Nikon D90 vs Fujifilm GFX 50S
The Nikon D90 and the Fujifilm GFX 50S are two digital cameras that were announced, respectively, in August 2008 and September 2016. The D90 is a DSLR, while the GFX 50S is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D90) and a medium format (GFX 50S) sensor. The Nikon has a resolution of 12.2 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D90 and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Nikon D90 and the Fujifilm GFX 50S. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is somewhat larger (2 percent) than the Nikon D90. Moreover, the GFX 50S is markedly heavier (5 percent) than the D90. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the D90 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the D90 gets 850 shots out of its Nikon EN-EL3e battery, while the GFX 50S can take 400 images on a single charge of its Fujifilm NP-T125 power pack.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D90 | 132 mm | 103 mm | 77 mm | 703 g | 850 | n | Aug 2008 | 1,299 | ebay.com | |
2. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | 6,499 | ebay.com | |
3. | Canon 40D | 146 mm | 108 mm | 74 mm | 822 g | 750 | n | Aug 2007 | 1,299 | ebay.com | |
4. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | 3,999 | amazon.com | |
5. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | 4,499 | ebay.com | |
6. | Hasselblad X1D II | 148 mm | 97 mm | 70 mm | 766 g | .. | Y | Jun 2019 | 5,750 | ebay.com | |
7. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | 6,595 | ebay.com | |
8. | Leica SL | 147 mm | 104 mm | 39 mm | 847 g | 400 | Y | Oct 2015 | 7,450 | ebay.com | |
9. | Nikon D7000 | 132 mm | 105 mm | 77 mm | 780 g | 1050 | Y | Sep 2010 | 1,499 | ebay.com | |
10. | Nikon D3100 | 124 mm | 96 mm | 75 mm | 505 g | 550 | n | Aug 2010 | 599 | ebay.com | |
11. | Nikon D300S | 147 mm | 115 mm | 81 mm | 938 g | 950 | Y | Jul 2009 | 1,799 | ebay.com | |
12. | Nikon D3000 | 126 mm | 97 mm | 64 mm | 536 g | 500 | n | Jul 2009 | 599 | ebay.com | |
13. | Nikon D5000 | 127 mm | 104 mm | 80 mm | 590 g | 510 | n | Apr 2009 | 749 | ebay.com | |
14. | Nikon D60 | 126 mm | 94 mm | 64 mm | 522 g | 500 | n | Jan 2008 | 629 | ebay.com | |
15. | Nikon D40X | 124 mm | 94 mm | 64 mm | 522 g | 520 | n | Mar 2007 | 729 | ebay.com | |
16. | Nikon D300 | 147 mm | 114 mm | 74 mm | 925 g | 1000 | Y | Aug 2007 | 1,799 | ebay.com | |
17. | Nikon D80 | 132 mm | 103 mm | 77 mm | 668 g | 600 | n | Aug 2006 | 999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D90 was launched at a markedly lower price (by 80 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D90 features an APS-C sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 289 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 0.79. The sensor in the D90 has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.
With 51.1MP, the GFX 50S offers a higher resolution than the D90 (12.2MP), but the GFX 50S has smaller individual pixels (pixel pitch of 5.33μm versus 5.53μm for the D90). Yet, the GFX 50S is a much more recent model (by 8 years) than the D90, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Nikon D90 are 21.4 x 14.2 inches or 54.5 x 36.2 cm for good quality, 17.2 x 11.4 inches or 43.6 x 28.9 cm for very good quality, and 14.3 x 9.5 inches or 36.3 x 24.1 cm for excellent quality prints.
The Nikon D90 has a native sensitivity range from ISO 200 to ISO 3200, which can be extended to ISO 200-6400. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D90 | APS-C | 12.2 | 4288 | 2848 | 720/24p | 22.7 | 12.5 | 977 | 73 | |
2. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
3. | Canon 40D | APS-C | 10.1 | 3888 | 2592 | none | 22.1 | 11.3 | 703 | 64 | |
4. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
5. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
6. | Hasselblad X1D II | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 25.7 | 14.5 | 3234 | 99 | |
7. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
8. | Leica SL | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 13.4 | 1821 | 88 | |
9. | Nikon D7000 | APS-C | 16.1 | 4928 | 3264 | 1080/24p | 23.5 | 13.9 | 1167 | 80 | |
10. | Nikon D3100 | APS-C | 14.2 | 4608 | 3072 | 1080/24p | 22.5 | 11.3 | 919 | 67 | |
11. | Nikon D300S | APS-C | 12.2 | 4288 | 2848 | 720/24p | 22.5 | 12.2 | 787 | 70 | |
12. | Nikon D3000 | APS-C | 10.0 | 3872 | 2592 | none | 22.3 | 11.1 | 563 | 62 | |
13. | Nikon D5000 | APS-C | 12.2 | 4288 | 2848 | 720/24p | 22.7 | 12.5 | 868 | 72 | |
14. | Nikon D60 | APS-C | 10.0 | 3872 | 2592 | none | 22.5 | 11.4 | 562 | 65 | |
15. | Nikon D40X | APS-C | 10.0 | 3872 | 2592 | none | 22.4 | 11.4 | 516 | 63 | |
16. | Nikon D300 | APS-C | 12.2 | 4288 | 2848 | none | 22.1 | 12.0 | 679 | 67 | |
17. | Nikon D80 | APS-C | 10.0 | 3872 | 2592 | none | 22.1 | 11.2 | 524 | 61 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GFX 50S provides a better video resolution than the D90. It can shoot movie footage at 1080/30p, while the Nikon is limited to 720/24p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the D90 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The table below summarizes some of the other core capabilities of the Nikon D90 and Fujifilm GFX 50S in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D90 | optical | Y | 3.0 / 920 | fixed | n | 1/4000s | 4.5/s | Y | n | |
2. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
3. | Canon 40D | optical | Y | 3.0 / 230 | fixed | n | 1/8000s | 6.5/s | Y | n | |
4. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
5. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
6. | Hasselblad X1D II | 3690 | n | 3.6 / 2360 | fixed | Y | 1/2000s | 2.7/s | n | n | |
7. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
8. | Leica SL | 4400 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 11.0/s | n | n | |
9. | Nikon D7000 | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 6.0/s | Y | n | |
10. | Nikon D3100 | optical | n | 3.0 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
11. | Nikon D300S | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 7.0/s | Y | n | |
12. | Nikon D3000 | optical | n | 3.0 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
13. | Nikon D5000 | optical | n | 2.7 / 230 | full-flex | n | 1/4000s | 4.0/s | Y | n | |
14. | Nikon D60 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
15. | Nikon D40X | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
16. | Nikon D300 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 6.0/s | Y | n | |
17. | Nikon D80 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The D90 has one, while the GFX 50S does not. While the built-in flash of the D90 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D90 writes its imaging data to SDHC cards, while the GFX 50S uses SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the D90 only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the D90 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D90 and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D90 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
2. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
3. | Canon 40D | Y | - / - | - | - | - | 2.0 | - | - | - | |
4. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
5. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
6. | Hasselblad X1D II | Y | stereo / mono | Y | Y | - | 3.0 | Y | - | - | |
7. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
8. | Leica SL | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | - | |
9. | Nikon D7000 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
10. | Nikon D3100 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
11. | Nikon D300S | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
12. | Nikon D3000 | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Nikon D5000 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
14. | Nikon D60 | Y | - / - | - | - | - | 2.0 | - | - | - | |
15. | Nikon D40X | Y | - / - | - | - | - | 2.0 | - | - | - | |
16. | Nikon D300 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
17. | Nikon D80 | Y | - / - | - | - | - | 2.0 | - | - | - |
It is notable that the GFX 50S offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D90 does not provide wifi capability.
Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the D90) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D90 and the GFX 50S have been discontinued, but can regularly be found used on ebay. The D90 was replaced by the Nikon D7000, while the GFX 50S was followed by the Fujifilm GFX 50S II. Further information on the features and operation of the D90 and GFX 50S can be found, respectively, in the Nikon D90 Manual (free pdf) or the online Fujifilm GFX 50S Manual.
Review summary
So what is the bottom line? Is there a clear favorite between the Nikon D90 and the Fujifilm GFX 50S? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Nikon D90:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Faster burst: Shoots at higher frequency (4.5 vs 3 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (850 versus 400) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in August 2008).
Advantages of the Fujifilm GFX 50S:
- More detail: Has more megapixels (51.1 vs 12.2MP), which boosts linear resolution by 100%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (1080/30p vs 720/24p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 920k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 8 years of technical progress since the D90 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S is the clear winner of the contest (23 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D90 and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D90 or the GFX 50S. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D90 | .. | + + | .. | + + | 4/5 | 4.5/5 | Aug 2008 | 1,299 | ebay.com | |
2. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | 6,499 | ebay.com | |
3. | Canon 40D | .. | + + | .. | + + | 4.5/5 | 4.5/5 | Aug 2007 | 1,299 | ebay.com | |
4. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | 3,999 | amazon.com | |
5. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | 4,499 | ebay.com | |
6. | Hasselblad X1D II | .. | .. | 4/5 | .. | 4/5 | 4/5 | Jun 2019 | 5,750 | ebay.com | |
7. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | 6,595 | ebay.com | |
8. | Leica SL | 4/5 | .. | 4/5 | 84/100 | 4.5/5 | 4/5 | Oct 2015 | 7,450 | ebay.com | |
9. | Nikon D7000 | 4/5 | .. | .. | 80/100 | 4.5/5 | 4.5/5 | Sep 2010 | 1,499 | ebay.com | |
10. | Nikon D3100 | 5/5 | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Aug 2010 | 599 | ebay.com | |
11. | Nikon D300S | 5/5 | + + | .. | 82/100 | 4/5 | 4.5/5 | Jul 2009 | 1,799 | ebay.com | |
12. | Nikon D3000 | .. | + | .. | 72/100 | 4/5 | 4.5/5 | Jul 2009 | 599 | ebay.com | |
13. | Nikon D5000 | .. | + + | .. | 75/100 | 4/5 | 4.5/5 | Apr 2009 | 749 | ebay.com | |
14. | Nikon D60 | .. | 80/100 | .. | + + | 4/5 | 4.5/5 | Jan 2008 | 629 | ebay.com | |
15. | Nikon D40X | .. | 79/100 | .. | + + | 4/5 | 4/5 | Mar 2007 | 729 | ebay.com | |
16. | Nikon D300 | .. | + + | .. | + + | 5/5 | 4.5/5 | Aug 2007 | 1,799 | ebay.com | |
17. | Nikon D80 | .. | + | .. | + + | o | 4.5/5 | Aug 2006 | 999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G16 vs Fujifilm GFX 50S
- Fujifilm GFX 50S vs Panasonic GF2
- Fujifilm GFX 50S vs Panasonic ZS70
- Fujifilm GFX 50S vs Ricoh WG-60
- Fujifilm GFX 50S vs Sony A1
- Fujifilm GFX 50S vs Sony H200
- Fujifilm X-A2 vs Nikon D90
- Fujifilm X-T100 vs Nikon D90
- Nikon D90 vs Nikon Df
- Nikon D90 vs Olympus Stylus 1
- Nikon D90 vs Panasonic GX9
- Nikon D90 vs Sony NEX-C3
Specifications: Nikon D90 vs Fujifilm GFX 50S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon D90 | Fujifilm GFX 50S |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Nikon F mount lenses | Fujifilm G mount lenses |
Launch Date | August 2008 | September 2016 |
Launch Price | USD 1,299 | USD 6,499 |
Sensor Specs | Nikon D90 | Fujifilm GFX 50S |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Medium Format Sensor |
Sensor Size | 23.6 x 15.8 mm | 44.0 x 33.0 mm |
Sensor Area | 372.88 mm2 | 1452 mm2 |
Sensor Diagonal | 28.4 mm | 55 mm |
Crop Factor | 1.5x | 0.79x |
Sensor Resolution | 12.2 Megapixels | 51.1 Megapixels |
Image Resolution | 4288 x 2848 pixels | 8256 x 6192 pixels |
Pixel Pitch | 5.53 μm | 5.33 μm |
Pixel Density | 3.28 MP/cm2 | 3.52 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 720/24p Video | 1080/30p Video |
ISO Setting | 200 - 3,200 ISO | 100 - 12,800 ISO |
ISO Boost | 200 - 6,400 ISO | 50 - 102,400 ISO |
Image Processor | EXPEED | X Processor Pro |
DXO Sensor Quality (score) | 73 | .. |
DXO Color Depth (bits) | 22.7 | .. |
DXO Dynamic Range (EV) | 12.5 | .. |
DXO Low Light (ISO) | 977 | .. |
Screen Specs | Nikon D90 | Fujifilm GFX 50S |
Viewfinder Type | Optical viewfinder | Viewfinder optional |
Viewfinder Field of View | 96% | |
Viewfinder Magnification | 0.63x | |
Top-Level Screen | Control Panel | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 920k dots | 2360k dots |
LCD Attachment | Fixed screen | Fully flexible screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Nikon D90 | Fujifilm GFX 50S |
Focus System | Phase-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 4.5 shutter flaps/s | 3 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDHC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | no | Dual UHS-II |
Connectivity Specs | Nikon D90 | Fujifilm GFX 50S |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 3.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Body Specs | Nikon D90 | Fujifilm GFX 50S |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Nikon EN-EL3e | Fujifilm NP-T125 |
Battery Life (CIPA) | 850 shots per charge | 400 shots per charge |
Body Dimensions |
132 x 103 x 77 mm (5.2 x 4.1 x 3.0 in) |
148 x 94 x 91 mm (5.8 x 3.7 x 3.6 in) |
Camera Weight | 703 g (24.8 oz) | 740 g (26.1 oz) |
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