Nikon D7000 vs Olympus E-M1 II
The Nikon D7000 and the Olympus OM-D E-M1 Mark II are two enthusiast cameras that were officially introduced, respectively, in September 2010 and September 2016. The D7000 is a DSLR, while the E-M1 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D7000) and a Four Thirds (E-M1 II) sensor. The Nikon has a resolution of 16.1 megapixels, whereas the Olympus provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D7000 and the Olympus OM-D E-M1 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D7000 and the Olympus E-M1 II. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1 II is notably smaller (12 percent) than the Nikon D7000. Moreover, the E-M1 II is markedly lighter (26 percent) than the D7000. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D7000) and the Micro Four Thirds Lens Catalog (E-M1 II). Mirrorless cameras, such as the E-M1 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499|
|2.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|3.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399|
|4.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699|
|5.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299|
|6.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199|
|7.||Nikon D5100||128 mm||97 mm||79 mm||560 g||660||n||Apr 2011||749|
|8.||Nikon D3100||124 mm||96 mm||75 mm||505 g||550||n||Aug 2010||599|
|9.||Nikon D300S||147 mm||115 mm||81 mm||938 g||950||Y||Jul 2009||1,799|
|10.||Nikon D90||132 mm||103 mm||77 mm||703 g||850||n||Aug 2008||1,299|
|11.||Nikon D300||147 mm||114 mm||74 mm||925 g||1000||Y||Aug 2007||1,799|
|12.||Nikon D200||147 mm||113 mm||74 mm||920 g||400||Y||Nov 2005||1,699|
|13.||Olympus E-M1 III||134 mm||91 mm||69 mm||580 g||420||Y||Feb 2020||1,799|
|14.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|15.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699|
|16.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|17.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D7000 was launched at a somewhat lower price (by 25 percent) than the E-M1 II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D7000 features an APS-C sensor and the Olympus E-M1 II a Four Thirds sensor. The sensor area in the E-M1 II is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D7000 has a native 3:2 aspect ratio, while the one in the E-M1 II offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a smaller sensor, the E-M1 II offers a higher resolution of 20.2 megapixels, compared with 16.1 MP of the D7000. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.80μm for the D7000). However, it should be noted that the E-M1 II is much more recent (by 6 years) than the D7000, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the E-M1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Olympus E-M1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M1 II for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Nikon D7000 are 24.6 x 16.3 inches or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.6 cm for excellent quality prints.
The E-M1 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the D7000, the E-M1 II has the capacity to capture high quality composite images (50MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Nikon D7000 has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Olympus OM-D E-M1 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|13.||Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|14.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|15.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..|
|16.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|17.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the E-M1 II provides a better video resolution than the D7000. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/24p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-M1 II has an electronic viewfinder (2360k dots), while the D7000 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the E-M1 II has a higher magnification than the one of the D7000 (0.74x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Nikon D7000 and Olympus E-M1 II in connection with corresponding information for a sample of similar cameras.
|1.||Nikon D7000||optical||Y||3.0 / 921||fixed||n||1/8000s||6.0||Y||n|
|2.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|3.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3||Y||n|
|4.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0||Y||n|
|5.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0||Y||n|
|6.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|7.||Nikon D5100||optical||n||3.0 / 921||swivel||n||1/4000s||4.0||Y||n|
|8.||Nikon D3100||optical||n||3.0 / 230||fixed||n||1/4000s||3.0||Y||n|
|9.||Nikon D300S||optical||Y||3.0 / 920||fixed||n||1/8000s||7.0||Y||n|
|10.||Nikon D90||optical||Y||3.0 / 920||fixed||n||1/4000s||4.5||Y||n|
|11.||Nikon D300||optical||Y||3.0 / 922||fixed||n||1/8000s||6.0||Y||n|
|12.||Nikon D200||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0||Y||n|
|13.||Olympus E-M1 III||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|14.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0||n||Y|
|15.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0||n||Y|
|16.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|17.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The D7000 has one, while the E-M1 II does not. While the built-in flash of the D7000 is not very powerful, it can at times be useful as a fill-in light.The E-M1 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D7000 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M1 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D7000 and the Olympus E-M1 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D7000 and the E-M1 II write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The E-M1 II supports UHS-II cards on its first slot and UHS-I on its second one, while the D7000 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D7000 and Olympus OM-D E-M1 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D7000||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|2.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|3.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|4.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|5.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|6.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|7.||Nikon D5100||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|8.||Nikon D3100||Y||mono / mono||-||-||mini||2.0||-||-||-|
|9.||Nikon D300S||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Nikon D90||Y||mono / mono||-||-||mini||2.0||-||-||-|
|11.||Nikon D300||Y||- / -||-||-||mini||2.0||-||-||-|
|12.||Nikon D200||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-M1 III||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|14.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|15.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|16.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|17.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
It is notable that the E-M1 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D7000 does not provide wifi capability.
Studio photographers will appreciate that the Olympus E-M1 II (unlike the D7000) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The E-M1 II is a recent model that features in the current product line-up of Olympus. In contrast, the D7000 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the D7000 was succeeded by the Nikon D7100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Olympus websites.
So what conclusions can be drawn? Is the Nikon D7000 better than the Olympus E-M1 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Nikon D7000:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More dynamic range: Captures a larger spectrum of light and dark details (1.1 EV of extra DR).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (1050 versus 440) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced segment (25 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2010).
Advantages of the Olympus OM-D E-M1 Mark II:
- More detail: Has more megapixels (20.2 vs 16.1MP), which boosts linear resolution by 10%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/24p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.63x).
- More detailed LCD: Has a higher resolution rear screen (1037k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (18 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (134x91mm vs 132x105mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 206g or 26 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More modern: Reflects 6 years of technical progress since the D7000 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the E-M1 II is the clear winner of the contest (23 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D7000 and the Olympus E-M1 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the D7000 and the E-M1 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D7000||4/5||..||..||80/100||4.5/5||4.5/5||Sep 2010||1,499|
|2.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|3.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399|
|4.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699|
|5.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299|
|6.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199|
|7.||Nikon D5100||5/5||+ +||..||76/100||4.5/5||4.5/5||Apr 2011||749|
|8.||Nikon D3100||5/5||+ +||..||72/100||4.5/5||4.5/5||Aug 2010||599|
|9.||Nikon D300S||5/5||+ +||..||82/100||4/5||4.5/5||Jul 2009||1,799|
|10.||Nikon D90||..||+ +||..||+ +||4/5||4.5/5||Aug 2008||1,299|
|11.||Nikon D300||..||+ +||..||+ +||5/5||4.5/5||Aug 2007||1,799|
|12.||Nikon D200||..||+ +||..||+ +||o||..||Nov 2005||1,699|
|13.||Olympus E-M1 III||5/5||..||5/5||83/100||4.5/5||4/5||Feb 2020||1,799|
|14.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399|
|15.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699|
|16.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|17.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon D30 vs Olympus E-M1 II
- Canon R6 vs Nikon D7000
- Canon SX60 vs Nikon D7000
- Canon XC10 vs Nikon D7000
- Nikon A1000 vs Olympus E-M1 II
- Nikon D100 vs Olympus E-M1 II
- Nikon D50 vs Nikon D7000
- Nikon D7000 vs Sony NEX-6
- Nikon D7000 vs Sony NEX-F3
- Olympus E-M1 II vs Olympus E-M10
- Olympus E-M1 II vs Sony A77
- Olympus E-M1 II vs Sony HX95
Specifications: Nikon D7000 vs Olympus E-M1 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D7000||Olympus E-M1 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Micro Four Thirds lenses|
|Launch Date||September 2010||September 2016|
|Launch Price||USD 1,499||USD 1,999|
|Sensor Specs||Nikon D7000||Olympus E-M1 II|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.7 mm||17.3 x 13.0 mm|
|Sensor Area||370.52 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||16.1 Megapixels||20.2 Megapixels|
|Image Resolution||4928 x 3264 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.80 μm||3.34 μm|
|Pixel Density||4.34 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/24p Video||4K/30p Video|
|ISO Setting||100 - 6,400 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||64 - 25,600 ISO|
|Image Processor||EXPEED 2||TruePic VIII|
|DXO Sensor Quality (score)||80||80|
|DXO Color Depth (bits)||23.5||23.7|
|DXO Dynamic Range (EV)||13.9||12.8|
|DXO Low Light (ISO)||1167||1312|
|Screen Specs||Nikon D7000||Olympus E-M1 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||921k dots||1037k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D7000||Olympus E-M1 II|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||6 shutter flaps/s||18 shutter flaps/s|
|Shutter Life Expectancy||150 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||no||Single UHS-II|
|Connectivity Specs||Nikon D7000||Olympus E-M1 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Nikon D7000||Olympus E-M1 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||1050 shots per charge||440 shots per charge|
132 x 105 x 77 mm
(5.2 x 4.1 x 3.0 in)
134 x 91 x 67 mm
(5.3 x 3.6 x 2.6 in)
|Camera Weight||780 g (27.5 oz)||574 g (20.2 oz)|
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