Nikon D5500 vs Sony A850
The Nikon D5500 and the Sony Alpha A850 are two digital cameras that were officially introduced, respectively, in January 2015 and August 2009. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (D5500) and a full frame (A850) sensor. The Nikon has a resolution of 24 megapixels, whereas the Sony provides 24.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D5500||Sony A850|
|Digital single lens reflex||Digital single lens reflex|
|Nikon F mount lenses||Sony A mount lenses|
|24 MP, APS-C Sensor||24.4 MP, Full Frame Sensor|
|1080/60p Video||no Video|
|ISO 100-25600||ISO 200-3200 (100-6400)|
|Optical viewfinder||Optical viewfinder|
|3.2" LCD, 1037k dots||3.0" LCD, 922k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|5 shutter flaps per second||3 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|820 shots per battery charge||880 shots per battery charge|
|124 x 97 x 70 mm, 420 g||156 x 117 x 82 mm, 895 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5500 and the Sony Alpha A850? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D5500 and the Sony A850. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The D5500 can be obtained in two different colors (black, red), while the A850 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A850 is considerably larger (52 percent) than the Nikon D5500. Moreover, the A850 is substantially heavier (113 percent) than the D5500. It is noteworthy in this context that the A850 is splash and dust-proof, while the D5500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Nikon D5500»||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||-||Nikon D5500|
|Sony A850«||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Aug 2009||1,999||-||Sony A850|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979||Canon M5|
|Nikon D5600« »||4.9 in||3.8 in||2.8 in||16.4 oz||970||n||Nov 2016||699||Nikon D5600|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon D3400« »||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499||-||Nikon D3400|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||Nikon D750|
|Nikon D3300« »||4.9 in||3.9 in||3.0 in||15.2 oz||700||n||Jan 2014||499||-||Nikon D3300|
|Nikon D5300« »||4.9 in||3.9 in||3.0 in||16.9 oz||600||n||Oct 2013||799||-||Nikon D5300|
|Nikon D3200« »||4.9 in||3.8 in||3.0 in||17.8 oz||540||n||Apr 2012||599||-||Nikon D3200|
|Nikon D5200« »||5.1 in||3.9 in||3.1 in||19.6 oz||500||n||Nov 2012||749||-||Nikon D5200|
|Samsung NX30« »||5.0 in||3.8 in||2.3 in||13.2 oz||360||n||Jan 2014||999||-||Samsung NX30|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||-||Sony A6300|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Sony A99« »||5.8 in||4.4 in||3.1 in||28.6 oz||500||Y||Sep 2012||2,799||-||Sony A99|
|Sony A900« »||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Sep 2008||2,999||-||Sony A900|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D5500 was launched at a markedly lower price (by 55 percent) than the A850, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D5500 features an APS-C sensor and the Sony A850 a full frame sensor. The sensor area in the A850 is 135 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24.4MP, the A850 offers a higher resolution than the D5500 (24MP), but the A850 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 3.91μm for the D5500) due to its larger sensor. However, the D5500 is a much more recent model (by 5 years and 4 months) than the A850, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the D5500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Nikon D5500 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Sony Alpha A850 are ISO 200 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the D5500 has a notably higher overall DXO score than the A850 (overall score 5 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.3 bits higher color depth, 1.8 EV in additional dynamic range, and 0 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Nikon D5500»||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Sony A850«||Full Frame||24.4||6048||4032||-||23.8||12.2||1415||79||Sony A850|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Nikon D5600« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84||Nikon D5600|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon D3400« »||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86||Nikon D3400|
|Nikon D750« »||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Nikon D3300« »||APS-C||24.0||6000||4000||1080/60p||24.3||12.8||1385||82||Nikon D3300|
|Nikon D5300« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.9||1338||83||Nikon D5300|
|Nikon D3200« »||APS-C||24.1||6016||4000||1080/30p||24.1||13.2||1131||81||Nikon D3200|
|Nikon D5200« »||APS-C||24.0||6000||4000||1080/60i||24.2||13.9||1284||84||Nikon D5200|
|Samsung NX30« »||APS-C||20.0||5472||3648||1080/60p||23.5||12.4||1014||76||Samsung NX30|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A99« »||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89||Sony A99|
|Sony A900« »||Full Frame||24.4||6048||4032||-||23.7||12.3||1431||79||Sony A900|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The D5500 indeed provides movie recording capabilities, while the A850 does not. The highest resolution format that the D5500 can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The D5500 and the A850 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the A850 offers a wider field of view (98%) than the one in the D5500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A850 has a higher magnification (0.74x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D5500, the Sony A850, and comparable cameras.
|Nikon D5500»||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Sony A850«||optical||Y||3.0||922||fixed||n||1/8000s||3.0||n||Y||Sony A850|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||1/4000s||9.0||Y||n||Canon M5|
|Nikon D5600« »||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5600|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Nikon D3400« »||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3400|
|Nikon D750« »||optical||Y||3.2||1229||tilting||n||1/4000s||6.0||Y||n||Nikon D750|
|Nikon D3300« »||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3300|
|Nikon D5300« »||optical||n||3.2||1037||swivel||n||1/4000s||5.0||Y||n||Nikon D5300|
|Nikon D3200« »||optical||n||3.0||921||fixed||n||1/4000s||4.0||Y||n||Nikon D3200|
|Nikon D5200« »||optical||n||3.0||921||swivel||n||1/4000s||5.0||Y||n||Nikon D5200|
|Samsung NX30« »||2359||n||3.0||1036||swivel||Y||1/8000s||9.0||Y||n||Samsung NX30|
|Sony A6300« »||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Sony A99« »||2359||Y||3.0||1229||full-flex||n||1/8000s||6.0||n||Y||Sony A99|
|Sony A900« »||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||Y||Sony A900|
One difference between the cameras concerns the presence of an on-board flash. The D5500 has one, while the A850 does not. While the built-in flash of the D5500 is not very powerful, it can at times be useful as a fill-in light.The D5500 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A850 does not have a selfie-screen.
The Nikon D5500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D5500 writes its imaging data to SDXC cards, while the A850 uses Compact Flash or Memory Stick PRO Duo cards. The A850 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D5500 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5500 and Sony Alpha A850 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D5500»||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Sony A850«||Y||-||-||-||-||mini||2.0||-||-||-||Sony A850|
|Canon M5« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Nikon D5600« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Nikon D5600|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon D3400« »||Y||mono||mono||-||-||mini||2.0||-||-||Y||Nikon D3400|
|Nikon D750« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Nikon D3300« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3300|
|Nikon D5300« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5300|
|Nikon D3200« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3200|
|Nikon D5200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D5200|
|Samsung NX30« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Samsung NX30|
|Sony A6300« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A99« »||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Sony A99|
|Sony A900« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A900|
It is notable that the D5500 offers wifi support, while the A850 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Sony A850 (unlike the D5500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D5500 and the A850 have been discontinued, but can regularly be found used on eBay. The D5500 was replaced by the Nikon D5600, while the A850 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Nikon D5500 or the Sony A850 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Nikon D5500:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores markedly higher (5 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (1.8 EV of extra DR).
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 922k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (124x97mm vs 156x117mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 475g or 53 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (55 percent cheaper at launch).
- More modern: Reflects 5 years and 4 months of technical progress since the A850 launch.
Arguments in favor of the Sony Alpha A850:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More complete view: Has a viewfinder with a larger field of view (98% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.57x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in August 2009).
If the number of relative strengths (bullet points above) is taken as a guide, the D5500 is the clear winner of the match-up (17 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5500 and the Sony A850 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D5500 or the A850. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon D5500»||+||79/100||4.5/5||5/5||4.5/5||Jan 2015||899||-||Nikon D5500|
|Sony A850«||-||75/100||-||4/5||4.5/5||Aug 2009||1,999||-||Sony A850|
|Canon M5« »||+||82/100||4/5||4.5/5||4/5||Sep 2016||979||Canon M5|
|Nikon D5600« »||-||79/100||4.5/5||4.5/5||4/5||Nov 2016||699||Nikon D5600|
|Nikon D500« »||+ +||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Nikon D3400« »||+||76/100||4/5||4.5/5||4.5/5||Aug 2016||499||-||Nikon D3400|
|Nikon D750« »||+ +||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299||Nikon D750|
|Nikon D3300« »||+||77/100||4.5/5||4.5/5||4.5/5||Jan 2014||499||-||Nikon D3300|
|Nikon D5300« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Oct 2013||799||-||Nikon D5300|
|Nikon D3200« »||+ +||73/100||4.5/5||4.5/5||4.5/5||Apr 2012||599||-||Nikon D3200|
|Nikon D5200« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Nov 2012||749||-||Nikon D5200|
|Samsung NX30« »||-||77/100||4.5/5||4/5||4.5/5||Jan 2014||999||-||Samsung NX30|
|Sony A6300« »||+||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A7« »||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Sony A99« »||-||84/100||4.5/5||o||4.5/5||Sep 2012||2,799||-||Sony A99|
|Sony A900« »||+ +||+ +||4.5/5||4/5||5/5||Sep 2008||2,999||-||Sony A900|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Kodak AZ901 vs Nikon D5500
- Leica D-LUX 6 vs Sony A850
- Nikon D3X vs Nikon D5500
- Nikon D5500 vs Panasonic FZ82
- Nikon D5500 vs Panasonic GH1
- Nikon D5500 vs Panasonic LX7
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- Sony A7R II vs Sony A850
Specifications: Nikon D5500 vs Sony A850
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D5500||Sony A850|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Nikon F mount lenses||Sony A mount lenses|
|Launch Date||January 2015||August 2009|
|Launch Price||USD 899||USD 1999|
|Sensor Specs||Nikon D5500||Sony A850|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.5 x 15.6 mm||35.9 x 24.0 mm|
|Sensor Area||366.6 mm2||861.6 mm2|
|Sensor Diagonal||28.2 mm||43.2 mm|
|Sensor Resolution||24 Megapixels||24.4 Megapixels|
|Image Resolution||6000 x 4000 pixels||6048 x 4032 pixels|
|Pixel Pitch||3.91 μm||5.94 μm|
|Pixel Density||6.55 MP/cm2||2.83 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||no Video|
|ISO Setting||100-25600 ISO||200-3200 ISO|
|ISO Boost||no Enhancement||100-6400 ISO|
|Image Processor||EXPEED 4||BIONZ|
|DXO Sensor Quality (score)||84||79|
|DXO Color Depth (bits)||24.1||23.8|
|DXO Dynamic Range (EV)||14.0||12.2|
|DXO Low Light (ISO)||1438||1415|
|Screen Specs||Nikon D5500||Sony A850|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||98%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1037k dots||922k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Nikon D5500||Sony A850|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||5 shutter flaps/s||3 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF or MS cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Nikon D5500||Sony A850|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Nikon D5500||Sony A850|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||820 shots per charge||880 shots per charge|
124 x 97 x 70 mm
(4.9 x 3.8 x 2.8 in)
156 x 117 x 82 mm
(6.1 x 4.6 x 3.2 in)
|Camera Weight||420 g (14.8 oz)||895 g (31.6 oz)|
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