Nikon D700 vs Panasonic GM5
The Nikon D700 and the Panasonic Lumix DMC-GM5 are two digital cameras that were revealed to the public, respectively, in July 2008 and September 2014. The D700 is a DSLR, while the GM5 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (D700) and a Four Thirds (GM5) sensor. The Nikon has a resolution of 12.1 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D700 and the Panasonic Lumix DMC-GM5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D700 and the Panasonic GM5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GM5 can be obtained in two different colors (black, silver), while the D700 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GM5 is considerably smaller (67 percent) than the Nikon D700. Moreover, the GM5 is substantially lighter (80 percent) than the D700. It is worth mentioning in this context that the D700 is splash and dust resistant, while the GM5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D700) and the Micro Four Thirds Lens Catalog (GM5). Mirrorless cameras, such as the GM5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Nikon D700||147 mm||123 mm||77 mm||1074 g||1000||Y||Jul 2008||2,999|
|2.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749|
|3.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299|
|4.||Nikon D810||146 mm||123 mm||82 mm||980 g||1200||Y||Jun 2014||3,299|
|5.||Nikon Df||144 mm||110 mm||67 mm||760 g||1400||Y||Nov 2013||2,749|
|6.||Nikon D800||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||2,999|
|7.||Nikon D800E||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||3,299|
|8.||Nikon D3S||160 mm||157 mm||88 mm||1240 g||4200||Y||Oct 2009||5,199|
|9.||Nikon D300S||147 mm||115 mm||81 mm||938 g||950||Y||Jul 2009||1,799|
|10.||Nikon D3X||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999|
|11.||Nikon D3||160 mm||157 mm||88 mm||1300 g||4300||Y||Aug 2007||4,999|
|12.||Nikon D300||147 mm||114 mm||74 mm||925 g||1000||Y||Aug 2007||1,799|
|13.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|14.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|15.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749|
|16.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|17.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GM5 was launched at a markedly lower price (by 75 percent) than the D700, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D700 features a full frame sensor and the Panasonic GM5 a Four Thirds sensor. The sensor area in the GM5 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the D700 has a native 3:2 aspect ratio, while the one in the GM5 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a smaller sensor, the GM5 offers a higher resolution of 15.8 megapixels, compared with 12.1 MP of the D700. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 8.43μm for the D700). However, it should be noted that the GM5 is much more recent (by 6 years and 2 months) than the D700, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic GM5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GM5 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Nikon D700 are 21.3 x 14.2 inches or 54.1 x 36 cm for good quality, 17 x 11.3 inches or 43.2 x 28.8 cm for very good quality, and 14.2 x 9.4 inches or 36 x 24 cm for excellent quality prints.
The Nikon D700 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GM5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the D700 provides substantially higher image quality than the GM5, with an overall score that is 14 points higher. This advantage is based on 1.4 bits higher color depth, 0.5 EV in additional dynamic range, and 1.7 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Nikon D700||Full Frame||12.1||4256||2832||none||23.5||12.2||2303||80|
|2.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|3.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|4.||Nikon D810||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97|
|5.||Nikon Df||Full Frame||16.2||4928||3280||none||24.6||13.1||3279||89|
|6.||Nikon D800||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95|
|7.||Nikon D800E||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96|
|8.||Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|10.||Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88|
|11.||Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
|13.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|14.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|15.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|16.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|17.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The GM5 indeed provides for movie recording, while the D700 does not. The highest resolution format that the GM5 can use is 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GM5 has an electronic viewfinder (1166k dots), while the D700 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GM5 offers a wider field of view (100%) than the one in the D700 (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the D700 has a higher magnification (0.72x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D700, the Panasonic GM5, and comparable cameras.
|1.||Nikon D700||optical||Y||3.0 / 922||fixed||n||1/8000s||8.0/s||Y||n|
|2.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8/s||n||n|
|3.||Canon 5D||optical||Y||2.5 / 230||fixed||n||1/8000s||3.0/s||n||n|
|4.||Nikon D810||optical||Y||3.2 / 1229||fixed||n||1/8000s||5.0/s||Y||n|
|5.||Nikon Df||optical||Y||3.2 / 921||fixed||n||1/4000s||5.5/s||n||n|
|6.||Nikon D800||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0/s||Y||n|
|7.||Nikon D800E||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0/s||Y||n|
|8.||Nikon D3S||optical||Y||3.0 / 921||fixed||n||1/8000s||11.0/s||n||n|
|9.||Nikon D300S||optical||Y||3.0 / 920||fixed||n||1/8000s||7.0/s||Y||n|
|10.||Nikon D3X||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0/s||n||n|
|11.||Nikon D3||optical||Y||3.0 / 922||fixed||n||1/8000s||11.0/s||n||n|
|12.||Nikon D300||optical||Y||3.0 / 922||fixed||n||1/8000s||6.0/s||Y||n|
|13.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0/s||Y||n|
|14.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|15.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0/s||Y||n|
|16.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2/s||Y||n|
|17.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The D700 has one, while the GM5 does not. While the built-in flash of the D700 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GM5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D700 and the Panasonic GM5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D700 writes its imaging data to Compact Flash cards, while the GM5 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D700 and Panasonic Lumix DMC-GM5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D700||Y||- / -||-||-||mini||2.0||-||-||-|
|2.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon 5D||Y||- / -||-||-||-||2.0||-||-||-|
|4.||Nikon D810||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|5.||Nikon Df||Y||- / -||-||-||mini||2.0||-||-||-|
|6.||Nikon D800||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|7.||Nikon D800E||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|8.||Nikon D3S||Y||stereo / -||-||-||mini||2.0||-||-||-|
|9.||Nikon D300S||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Nikon D3X||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Nikon D3||Y||- / -||-||-||mini||2.0||-||-||-|
|12.||Nikon D300||Y||- / -||-||-||mini||2.0||-||-||-|
|13.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|15.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the GM5 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D700 does not provide wifi capability.
Studio photographers will appreciate that the Nikon D700 (unlike the GM5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D700 and the GM5 have been discontinued, but can regularly be found used on eBay. The D700 was replaced by the Nikon D800, while the GM5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So how do things add up? Which of the two cameras – the Nikon D700 or the Panasonic GM5 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Nikon D700:
- Better image quality: Scores substantially higher (14 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.4 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (1.7 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.46x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/500s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 5.8 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (1000 versus 220) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in July 2008).
Reasons to prefer the Panasonic Lumix DMC-GM5:
- More detail: Has more megapixels (15.8 vs 12.1MP), which boosts linear resolution by 12%.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (99x60mm vs 147x123mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 863g or 80 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (75 percent cheaper at launch).
- More modern: Reflects 6 years and 2 months of technical progress since the D700 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the D700 comes out slightly ahead of the GM5 (13 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D700 and the Panasonic GM5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D700 or the GM5. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D700||..||89/100||..||+ +||4.5/5||4.5/5||Jul 2008||2,999|
|2.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749|
|3.||Canon 5D||..||88/100||..||+ +||o||..||Aug 2005||3,299|
|4.||Nikon D810||5/5||..||5/5||86/100||5/5||4.5/5||Jun 2014||3,299|
|5.||Nikon Df||4/5||..||..||81/100||4/5||4/5||Nov 2013||2,749|
|6.||Nikon D800||5/5||+ +||..||82/100||5/5||5/5||Feb 2012||2,999|
|7.||Nikon D800E||..||..||..||84/100||5/5||5/5||Feb 2012||3,299|
|8.||Nikon D3S||5/5||..||..||89/100||4.5/5||5/5||Oct 2009||5,199|
|9.||Nikon D300S||5/5||+ +||..||82/100||4/5||4.5/5||Jul 2009||1,799|
|10.||Nikon D3X||..||..||..||86/100||4/5||5/5||Dec 2008||7,999|
|11.||Nikon D3||..||..||..||+ +||5/5||4.5/5||Aug 2007||4,999|
|12.||Nikon D300||..||+ +||..||+ +||5/5||4.5/5||Aug 2007||1,799|
|13.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|14.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|15.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749|
|16.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699|
|17.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1000D vs Nikon D700
- Canon 750D vs Nikon D700
- Canon Rebel vs Panasonic GM5
- Canon SX420 vs Nikon D700
- Canon SX730 vs Panasonic GM5
- Leica Q2 vs Panasonic GM5
- Nikon D6 vs Panasonic GM5
- Nikon D700 vs Panasonic GF5
- Nikon D700 vs Pentax K-1
- Nikon D700 vs Sony RX10
- Olympus E-M5 II vs Panasonic GM5
- Panasonic G7 vs Panasonic GM5
Specifications: Nikon D700 vs Panasonic GM5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D700||Panasonic GM5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Micro Four Thirds lenses|
|Launch Date||July 2008||September 2014|
|Launch Price||USD 2,999||USD 749|
|Sensor Specs||Nikon D700||Panasonic GM5|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 23.9 mm||17.3 x 13.0 mm|
|Sensor Area||860.4 mm2||224.9 mm2|
|Sensor Diagonal||43.2 mm||21.6 mm|
|Sensor Resolution||12.1 Megapixels||15.8 Megapixels|
|Image Resolution||4256 x 2832 pixels||4592 x 3448 pixels|
|Pixel Pitch||8.43 μm||3.77 μm|
|Pixel Density||1.40 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||200 - 6,400 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||100 - 25,600 ISO|
|DXO Sensor Quality (score)||80||66|
|DXO Color Depth (bits)||23.5||22.1|
|DXO Dynamic Range (EV)||12.2||11.7|
|DXO Low Light (ISO)||2303||721|
|Screen Specs||Nikon D700||Panasonic GM5|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1166k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||922k dots||921k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D700||Panasonic GM5|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/500s|
|Continuous Shooting||8 shutter flaps/s||5.8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Nikon D700||Panasonic GM5|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Nikon D700||Panasonic GM5|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||1000 shots per charge||220 shots per charge|
147 x 123 x 77 mm
(5.8 x 4.8 x 3.0 in)
99 x 60 x 36 mm
(3.9 x 2.4 x 1.4 in)
|Camera Weight||1074 g (37.9 oz)||211 g (7.4 oz)|
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