Nikon D5500 vs Sony A7S
The Nikon D5500 and the Sony Alpha A7S are two digital cameras that were revealed to the public, respectively, in January 2015 and April 2014. The D5500 is a DSLR, while the A7S is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D5500) and a full frame (A7S) sensor. The Nikon has a resolution of 24 megapixels, whereas the Sony provides 12 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Nikon D5500||Sony A7S|
|Digital single lens reflex||Mirrorless system camera|
|Nikon F mount lenses||Sony E mount lenses|
|24 MP, APS-C Sensor||12 MP, Full Frame Sensor|
|1080/60p Video||1080/60p Video|
|ISO 100-25600||ISO 100-102400 (50-409600)|
|Optical viewfinder||Electronic viewfinder (2400k dots)|
|3.2" LCD, 1037k dots||3.0" LCD, 921k dots|
|Swivel touchscreen||Tilting screen (not touch-sensitive)|
|5 shutter flaps per second||5 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|820 shots per battery charge||380 shots per battery charge|
|124 x 97 x 70 mm, 420 g||127 x 94 x 48 mm, 489 g|
Body comparison: Nikon D5500 vs Sony A7S
An illustration of the physical size and weight of the Nikon D5500 and the Sony A7S is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the D5500 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D5500 and the Sony A7S are of equal size. However, the A7S is markedly heavier (16 percent) than the D5500. It is noteworthy in this context that the A7S is splash and dust-proof, while the D5500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D5500) and the Sony FE Lens Catalog (A7S). Mirrorless cameras, such as the A7S, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon D5500»||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||-||Nikon D5500|
|Sony A7S«||5.0 in||3.7 in||1.9 in||17.2 oz||380||Y||Apr 2014||2,499||-||Sony A7S|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979||Canon M5|
|Nikon D3500« »||4.9 in||3.8 in||2.8 in||12.9 oz||1550||n||Aug 2018||429||Nikon D3500|
|Nikon D5600« »||4.9 in||3.8 in||2.8 in||16.4 oz||970||n||Nov 2016||699||Nikon D5600|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon D3400« »||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499||-||Nikon D3400|
|Nikon D3300« »||4.9 in||3.9 in||3.0 in||15.2 oz||700||n||Jan 2014||499||-||Nikon D3300|
|Nikon D5300« »||4.9 in||3.9 in||3.0 in||16.9 oz||600||n||Oct 2013||799||-||Nikon D5300|
|Nikon D3200« »||4.9 in||3.8 in||3.0 in||17.8 oz||540||n||Apr 2012||599||-||Nikon D3200|
|Nikon D5200« »||5.1 in||3.9 in||3.1 in||19.6 oz||500||n||Nov 2012||749||-||Nikon D5200|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||-||Sony A6300|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-||Sony A7R|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D5500 was launched at a markedly lower price (by 64 percent) than the A7S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Nikon D5500 vs Sony A7S
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D5500 features an APS-C sensor and the Sony A7S a full frame sensor. The sensor area in the A7S is 133 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a smaller sensor, the Nikon D5500 offers a higher resolution of 24 megapixels, compared with 12 MP of the Sony A7S. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 8.45μm for the A7S). However, it should be noted that the D5500 is a somewhat more recent model (by 9 months) than the A7S, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the D5500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Nikon D5500 has a native sensitivity range from ISO 100 to ISO 25600 The corresponding ISO settings for the Sony Alpha A7S are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600..
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Nikon D5500»||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Sony A7S«||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87||Sony A7S|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Nikon D3500« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Nikon D3500|
|Nikon D5600« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84||Nikon D5600|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon D3400« »||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86||Nikon D3400|
|Nikon D3300« »||APS-C||24.0||6000||4000||1080/60p||24.3||12.8||1385||82||Nikon D3300|
|Nikon D5300« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.9||1338||83||Nikon D5300|
|Nikon D3200« »||APS-C||24.1||6016||4000||1080/30p||24.1||13.2||1131||81||Nikon D3200|
|Nikon D5200« »||APS-C||24.0||6000||4000||1080/60i||24.2||13.9||1284||84||Nikon D5200|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Feature comparison: Nikon D5500 vs Sony A7S
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7S has an electronic viewfinder (2400k dots), while the D5500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Nikon D5500 and Sony A7S in connection with corresponding information for a sample of similar cameras.
|Nikon D5500»||optical||n||3.2||1037||swivel||Y||4000||5.0||Y||n||Nikon D5500|
|Sony A7S«||2400||n||3.0||921||tilting||n||8000||5.0||n||n||Sony A7S|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||4000||9.0||Y||n||Canon M5|
|Nikon D3500« »||optical||n||3.0||921||fixed||n||4000||5.0||Y||n||Nikon D3500|
|Nikon D5600« »||optical||n||3.2||1037||swivel||Y||4000||5.0||Y||n||Nikon D5600|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||8000||10.0||n||n||Nikon D500|
|Nikon D3400« »||optical||n||3.0||921||fixed||n||4000||5.0||Y||n||Nikon D3400|
|Nikon D3300« »||optical||n||3.0||921||fixed||n||4000||5.0||Y||n||Nikon D3300|
|Nikon D5300« »||optical||n||3.2||1037||swivel||n||4000||5.0||Y||n||Nikon D5300|
|Nikon D3200« »||optical||n||3.0||921||fixed||n||4000||4.0||Y||n||Nikon D3200|
|Nikon D5200« »||optical||n||3.0||921||swivel||n||4000||5.0||Y||n||Nikon D5200|
|Sony A6300« »||2359||n||3.0||922||tilting||n||4000||11.0||Y||n||Sony A6300|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7R II|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7S II|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||Y||Sony A7 II|
|Sony A7« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||n||Sony A7|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||8000||4.0||n||n||Sony A7R|
One difference between the cameras concerns the presence of an on-board flash. The D5500 has one, while the A7S does not. While the built-in flash of the D5500 is not very powerful, it can at times be useful as a fill-in light.The D5500 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7S does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the A7S features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The D5500 writes its imaging data to SDXC cards, while the A7S uses SDXC or Memory Stick PRO Duo cards.
Connectivity comparison: Nikon D5500 vs Sony A7S
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5500 and Sony Alpha A7S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D5500»||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Sony A7S«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S|
|Canon M5« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Nikon D3500« »||Y||mono||mono||-||-||mini||2.0||Y||-||Y||Nikon D3500|
|Nikon D5600« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Nikon D5600|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon D3400« »||Y||mono||mono||-||-||mini||2.0||Y||-||Y||Nikon D3400|
|Nikon D3300« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3300|
|Nikon D5300« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5300|
|Nikon D3200« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3200|
|Nikon D5200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D5200|
|Sony A6300« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A7R« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
It is notable that the A7S has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The D5500 lacks such a headphone port.
Both the D5500 and the A7S have been discontinued, but can regularly be found used on eBay. The A7S was replaced by the Sony A7S II, while the D5500 was followed by the Nikon D5600.
Review summary: Nikon D5500 vs Sony A7S
So how do things add up? Is there a clear favorite between the Nikon D5500 and the Sony A7S? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Nikon D5500:
- More detail: Offers more megapixels (24 vs 12MP) with a 41% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More dynamic range: Captures a larger spectrum of light and dark details (0.8 EV of extra DR).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 921k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less heavy: Is lighter (by 69g or 14 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (820 versus 380) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (64 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 9 months after the A7S).
Reasons to prefer the Sony Alpha A7S:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better low-light sensitivity: Can shoot in dim conditions (1.4 stops ISO advantage).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in April 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the D5500 is the clear winner of the match-up (14 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the D5500 and the A7S in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Nikon D5500 vs Sony A7S
This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Nikon D5500»||Rec||79/100||4.5/5||5/5||4.5/5||Jan 2015||899||-||Nikon D5500|
|Sony A7S«||-||86/100||4.5/5||4.5/5||5/5||Apr 2014||2,499||-||Sony A7S|
|Canon M5« »||Rec||82/100||4/5||4.5/5||4/5||Sep 2016||979||Canon M5|
|Nikon D3500« »||-||-||4/5||-||4.5/5||Aug 2018||429||Nikon D3500|
|Nikon D5600« »||-||79/100||4.5/5||4.5/5||4/5||Nov 2016||699||Nikon D5600|
|Nikon D500« »||HiRec||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Nikon D3400« »||Rec||76/100||4/5||4.5/5||4.5/5||Aug 2016||499||-||Nikon D3400|
|Nikon D3300« »||Rec||77/100||4.5/5||4.5/5||4.5/5||Jan 2014||499||-||Nikon D3300|
|Nikon D5300« »||HiRec||79/100||4.5/5||4.5/5||4.5/5||Oct 2013||799||-||Nikon D5300|
|Nikon D3200« »||HiRec||73/100||4.5/5||4.5/5||4.5/5||Apr 2012||599||-||Nikon D3200|
|Nikon D5200« »||HiRec||79/100||4.5/5||4.5/5||4.5/5||Nov 2012||749||-||Nikon D5200|
|Sony A6300« »||Rec||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Sony A7R II« »||HiRec||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||Rec||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Sony A7 II« »||Rec||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A7« »||HiRec||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||HiRec||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-||Sony A7R|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
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- Nikon D3100 vs Nikon D300
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Specifications: Nikon D5500 vs Sony A7S
|Camera Model||Nikon D5500||Sony A7S|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Sony E mount lenses|
|Launch Date||January 2015||April 2014|
|Launch Price||USD 899||USD 2499|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.5 x 15.6 mm||35.8 x 15.6 mm|
|Sensor Area||366.6 mm2||855.62 mm2|
|Sensor Diagonal||28.2 mm||43 mm|
|Sensor Resolution||24 Megapixels||12 Megapixels|
|Image Resolution||6000 x 4000 pixels||4240 x 2832 pixels|
|Pixel Pitch||3.91 μm||8.45 μm|
|Pixel Density||6.55 MP/cm2||1.40 MP/cm2|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100-25600 ISO||100-102400 ISO|
|ISO Boost||no Enhancement||50-409600 ISO|
|Image Processor||EXPEED 4||BIONZ X|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Resolution||n/a||2400k dots|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1037k dots||921k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Maximum Shutter Speed||1/4000s||1/8000s|
|Continuous Shooting||5 shutter flaps/s||5 shutter flaps/s|
|Silent Shooting||no E-Shutter||Electronic Shutter|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||EN-EL14a power pack||NP-FW50 power pack|
|Battery Life (CIPA)||820 shots per charge||380 shots per charge|
124 x 97 x 70 mm
(4.9 x 3.8 x 2.8 in)
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
|Camera Weight||420 g (14.8 oz)||489 g (17.2 oz)|
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