Nikon D6 vs Panasonic GM5
The Nikon D6 and the Panasonic Lumix DMC-GM5 are two digital cameras that were revealed to the public, respectively, in February 2020 and September 2014. The D6 is a DSLR, while the GM5 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (D6) and a Four Thirds (GM5) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D6 and the Panasonic Lumix DMC-GM5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Nikon D6 and the Panasonic GM5. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The GM5 can be obtained in two different colors (black, silver), while the D6 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GM5 is considerably smaller (77 percent) than the Nikon D6. Moreover, the GM5 is substantially lighter (83 percent) than the D6. It is worth mentioning in this context that the D6 is splash and dust resistant, while the GM5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D6) and the Micro Four Thirds Lens Catalog (GM5). Mirrorless cameras, such as the GM5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the D6 gets 3580 shots out of its Nikon EN-EL18c battery, while the GM5 can take 220 images on a single charge of its Panasonic DMW-BLH7 power pack. As can be seen in the images above, the D6 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D6 | 160 mm | 163 mm | 92 mm | 1270 g | 3580 | Y | Feb 2020 | 6,499 | amazon.com | |
2. | Panasonic GM5 | 99 mm | 60 mm | 36 mm | 211 g | 220 | n | Sep 2014 | 749 | ebay.com | |
3. | Canon 1D X Mark III | 158 mm | 168 mm | 83 mm | 1440 g | 2850 | Y | Jan 2020 | 6,499 | amazon.com | |
4. | Canon 1D X Mark II | 158 mm | 168 mm | 83 mm | 1530 g | 1210 | Y | Feb 2016 | 5,999 | ebay.com | |
5. | Nikon D780 | 144 mm | 116 mm | 76 mm | 840 g | 2260 | Y | Jan 2020 | 2,299 | amazon.com | |
6. | Nikon D5 | 160 mm | 159 mm | 92 mm | 1415 g | 3780 | Y | Jan 2016 | 6,499 | ebay.com | |
7. | Nikon D4S | 160 mm | 157 mm | 91 mm | 1350 g | 3020 | Y | Feb 2014 | 6,499 | ebay.com | |
8. | Nikon D750 | 141 mm | 113 mm | 78 mm | 750 g | 1230 | Y | Sep 2014 | 2,299 | ebay.com | |
9. | Nikon D610 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Oct 2013 | 1,999 | ebay.com | |
10. | Nikon D4 | 160 mm | 157 mm | 91 mm | 1340 g | 2600 | Y | Jan 2012 | 5,999 | ebay.com | |
11. | Nikon D600 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Sep 2012 | 2,099 | ebay.com | |
12. | Nikon D3X | 160 mm | 157 mm | 88 mm | 1260 g | 4400 | Y | Dec 2008 | 7,999 | ebay.com | |
13. | Panasonic G7 | 125 mm | 86 mm | 77 mm | 410 g | 350 | n | May 2015 | 649 | ebay.com | |
14. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | 599 | ebay.com | |
15. | Panasonic GM1 | 99 mm | 55 mm | 30 mm | 204 g | 230 | n | Oct 2013 | 749 | ebay.com | |
16. | Panasonic GX1 | 116 mm | 68 mm | 39 mm | 318 g | 320 | n | Nov 2011 | 699 | ebay.com | |
17. | Panasonic GH2 | 124 mm | 90 mm | 76 mm | 442 g | 330 | n | Sep 2010 | 899 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GM5 was launched at a markedly lower price (by 88 percent) than the D6, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D6 features a full frame sensor and the Panasonic GM5 a Four Thirds sensor. The sensor area in the GM5 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the D6 has a native 3:2 aspect ratio, while the one in the GM5 offers a 4:3 aspect.
With 20.7MP, the D6 offers a higher resolution than the GM5 (15.8MP), but the D6 nevertheless has larger individual pixels (pixel pitch of 6.44μm versus 3.77μm for the GM5) due to its larger sensor. Moreover, the D6 is a much more recent model (by 5 years and 4 months) than the GM5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Nikon D6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D6 for good quality output (200 dots per inch) amounts to 27.8 x 18.6 inches or 70.7 x 47.1 cm, for very good quality (250 dpi) 22.3 x 14.8 inches or 56.6 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.1 x 31.4 cm. The corresponding values for the Panasonic GM5 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The Nikon D6 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-3280000. The corresponding ISO settings for the Panasonic Lumix DMC-GM5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D6 | Full Frame | 20.7 | 5568 | 3712 | 4K/30p | 25.3 | 14.3 | 2886 | 95 | |
2. | Panasonic GM5 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.1 | 11.7 | 721 | 66 | |
3. | Canon 1D X Mark III | Full Frame | 20.0 | 5472 | 3648 | 4K/60p | 24.2 | 14.5 | 3248 | 91 | |
4. | Canon 1D X Mark II | Full Frame | 20.0 | 5472 | 3648 | 4K/60p | 24.1 | 13.5 | 3207 | 88 | |
5. | Nikon D780 | Full Frame | 24.3 | 6048 | 4024 | 4K/30p | 25.3 | 14.3 | 2877 | 95 | |
6. | Nikon D5 | Full Frame | 20.7 | 5588 | 3712 | 4K/30p | 25.1 | 12.3 | 2343 | 88 | |
7. | Nikon D4S | Full Frame | 16.2 | 4928 | 3280 | 1080/60p | 24.4 | 13.3 | 3074 | 89 | |
8. | Nikon D750 | Full Frame | 24.2 | 6016 | 4016 | 1080/60p | 24.8 | 14.5 | 2956 | 93 | |
9. | Nikon D610 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.4 | 2925 | 94 | |
10. | Nikon D4 | Full Frame | 16.2 | 4928 | 3280 | 1080/30p | 24.7 | 13.1 | 2965 | 89 | |
11. | Nikon D600 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.2 | 2980 | 94 | |
12. | Nikon D3X | Full Frame | 24.4 | 6048 | 4032 | none | 24.7 | 13.7 | 1992 | 88 | |
13. | Panasonic G7 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.8 | 12.4 | 904 | 71 | |
14. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
15. | Panasonic GM1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 22.3 | 11.7 | 660 | 66 | |
16. | Panasonic GX1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 20.8 | 10.6 | 703 | 55 | |
17. | Panasonic GH2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 21.2 | 11.3 | 655 | 60 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D6 provides a higher video resolution than the GM5. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GM5 has an electronic viewfinder (1166k dots), while the D6 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D6 has a higher magnification than the one of the GM5 (0.72x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon D6 and Panasonic GM5 along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D6 | optical | Y | 3.2 / 2359 | fixed | Y | 1/8000s | 14.0/s | n | n | |
2. | Panasonic GM5 | 1166 | n | 3.0 / 921 | fixed | Y | 1/500s | 5.8/s | n | n | |
3. | Canon 1D X Mark III | optical | Y | 3.2 / 2100 | fixed | Y | 1/8000s | 20.0/s | n | n | |
4. | Canon 1D X Mark II | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 16.0/s | n | n | |
5. | Nikon D780 | optical | Y | 3.2 / 2359 | tilting | Y | 1/8000s | 12.0/s | n | n | |
6. | Nikon D5 | optical | Y | 3.2 / 2359 | fixed | Y | 1/8000s | 14.0/s | n | n | |
7. | Nikon D4S | optical | Y | 3.2 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
8. | Nikon D750 | optical | Y | 3.2 / 1229 | tilting | n | 1/4000s | 6.0/s | Y | n | |
9. | Nikon D610 | optical | Y | 3.2 / 921 | fixed | n | 1/4000s | 6.0/s | Y | n | |
10. | Nikon D4 | optical | Y | 3.2 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
11. | Nikon D600 | optical | Y | 3.0 / 921 | fixed | n | 1/4000s | 5.5/s | Y | n | |
12. | Nikon D3X | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 5.0/s | n | n | |
13. | Panasonic G7 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
14. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
15. | Panasonic GM1 | none | n | 3.0 / 1036 | fixed | Y | 1/500s | 5.0/s | Y | n | |
16. | Panasonic GX1 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 4.2/s | Y | n | |
17. | Panasonic GH2 | 1534 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the D6, but is missing on the GM5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GM5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D6 and the Panasonic GM5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D6 writes its imaging data to CFexpress (type B) or XQD cards, while the GM5 uses SDXC cards. The D6 features dual card slots, which can be very useful in case a memory card fails. In contrast, the GM5 only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D6 and Panasonic Lumix DMC-GM5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D6 | Y | stereo / mono | Y | Y | mini | 3.1 | Y | - | Y | |
2. | Panasonic GM5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
3. | Canon 1D X Mark III | Y | mono / mono | Y | Y | mini | 3.1 | Y | - | Y | |
4. | Canon 1D X Mark II | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
5. | Nikon D780 | Y | stereo / mono | Y | Y | mini | 3.1 | Y | - | Y | |
6. | Nikon D5 | Y | stereo / mono | Y | Y | mini | 3.0 | - | - | - | |
7. | Nikon D4S | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
8. | Nikon D750 | Y | stereo / mono | Y | Y | mini | 2.0 | Y | - | - | |
9. | Nikon D610 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
10. | Nikon D4 | Y | mono / mono | Y | Y | micro | 2.0 | - | - | - | |
11. | Nikon D600 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
12. | Nikon D3X | Y | - / - | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic G7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
14. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
15. | Panasonic GM1 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
16. | Panasonic GX1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
17. | Panasonic GH2 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - |
It is notable that the D6 has a microphone port, which is missing on the GM5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Nikon D6 (unlike the GM5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The D6 is a recent model that features in the current product line-up of Nikon. In contrast, the GM5 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the GM5 from Panasonic. Further information on the features and operation of the D6 and GM5 can be found, respectively, in the Nikon D6 Manual (free pdf) or the online Panasonic GM5 Manual.
Review summary
So what is the bottom line? Which of the two cameras – the Nikon D6 or the Panasonic GM5 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Nikon D6:
- More detail: Offers more megapixels (20.7 vs 15.8MP) with a 17% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.46x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 921k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/500s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 5.8 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (3580 versus 220) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 5 years and 4 months of technical progress since the GM5 launch.
Advantages of the Panasonic Lumix DMC-GM5:
- More framing info: Has an electronic viewfinder that displays shooting data.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (99x60mm vs 160x163mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 1059g or 83 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (88 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the D6 is the clear winner of the match-up (23 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D6 and the Panasonic GM5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the D6 or the GM5 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D6 | .. | .. | 4/5 | .. | 4.5/5 | 4.5/5 | Feb 2020 | 6,499 | amazon.com | |
2. | Panasonic GM5 | 3.5/5 | + | .. | 77/100 | 5/5 | 4.5/5 | Sep 2014 | 749 | ebay.com | |
3. | Canon 1D X Mark III | .. | + + | 5/5 | .. | 4.5/5 | 4/5 | Jan 2020 | 6,499 | amazon.com | |
4. | Canon 1D X Mark II | .. | .. | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2016 | 5,999 | ebay.com | |
5. | Nikon D780 | 5/5 | .. | 5/5 | 87/100 | 4.5/5 | 4.5/5 | Jan 2020 | 2,299 | amazon.com | |
6. | Nikon D5 | .. | .. | 4/5 | 89/100 | 4.5/5 | 5/5 | Jan 2016 | 6,499 | ebay.com | |
7. | Nikon D4S | 5/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Feb 2014 | 6,499 | ebay.com | |
8. | Nikon D750 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 4.5/5 | Sep 2014 | 2,299 | ebay.com | |
9. | Nikon D610 | 4/5 | + + | .. | 87/100 | 4.5/5 | 4.5/5 | Oct 2013 | 1,999 | ebay.com | |
10. | Nikon D4 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Jan 2012 | 5,999 | ebay.com | |
11. | Nikon D600 | 4/5 | + + | .. | 87/100 | 5/5 | 4.5/5 | Sep 2012 | 2,099 | ebay.com | |
12. | Nikon D3X | .. | .. | .. | 86/100 | 4/5 | 5/5 | Dec 2008 | 7,999 | ebay.com | |
13. | Panasonic G7 | 4/5 | + + | 3.5/5 | 80/100 | 5/5 | 4.5/5 | May 2015 | 649 | ebay.com | |
14. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | 599 | ebay.com | |
15. | Panasonic GM1 | 3/5 | + | .. | 78/100 | 5/5 | 4.5/5 | Oct 2013 | 749 | ebay.com | |
16. | Panasonic GX1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Nov 2011 | 699 | ebay.com | |
17. | Panasonic GH2 | 5/5 | + + | .. | 79/100 | 4.5/5 | 5/5 | Sep 2010 | 899 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Nikon D6 vs Nikon D60
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Specifications: Nikon D6 vs Panasonic GM5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon D6 | Panasonic GM5 |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Nikon F mount lenses | Micro Four Thirds lenses |
Launch Date | February 2020 | September 2014 |
Launch Price | USD 6,499 | USD 749 |
Sensor Specs | Nikon D6 | Panasonic GM5 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Full Frame Sensor | Four Thirds Sensor |
Sensor Size | 35.9 x 23.9 mm | 17.3 x 13.0 mm |
Sensor Area | 858.01 mm2 | 224.9 mm2 |
Sensor Diagonal | 43.1 mm | 21.6 mm |
Crop Factor | 1.0x | 2.0x |
Sensor Resolution | 20.7 Megapixels | 15.8 Megapixels |
Image Resolution | 5568 x 3712 pixels | 4592 x 3448 pixels |
Pixel Pitch | 6.44 μm | 3.77 μm |
Pixel Density | 2.41 MP/cm2 | 7.04 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 1080/60p Video |
ISO Setting | 100 - 102,400 ISO | 200 - 25,600 ISO |
ISO Boost | 50 - 3,280,000 ISO | 100 - 25,600 ISO |
Image Processor | EXPEED 6 | Venus |
DXO Sensor Quality (score) | .. | 66 |
DXO Color Depth (bits) | .. | 22.1 |
DXO Dynamic Range (EV) | .. | 11.7 |
DXO Low Light (ISO) | .. | 721 |
Screen Specs | Nikon D6 | Panasonic GM5 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.72x | 0.46x |
Viewfinder Resolution | 1166k dots | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 3.0inch |
LCD Resolution | 2359k dots | 921k dots |
LCD Attachment | Fixed screen | Fixed screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Nikon D6 | Panasonic GM5 |
Focus System | Phase-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/500s |
Continuous Shooting | 14 shutter flaps/s | 5.8 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | CFexB or XQD cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
Connectivity Specs | Nikon D6 | Panasonic GM5 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 3.1 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Nikon D6 | Panasonic GM5 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Nikon EN-EL18c | Panasonic DMW-BLH7 |
Battery Life (CIPA) | 3580 shots per charge | 220 shots per charge |
Body Dimensions |
160 x 163 x 92 mm (6.3 x 6.4 x 3.6 in) |
99 x 60 x 36 mm (3.9 x 2.4 x 1.4 in) |
Camera Weight | 1270 g (44.8 oz) | 211 g (7.4 oz) |
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