Nikon D7200 vs Sony NEX-5
The Nikon D7200 and the Sony Alpha NEX-5 are two digital cameras that were officially introduced, respectively, in March 2015 and May 2010. The D7200 is a DSLR, while the NEX-5 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Nikon has a resolution of 24 megapixels, whereas the Sony provides 14 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D7200||Sony NEX-5|
|Digital single lens reflex||Mirrorless system camera|
|Nikon F mount lenses||Sony E mount lenses|
|24 MP, APS-C Sensor||14 MP, APS-C Sensor|
|1080/60p Video||1080/60i Video|
|ISO 100-25600 (100-102400)||ISO 200-12800|
|Optical viewfinder||Viewfinder optional|
|3.2" LCD, 1229k dots||3.0" LCD, 920k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|6 shutter flaps per second||7 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|1110 shots per battery charge||330 shots per battery charge|
|136 x 107 x 76 mm, 765 g||111 x 59 x 38 mm, 287 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D7200 and the Sony Alpha NEX-5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D7200 and the Sony NEX-5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The NEX-5 can be obtained in two different colors (black, silver), while the D7200 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5 is considerably smaller (55 percent) than the Nikon D7200. Moreover, the NEX-5 is substantially lighter (62 percent) than the D7200. It is worth mentioning in this context that the D7200 is splash and dust resistant, while the NEX-5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D7200) and the Sony E-Mount Lens Catalog (NEX-5). Mirrorless cameras, such as the NEX-5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Nikon D7200»||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||-||Nikon D7200|
|Sony NEX-5«||4.4 in||2.3 in||1.5 in||10.1 oz||330||n||May 2010||699||-||Sony NEX-5|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||-||Canon 80D|
|Nikon D7500« »||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299||Nikon D7500|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||Nikon D750|
|Nikon D3300« »||4.9 in||3.9 in||3.0 in||15.2 oz||700||n||Jan 2014||499||-||Nikon D3300|
|Nikon D7100« »||5.4 in||4.2 in||3.0 in||27.0 oz||950||Y||Feb 2013||1,199||-||Nikon D7100|
|Nikon D7000« »||5.2 in||4.1 in||3.0 in||27.5 oz||1050||Y||Sep 2010||1,499||-||Nikon D7000|
|Nikon D90« »||5.2 in||4.1 in||3.0 in||24.8 oz||850||n||Aug 2008||1,299||-||Nikon D90|
|Pentax K-3 II« »||5.2 in||3.9 in||3.0 in||28.2 oz||720||Y||Apr 2015||1,099||Pentax K-3 II|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||-||Sony A6300|
|Sony NEX-5R« »||4.4 in||2.3 in||1.5 in||9.7 oz||330||n||Aug 2012||749||-||Sony NEX-5R|
|Sony NEX-F3« »||4.6 in||2.6 in||1.7 in||11.1 oz||470||n||May 2012||599||-||Sony NEX-F3|
|Sony NEX-5N« »||4.4 in||2.3 in||1.5 in||9.5 oz||460||n||Aug 2011||699||-||Sony NEX-5N|
|Sony NEX-C3« »||4.3 in||2.4 in||1.3 in||7.9 oz||400||n||Jun 2011||599||-||Sony NEX-C3|
|Sony NEX-3« »||4.6 in||2.4 in||1.3 in||10.5 oz||330||n||May 2010||599||-||Sony NEX-3|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The NEX-5 was launched at a markedly lower price (by 42 percent) than the D7200, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the NEX-5 is 1 percent smaller. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24MP, the D7200 offers a higher resolution than the NEX-5 (14MP), but the D7200 has smaller individual pixels (pixel pitch of 3.91μm versus 5.11μm for the NEX-5). However, the D7200 is a much more recent model (by 4 years and 9 months) than the NEX-5, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D7200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon D7200 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D7200 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Sony NEX-5 are 23 x 15.3 inch or 58.3 x 38.8 cm for good quality, 18.4 x 12.2 inch or 46.7 x 31 cm for very good quality, and 15.3 x 10.2 inch or 38.9 x 25.9 cm for excellent quality prints.
The Nikon D7200 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-102400. The corresponding ISO settings for the Sony Alpha NEX-5 are ISO 200 to ISO 12800 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the D7200 provides substantially higher image quality than the NEX-5, with an overall score that is 18 points higher. This advantage is based on 2.3 bits higher color depth, 2.4 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Nikon D7200»||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Sony NEX-5«||APS-C||14.0||4592||3056||1080/60i||22.2||12.2||796||69||Sony NEX-5|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Nikon D7500« »||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon D750« »||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Nikon D3300« »||APS-C||24.0||6000||4000||1080/60p||24.3||12.8||1385||82||Nikon D3300|
|Nikon D7100« »||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83||Nikon D7100|
|Nikon D7000« »||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80||Nikon D7000|
|Nikon D90« »||APS-C||12.2||4288||2848||720/24p||22.7||12.5||977||73||Nikon D90|
|Pentax K-3 II« »||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80||Pentax K-3 II|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony NEX-5R« »||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
|Sony NEX-F3« »||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
|Sony NEX-5N« »||APS-C||16.0||4912||3264||1080/60i||23.6||12.7||1079||77||Sony NEX-5N|
|Sony NEX-C3« »||APS-C||16.0||4912||3264||720/30p||22.7||12.2||1083||73||Sony NEX-C3|
|Sony NEX-3« »||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D7200 provides a higher frame rate than the NEX-5. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the D7200 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the NEX-5 relies on live view and the rear LCD for framing. That said, the NEX-5 can be equipped with an optional viewfinder – the FDA-SV1. The adjacent table lists some of the other core features of the Nikon D7200 and Sony NEX-5 along with similar information for a selection of comparators.
|Nikon D7200»||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Sony NEX-5«||-||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-5|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Nikon D7500« »||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Nikon D750« »||optical||Y||3.2||1229||tilting||n||1/4000s||6.0||Y||n||Nikon D750|
|Nikon D3300« »||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3300|
|Nikon D7100« »||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7100|
|Nikon D7000« »||optical||Y||3.0||921||fixed||n||1/8000s||6.0||Y||n||Nikon D7000|
|Nikon D90« »||optical||Y||3.0||920||fixed||n||1/4000s||4.5||Y||n||Nikon D90|
|Pentax K-3 II« »||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||n||Y||Pentax K-3 II|
|Sony A6300« »||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Sony NEX-5R« »||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
|Sony NEX-F3« »||-||n||3.0||920||tilting||n||1/4000s||5.5||Y||n||Sony NEX-F3|
|Sony NEX-5N« »||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5N|
|Sony NEX-C3« »||-||n||3.0||920||tilting||n||1/4000s||5.5||n||n||Sony NEX-C3|
|Sony NEX-3« »||-||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-3|
One difference between the cameras concerns the presence of an on-board flash. The D7200 has one, while the NEX-5 does not. While the built-in flash of the D7200 is not very powerful, it can at times be useful as a fill-in light.The NEX-5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D7200 does not have a selfie-screen.
The Nikon D7200 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D7200 writes its imaging data to SDXC cards, while the NEX-5 uses SDXC or Memory Stick PRO Duo cards. The D7200 features dual card slots, which can be very useful in case a memory card fails. In contrast, the NEX-5 only has one slot. The D7200 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-5 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D7200 and Sony Alpha NEX-5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D7200»||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Sony NEX-5«||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Nikon D7500« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon D750« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Nikon D3300« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3300|
|Nikon D7100« »||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Nikon D7100|
|Nikon D7000« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D7000|
|Nikon D90« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Nikon D90|
|Pentax K-3 II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3 II|
|Sony A6300« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony NEX-5R« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
|Sony NEX-F3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
|Sony NEX-5N« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5N|
|Sony NEX-C3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-C3|
|Sony NEX-3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
It is notable that the D7200 has a microphone port, which is missing on the NEX-5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the D7200 and the NEX-5 have been discontinued, but can regularly be found used on eBay. The NEX-5 was replaced by the Sony NEX-5N, while the D7200 was followed by the Nikon D7500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Nikon D7200 and the Sony NEX-5? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Nikon D7200:
- More detail: Offers more megapixels (24 vs 14MP) with a 31% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (18 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.3 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.4 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.7 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 920k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (1110 versus 330) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 9 months of technical progress since the NEX-5 launch.
Arguments in favor of the Sony Alpha NEX-5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (7 vs 6 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (111x59mm vs 136x107mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 478g or 62 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (42 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in May 2010).
If the number of relative strengths (bullet points above) is taken as a guide, the D7200 is the clear winner of the match-up (23 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D7200 and the Sony NEX-5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D7200 or the NEX-5. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon D7200»||+ +||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199||-||Nikon D7200|
|Sony NEX-5«||+ +||71/100||4.5/5||4/5||4/5||May 2010||699||-||Sony NEX-5|
|Canon 80D« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||-||Canon 80D|
|Nikon D7500« »||+ +||86/100||5/5||4.5/5||4.5/5||Apr 2017||1,299||Nikon D7500|
|Nikon D500« »||+ +||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Nikon D750« »||+ +||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299||Nikon D750|
|Nikon D3300« »||+||77/100||4.5/5||4.5/5||4.5/5||Jan 2014||499||-||Nikon D3300|
|Nikon D7100« »||+ +||85/100||4.5/5||5/5||4.5/5||Feb 2013||1,199||-||Nikon D7100|
|Nikon D7000« »||-||80/100||4.5/5||5/5||4.5/5||Sep 2010||1,499||-||Nikon D7000|
|Nikon D90« »||+ +||+ +||4/5||5/5||4.5/5||Aug 2008||1,299||-||Nikon D90|
|Pentax K-3 II« »||-||-||5/5||4.5/5||5/5||Apr 2015||1,099||Pentax K-3 II|
|Sony A6300« »||+||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Sony NEX-5R« »||-||-||4.5/5||-||4.5/5||Aug 2012||749||-||Sony NEX-5R|
|Sony NEX-F3« »||-||74/100||4.5/5||4.5/5||4.5/5||May 2012||599||-||Sony NEX-F3|
|Sony NEX-5N« »||+ +||79/100||4.5/5||5/5||4.5/5||Aug 2011||699||-||Sony NEX-5N|
|Sony NEX-C3« »||+ +||74/100||4.5/5||4.5/5||4/5||Jun 2011||599||-||Sony NEX-C3|
|Sony NEX-3« »||-||70/100||4.5/5||5/5||4/5||May 2010||599||-||Sony NEX-3|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5DS R vs Nikon D7200
- Canon 60D vs Nikon D7200
- Canon D30 vs Sony NEX-5
- Fujifilm X70 vs Sony NEX-5
- Fujifilm XP130 vs Sony NEX-5
- Nikon D5000 vs Sony NEX-5
- Nikon D7200 vs Nikon D90
- Nikon D7200 vs Panasonic G85
- Nikon D7200 vs Panasonic GF1
- Nikon D7200 vs Sony NEX-3
- Panasonic FZ100 vs Sony NEX-5
- Pentax MX-1 vs Sony NEX-5
Specifications: Nikon D7200 vs Sony NEX-5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D7200||Sony NEX-5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Sony E mount lenses|
|Launch Date||March 2015||May 2010|
|Launch Price||USD 1199||USD 699|
|Sensor Specs||Nikon D7200||Sony NEX-5|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.5 x 15.6 mm||23.4 x 15.6 mm|
|Sensor Area||366.6 mm2||365.04 mm2|
|Sensor Diagonal||28.2 mm||28.1 mm|
|Sensor Resolution||24 Megapixels||14 Megapixels|
|Image Resolution||6000 x 4000 pixels||4592 x 3056 pixels|
|Pixel Pitch||3.91 μm||5.11 μm|
|Pixel Density||6.55 MP/cm2||3.84 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60i Video|
|ISO Setting||100-25600 ISO||200-12800 ISO|
|ISO Boost||100-102400 ISO||no Enhancement|
|Image Processor||EXPEED 4||BIONZ|
|DXO Sensor Quality (score)||87||69|
|DXO Color Depth (bits)||24.5||22.2|
|DXO Dynamic Range (EV)||14.6||12.2|
|DXO Low Light (ISO)||1333||796|
|Screen Specs||Nikon D7200||Sony NEX-5|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1229k dots||920k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Nikon D7200||Sony NEX-5|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/4000/s|
|Continuous Shooting||6 shutter flaps/s||7 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Nikon D7200||Sony NEX-5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Nikon D7200||Sony NEX-5|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||1110 shots per charge||330 shots per charge|
136 x 107 x 76 mm
(5.4 x 4.2 x 3.0 in)
111 x 59 x 38 mm
(4.4 x 2.3 x 1.5 in)
|Camera Weight||765 g (27.0 oz)||287 g (10.1 oz)|
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