Nikon D610 versus Canon 5D Mark III
The Nikon D610 and the Canon EOS 5D Mark III are two digital cameras that were officially introduced, respectively, in October 2013 and March 2012. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with a full frame sensor. The Nikon has a resolution of 24.2 megapixel, whereas the Canon provides 22.1 MP.
An illustration of the physical size and weight of the Nikon D610 and the Canon 5D Mark III is provided in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the D610 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 5D Mark III is notably larger (11 percent) than the Nikon D610. Moreover, the 5D Mark III is markedly heavier (12 percent) than the D610. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around a full frame sensor, their respective lenses will tend to have similar dimensions and heft. You can find an overview of optics for the two cameras in the Nikon Lens Catalog (D610) and the Canon EF Lens Catalog (5D Mark III).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Nikon D610 (⇒ rgt)||141 mm||113 mm||82 mm||850 g||900||YES||2013||1,999||latest||check|
|Canon 5D Mark III (⇒ lft)||152 mm||116 mm||76 mm||950 g||950||YES||2012||3,499||discont.||check|
|Canon 5D Mark IV (⇒ lft | rgt)||151 mm||116 mm||76 mm||890 g||900||YES||2016||3,499||latest||check|
|Canon 5DS R (⇒ lft | rgt)||152 mm||116 mm||76 mm||930 g||700||YES||2015||3,699||latest||check|
|Canon 5DS (⇒ lft | rgt)||152 mm||116 mm||76 mm||930 g||700||YES||2015||3,699||latest||check|
|Canon 6D (⇒ lft | rgt)||145 mm||111 mm||71 mm||770 g||1090||YES||2012||2,099||discont.||check|
|Canon 5D Mark II (⇒ lft | rgt)||152 mm||114 mm||75 mm||850 g||850||YES||2008||3,499||discont.||check|
|Nikon D5 (⇒ lft | rgt)||160 mm||159 mm||92 mm||1415 g||3780||YES||2016||6,499||latest||check|
|Nikon D500 (⇒ lft | rgt)||147 mm||115 mm||81 mm||860 g||1240||YES||2016||1,999||latest||check|
|Nikon D750 (⇒ lft | rgt)||141 mm||113 mm||78 mm||750 g||1230||YES||2014||2,299||latest||check|
|Nikon D810 (⇒ lft | rgt)||146 mm||123 mm||82 mm||980 g||1200||YES||2014||3,299||discont.||check|
|Nikon D7100 (⇒ lft | rgt)||136 mm||107 mm||76 mm||765 g||950||YES||2013||1,199||discont.||check|
|Nikon Df (⇒ lft | rgt)||144 mm||110 mm||67 mm||760 g||1400||YES||2013||2,749||latest||check|
|Nikon D4 (⇒ lft | rgt)||160 mm||157 mm||91 mm||1340 g||..||YES||2012||5,999||discont.||check|
|Nikon D600 (⇒ lft | rgt)||141 mm||113 mm||82 mm||850 g||900||YES||2012||2,099||discont.||check|
|Sony A7 (⇒ lft | rgt)||127 mm||94 mm||48 mm||474 g||340||YES||2013||1,699||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D610 was launched at a markedly lower price (by 43 percent) than the 5D Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the Nikon D610 offers a higher resolution of 24.2 megapixel, compared with 22.1 MP of the Canon 5D Mark III. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.97μm versus 6.25μm for the 5D Mark III). However, it should be noted that the D610 is a somewhat more recent model (by 1 year and 7 months) than the 5D Mark III, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the D610 provides substantially higher image quality than the 5D Mark III, with an overall score that is 13 points higher. This advantage is based on 1.1 bits higher color depth, 2.7 EV in additional dynamic range, and 0.4 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Nikon D610 (⇒ rgt)||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|Canon 5D Mark III (⇒ lft)||Full Frame||22.1||5760||3840||1080/30p||24||11.7||2293||81|
|Canon 5D Mark IV (⇒ lft | rgt)||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|Canon 5DS R (⇒ lft | rgt)||Full Frame||50.3||8688||5792||1080/60p||24.6||12.4||2308||86|
|Canon 5DS (⇒ lft | rgt)||Full Frame||50.3||8688||5792||1080/60p||24.7||12.4||2381||87|
|Canon 6D (⇒ lft | rgt)||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Canon 5D Mark II (⇒ lft | rgt)||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Nikon D5 (⇒ lft | rgt)||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|Nikon D500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83|
|Nikon D750 (⇒ lft | rgt)||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|Nikon D810 (⇒ lft | rgt)||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97|
|Nikon D7100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83|
|Nikon Df (⇒ lft | rgt)||Full Frame||16.2||4928||3280||no||24.6||13.1||3279||89|
|Nikon D4 (⇒ lft | rgt)||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|Nikon D600 (⇒ lft | rgt)||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|Sony A7 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/30p).
Beyond body and sensor, cameras can and do differ across a range of features. The D610 and the 5D Mark III are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The adjacent table lists some of the other core features of the Nikon D610 and Canon 5D Mark III along with similar information for a selection of comparators. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Nikon D610 (⇒ rgt)||optical||YES||3.2||921||fixed||no||4000||6.0||12||no|
|Canon 5D Mark III (⇒ lft)||optical||YES||3.2||1040||fixed||no||8000||6.0||no||no|
|Canon 5D Mark IV (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||7.0||no||no|
|Canon 5DS R (⇒ lft | rgt)||optical||YES||3.2||1040||fixed||no||8000||5.0||no||no|
|Canon 5DS (⇒ lft | rgt)||optical||YES||3.2||1040||fixed||no||8000||5.0||no||no|
|Canon 6D (⇒ lft | rgt)||optical||YES||3.0||1040||fixed||no||4000||4.5||no||no|
|Canon 5D Mark II (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||3.9||no||no|
|Nikon D5 (⇒ lft | rgt)||optical||YES||3.2||2359||fixed||YES||8000||14.0||no||no|
|Nikon D500 (⇒ lft | rgt)||optical||YES||3.2||2359||tilting||YES||8000||10.0||no||no|
|Nikon D750 (⇒ lft | rgt)||optical||YES||3.2||1229||tilting||no||4000||6.0||12||no|
|Nikon D810 (⇒ lft | rgt)||optical||YES||3.2||1229||fixed||no||4000||5.0||12||no|
|Nikon D7100 (⇒ lft | rgt)||optical||YES||3.2||1229||fixed||no||8000||6.0||12||no|
|Nikon Df (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||4000||5.5||no||no|
|Nikon D4 (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||8000||11.0||no||no|
|Nikon D600 (⇒ lft | rgt)||optical||YES||3.0||921||fixed||no||4000||5.5||12||no|
|Sony A7 (⇒ lft | rgt)||2400||no||3.0||1230||tilting||no||8000||5.0||no||no|
The D610 is a current model that online retailers, such as amazon, will have in stock. In contrast, the 5D Mark III has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the 5D Mark III was succeeded by the Canon 5D Mark IV.
So what conclusions can be drawn? Is there a clear favorite between the Nikon D610 and the Nikon D610? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Nikon D610:
- Better image quality: Scores substantially higher (13 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.1 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.7 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.4 stops ISO advantage).
- More compact: Is smaller (141x113mm vs 152x116mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 100g or 11 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year and 7 months after the 5D Mark III).
Arguments in favor of the Canon EOS 5D Mark III:
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- More heavily discounted: Has been on the market for longer (launched in March 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the D610 is the clear winner of the match-up (9 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the D610 or the 5D Mark III handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Nikon D610 (⇒ rgt)||HiRec||87/100 Gold||4.5/5||4.5/5||4.5/5||2013||1,999||latest||check|
|Canon 5D Mark III (⇒ lft)||HiRec||82/100 Gold||4.5/5||5/5||4.5/5||2012||3,499||discont.||check|
|Canon 5D Mark IV (⇒ lft | rgt)||HiRec||87/100 Gold||4.5/5||5/5||4.5/5||2016||3,499||latest||check|
|Canon 5DS R (⇒ lft | rgt)||Rec||83/100 Silver||5/5||5/5||4.5/5||2015||3,699||latest||check|
|Canon 5DS (⇒ lft | rgt)||Rec||83/100 Silver||4.5/5||5/5||4.5/5||2015||3,699||latest||check|
|Canon 6D (⇒ lft | rgt)||HiRec||83/100 Silver||4.5/5||4.5/5||4.5/5||2012||2,099||discont.||check|
|Canon 5D Mark II (⇒ lft | rgt)||91/100||79/100 HiRec||4/5||5/5||-||2008||3,499||discont.||check|
|Nikon D5 (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||5/5||2016||6,499||latest||check|
|Nikon D500 (⇒ lft | rgt)||HiRec||91/100 Gold||4.5/5||5/5||5/5||2016||1,999||latest||check|
|Nikon D750 (⇒ lft | rgt)||HiRec||90/100 Gold||4.5/5||5/5||4.5/5||2014||2,299||latest||check|
|Nikon D810 (⇒ lft | rgt)||-||86/100 Gold||5/5||4.5/5||4.5/5||2014||3,299||discont.||check|
|Nikon D7100 (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2013||1,199||discont.||check|
|Nikon Df (⇒ lft | rgt)||-||81/100||4/5||4/5||4/5||2013||2,749||latest||check|
|Nikon D4 (⇒ lft | rgt)||-||-||4.5/5||-||4.5/5||2012||5,999||discont.||check|
|Nikon D600 (⇒ lft | rgt)||HiRec||87/100 Gold||5/5||4.5/5||4.5/5||2012||2,099||discont.||check|
|Sony A7 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4.5/5||5/5||2013||1,699||discont.||check|
The above review scores should be interpreted with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you cannot find the camera you are interested in, please send me an email, and I will try to update the database with the necessary infos.
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