Nikon D7500 versus Fujifilm X-T2
The Nikon D7500 and the Fujifilm X-T2 are two enthusiast cameras that were revealed to the public, respectively, in April 2017 and July 2016. The D7500 is a DSLR, while the X-T2 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Nikon has a resolution of 20.7 megapixel, whereas the Fujifilm provides 24 MP.
The side-by-side display below illustrates the physical size and weight of the Nikon D7500 and the Fujifilm X-T2. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the D7500 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-T2 is notably smaller (13 percent) than the Nikon D7500. Moreover, the X-T2 is markedly lighter (30 percent) than the D7500. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can find an overview of optics for the two cameras in the Nikon Lens Catalog (D7500) and the Fujinon X Lens Catalog (X-T2). Mirrorless cameras, such as the X-T2, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Nikon D7500 (⇒ rgt)||136 mm||104 mm||73 mm||720 g||950||YES||2017||1,299||latest||check|
|Fujifilm X-T2 (⇒ lft)||133 mm||92 mm||49 mm||507 g||340||YES||2016||1,599||latest||check|
|Canon 80D (⇒ lft | rgt)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Fujifilm X100F (⇒ lft | rgt)||127 mm||75 mm||52 mm||469 g||390||no||2017||1,299||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||121 mm||74 mm||43 mm||337 g||350||no||2017||899||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||117 mm||67 mm||40 mm||339 g||410||no||2016||399||latest||check|
|Fujifilm X-Pro2 (⇒ lft | rgt)||141 mm||83 mm||46 mm||495 g||350||YES||2016||1,699||latest||check|
|Fujifilm X-T1 (⇒ lft | rgt)||129 mm||90 mm||47 mm||440 g||350||YES||2014||1,699||discont.||check|
|Nikon D3400 (⇒ lft | rgt)||124 mm||98 mm||76 mm||445 g||1200||no||2016||499||latest||check|
|Nikon D5 (⇒ lft | rgt)||160 mm||159 mm||92 mm||1415 g||3780||YES||2016||6,499||latest||check|
|Nikon D500 (⇒ lft | rgt)||147 mm||115 mm||81 mm||860 g||1240||YES||2016||1,999||latest||check|
|Nikon D5600 (⇒ lft | rgt)||124 mm||97 mm||70 mm||465 g||970||no||2016||699||latest||check|
|Nikon D7200 (⇒ lft | rgt)||136 mm||107 mm||76 mm||765 g||1110||YES||2015||1,199||discont.||check|
|Nikon D750 (⇒ lft | rgt)||141 mm||113 mm||78 mm||750 g||1230||YES||2014||2,299||latest||check|
|Nikon D7100 (⇒ lft | rgt)||136 mm||107 mm||76 mm||765 g||950||YES||2013||1,199||discont.||check|
|Nikon D610 (⇒ lft | rgt)||141 mm||113 mm||82 mm||850 g||900||YES||2013||1,999||latest||check|
|Nikon D7000 (⇒ lft | rgt)||132 mm||105 mm||77 mm||780 g||1050||YES||2010||1,499||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D7500 was launched at a somewhat lower price (by 19 percent) than the X-T2, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the X-T2 offers a higher resolution of 24 megapixel, compared with 20.7 MP of the D7500. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.92μm versus 4.22μm for the D7500). Moreover, it should be noted that the D7500 is a somewhat more recent model (by 9 months) than the X-T2, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-T2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Nikon D7500 (⇒ rgt)||APS-C||20.7||5568||3712||4K/30p||24.8||13.9||1192||86|
|Fujifilm X-T2 (⇒ lft)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Fujifilm X100F (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-E3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-A3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-Pro2 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-T1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Nikon D3400 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86|
|Nikon D5 (⇒ lft | rgt)||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|Nikon D500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83|
|Nikon D5600 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84|
|Nikon D7200 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87|
|Nikon D750 (⇒ lft | rgt)||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|Nikon D7100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83|
|Nikon D610 (⇒ lft | rgt)||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|Nikon D7000 (⇒ lft | rgt)||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-T2 has an electronic viewfinder (2360k dots), while the D7500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Nikon D7500 and Fujifilm X-T2 along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Nikon D7500 (⇒ rgt)||optical||YES||3.2||922||tilting||YES||8000||8.0||12||no|
|Fujifilm X-T2 (⇒ lft)||2360||no||3.0||1040||tilting||no||8000||14.0||no||no|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Fujifilm X100F (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||8.0||4.6||no|
|Fujifilm X-E3 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||YES||4000||8.0||no||no|
|Fujifilm X-A3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.0||7||no|
|Fujifilm X-Pro2 (⇒ lft | rgt)||2360||no||3.0||1620||fixed||no||8000||8.0||no||no|
|Fujifilm X-T1 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||no||4000||8.0||no||no|
|Nikon D3400 (⇒ lft | rgt)||optical||no||3.0||921||fixed||no||4000||5.0||7||no|
|Nikon D5 (⇒ lft | rgt)||optical||YES||3.2||2359||fixed||YES||8000||14.0||no||no|
|Nikon D500 (⇒ lft | rgt)||optical||YES||3.2||2359||tilting||YES||8000||10.0||no||no|
|Nikon D5600 (⇒ lft | rgt)||optical||no||3.2||1037||swivel||YES||4000||5.0||12||no|
|Nikon D7200 (⇒ lft | rgt)||optical||YES||3.2||1229||fixed||no||8000||6.0||12||no|
|Nikon D750 (⇒ lft | rgt)||optical||YES||3.2||1229||tilting||no||4000||6.0||12||no|
|Nikon D7100 (⇒ lft | rgt)||optical||YES||3.2||1229||fixed||no||8000||6.0||12||no|
|Nikon D610 (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||4000||6.0||12||no|
|Nikon D7000 (⇒ lft | rgt)||optical||YES||3.0||921||fixed||no||8000||6.0||12||no|
Both the D7500 and the X-T2 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X-T2 replaced the earlier Fujifilm X-T1, while the D7500 followed on from the Nikon D7200.
So what is the bottom line? Is the Nikon D7500 better than the Fujifilm X-T2 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Nikon D7500:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Longer lasting: Can take more shots (950 versus 340) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced segment (19 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 9 months after the X-T2).
Arguments in favor of the Fujifilm X-T2:
- More detail: Has more megapixels (24 vs 20.7MP), which boosts linear resolution by 8%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Faster burst: Shoots at higher frequency (14 vs 8 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (133x92mm vs 136x104mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 213g or 30 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More heavily discounted: Has been on the market for longer (launched in July 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (9 points each). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the D7500 and the X-T2 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why expert reviews are important. The table below summarizes the assessments of some of the best known camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Nikon D7500 (⇒ rgt)||HiRec||86/100 Silver||5/5||4.5/5||4.5/5||2017||1,299||latest||check|
|Fujifilm X-T2 (⇒ lft)||HiRec||86/100 Gold||4.5/5||5/5||5/5||2016||1,599||latest||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Fujifilm X100F (⇒ lft | rgt)||Rec||83/100 Gold||4.5/5||..||4.5/5||2017||1,299||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||Rec||84/100 Gold||4.5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||-||74/100||4.5/5||-||4/5||2016||399||latest||check|
|Fujifilm X-Pro2 (⇒ lft | rgt)||Rec||83/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,699||latest||check|
|Fujifilm X-T1 (⇒ lft | rgt)||HiRec||84/100 Gold||5/5||4/5||5/5||2014||1,699||discont.||check|
|Nikon D3400 (⇒ lft | rgt)||Rec||76/100||4/5||4.5/5||4.5/5||2016||499||latest||check|
|Nikon D5 (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||5/5||2016||6,499||latest||check|
|Nikon D500 (⇒ lft | rgt)||HiRec||91/100 Gold||4.5/5||5/5||5/5||2016||1,999||latest||check|
|Nikon D5600 (⇒ lft | rgt)||-||79/100 Silver||4.5/5||4.5/5||4/5||2016||699||latest||check|
|Nikon D7200 (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4/5||4.5/5||2015||1,199||discont.||check|
|Nikon D750 (⇒ lft | rgt)||HiRec||90/100 Gold||4.5/5||5/5||4.5/5||2014||2,299||latest||check|
|Nikon D7100 (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2013||1,199||discont.||check|
|Nikon D610 (⇒ lft | rgt)||HiRec||87/100 Gold||4.5/5||4.5/5||4.5/5||2013||1,999||latest||check|
|Nikon D7000 (⇒ lft | rgt)||-||80/100 Silver||4.5/5||5/5||4.5/5||2010||1,499||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you do not see the camera that you are looking for, kindly get in touch, and I will try to add information on that model to the database.
- Canon 1000D vs Canon 700D
- Canon 1D C vs Canon 5D Mark IV
- Canon 5D Mark III vs Canon 1Ds Mark III
- Canon G1 X Mark III vs Canon 1D X Mark II
- Fujifilm X-A3 vs Canon M5
- Fujifilm X-A3 vs Olympus E-M10 II
- Leica CL vs Leica X1
- Leica Digilux 3 vs Canon SL2
- Olympus E-M10 II vs Canon M6
- Sony A7S vs Canon T7i
- Sony RX100 V vs Olympus PEN-F
- Sony RX100 V vs Panasonic G9