000||optical||Y||3.0||921||fixed||n||1/8000s||6.0||Y||n||Nikon D7000|
|Nikon D3000||optical||n||3.0||230||fixed||n||1/4000s||3.0||Y||n||Nikon D3000|
|Nikon D5000||optical||n||2.7||230||full-flex||n||1/4000s||4.0||Y||n||Nikon D5000|
|Nikon D60||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D60|
|Nikon D40X||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D40X|
|Nikon D80||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D80|
|Samsung NX1||2360||Y||3.0||1036||tilting||Y||1/8000s||15.0||Y||n||Samsung NX1|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7S||2400||n||3.0||921||tilting||n||1/8000s||5.0||n||n||Sony A7S|
|Sony A7R||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
One difference between the cameras concerns the presence of an on-board flash. The D90 has one, while the A7 does not. While the built-in flash of the D90 is not very powerful, it can at times be useful as a fill-in light.
The D90 writes its imaging data to SDHC cards, while the A7 uses SDXC or Memory Stick PRO Duo cards. The A7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D90 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D90 and Sony Alpha A7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D90||Y||mono||mono||-||-||mini||2.0||-||-||-||Nikon D90|
|Sony A7||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Canon 40D||Y||none||none||-||-||none||2.0||-||-||-||Canon 40D|
|Nikon D7500||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Nikon D7200||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Nikon D7100||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Nikon D7100|
|Nikon D610||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Nikon D7000||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D7000|
|Nikon D3000||Y||none||none||-||-||none||2.0||-||-||-||Nikon D3000|
|Nikon D5000||Y||mono||mono||-||-||mini||2.0||-||-||-||Nikon D5000|
|Nikon D60||Y||none||none||-||-||none||2.0||-||-||-||Nikon D60|
|Nikon D40X||Y||none||none||-||-||none||2.0||-||-||-||Nikon D40X|
|Nikon D80||Y||none||none||-||-||none||2.0||-||-||-||Nikon D80|
|Samsung NX1||Y||stereo||mono||Y||Y||micro||3.0||Y||Y||Y||Samsung NX1|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7S||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S|
|Sony A7R||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
It is notable that the A7 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D90 does not offer wifi capability.
Both the D90 and the A7 have been discontinued, but can regularly be found used on eBay. The D90 was replaced by the Nikon D7000, while the A7 was followed by the Sony A7 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what is the bottom line? Which of the two cameras – the Nikon D90 or the Sony A7 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Nikon D90:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (850 versus 340) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced segment (24 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in August 2008).
Reasons to prefer the Sony Alpha A7:
- More detail: Has more megapixels (24 vs 12.2MP), which boosts linear resolution by 40%.
- Better image quality: Scores substantially higher (17 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.1 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.7 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.2 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/60p vs 720/24p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 96%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.63x).
- More detailed LCD: Has a higher resolution rear screen (1230k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More compact: Is smaller (127x94mm vs 132x103mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 229g or 33 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 1 month of technical progress since the D90 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A7 is the clear winner of the contest (23 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D90 and the Sony A7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the D90 or the A7 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X Mark II vs Sony A7 III
- Canon 350D vs Sony A7 III
- Canon 40D vs Sony A7 III
- Canon 700D vs Sony A7 III
- Nikon A1000 vs Nikon D90
- Nikon D3100 vs Nikon D90
- Nikon D4S vs Sony A7 III
- Nikon D90 vs Panasonic GH5s
- Olympus E-PL7 vs Sony A7 III
- Panasonic FZ200 vs Sony A7 III
- Panasonic LX15 vs Sony A7 II
- Sony A7 II vs Sony NEX-3N
Specifications: Nikon D90 vs Sony A7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D90||Sony A7|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Sony E mount lenses|
|Launch Date||August 2008||October 2013|
|Launch Price||USD 1299||USD 1699|
|Sensor Specs||Nikon D90||Sony A7|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.6 x 15.8 mm||35.8 x 23.9 mm|
|Sensor Area||372.88 mm2||855.62 mm2|
|Sensor Diagonal||28.4 mm||43 mm|
|Sensor Resolution||12.2 Megapixels||24 Megapixels|
|Image Resolution||4288 x 2848 pixels||6000 x 4000 pixels|
|Pixel Pitch||5.53 μm||5.97 μm|
|Pixel Density||3.28 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/24p Video||1080/60p Video|
|ISO Setting||200-3200 ISO||100-25600 ISO|
|ISO Boost||200-6400 ISO||50-51200 ISO|
|Image Processor||EXPEED||BIONZ X|
|DXO Sensor Quality (score)||73||90|
|DXO Color Depth (bits)||22.7||24.8|
|DXO Dynamic Range (EV)||12.5||14.2|
|DXO Low Light (ISO)||977||2248|
|Screen Specs||Nikon D90||Sony A7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||96%||100%|
|Viewfinder Resolution||2400k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1230k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Nikon D90||Sony A7|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||4.5 shutter flaps/s||5 shutter flaps/s|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDHC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Nikon D90||Sony A7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Nikon D90||Sony A7|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||850 shots per charge||340 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
132 x 103 x 77 mm
(5.2 x 4.1 x 3.0 in)
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
|Camera Weight||703 g (24.8 oz)||474 g (16.7 oz)|
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