Nikon D5500 vs Panasonic GH4
The Nikon D5500 and the Panasonic Lumix DMC-GH4 are two digital cameras that were revealed to the public, respectively, in January 2015 and February 2014. The D5500 is a DSLR, while the GH4 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D5500) and a Four Thirds (GH4) sensor. The Nikon has a resolution of 24 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D5500||Panasonic GH4|
|Digital single lens reflex||Mirrorless system camera|
|Nikon F mount lenses||Micro Four Thirds lenses|
|24 MP, APS-C Sensor||15.9 MP, Four Thirds Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-25600||ISO 200-25600|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|3.2" LCD, 1037k dots||3.0" LCD, 1036k dots|
|Swivel touchscreen||Swivel touchscreen|
|5 shutter flaps per second||12 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|820 shots per battery charge||500 shots per battery charge|
|124 x 97 x 70 mm, 420 g||133 x 93 x 84 mm, 560 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5500 and the Panasonic Lumix DMC-GH4? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon D5500 and the Panasonic GH4 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The D5500 can be obtained in two different colors (black, red), while the GH4 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH4 is somewhat larger (3 percent) than the Nikon D5500. Moreover, the GH4 is markedly heavier (33 percent) than the D5500. It is noteworthy in this context that the GH4 is splash and dust-proof, while the D5500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D5500) and the Micro Four Thirds Lens Catalog (GH4). Mirrorless cameras, such as the GH4, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Nikon D5500»||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||-||Nikon D5500|
|Panasonic GH4«||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499||-||Panasonic GH4|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979||Canon M5|
|Nikon D5600« »||4.9 in||3.8 in||2.8 in||16.4 oz||970||n||Nov 2016||699||Nikon D5600|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon D3400« »||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499||-||Nikon D3400|
|Nikon D3300« »||4.9 in||3.9 in||3.0 in||15.2 oz||700||n||Jan 2014||499||-||Nikon D3300|
|Nikon D5300« »||4.9 in||3.9 in||3.0 in||16.9 oz||600||n||Oct 2013||799||-||Nikon D5300|
|Nikon D3200« »||4.9 in||3.8 in||3.0 in||17.8 oz||540||n||Apr 2012||599||-||Nikon D3200|
|Nikon D5200« »||5.1 in||3.9 in||3.1 in||19.6 oz||500||n||Nov 2012||749||-||Nikon D5200|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||-||Olympus E-M1|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic GH3« »||5.2 in||3.7 in||3.2 in||19.4 oz||540||Y||Sep 2012||1,299||-||Panasonic GH3|
|Samsung NX30« »||5.0 in||3.8 in||2.3 in||13.2 oz||360||n||Jan 2014||999||-||Samsung NX30|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||-||Sony A6300|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D5500 was launched at a markedly lower price (by 40 percent) than the GH4, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon D5500 features an APS-C sensor and the Panasonic GH4 a Four Thirds sensor. The sensor area in the GH4 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D5500 has a native 3:2 aspect ratio, while the one in the GH4 offers a 4:3 aspect.
With 24MP, the D5500 offers a higher resolution than the GH4 (15.9MP), but the D5500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.76μm for the GH4) due to its larger sensor. Moreover, the D5500 is a somewhat more recent model (by 10 months) than the GH4, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D5500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon D5500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5500 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic GH4 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The Nikon D5500 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-GH4 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the D5500 has a notably higher overall DXO score than the GH4 (overall score 10 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.9 bits higher color depth, 1.2 EV in additional dynamic range, and 0.9 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Nikon D5500»||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Panasonic GH4«||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74||Panasonic GH4|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Nikon D5600« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84||Nikon D5600|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon D3400« »||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86||Nikon D3400|
|Nikon D3300« »||APS-C||24.0||6000||4000||1080/60p||24.3||12.8||1385||82||Nikon D3300|
|Nikon D5300« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.9||1338||83||Nikon D5300|
|Nikon D3200« »||APS-C||24.1||6016||4000||1080/30p||24.1||13.2||1131||81||Nikon D3200|
|Nikon D5200« »||APS-C||24.0||6000||4000||1080/60i||24.2||13.9||1284||84||Nikon D5200|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GH3« »||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71||Panasonic GH3|
|Samsung NX30« »||APS-C||20.0||5472||3648||1080/60p||23.5||12.4||1014||76||Samsung NX30|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GH4 provides a better video resolution than the D5500. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GH4 has an electronic viewfinder (2359k dots), while the D5500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GH4 offers a wider field of view (100%) than the one in the D5500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GH4 has a higher magnification (0.67x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Nikon D5500 and Panasonic GH4 in connection with corresponding information for a sample of similar cameras.
|Nikon D5500»||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Panasonic GH4«||2359||n||3.0||1036||swivel||Y||1/8000s||12.0||Y||n||Panasonic GH4|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||1/4000s||9.0||Y||n||Canon M5|
|Nikon D5600« »||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5600|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Nikon D3400« »||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3400|
|Nikon D3300« »||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3300|
|Nikon D5300« »||optical||n||3.2||1037||swivel||n||1/4000s||5.0||Y||n||Nikon D5300|
|Nikon D3200« »||optical||n||3.0||921||fixed||n||1/4000s||4.0||Y||n||Nikon D3200|
|Nikon D5200« »||optical||n||3.0||921||swivel||n||1/4000s||5.0||Y||n||Nikon D5200|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GH3« »||1746||n||3.0||614||swivel||Y||1/4000s||6.0||Y||n||Panasonic GH3|
|Samsung NX30« »||2359||n||3.0||1036||swivel||Y||1/8000s||9.0||Y||n||Samsung NX30|
|Sony A6300« »||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH4 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D5500 and the Panasonic GH4 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D5500 and the GH4 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5500 and Panasonic Lumix DMC-GH4 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D5500»||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Panasonic GH4«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Panasonic GH4|
|Canon M5« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Nikon D5600« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Nikon D5600|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon D3400« »||Y||mono||mono||-||-||mini||2.0||-||-||Y||Nikon D3400|
|Nikon D3300« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3300|
|Nikon D5300« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5300|
|Nikon D3200« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3200|
|Nikon D5200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D5200|
|Olympus E-M5 II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M1« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GH3« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Panasonic GH3|
|Samsung NX30« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Samsung NX30|
|Sony A6300« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
It is notable that the GH4 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The D5500 lacks such a headphone port.
Studio photographers will appreciate that the Panasonic GH4 (unlike the D5500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D5500 and the GH4 have been discontinued, but can regularly be found used on eBay. The GH4 was replaced by the Panasonic GH5, while the D5500 was followed by the Nikon D5600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So how do things add up? Is there a clear favorite between the Nikon D5500 and the Panasonic GH4? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Nikon D5500:
- More detail: Offers more megapixels (24 vs 15.9MP) with a 25% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores markedly higher (10 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (1.2 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.9 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Less heavy: Is lighter (by 140g or 25 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (820 versus 500) on a single battery charge.
- More affordable: Was introduced into a lower priced category (40 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 10 months after the GH4).
Reasons to prefer the Panasonic Lumix DMC-GH4:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.67x vs 0.57x).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been on the market for longer (launched in February 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the GH4 emerges as the winner of the match-up (14 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5500 and the Panasonic GH4 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D5500 or the GH4. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon D5500»||+||79/100||4.5/5||5/5||4.5/5||Jan 2015||899||-||Nikon D5500|
|Panasonic GH4«||+ +||85/100||5/5||5/5||5/5||Feb 2014||1,499||-||Panasonic GH4|
|Canon M5« »||+||82/100||4/5||4.5/5||4/5||Sep 2016||979||Canon M5|
|Nikon D5600« »||-||79/100||4.5/5||4.5/5||4/5||Nov 2016||699||Nikon D5600|
|Nikon D500« »||+ +||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Nikon D3400« »||+||76/100||4/5||4.5/5||4.5/5||Aug 2016||499||-||Nikon D3400|
|Nikon D3300« »||+||77/100||4.5/5||4.5/5||4.5/5||Jan 2014||499||-||Nikon D3300|
|Nikon D5300« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Oct 2013||799||-||Nikon D5300|
|Nikon D3200« »||+ +||73/100||4.5/5||4.5/5||4.5/5||Apr 2012||599||-||Nikon D3200|
|Nikon D5200« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Nov 2012||749||-||Nikon D5200|
|Olympus E-M5 II« »||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M1« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-||Olympus E-M1|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic G6« »||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic GH3« »||+ +||79/100||4.5/5||5/5||4.5/5||Sep 2012||1,299||-||Panasonic GH3|
|Samsung NX30« »||-||77/100||4.5/5||4/5||4.5/5||Jan 2014||999||-||Samsung NX30|
|Sony A6300« »||+||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 10D vs Nikon D5500
- Canon 1D vs Panasonic GH4
- Canon SX620 vs Nikon D5500
- Leica D-LUX 6 vs Nikon D5500
- Leica V-LUX 5 vs Panasonic GH4
- Nikon D3X vs Nikon D5500
- Nikon D5500 vs Olympus E-420
- Nikon D5500 vs Olympus E-M5 II
- Nikon D5500 vs Pentax K-3
- Nikon D810 vs Panasonic GH4
- Nikon D850 vs Panasonic GH4
- Panasonic GH4 vs Zeiss ZX1
Specifications: Nikon D5500 vs Panasonic GH4
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D5500||Panasonic GH4|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Micro Four Thirds lenses|
|Launch Date||January 2015||February 2014|
|Launch Price||USD 899||USD 1499|
|Sensor Specs||Nikon D5500||Panasonic GH4|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.5 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||366.6 mm2||224.9 mm2|
|Sensor Diagonal||28.2 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||15.9 Megapixels|
|Image Resolution||6000 x 4000 pixels||4608 x 3456 pixels|
|Pixel Pitch||3.91 μm||3.76 μm|
|Pixel Density||6.55 MP/cm2||7.08 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||200-25600 ISO|
|ISO Boost||no Enhancement||100-25600 ISO|
|Image Processor||EXPEED 4||Venus IX|
|DXO Sensor Quality (score)||84||74|
|DXO Color Depth (bits)||24.1||23.2|
|DXO Dynamic Range (EV)||14.0||12.8|
|DXO Low Light (ISO)||1438||791|
|Screen Specs||Nikon D5500||Panasonic GH4|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1037k dots||1036k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Nikon D5500||Panasonic GH4|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||5 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Nikon D5500||Panasonic GH4|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Nikon D5500||Panasonic GH4|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||820 shots per charge||500 shots per charge|
124 x 97 x 70 mm
(4.9 x 3.8 x 2.8 in)
133 x 93 x 84 mm
(5.2 x 3.7 x 3.3 in)
|Camera Weight||420 g (14.8 oz)||560 g (19.8 oz)|
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