Nikon D70s vs Sony A77 II
The Nikon D70s and the Sony Alpha SLT-A77 II are two digital cameras that were revealed to the public, respectively, in April 2005 and May 2014. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The Nikon has a resolution of 6 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D70s||Sony A77 II|
|Digital single lens reflex||Digital single lens reflex|
|Nikon F mount lenses||Sony A mount lenses|
|6 MP, APS-C Sensor||24 MP, APS-C Sensor|
|no Video||1080/60p Video|
|ISO 200-1600||ISO 100-25600 (50-51200)|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|2.0" LCD, 130k dots||3.0" LCD, 1229k dots|
|Fixed screen (not touch-sensitive)||Fully flexible screen (no touchscreen)|
|3 shutter flaps per second||12 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|500 shots per battery charge||480 shots per battery charge|
|140 x 111 x 78 mm, 679 g||143 x 104 x 81 mm, 647 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D70s and the Sony Alpha SLT-A77 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D70s and the Sony A77 II. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A77 II is somewhat smaller (4 percent) than the Nikon D70s. Moreover, the A77 II is markedly lighter (5 percent) than the D70s. It is noteworthy in this context that the A77 II is splash and dust-proof, while the D70s does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon D70s»||5.5 in||4.4 in||3.1 in||24.0 oz||500||n||Apr 2005||899||-||Nikon D70s|
|Sony A77 II«||5.6 in||4.1 in||3.2 in||22.8 oz||480||Y||May 2014||1,199||Sony A77 II|
|Canon Rebel« »||5.6 in||3.9 in||2.8 in||22.9 oz||400||n||Aug 2003||899||-||Canon Rebel|
|Nikon D5500« »||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||-||Nikon D5500|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||-||Nikon D7200|
|Nikon D7100« »||5.4 in||4.2 in||3.0 in||27.0 oz||950||Y||Feb 2013||1,199||-||Nikon D7100|
|Nikon D5300« »||4.9 in||3.9 in||3.0 in||16.9 oz||600||n||Oct 2013||799||-||Nikon D5300|
|Nikon D5100« »||5.0 in||3.8 in||3.1 in||19.8 oz||660||n||Apr 2011||749||-||Nikon D5100|
|Nikon D5000« »||5.0 in||4.1 in||3.1 in||20.8 oz||510||n||Apr 2009||749||-||Nikon D5000|
|Nikon D40« »||4.9 in||3.7 in||2.5 in||18.4 oz||470||n||Nov 2006||499||-||Nikon D40|
|Nikon D80« »||5.2 in||4.1 in||3.0 in||23.6 oz||600||n||Aug 2006||999||-||Nikon D80|
|Nikon D50« »||5.2 in||4.0 in||3.0 in||21.9 oz||400||n||Apr 2005||749||-||Nikon D50|
|Nikon D70« »||5.5 in||4.4 in||3.1 in||24.0 oz||400||n||Jan 2004||999||-||Nikon D70|
|Nikon D100« »||5.7 in||4.6 in||3.2 in||27.5 oz||370||n||Feb 2002||1,999||-||Nikon D100|
|Sony A68« »||5.6 in||4.1 in||3.2 in||21.5 oz||540||n||Nov 2015||699||-||Sony A68|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A77« »||5.6 in||4.1 in||3.2 in||25.8 oz||470||Y||Aug 2011||1,399||-||Sony A77|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D70s was launched at a somewhat lower price (by 25 percent) than the A77 II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A77 II is 1 percent smaller. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A77 II offers a higher resolution of 24 megapixels, compared with 6 MP of the D70s. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 7.85μm for the D70s). However, it should be noted that the A77 II is much more recent (by 9 years) than the D70s, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony A77 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A77 II for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Nikon D70s are 15 x 10 inch or 38.2 x 25.4 cm for good quality, 12 x 8 inch or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inch or 25.5 x 16.9 cm for excellent quality prints.
The Nikon D70s has a native sensitivity range from ISO 200 to ISO 1600. The corresponding ISO settings for the Sony Alpha SLT-A77 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Nikon D70s»||APS-C||6.0||3008||2000||-||20.4||10.3||529||50||Nikon D70s|
|Sony A77 II«||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Sony A77 II|
|Canon Rebel« »||APS-C||6.3||3072||2048||-||21.0||10.8||544||55||Canon Rebel|
|Nikon D5500« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Nikon D7200« »||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Nikon D7100« »||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83||Nikon D7100|
|Nikon D5300« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.9||1338||83||Nikon D5300|
|Nikon D5100« »||APS-C||16.1||4928||3264||1080/30p||23.5||13.6||1183||80||Nikon D5100|
|Nikon D5000« »||APS-C||12.2||4288||2848||720/24p||22.7||12.5||868||72||Nikon D5000|
|Nikon D40« »||APS-C||6.0||3008||2000||-||21.0||11.0||561||56||Nikon D40|
|Nikon D80« »||APS-C||10.0||3872||2592||-||22.1||11.2||524||61||Nikon D80|
|Nikon D50« »||APS-C||6.0||3008||2000||-||20.9||10.8||560||55||Nikon D50|
|Nikon D70« »||APS-C||6.0||3008||2000||-||20.4||10.3||529||50||Nikon D70|
|Nikon D100« »||APS-C||6.0||3008||2000||-||-||-||-||-||Nikon D100|
|Sony A68« »||APS-C||24.0||6000||4000||1080/60i||24.1||13.5||701||79||Sony A68|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A77« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
Many modern cameras are not only capable of taking still images, but can also record movies. The A77 II indeed provides for movie recording, while the D70s does not. The highest resolution format that the A77 II can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A77 II has an electronic viewfinder (2359k dots), while the D70s has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A77 II offers a wider field of view (100%) than the one in the D70s (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A77 II has a higher magnification (0.73x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D70s, the Sony A77 II, and comparable cameras.
|Nikon D70s»||optical||n||2.0||130||fixed||n||1/8000s||3.0||Y||n||Nikon D70s|
|Sony A77 II«||2359||Y||3.0||1229||full-flex||n||1/8000s||12.0||Y||Y||Sony A77 II|
|Canon Rebel« »||optical||n||1.8||118||fixed||n||1/4000s||2.5||Y||n||Canon Rebel|
|Nikon D5500« »||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Nikon D7200« »||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Nikon D7100« »||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7100|
|Nikon D5300« »||optical||n||3.2||1037||swivel||n||1/4000s||5.0||Y||n||Nikon D5300|
|Nikon D5100« »||optical||n||3.0||921||swivel||n||1/4000s||4.0||Y||n||Nikon D5100|
|Nikon D5000« »||optical||n||2.7||230||full-flex||n||1/4000s||4.0||Y||n||Nikon D5000|
|Nikon D40« »||optical||n||2.5||230||fixed||n||1/4000s||2.5||Y||n||Nikon D40|
|Nikon D80« »||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D80|
|Nikon D50« »||optical||n||2.0||130||fixed||n||1/4000s||2.5||Y||n||Nikon D50|
|Nikon D70« »||optical||n||1.8||130||fixed||n||1/8000s||3.0||Y||n||Nikon D70|
|Nikon D100« »||optical||Y||1.8||118||fixed||n||1/4000s||3.0||Y||n||Nikon D100|
|Sony A68« »||1440||Y||2.7||460||tilting||n||1/4000s||8.0||Y||Y||Sony A68|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A77« »||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
One feature that differentiates the A77 II and the D70s is in-body image stabilization (IBIS). The A77 II reduces the risk of handshake-induced blur with all attached lenses, while the D70s has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.The A77 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D70s does not have a selfie-screen.
The D70s writes its imaging data to Compact Flash cards, while the A77 II uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D70s and Sony Alpha SLT-A77 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D70s»||Y||-||-||-||-||-||2.0||-||-||-||Nikon D70s|
|Sony A77 II«||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Sony A77 II|
|Canon Rebel« »||Y||-||-||-||-||-||1.1||-||-||-||Canon Rebel|
|Nikon D5500« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Nikon D7200« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Nikon D7100« »||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Nikon D7100|
|Nikon D5300« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5300|
|Nikon D5100« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D5100|
|Nikon D5000« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Nikon D5000|
|Nikon D40« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D40|
|Nikon D80« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D80|
|Nikon D50« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D50|
|Nikon D70« »||Y||-||-||-||-||-||1.0||-||-||-||Nikon D70|
|Nikon D100« »||Y||-||-||-||-||-||1.1||-||-||-||Nikon D100|
|Sony A68« »||Y||stereo||mono||Y||-||micro||2.0||-||-||-||Sony A68|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A77« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
It is notable that the A77 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D70s does not offer wifi capability.
Studio photographers will appreciate that the Sony A77 II (unlike the D70s) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A77 II is a recent model that features in the current product line-up of Sony. In contrast, the D70s has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the D70s was succeeded by the Nikon D80. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Nikon D70s and the Sony A77 II? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Nikon D70s:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More affordable: Was introduced into a lower priced segment (25 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in April 2005).
Reasons to prefer the Sony Alpha SLT-A77 II:
- More detail: Has more megapixels (24 vs 6MP), which boosts linear resolution by 100%.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.50x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 130k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More modern: Reflects 9 years of technical progress since the D70s launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A77 II is the clear winner of the contest (17 : 3 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D70s and the Sony A77 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D70s or the A77 II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon D70s»||-||-||-||o||5/5||Apr 2005||899||-||Nikon D70s|
|Sony A77 II«||-||80/100||4.5/5||4/5||5/5||May 2014||1,199||Sony A77 II|
|Canon Rebel« »||-||+ +||-||o||-||Aug 2003||899||-||Canon Rebel|
|Nikon D5500« »||+||79/100||4.5/5||5/5||4.5/5||Jan 2015||899||-||Nikon D5500|
|Nikon D7200« »||+ +||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199||-||Nikon D7200|
|Nikon D7100« »||+ +||85/100||4.5/5||5/5||4.5/5||Feb 2013||1,199||-||Nikon D7100|
|Nikon D5300« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Oct 2013||799||-||Nikon D5300|
|Nikon D5100« »||+ +||76/100||4.5/5||5/5||4.5/5||Apr 2011||749||-||Nikon D5100|
|Nikon D5000« »||+ +||75/100||4/5||5/5||4.5/5||Apr 2009||749||-||Nikon D5000|
|Nikon D40« »||81/100||+ +||o||5/5||4.5/5||Nov 2006||499||-||Nikon D40|
|Nikon D80« »||+||+ +||o||4.5/5||4.5/5||Aug 2006||999||-||Nikon D80|
|Nikon D50« »||78/100||+ +||4/5||o||4.5/5||Apr 2005||749||-||Nikon D50|
|Nikon D70« »||-||+ +||-||o||-||Jan 2004||999||-||Nikon D70|
|Nikon D100« »||-||+ +||o||o||-||Feb 2002||1,999||-||Nikon D100|
|Sony A68« »||-||-||4/5||-||4/5||Nov 2015||699||-||Sony A68|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A77« »||91/100||81/100||-||4.5/5||5/5||Aug 2011||1,399||-||Sony A77|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1Ds Mark III vs Nikon D70s
- Canon S120 vs Sony A77 II
- Canon SX610 vs Sony A77 II
- Nikon D3300 vs Nikon D70s
- Nikon D5100 vs Nikon D70s
- Nikon D5200 vs Sony A77 II
- Nikon D70s vs Panasonic L1
- Olympus E-600 vs Sony A77 II
- Olympus E-620 vs Sony A77 II
- Olympus E-M10 vs Sony A77 II
- Olympus E-P2 vs Sony A77 II
- Sony A77 II vs Sony RX0
Specifications: Nikon D70s vs Sony A77 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D70s||Sony A77 II|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Nikon F mount lenses||Sony A mount lenses|
|Launch Date||April 2005||May 2014|
|Launch Price||USD 899||USD 1199|
|Sensor Specs||Nikon D70s||Sony A77 II|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.7 x 15.6 mm||23.5 x 15.6 mm|
|Sensor Area||369.72 mm2||366.6 mm2|
|Sensor Diagonal||28.4 mm||28.2 mm|
|Sensor Resolution||6 Megapixels||24 Megapixels|
|Image Resolution||3008 x 2000 pixels||6000 x 4000 pixels|
|Pixel Pitch||7.85 μm||3.91 μm|
|Pixel Density||1.63 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||200-1600 ISO||100-25600 ISO|
|ISO Boost||no Enhancement||50-51200 ISO|
|DXO Sensor Quality (score)||50||..|
|DXO Color Depth (bits)||20.4||..|
|DXO Dynamic Range (EV)||10.3||..|
|DXO Low Light (ISO)||529||..|
|Screen Specs||Nikon D70s||Sony A77 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||2.0 inch||3.0 inch|
|LCD Resolution||130k dots||1229k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Nikon D70s||Sony A77 II|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||3 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||50 000 actuations||150 000 actuations|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Nikon D70s||Sony A77 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Nikon D70s||Sony A77 II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||480 shots per charge|
140 x 111 x 78 mm
(5.5 x 4.4 x 3.1 in)
143 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
|Camera Weight||679 g (24.0 oz)||647 g (22.8 oz)|
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