Nikon D5500 vs Panasonic ZS70
The Nikon D5500 and the Panasonic Lumix DC-ZS70 (labelled Panasonic TZ90 in some countries) are two digital cameras that were officially introduced, respectively, in January 2015 and April 2017. The D5500 is a DSLR, while the ZS70 is a fixed lens compact. The cameras are based on an APS-C (D5500) and a 1/2.3-inch (ZS70) sensor. The Nikon has a resolution of 24 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5500 and the Panasonic Lumix DC-ZS70? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D5500 and the Panasonic ZS70. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The D5500 can be obtained in two different colors (black, red), while the ZS70 is also available in two color-versions, but different ones (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic ZS70 is considerably smaller (38 percent) than the Nikon D5500. In this context, it is worth noting that neither the D5500 nor the ZS70 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZS70 has a lens built in, whereas the D5500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D5500 and their specifications in the Nikon Lens Catalog.
Concerning battery life, the D5500 gets 820 shots out of its EN-EL14a battery, while the ZS70 can take 380 images on a single charge of its DMW-BLG10 power pack. The power pack in the ZS70 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Nikon D5500||124 mm||97 mm||70 mm||470 g||820||n||Jan 2015||899||ebay.com|
|2.||Panasonic ZS70||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449||ebay.com|
|3.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399||ebay.com|
|4.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979||ebay.com|
|5.||Canon SX720||110 mm||64 mm||36 mm||270 g||250||n||Feb 2016||379||ebay.com|
|6.||Nikon D5600||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699||amazon.com|
|7.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999||amazon.com|
|8.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499||ebay.com|
|9.||Nikon D3300||124 mm||98 mm||76 mm||430 g||700||n||Jan 2014||499||ebay.com|
|10.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799||ebay.com|
|11.||Nikon D3200||125 mm||96 mm||77 mm||505 g||540||n||Apr 2012||599||ebay.com|
|12.||Nikon D5200||129 mm||98 mm||78 mm||555 g||500||n||Nov 2012||749||ebay.com|
|13.||Nikon D5100||128 mm||97 mm||79 mm||560 g||660||n||Apr 2011||749||ebay.com|
|14.||Panasonic ZS80||112 mm||69 mm||42 mm||327 g||380||n||Feb 2019||449||amazon.com|
|15.||Panasonic FZ80||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399||amazon.com|
|16.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499||ebay.com|
|17.||Samsung NX30||127 mm||96 mm||58 mm||375 g||360||n||Jan 2014||999||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The ZS70 was launched at a lower price than the D5500, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D5500 features an APS-C sensor and the Panasonic ZS70 a 1/2.3-inch sensor. The sensor area in the ZS70 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the D5500 has a native 3:2 aspect ratio, while the one in the ZS70 offers a 4:3 aspect.
With 24MP, the D5500 offers a higher resolution than the ZS70 (20.2MP), but the D5500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 1.18μm for the ZS70) due to its larger sensor. However, the ZS70 is a much more recent model (by 2 years and 3 months) than the D5500, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Nikon D5500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5500 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic ZS70 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The Nikon D5500 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DC-ZS70 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
In terms of underlying technology, the D5500 is build around a CMOS sensor, while the ZS70 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the D5500 provides substantially higher image quality than the ZS70, with an overall score that is 48 points higher. This advantage is based on 5 bits higher color depth, 3.4 EV in additional dynamic range, and 3.8 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the ZS70 provides a better video resolution than the D5500. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the ZS70 has an electronic viewfinder (1166k dots), while the D5500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the ZS70 offers a wider field of view (100%) than the one in the D5500 (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the D5500 has a higher magnification (0.57x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D5500, the Panasonic ZS70, and comparable cameras.
|1.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0/s||Y||n|
|2.||Panasonic ZS70||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|3.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9/s||Y||Y|
|4.||Canon M5||2360||n||3.2 / 1620||tilting||Y||1/4000s||9.0/s||Y||n|
|5.||Canon SX720||none||n||3.0 / 922||fixed||n||1/3200s||5.9/s||Y||Y|
|6.||Nikon D5600||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0/s||Y||n|
|7.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0/s||n||n|
|8.||Nikon D3400||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|9.||Nikon D3300||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|10.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0/s||Y||n|
|11.||Nikon D3200||optical||n||3.0 / 921||fixed||n||1/4000s||4.0/s||Y||n|
|12.||Nikon D5200||optical||n||3.0 / 921||swivel||n||1/4000s||5.0/s||Y||n|
|13.||Nikon D5100||optical||n||3.0 / 921||swivel||n||1/4000s||4.0/s||Y||n|
|14.||Panasonic ZS80||2330||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|15.||Panasonic FZ80||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0/s||Y||Y|
|16.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|17.||Samsung NX30||2359||n||3.0 / 1036||swivel||Y||1/8000s||9.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the ZS70 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D5500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D5500 and the ZS70 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5500 and Panasonic Lumix DC-ZS70 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|2.||Panasonic ZS70||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|4.||Canon M5||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon SX720||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|6.||Nikon D5600||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|7.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|8.||Nikon D3400||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|9.||Nikon D3300||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|11.||Nikon D3200||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|12.||Nikon D5200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|13.||Nikon D5100||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|14.||Panasonic ZS80||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|15.||Panasonic FZ80||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|17.||Samsung NX30||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the D5500 has a hotshoe, while the ZS70 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the D5500 and the ZS70 have been discontinued, but can regularly be found used on ebay. The D5500 was replaced by the Nikon D5600, while the ZS70 was followed by the Panasonic ZS80. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Nikon D5500 and the Panasonic ZS70? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Nikon D5500:
- More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
- Better image quality: Scores substantially higher (48 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (5 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (3.4 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (3.8 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.57x vs 0.46x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (820 versus 380) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in January 2015).
Advantages of the Panasonic Lumix DC-ZS70:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the D5500 requires a separate lens.
- More compact: Is smaller (112x67mm vs 124x97mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the D5500).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 3 months of technical progress since the D5500 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the D5500 is the clear winner of the match-up (16 : 12 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5500 and the Panasonic ZS70 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the D5500 or the ZS70 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899||ebay.com|
|2.||Panasonic ZS70||..||+ +||..||..||4/5||4/5||Apr 2017||449||ebay.com|
|3.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399||ebay.com|
|4.||Canon M5||4/5||+||4/5||82/100||4/5||4/5||Sep 2016||979||ebay.com|
|5.||Canon SX720||..||+||..||..||4/5||4.5/5||Feb 2016||379||ebay.com|
|6.||Nikon D5600||4/5||..||4/5||79/100||4.5/5||4/5||Nov 2016||699||amazon.com|
|7.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999||amazon.com|
|8.||Nikon D3400||4/5||+||4/5||76/100||4/5||4.5/5||Aug 2016||499||ebay.com|
|9.||Nikon D3300||3/5||+||..||77/100||4.5/5||4.5/5||Jan 2014||499||ebay.com|
|10.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799||ebay.com|
|11.||Nikon D3200||5/5||+ +||..||73/100||4.5/5||4.5/5||Apr 2012||599||ebay.com|
|12.||Nikon D5200||4/5||+ +||..||79/100||4.5/5||4.5/5||Nov 2012||749||ebay.com|
|13.||Nikon D5100||5/5||+ +||..||76/100||4.5/5||4.5/5||Apr 2011||749||ebay.com|
|14.||Panasonic ZS80||..||+ +||..||..||4.5/5||..||Feb 2019||449||amazon.com|
|15.||Panasonic FZ80||..||+ +||..||..||4.5/5||4.5/5||Jan 2017||399||amazon.com|
|16.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499||ebay.com|
|17.||Samsung NX30||3/5||..||..||77/100||4.5/5||4.5/5||Jan 2014||999||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1200D vs Nikon D5500
- Canon M3 vs Nikon D5500
- Canon T5 vs Nikon D5500
- Fujifilm X-T2 vs Panasonic ZS70
- Fujifilm XP130 vs Nikon D5500
- Leica D-LUX Typ 109 vs Panasonic ZS70
- Nikon B700 vs Panasonic ZS70
- Nikon D3X vs Panasonic ZS70
- Nikon D5500 vs Nikon D90
- Nikon D5500 vs Panasonic G80
- Nikon D7500 vs Panasonic ZS70
- Olympus E-M5 II vs Panasonic ZS70
Specifications: Nikon D5500 vs Panasonic ZS70
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D5500||Panasonic ZS70|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Nikon F mount lenses||24-720mm f/3.3-6.4|
|Launch Date||January 2015||April 2017|
|Launch Price||USD 899||USD 449|
|Sensor Specs||Nikon D5500||Panasonic ZS70|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||23.5 x 15.6 mm||6.17 x 4.55 mm|
|Sensor Area||366.6 mm2||28.0735 mm2|
|Sensor Diagonal||28.2 mm||7.7 mm|
|Sensor Resolution||24 Megapixels||20.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.91 μm||1.18 μm|
|Pixel Density||6.55 MP/cm2||71.80 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||80 - 3,200 ISO|
|ISO Boost||no Enhancement||80 - 6,400 ISO|
|Image Processor||EXPEED 4||Venus|
|DXO Sensor Quality (score)||84||36|
|DXO Color Depth (bits)||24.1||19.1|
|DXO Dynamic Range (EV)||14.0||10.6|
|DXO Low Light (ISO)||1438||106|
|Screen Specs||Nikon D5500||Panasonic ZS70|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1037k dots||1040k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Nikon D5500||Panasonic ZS70|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||5 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Nikon D5500||Panasonic ZS70|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Nikon D5500||Panasonic ZS70|
|Battery Life (CIPA)||820 shots per charge||380 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
124 x 97 x 70 mm
(4.9 x 3.8 x 2.8 in)
112 x 67 x 41 mm
(4.4 x 2.6 x 1.6 in)
|Camera Weight||470 g (16.6 oz)||322 g (11.4 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.