Nikon D780 vs Panasonic FZ82
The Nikon D780 and the Panasonic Lumix DC-FZ82 (labelled Panasonic FZ80 in some countries) are two digital cameras that were officially introduced, respectively, in January 2020 and January 2017. The D780 is a DSLR, while the FZ82 is a fixed lens compact. The cameras are based on a full frame (D780) and a 1/2.3-inch (FZ82) sensor. The Nikon has a resolution of 24.3 megapixels, whereas the Panasonic provides 18 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D780||Panasonic FZ82|
|Digital single lens reflex||Fixed lens compact camera|
|Nikon F mount lenses||20-1200mm f/2.8-5.9|
|24.3 MP, Full Frame Sensor||18 MP, 1/2.3" Sensor|
|4K/30p Video||4K/30p Video|
|ISO 100-51200 (50-204800)||ISO 80-3200 (80-6400)|
|Optical viewfinder||Electronic viewfinder (1166k dots)|
|3.2" LCD, 2359k dots||3.0" LCD, 1040k dots|
|Tilting touchscreen||Fixed touchscreen|
|12 shutter flaps per second||10 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|2260 shots per battery charge||330 shots per battery charge|
|144 x 116 x 76 mm, 840 g||130 x 94 x 119 mm, 616 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D780 and the Panasonic Lumix DC-FZ82? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D780 and the Panasonic FZ82. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ82 is notably smaller (27 percent) than the Nikon D780. It is worth mentioning in this context that the D780 is splash and dust resistant, while the FZ82 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ82 has a lens built in, whereas the D780 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D780 and their specifications in the Nikon Lens Catalog.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Nikon D780»||5.7 in||4.6 in||3.0 in||29.6 oz||2260||Y||Jan 2020||2,299||Nikon D780|
|Panasonic FZ82«||5.1 in||3.7 in||4.7 in||21.7 oz||330||n||Jan 2017||399||Panasonic FZ82|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||Canon SX730|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||Canon 6D|
|Nikon D6« »||6.3 in||6.4 in||3.6 in||44.8 oz||3580||Y||Feb 2020||6,499||Nikon D6|
|Nikon D5« »||6.3 in||6.3 in||3.6 in||49.9 oz||3780||Y||Jan 2016||6,499||Nikon D5|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||Nikon D750|
|Nikon Df« »||5.7 in||4.3 in||2.6 in||26.8 oz||1400||Y||Nov 2013||2,749||Nikon Df|
|Nikon D610« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999||Nikon D610|
|Nikon D600« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099||Nikon D600|
|Panasonic FT7« »||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449||Panasonic FT7|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||Panasonic TZ90|
|Sigma fp« »||4.4 in||2.8 in||1.8 in||14.9 oz||280||Y||Jul 2019||1,899||Sigma fp|
|Sony HX350« »||5.1 in||3.7 in||4.1 in||23.0 oz||300||n||Dec 2016||449||Sony HX350|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ82 was launched at a lower price than the D780, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D780 features a full frame sensor and the Panasonic FZ82 a 1/2.3-inch sensor. The sensor area in the FZ82 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the D780 has a native 3:2 aspect ratio, while the one in the FZ82 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around BSI-CMOS sensors.
With 24.3MP, the D780 offers a higher resolution than the FZ82 (18MP), but the D780 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 1.25μm for the FZ82) due to its larger sensor. Moreover, the D780 is a much more recent model (by 3 years) than the FZ82, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ82 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon D780 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D780 for good quality output (200 dots per inch) amounts to 30.2 x 20.1 inch or 76.8 x 51.1 cm, for very good quality (250 dpi) 24.2 x 16.1 inch or 61.4 x 40.9 cm, and for excellent quality (300 dpi) 20.2 x 13.4 inch or 51.2 x 34.1 cm. The corresponding values for the Panasonic FZ82 are 24.5 x 18.4 inch or 62.2 x 46.6 cm for good quality, 19.6 x 14.7 inch or 49.7 x 37.3 cm for very good quality, and 16.3 x 12.2 inch or 41.5 x 31.1 cm for excellent quality prints.
The D780 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon D780 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Panasonic Lumix DC-FZ82 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Nikon D780||Full Frame||24.3||6048||4024||4K/30p||..||..||..||..||Nikon D780|
|Panasonic FZ82||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Panasonic FZ82|
|Canon SX740||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Canon SX740|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon SX730||1/2.3||20.2||5184||3888||1080/60p||..||..||..||..||Canon SX730|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Nikon D6||Full Frame||20.7||5568||3712||4K/30p||..||..||..||..||Nikon D6|
|Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88||Nikon D5|
|Nikon D500||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Nikon Df||Full Frame||16.2||4928||3280||none||24.6||13.1||3279||89||Nikon Df|
|Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94||Nikon D600|
|Panasonic FT7||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Panasonic FT7|
|Panasonic TZ90||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Sigma fp||Full Frame||24.0||6000||4000||4K/30p||..||..||..||..||Sigma fp|
|Sony HX350||1/2.3||19.9||5152||3864||1080/60p||..||..||..||..||Sony HX350|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ82 has an electronic viewfinder (1166k dots), while the D780 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D780 has a higher magnification than the one of the FZ82 (0.70x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon D780 and Panasonic FZ82 along with similar information for a selection of comparators.
|Nikon D780||optical||Y||3.2||2359||tilting||Y||1/8000s||12.0||n||n||Nikon D780|
|Panasonic FZ82||1166||n||3.0||1040||fixed||Y||1/2000s||10.0||Y||Y||Panasonic FZ82|
|Canon SX740||none||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon SX730||none||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Canon 6D||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Nikon D6||optical||Y||3.2||2359||fixed||Y||1/8000s||14.0||n||n||Nikon D6|
|Nikon D5||optical||Y||3.2||2359||fixed||Y||1/8000s||14.0||n||n||Nikon D5|
|Nikon D500||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Nikon D750||optical||Y||3.2||1229||tilting||n||1/4000s||6.0||Y||n||Nikon D750|
|Nikon Df||optical||Y||3.2||921||fixed||n||1/4000s||5.5||n||n||Nikon Df|
|Nikon D610||optical||Y||3.2||921||fixed||n||1/4000s||6.0||Y||n||Nikon D610|
|Nikon D600||optical||Y||3.0||921||fixed||n||1/4000s||5.5||Y||n||Nikon D600|
|Panasonic FT7||1170||n||3.0||1040||fixed||n||1/1300s||10.0||Y||Y||Panasonic FT7|
|Panasonic TZ90||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ90|
|Sigma fp||none||n||3.2||2100||fixed||Y||1/8000s||12.0||n||n||Sigma fp|
|Sony HX350||202||n||3.0||922||tilting||n||1/4000s||10.0||Y||Y||Sony HX350|
One feature that is present on the D780, but is missing on the FZ82 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ82 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D780 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D780 and the FZ82 write their files to SDXC cards. The D780 features dual card slots, which can be very useful in case a memory card fails. In contrast, the FZ82 only has one slot. The D780 supports UHS-II cards (on both slots), while the FZ82 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D780 and Panasonic Lumix DC-FZ82 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D780||Y||stereo||mono||Y||Y||mini||3.1||Y||-||Y||Nikon D780|
|Panasonic FZ82||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FZ82|
|Canon SX740||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon SX730||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon 6D||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Nikon D6||Y||stereo||mono||Y||Y||mini||3.1||Y||-||Y||Nikon D6|
|Nikon D5||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Nikon D5|
|Nikon D500||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon D750||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Nikon Df||Y||none||none||-||-||mini||2.0||-||-||-||Nikon Df|
|Nikon D610||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Nikon D600||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D600|
|Panasonic FT7||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FT7|
|Panasonic TZ90||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Sigma fp||Y||stereo||mono||Y||-||micro||3.1||-||-||-||Sigma fp|
|Sony HX350||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony HX350|
It is notable that the D780 has a microphone port, which is missing on the FZ82. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Nikon D780 (unlike the FZ82) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D780 and the FZ82 are recent models that are part of the current product line-up. The FZ82 replaced the earlier Panasonic FZ72, while the D780 followed on from the Nikon D750. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So how do things add up? Which of the two cameras – the Nikon D780 or the Panasonic FZ82 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Nikon D780:
- More detail: Offers more megapixels (24.3 vs 18MP) with a 19% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.46x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 1040k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (2260 versus 330) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 3 years of technical progress since the FZ82 launch.
Advantages of the Panasonic Lumix DC-FZ82:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the D780 requires a separate lens.
- More compact: Is smaller (130x94mm vs 144x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the D780).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in January 2017).
If the count of relative strengths (bullet points above) is taken as a measure, the D780 is the clear winner of the match-up (27 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D780 and the Panasonic FZ82 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D780 or the FZ82. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 700D vs Panasonic FZ82
- Canon G9 X Mark II vs Nikon D780
- Canon R vs Nikon D780
- Canon SX620 vs Panasonic FZ82
- Nikon D780 vs Olympus E-M5 II
- Nikon D780 vs Olympus E-PL8
- Nikon P7800 vs Panasonic FZ82
- Panasonic FZ82 vs Panasonic S1
- Panasonic FZ82 vs Sony A7 III
- Panasonic FZ82 vs Sony A7S II
- Panasonic FZ82 vs Sony HX350
- Panasonic FZ82 vs Sony NEX-C3
Specifications: Nikon D780 vs Panasonic FZ82
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D780||Panasonic FZ82|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Nikon F mount lenses||20-1200mm f/2.8-5.9|
|Launch Date||January 2020||January 2017|
|Launch Price||USD 2299||USD 399|
|Sensor Specs||Nikon D780||Panasonic FZ82|
|Sensor Format||Full Frame Sensor||1/2.3" Sensor|
|Sensor Size||35.9 x 23.9 mm||6.17 x 4.55 mm|
|Sensor Area||858.01 mm2||28.0735 mm2|
|Sensor Diagonal||43.1 mm||7.7 mm|
|Sensor Resolution||24.3 Megapixels||18 Megapixels|
|Image Resolution||6048 x 4024 pixels||4896 x 3672 pixels|
|Pixel Pitch||5.94 μm||1.25 μm|
|Pixel Density||2.84 MP/cm2||64.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100-51200 ISO||80-3200 ISO|
|ISO Boost||50-204800 ISO||80-6400 ISO|
|Image Processor||EXPEED 6||Venus|
|Screen Specs||Nikon D780||Panasonic FZ82|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1166k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||2359k dots||1040k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Nikon D780||Panasonic FZ82|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/2000/s|
|Continuous Shooting||12 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Nikon D780||Panasonic FZ82|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Nikon D780||Panasonic FZ82|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||2260 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||USB charging|
144 x 116 x 76 mm
(5.7 x 4.6 x 3.0 in)
130 x 94 x 119 mm
(5.1 x 3.7 x 4.7 in)
|Camera Weight||840 g (29.6 oz)||616 g (21.7 oz)|
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