Nikon D700 vs Sony A7 III
The Nikon D700 and the Sony Alpha A7 III are two enthusiast cameras that were revealed to the public, respectively, in July 2008 and February 2018. The D700 is a DSLR, while the A7 III is a mirrorless interchangeable lens camera. Both cameras are equipped with a full frame sensor. The Nikon has a resolution of 12.1 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D700 and the Sony Alpha A7 III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D700 and the Sony A7 III. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 III is considerably smaller (33 percent) than the Nikon D700. Moreover, the A7 III is substantially lighter (39 percent) than the D700. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D700) and the Sony FE Lens Catalog (A7 III). Mirrorless cameras, such as the A7 III, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the D700 gets 1000 shots out of its EN-EL3e battery, while the A7 III can take 610 images on a single charge of its NP-FZ100 power pack. The power pack in the A7 III can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Nikon D700||147 mm||123 mm||77 mm||1074 g||1000||Y||Jul 2008||2,999|
|2.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|3.||Nikon Z6||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999|
|4.||Nikon D850||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299|
|5.||Nikon D810||146 mm||123 mm||82 mm||980 g||1200||Y||Jun 2014||3,299|
|6.||Nikon Df||144 mm||110 mm||67 mm||760 g||1400||Y||Nov 2013||2,749|
|7.||Nikon D800||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||2,999|
|8.||Nikon D800E||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||3,299|
|9.||Nikon D3S||160 mm||157 mm||88 mm||1240 g||4200||Y||Oct 2009||5,199|
|10.||Nikon D300S||147 mm||115 mm||81 mm||938 g||950||Y||Jul 2009||1,799|
|11.||Nikon D3X||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999|
|12.||Nikon D3||160 mm||157 mm||88 mm||1300 g||4300||Y||Aug 2007||4,999|
|13.||Nikon D300||147 mm||114 mm||74 mm||925 g||1000||Y||Aug 2007||1,799|
|14.||Sony A7R IV||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499|
|15.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|16.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|17.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A7 III was launched at a markedly lower price (by 33 percent) than the D700, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A7 III is 2 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A7 III offers a higher resolution of 24 megapixels, compared with 12.1 MP of the D700. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.94μm versus 8.43μm for the D700). However, it should be noted that the A7 III is much more recent (by 9 years and 7 months) than the D700, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony A7 III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 III for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Nikon D700 are 21.3 x 14.2 inches or 54.1 x 36 cm for good quality, 17 x 11.3 inches or 43.2 x 28.8 cm for very good quality, and 14.2 x 9.4 inches or 36 x 24 cm for excellent quality prints.
The A7 III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon D700 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A7 III are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7 III offers substantially better image quality than the D700 (overall score 16 points higher). The advantage is based on 1.5 bits higher color depth, 2.5 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Nikon D700||Full Frame||12.1||4256||2832||none||23.5||12.2||2303||80|
|2.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|3.||Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|4.||Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|5.||Nikon D810||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97|
|6.||Nikon Df||Full Frame||16.2||4928||3280||none||24.6||13.1||3279||89|
|7.||Nikon D800||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95|
|8.||Nikon D800E||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96|
|9.||Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|11.||Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88|
|12.||Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
|14.||Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||26.0||14.8||3344||99|
|15.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|16.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|17.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The A7 III indeed provides for movie recording, while the D700 does not. The highest resolution format that the A7 III can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7 III has an electronic viewfinder (2359k dots), while the D700 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7 III offers a wider field of view (100%) than the one in the D700 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7 III has a higher magnification (0.78x vs 0.72x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon D700 and Sony A7 III along with similar information for a selection of comparators.
|1.||Nikon D700||optical||Y||3.0 / 922||fixed||n||1/8000s||8.0||Y||n|
|2.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0||n||Y|
|3.||Nikon Z6||3690||Y||3.2 / 2100||tilting||Y||1/8000s||12.0||n||Y|
|4.||Nikon D850||optical||Y||3.2 / 2359||tilting||Y||1/8000s||9.0||n||n|
|5.||Nikon D810||optical||Y||3.2 / 1229||fixed||n||1/8000s||5.0||Y||n|
|6.||Nikon Df||optical||Y||3.2 / 921||fixed||n||1/4000s||5.5||n||n|
|7.||Nikon D800||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0||Y||n|
|8.||Nikon D800E||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0||Y||n|
|9.||Nikon D3S||optical||Y||3.0 / 921||fixed||n||1/8000s||11.0||n||n|
|10.||Nikon D300S||optical||Y||3.0 / 920||fixed||n||1/8000s||7.0||Y||n|
|11.||Nikon D3X||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0||n||n|
|12.||Nikon D3||optical||Y||3.0 / 922||fixed||n||1/8000s||11.0||n||n|
|13.||Nikon D300||optical||Y||3.0 / 922||fixed||n||1/8000s||6.0||Y||n|
|14.||Sony A7R IV||5760||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|15.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|16.||Sony A9||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0||n||Y|
|17.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The D700 has one, while the A7 III does not. While the built-in flash of the D700 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7 III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D700 and the Sony A7 III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D700 writes its imaging data to Compact Flash cards, while the A7 III uses SDXC or Memory Stick PRO Duo cards. The A7 III features dual card slots, which can be very useful in case a memory card fails. In contrast, the D700 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D700 and Sony Alpha A7 III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D700||Y||- / -||-||-||mini||2.0||-||-||-|
|2.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|3.||Nikon Z6||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|4.||Nikon D850||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|5.||Nikon D810||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|6.||Nikon Df||Y||- / -||-||-||mini||2.0||-||-||-|
|7.||Nikon D800||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|8.||Nikon D800E||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|9.||Nikon D3S||Y||stereo / -||-||-||mini||2.0||-||-||-|
|10.||Nikon D300S||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Nikon D3X||Y||- / -||-||-||mini||2.0||-||-||-|
|12.||Nikon D3||Y||- / -||-||-||mini||2.0||-||-||-|
|13.||Nikon D300||Y||- / -||-||-||mini||2.0||-||-||-|
|14.||Sony A7R IV||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|15.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|16.||Sony A9||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|17.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7 III offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D700 does not provide wifi capability.
Studio photographers will appreciate that the Nikon D700 (unlike the A7 III) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A7 III is a recent model that features in the current product line-up of Sony. In contrast, the D700 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the D700 was succeeded by the Nikon D800. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what conclusions can be drawn? Is the Nikon D700 better than the Sony A7 III or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Nikon D700:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (1000 versus 610) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in July 2008).
Arguments in favor of the Sony Alpha A7 III:
- More detail: Has more megapixels (24 vs 12.1MP), which boosts linear resolution by 41%.
- Better image quality: Scores substantially higher (16 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.5 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.5 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.7 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.72x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (127x96mm vs 147x123mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 424g or 39 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More modern: Reflects 9 years and 7 months of technical progress since the D700 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7 III is the clear winner of the contest (26 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D700 and the Sony A7 III place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the D700 or the A7 III perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D700||..||89/100||..||+ +||4.5/5||4.5/5||Jul 2008||2,999|
|2.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999|
|3.||Nikon Z6||5/5||..||5/5||89/100||4.5/5||5/5||Aug 2018||1,999|
|4.||Nikon D850||4.5/5||+ +||5/5||89/100||4.5/5||5/5||Jul 2017||3,299|
|5.||Nikon D810||5/5||..||5/5||86/100||5/5||4.5/5||Jun 2014||3,299|
|6.||Nikon Df||4/5||..||..||81/100||4/5||4/5||Nov 2013||2,749|
|7.||Nikon D800||5/5||+ +||..||82/100||5/5||5/5||Feb 2012||2,999|
|8.||Nikon D800E||..||..||..||84/100||5/5||5/5||Feb 2012||3,299|
|9.||Nikon D3S||5/5||..||..||89/100||4.5/5||5/5||Oct 2009||5,199|
|10.||Nikon D300S||5/5||+ +||..||82/100||4/5||4.5/5||Jul 2009||1,799|
|11.||Nikon D3X||..||..||..||86/100||4/5||5/5||Dec 2008||7,999|
|12.||Nikon D3||..||..||..||+ +||5/5||4.5/5||Aug 2007||4,999|
|13.||Nikon D300||..||+ +||..||+ +||5/5||4.5/5||Aug 2007||1,799|
|14.||Sony A7R IV||5/5||+||4.5/5||91/100||4.5/5||5/5||Jul 2019||3,499|
|15.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199|
|16.||Sony A9||5/5||+ +||4.8/5||89/100||5/5||5/5||Apr 2017||4,499|
|17.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Fujifilm X-T10 vs Nikon D700
- Fujifilm X-T10 vs Sony A7 III
- Leica M10 vs Sony A7 III
- Leica X1 vs Nikon D700
- Nikon B600 vs Sony A7 III
- Nikon D5 vs Sony A7 III
- Nikon D700 vs Nikon D7200
- Nikon D700 vs Nikon Z7 II
- Nikon D700 vs Sony NEX-5
- Nikon D700 vs Sony ZV-1
- Samsung NX30 vs Sony A7 III
- Sony A7 III vs Sony RX100 III
Specifications: Nikon D700 vs Sony A7 III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D700||Sony A7 III|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Sony E mount lenses|
|Launch Date||July 2008||February 2018|
|Launch Price||USD 2,999||USD 1,999|
|Sensor Specs||Nikon D700||Sony A7 III|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 23.9 mm||35.6 x 23.8 mm|
|Sensor Area||860.4 mm2||847.28 mm2|
|Sensor Diagonal||43.2 mm||42.8 mm|
|Sensor Resolution||12.1 Megapixels||24 Megapixels|
|Image Resolution||4256 x 2832 pixels||6000 x 4000 pixels|
|Pixel Pitch||8.43 μm||5.94 μm|
|Pixel Density||1.40 MP/cm2||2.83 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||200 - 6,400 ISO||100 - 51,200 ISO|
|ISO Boost||100 - 25,600 ISO||50 - 204,800 ISO|
|Image Processor||EXPEED||BIONZ X|
|DXO Sensor Quality (score)||80||96|
|DXO Color Depth (bits)||23.5||25.0|
|DXO Dynamic Range (EV)||12.2||14.7|
|DXO Low Light (ISO)||2303||3730|
|Screen Specs||Nikon D700||Sony A7 III|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||922k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D700||Sony A7 III|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||8 shutter flaps/s||10 shutter flaps/s|
|Shutter Life Expectancy||150 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Nikon D700||Sony A7 III|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Nikon D700||Sony A7 III|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||1000 shots per charge||610 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
147 x 123 x 77 mm
(5.8 x 4.8 x 3.0 in)
127 x 96 x 74 mm
(5.0 x 3.8 x 2.9 in)
|Camera Weight||1074 g (37.9 oz)||650 g (22.9 oz)|
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