Nikon D5500 vs Olympus PEN-F

The Nikon D5500 and the Olympus PEN-F are two digital cameras that were officially introduced, respectively, in January 2015 and January 2016. The D5500 is a DSLR, while the PEN-F is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D5500) and a Four Thirds (PEN-F) sensor. The Nikon has a resolution of 24 megapixels, whereas the Olympus provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon D5500		Olympus PEN-F
Digital single lens reflex		Mirrorless system camera
Nikon F mount lenses		Micro Four Thirds lenses
24 MP – APS-C sensor		20.2 MP – Four Thirds sensor
1080/60p Video		1080/60p Video
ISO 100-25,600		ISO 80-25,600
Optical viewfinder		Electronic viewfinder (2360k dots)
3.2" LCD – 1037k dots		3.0" LCD – 1037k dots
Swivel touchscreen		Swivel touchscreen
5 shutter flaps per second		10 shutter flaps per second
Lens stabilization only		In-body stabilization
820 shots per battery charge		330 shots per battery charge
124 x 97 x 70 mm, 470 g		125 x 72 x 37 mm, 427 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5500 and the Olympus PEN-F? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Nikon D5500 and the Olympus PEN-F are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The D5500 can be obtained in two different colors (black, red), while the PEN-F is also available in two color-versions, but different ones (black, silver).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus PEN-F is notably smaller (25 percent) than the Nikon D5500. Moreover, the PEN-F is markedly lighter (9 percent) than the D5500. In this context, it is worth noting that neither the D5500 nor the PEN-F are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D5500) and the Micro Four Thirds Lens Catalog (PEN-F). Mirrorless cameras, such as the PEN-F, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the D5500 gets 820 shots out of its EN-EL14a battery, while the PEN-F can take 330 images on a single charge of its BLN-1 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon D5500	124 mm	97 mm	70 mm	470 g	820	n	Jan 2015	899	ebay.com
2.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	1,199	ebay.com
3.		Canon M5	116 mm	89 mm	61 mm	427 g	295	n	Sep 2016	979	ebay.com
4.		Nikon D5600	124 mm	97 mm	70 mm	465 g	970	n	Nov 2016	699	amazon.com
5.		Nikon D500	147 mm	115 mm	81 mm	860 g	1240	Y	Jan 2016	1,999	amazon.com
6.		Nikon D3400	124 mm	98 mm	76 mm	445 g	1200	n	Aug 2016	499	ebay.com
7.		Nikon D3300	124 mm	98 mm	76 mm	430 g	700	n	Jan 2014	499	ebay.com
8.		Nikon D5300	125 mm	98 mm	76 mm	480 g	600	n	Oct 2013	799	ebay.com
9.		Nikon D3200	125 mm	96 mm	77 mm	505 g	540	n	Apr 2012	599	ebay.com
10.		Nikon D5200	129 mm	98 mm	78 mm	555 g	500	n	Nov 2012	749	ebay.com
11.		Nikon D5100	128 mm	97 mm	79 mm	560 g	660	n	Apr 2011	749	ebay.com
12.		Olympus E-M10 III	122 mm	84 mm	50 mm	410 g	330	n	Aug 2017	649	ebay.com
13.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	1,099	ebay.com
14.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	649	ebay.com
15.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
16.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	999	ebay.com
17.		Samsung NX30	127 mm	96 mm	58 mm	375 g	360	n	Jan 2014	999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D5500 was launched at a somewhat lower price (by 25 percent) than the PEN-F, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Nikon D5500 features an APS-C sensor and the Olympus PEN-F a Four Thirds sensor. The sensor area in the PEN-F is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D5500 has a native 3:2 aspect ratio, while the one in the PEN-F offers a 4:3 aspect.

With 24MP, the D5500 offers a higher resolution than the PEN-F (20.2MP), but the D5500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.34μm for the PEN-F) due to its larger sensor. However, the PEN-F is a somewhat more recent model (by 1 year) than the D5500, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Nikon D5500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5500 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus PEN-F are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

Unlike the D5500, the PEN-F has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Nikon D5500 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Olympus PEN-F are ISO 80 to ISO 25600 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the D5500 has a notably higher overall DXO score than the PEN-F (overall score 10 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1 bits higher color depth, 1.6 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon D5500	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1438	84
2.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
3.		Canon M5	APS-C	24.0	6000	4000	1080/60p	23.4	12.4	1262	77
4.		Nikon D5600	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1306	84
5.		Nikon D500	APS-C	20.7	5568	3712	4K/30p	24.0	14.0	1324	83
6.		Nikon D3400	APS-C	24.0	6000	4000	1080/60p	24.8	13.9	1192	86
7.		Nikon D3300	APS-C	24.0	6000	4000	1080/60p	24.3	12.8	1385	82
8.		Nikon D5300	APS-C	24.0	6000	4000	1080/60p	24.0	13.9	1338	83
9.		Nikon D3200	APS-C	24.1	6016	4000	1080/30p	24.1	13.2	1131	81
10.		Nikon D5200	APS-C	24.0	6000	4000	1080/60i	24.2	13.9	1284	84
11.		Nikon D5100	APS-C	16.1	4928	3264	1080/30p	23.5	13.6	1183	80
12.		Olympus E-M10 III	Four Thirds	15.9	4608	3456	4K/30p	23.1	12.8	1120	74
13.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
14.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
15.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
16.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
17.		Samsung NX30	APS-C	20.0	5472	3648	1080/60p	23.5	12.4	1014	76
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the PEN-F has an electronic viewfinder (2360k dots), while the D5500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the PEN-F offers a wider field of view (100%) than the one in the D5500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the PEN-F has a higher magnification (0.62x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon D5500 and Olympus PEN-F along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon D5500	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
2.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
3.		Canon M5	2360	n	3.2 / 1620	tilting	Y	1/4000s	9.0/s	Y	n
4.		Nikon D5600	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
5.		Nikon D500	optical	Y	3.2 / 2359	tilting	Y	1/8000s	10.0/s	n	n
6.		Nikon D3400	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
7.		Nikon D3300	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
8.		Nikon D5300	optical	n	3.2 / 1037	swivel	n	1/4000s	5.0/s	Y	n
9.		Nikon D3200	optical	n	3.0 / 921	fixed	n	1/4000s	4.0/s	Y	n
10.		Nikon D5200	optical	n	3.0 / 921	swivel	n	1/4000s	5.0/s	Y	n
11.		Nikon D5100	optical	n	3.0 / 921	swivel	n	1/4000s	4.0/s	Y	n
12.		Olympus E-M10 III	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.6/s	Y	Y
13.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
14.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
15.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
16.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
17.		Samsung NX30	2359	n	3.0 / 1036	swivel	Y	1/8000s	9.0/s	Y	n
Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The D5500 has one, while the PEN-F does not. While the built-in flash of the D5500 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the PEN-F is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Nikon D5500 and the Olympus PEN-F both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the D5500 and the PEN-F write their files to SDXC cards. The PEN-F supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the D5500 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5500 and Olympus PEN-F and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon D5500	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
2.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
3.		Canon M5	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Nikon D5600	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
5.		Nikon D500	Y	stereo / mono	Y	Y	mini	3.0	Y	Y	Y
6.		Nikon D3400	Y	mono / mono	-	-	mini	2.0	-	-	Y
7.		Nikon D3300	Y	mono / mono	Y	-	mini	2.0	-	-	-
8.		Nikon D5300	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
9.		Nikon D3200	Y	mono / mono	Y	-	mini	2.0	-	-	-
10.		Nikon D5200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
11.		Nikon D5100	Y	mono / mono	Y	-	mini	2.0	-	-	-
12.		Olympus E-M10 III	Y	stereo / mono	-	-	micro	2.0	Y	-	-
13.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
14.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
15.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
16.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
17.		Samsung NX30	Y	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the D5500 has a microphone port, which is missing on the PEN-F. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Both the D5500 and the PEN-F have been discontinued, but can regularly be found used on ebay. The D5500 was replaced by the Nikon D5600, while the PEN-F does not have a direct successor. Further information on the features and operation of the D5500 and PEN-F can be found, respectively, in the Nikon D5500 Manual (free pdf) or the online Olympus PEN-F Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Nikon D5500 or the Olympus PEN-F – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Advantages of the Nikon D5500:

• More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
• Better image quality: Scores markedly higher (10 points) in the DXO overall assessment.
• More dynamic range: Captures a larger spectrum of light and dark details (1.6 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (0.7 stops ISO advantage).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• Longer lasting: Can take more shots (820 versus 330) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced segment (25 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in January 2015).

Arguments in favor of the Olympus PEN-F:

• High quality composites: Can combine several shots after pixel-shifting its sensor.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.62x vs 0.57x).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More compact: Is smaller (125x72mm vs 124x97mm) and will fit more readily into a bag.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Was introduced somewhat (1 year) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the PEN-F comes out slightly ahead of the D5500 (12 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon D5500 and the Olympus PEN-F place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D5500 or the PEN-F. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon D5500	5/5	+	..	79/100	4.5/5	4.5/5	Jan 2015	899	ebay.com
2.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	1,199	ebay.com
3.		Canon M5	4/5	+	4/5	82/100	4/5	4/5	Sep 2016	979	ebay.com
4.		Nikon D5600	4/5	..	4/5	79/100	4.5/5	4/5	Nov 2016	699	amazon.com
5.		Nikon D500	5/5	+ +	4.7/5	91/100	4.5/5	5/5	Jan 2016	1,999	amazon.com
6.		Nikon D3400	4/5	+	4/5	76/100	4/5	4.5/5	Aug 2016	499	ebay.com
7.		Nikon D3300	3/5	+	..	77/100	4.5/5	4.5/5	Jan 2014	499	ebay.com
8.		Nikon D5300	4/5	+ +	..	79/100	4.5/5	4.5/5	Oct 2013	799	ebay.com
9.		Nikon D3200	5/5	+ +	..	73/100	4.5/5	4.5/5	Apr 2012	599	ebay.com
10.		Nikon D5200	4/5	+ +	..	79/100	4.5/5	4.5/5	Nov 2012	749	ebay.com
11.		Nikon D5100	5/5	+ +	..	76/100	4.5/5	4.5/5	Apr 2011	749	ebay.com
12.		Olympus E-M10 III	..	+	5/5	80/100	4.5/5	4.5/5	Aug 2017	649	ebay.com
13.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	1,099	ebay.com
14.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	649	ebay.com
15.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
16.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	999	ebay.com
17.		Samsung NX30	3/5	..	..	77/100	4.5/5	4.5/5	Jan 2014	999	ebay.com
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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