Nikon D7500 vs Panasonic LX5
The Nikon D7500 and the Panasonic Lumix DMC-LX5 are two digital cameras that were announced, respectively, in April 2017 and July 2010. The D7500 is a DSLR, while the LX5 is a fixed lens compact. The cameras are based on an APS-C (D7500) and a 1/1.7-inch (LX5) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D7500||Panasonic LX5|
|Digital single lens reflex||Fixed lens compact camera|
|Nikon F mount lenses||24-90mm f/2.0-3.3|
|20.7 MP, APS-C Sensor||10 MP, 1/1.7" Sensor|
|4K/30p Video||720/60p Video|
|ISO 100-51200 (50-1640000)||ISO 80-3200 (80-12800)|
|Optical viewfinder||Viewfinder optional|
|3.2" LCD, 922k dots||3.0" LCD, 460k dots|
|Tilting touchscreen||Fixed screen (not touch-sensitive)|
|8 shutter flaps per second||2.5 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|950 shots per battery charge||400 shots per battery charge|
|136 x 104 x 73 mm, 720 g||110 x 65 x 43 mm, 271 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D7500 and the Panasonic Lumix DMC-LX5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D7500 and the Panasonic LX5. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The LX5 can be obtained in two different colors (black, white), while the D7500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX5 is considerably smaller (49 percent) than the Nikon D7500. It is worth mentioning in this context that the D7500 is splash and dust resistant, while the LX5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX5 has a lens built in, whereas the D7500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D7500 and their specifications in the Nikon Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon D7500»||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299||Nikon D7500|
|Panasonic LX5«||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499||-||Panasonic LX5|
|Canon 80D« »||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||-||Canon 80D|
|Fujifilm X10« »||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599||-||Fujifilm X10|
|Nikon D5600« »||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699||Nikon D5600|
|Nikon D5« »||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499||Nikon D5|
|Nikon D500« »||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon D3400« »||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499||-||Nikon D3400|
|Nikon D7200« »||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199||-||Nikon D7200|
|Nikon D750« »||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299||Nikon D750|
|Nikon D7100« »||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199||-||Nikon D7100|
|Nikon D610« »||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999||Nikon D610|
|Nikon D7000« »||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499||-||Nikon D7000|
|Panasonic FZ200« »||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599||-||Panasonic FZ200|
|Panasonic LX7« »||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499||-||Panasonic LX7|
|Panasonic FZ150« »||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499||-||Panasonic FZ150|
|Panasonic GF3« »||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549||-||Panasonic GF3|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX5 was launched at a lower price than the D7500, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D7500 features an APS-C sensor and the Panasonic LX5 a 1/1.7-inch sensor. The sensor area in the LX5 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.4. The sensor in the D7500 has a native 3:2 aspect ratio, while the one in the LX5 offers a 4:3 aspect. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 20.7MP, the D7500 offers a higher resolution than the LX5 (10MP), but the D7500 nevertheless has larger individual pixels (pixel pitch of 4.22μm versus 2.14μm for the LX5) due to its larger sensor. Moreover, the D7500 is a much more recent model (by 6 years and 8 months) than the LX5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D7500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon D7500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D7500 for good quality output (200 dots per inch) amounts to 27.8 x 18.6 inch or 70.7 x 47.1 cm, for very good quality (250 dpi) 22.3 x 14.8 inch or 56.6 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inch or 47.1 x 31.4 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The Nikon D7500 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-1640000. The corresponding ISO settings for the Panasonic Lumix DMC-LX5 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the D7500 provides substantially higher image quality than the LX5, with an overall score that is 45 points higher. This advantage is based on 4.7 bits higher color depth, 3.2 EV in additional dynamic range, and 3.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Nikon D7500»||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Panasonic LX5«||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Fujifilm X10« »||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Nikon D5600« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84||Nikon D5600|
|Nikon D5« »||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88||Nikon D5|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon D3400« »||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86||Nikon D3400|
|Nikon D7200« »||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Nikon D750« »||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Nikon D7100« »||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83||Nikon D7100|
|Nikon D610« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Nikon D7000« »||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80||Nikon D7000|
|Panasonic FZ200« »||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic LX7« »||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Panasonic FZ150« »||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic GF3« »||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D7500 provides a higher video resolution than the LX5. It can shoot video footage at 4K/30p, while the Panasonic is limited to 720/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the D7500 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX5 relies on live view and the rear LCD for framing. That said, the LX5 can be equipped with an optional viewfinder – the DMW-LVF1. The adjacent table lists some of the other core features of the Nikon D7500 and Panasonic LX5 along with similar information for a selection of comparators.
|Nikon D7500»||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
|Panasonic LX5«||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Fujifilm X10« »||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Nikon D5600« »||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5600|
|Nikon D5« »||optical||Y||3.2||2359||fixed||Y||1/8000s||14.0||n||n||Nikon D5|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Nikon D3400« »||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3400|
|Nikon D7200« »||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Nikon D750« »||optical||Y||3.2||1229||tilting||n||1/4000s||6.0||Y||n||Nikon D750|
|Nikon D7100« »||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7100|
|Nikon D610« »||optical||Y||3.2||921||fixed||n||1/4000s||6.0||Y||n||Nikon D610|
|Nikon D7000« »||optical||Y||3.0||921||fixed||n||1/8000s||6.0||Y||n||Nikon D7000|
|Panasonic FZ200« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic LX7« »||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Panasonic FZ150« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Panasonic GF3« »||-||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
One feature that is present on the D7500, but is missing on the LX5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Nikon D7500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D7500 and the LX5 write their files to SDXC cards. The D7500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX5 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D7500 and Panasonic Lumix DMC-LX5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D7500»||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Panasonic LX5«||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Fujifilm X10« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Nikon D5600« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Nikon D5600|
|Nikon D5« »||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Nikon D5|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon D3400« »||Y||mono||mono||-||-||mini||2.0||-||-||Y||Nikon D3400|
|Nikon D7200« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Nikon D750« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Nikon D7100« »||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Nikon D7100|
|Nikon D610« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Nikon D7000« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D7000|
|Panasonic FZ200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic LX7« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Panasonic FZ150« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic GF3« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
It is notable that the D7500 has a microphone port, which is missing on the LX5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The D7500 is a recent model that features in the current product line-up of Nikon. In contrast, the LX5 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the LX5 was succeeded by the Panasonic LX7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So how do things add up? Which of the two cameras – the Nikon D7500 or the Panasonic LX5 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Nikon D7500:
- More detail: Offers more megapixels (20.7 vs 10MP) with a 47% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (45 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (4.7 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (3.2 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (3.5 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 720/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 2.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (950 versus 400) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 6 years and 8 months of technical progress since the LX5 launch.
Advantages of the Panasonic Lumix DMC-LX5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Ready to shoot: Comes with an integrated lens, while the D7500 requires a separate lens.
- More compact: Is smaller (110x65mm vs 136x104mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the D7500).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in July 2010).
If the count of individual advantages (bullet points above) is taken as a guide, the D7500 is the clear winner of the match-up (25 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D7500 and the Panasonic LX5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D7500 or the LX5. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon D7500»||+ +||86/100||5/5||4.5/5||4.5/5||Apr 2017||1,299||Nikon D7500|
|Panasonic LX5«||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499||-||Panasonic LX5|
|Canon 80D« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||-||Canon 80D|
|Fujifilm X10« »||-||76/100||4/5||3.5/5||4.5/5||Sep 2011||599||-||Fujifilm X10|
|Nikon D5600« »||-||79/100||4.5/5||4.5/5||4/5||Nov 2016||699||Nikon D5600|
|Nikon D5« »||-||89/100||4.5/5||5/5||5/5||Jan 2016||6,499||Nikon D5|
|Nikon D500« »||+ +||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Nikon D3400« »||+||76/100||4/5||4.5/5||4.5/5||Aug 2016||499||-||Nikon D3400|
|Nikon D7200« »||+ +||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199||-||Nikon D7200|
|Nikon D750« »||+ +||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299||Nikon D750|
|Nikon D7100« »||+ +||85/100||4.5/5||5/5||4.5/5||Feb 2013||1,199||-||Nikon D7100|
|Nikon D610« »||+ +||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999||Nikon D610|
|Nikon D7000« »||-||80/100||4.5/5||5/5||4.5/5||Sep 2010||1,499||-||Nikon D7000|
|Panasonic FZ200« »||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic FZ200|
|Panasonic LX7« »||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499||-||Panasonic LX7|
|Panasonic FZ150« »||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499||-||Panasonic FZ150|
|Panasonic GF3« »||82/100||71/100||4.5/5||4.5/5||4/5||Jun 2011||549||-||Panasonic GF3|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 2000D vs Nikon D7500
- Canon G3 X vs Panasonic LX5
- Canon M3 vs Panasonic LX5
- Canon SX620 vs Panasonic LX5
- Canon SX740 vs Panasonic LX5
- Canon XTi vs Nikon D7500
- Leica V-LUX 2 vs Nikon D7500
- Nikon D7500 vs Olympus E-400
- Nikon D7500 vs Panasonic FZ80
- Panasonic LX5 vs Panasonic ZS100
- Panasonic LX5 vs Panasonic ZS200
- Panasonic LX5 vs Panasonic ZS70
Specifications: Nikon D7500 vs Panasonic LX5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D7500||Panasonic LX5|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Nikon F mount lenses||24-90mm f/2.0-3.3|
|Launch Date||April 2017||July 2010|
|Launch Price||USD 1299||USD 499|
|Sensor Specs||Nikon D7500||Panasonic LX5|
|Sensor Format||APS-C Sensor||1/1.7" Sensor|
|Sensor Size||23.5 x 15.7 mm||7.85 x 5.89 mm|
|Sensor Area||368.95 mm2||46.2365 mm2|
|Sensor Diagonal||28.3 mm||9.8 mm|
|Sensor Resolution||20.7 Megapixels||10 Megapixels|
|Image Resolution||5568 x 3712 pixels||3648 x 2736 pixels|
|Pixel Pitch||4.22 μm||2.14 μm|
|Pixel Density||5.60 MP/cm2||21.59 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||720/60p Video|
|ISO Setting||100-51200 ISO||80-3200 ISO|
|ISO Boost||50-1640000 ISO||80-12800 ISO|
|Image Processor||EXPEED 5||Venus FHD|
|DXO Sensor Quality (score)||86||41|
|DXO Color Depth (bits)||24.3||19.6|
|DXO Dynamic Range (EV)||14.0||10.8|
|DXO Low Light (ISO)||1483||132|
|Screen Specs||Nikon D7500||Panasonic LX5|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||922k dots||460k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Nikon D7500||Panasonic LX5|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||8 shutter flaps/s||2.5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Nikon D7500||Panasonic LX5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Nikon D7500||Panasonic LX5|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||950 shots per charge||400 shots per charge|
136 x 104 x 73 mm
(5.4 x 4.1 x 2.9 in)
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
|Camera Weight||720 g (25.4 oz)||271 g (9.6 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.