Nikon D5500 vs Olympus E-520
The Nikon D5500 and the Olympus E-520 are two digital cameras that were revealed to the public, respectively, in January 2015 and May 2008. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (D5500) and a Four Thirds (E-520) sensor. The Nikon has a resolution of 24 megapixels, whereas the Olympus provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D5500||Olympus E-520|
|Digital single lens reflex||Digital single lens reflex|
|Nikon F mount lenses||Four Thirds lenses|
|24 MP, APS-C Sensor||10 MP, Four Thirds Sensor|
|1080/60p Video||no Video|
|ISO 100-25600||ISO 100-1600|
|Optical viewfinder||Optical viewfinder|
|3.2" LCD, 1037k dots||2.7" LCD, 215k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|5 shutter flaps per second||3.5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|820 shots per battery charge||750 shots per battery charge|
|124 x 97 x 70 mm, 420 g||136 x 92 x 68 mm, 535 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5500 and the Olympus E-520? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D5500 and the Olympus E-520 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The D5500 can be obtained in two different colors (black, red), while the E-520 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-520 is somewhat larger (4 percent) than the Nikon D5500. Moreover, the E-520 is markedly heavier (27 percent) than the D5500. In this context, it is worth noting that neither the D5500 nor the E-520 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D5500) and the Four Thirds Lens Catalog (E-520).
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Nikon D5500»||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||Nikon D5500|
|Olympus E-520«||5.4 in||3.6 in||2.7 in||18.9 oz||750||n||May 2008||699||Olympus E-520|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979||Canon M5|
|Nikon D5600« »||4.9 in||3.8 in||2.8 in||16.4 oz||970||n||Nov 2016||699||Nikon D5600|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon D3400« »||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499||Nikon D3400|
|Nikon D3300« »||4.9 in||3.9 in||3.0 in||15.2 oz||700||n||Jan 2014||499||Nikon D3300|
|Nikon D5300« »||4.9 in||3.9 in||3.0 in||16.9 oz||600||n||Oct 2013||799||Nikon D5300|
|Nikon D3200« »||4.9 in||3.8 in||3.0 in||17.8 oz||540||n||Apr 2012||599||Nikon D3200|
|Nikon D5200« »||5.1 in||3.9 in||3.1 in||19.6 oz||500||n||Nov 2012||749||Nikon D5200|
|Olympus E-600« »||5.1 in||3.7 in||2.4 in||18.9 oz||500||n||Aug 2009||449||Olympus E-600|
|Olympus E-620« »||5.1 in||3.7 in||2.4 in||18.4 oz||500||n||Feb 2009||699||Olympus E-620|
|Olympus E-420« »||5.1 in||3.6 in||2.1 in||15.5 oz||500||n||Mar 2008||599||Olympus E-420|
|Olympus E-410« »||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Mar 2007||699||Olympus E-410|
|Olympus E-510« »||5.4 in||3.6 in||2.7 in||19.0 oz||750||n||Mar 2007||799||Olympus E-510|
|Samsung NX30« »||5.0 in||3.8 in||2.3 in||13.2 oz||360||n||Jan 2014||999||Samsung NX30|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||Sony A6300|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-520 was launched at a somewhat lower price (by 22 percent) than the D5500, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D5500 features an APS-C sensor and the Olympus E-520 a Four Thirds sensor. The sensor area in the E-520 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D5500 has a native 3:2 aspect ratio, while the one in the E-520 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24MP, the D5500 offers a higher resolution than the E-520 (10MP), but the D5500 has smaller individual pixels (pixel pitch of 3.91μm versus 4.74μm for the E-520). However, the D5500 is a much more recent model (by 6 years and 7 months) than the E-520, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D5500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon D5500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5500 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Olympus E-520 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The Nikon D5500 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Olympus E-520 are ISO 100 to ISO 1600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the D5500 provides substantially higher image quality than the E-520, with an overall score that is 29 points higher. This advantage is based on 2.7 bits higher color depth, 3.6 EV in additional dynamic range, and 1.4 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Nikon D5500||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55||Olympus E-520|
|Canon M5||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Nikon D5600||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84||Nikon D5600|
|Nikon D500||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon D3400||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86||Nikon D3400|
|Nikon D3300||APS-C||24.0||6000||4000||1080/60p||24.3||12.8||1385||82||Nikon D3300|
|Nikon D5300||APS-C||24.0||6000||4000||1080/60p||24.0||13.9||1338||83||Nikon D5300|
|Nikon D3200||APS-C||24.1||6016||4000||1080/30p||24.1||13.2||1131||81||Nikon D3200|
|Nikon D5200||APS-C||24.0||6000||4000||1080/60i||24.2||13.9||1284||84||Nikon D5200|
|Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55||Olympus E-600|
|Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55||Olympus E-620|
|Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56||Olympus E-420|
|Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51||Olympus E-410|
|Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52||Olympus E-510|
|Samsung NX30||APS-C||20.0||5472||3648||1080/60p||23.5||12.4||1014||76||Samsung NX30|
|Sony A6300||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
Many modern cameras cannot only take still pictures, but also record videos. The D5500 indeed provides movie recording capabilities, while the E-520 does not. The highest resolution format that the D5500 can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The D5500 and the E-520 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (95%), but the viewfinder of the D5500 has a higher magnification than the one of the E-520 (0.57x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D5500, the Olympus E-520, and comparable cameras.
|Nikon D5500||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Olympus E-520||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||Y||Olympus E-520|
|Canon M5||2360||n||3.2||1620||tilting||Y||1/4000s||9.0||Y||n||Canon M5|
|Nikon D5600||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5600|
|Nikon D500||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Nikon D3400||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3400|
|Nikon D3300||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3300|
|Nikon D5300||optical||n||3.2||1037||swivel||n||1/4000s||5.0||Y||n||Nikon D5300|
|Nikon D3200||optical||n||3.0||921||fixed||n||1/4000s||4.0||Y||n||Nikon D3200|
|Nikon D5200||optical||n||3.0||921||swivel||n||1/4000s||5.0||Y||n||Nikon D5200|
|Olympus E-600||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-600|
|Olympus E-620||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-620|
|Olympus E-420||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-420|
|Olympus E-410||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-410|
|Olympus E-510||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||Y||Olympus E-510|
|Samsung NX30||2359||n||3.0||1036||swivel||Y||1/8000s||9.0||Y||n||Samsung NX30|
|Sony A6300||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The D5500 has a touchscreen, while the E-520 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The D5500 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the E-520 does not have a selfie-screen.
The Nikon D5500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D5500 writes its imaging data to SDXC cards, while the E-520 uses Compact Flash or xD Picture cards. The E-520 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D5500 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5500 and Olympus E-520 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D5500||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Olympus E-520||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-520|
|Canon M5||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Nikon D5600||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Nikon D5600|
|Nikon D500||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon D3400||Y||mono||mono||-||-||mini||2.0||-||-||Y||Nikon D3400|
|Nikon D3300||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3300|
|Nikon D5300||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5300|
|Nikon D3200||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3200|
|Nikon D5200||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D5200|
|Olympus E-600||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-600|
|Olympus E-620||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-620|
|Olympus E-420||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-420|
|Olympus E-410||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-410|
|Olympus E-510||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-510|
|Samsung NX30||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Samsung NX30|
|Sony A6300||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
It is notable that the D5500 offers wifi support, while the E-520 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the D5500 and the E-520 have been discontinued, but can regularly be found used on eBay. The D5500 was replaced by the Nikon D5600, while the E-520 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Olympus websites.
So how do things add up? Is the Nikon D5500 better than the Olympus E-520 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Nikon D5500:
- More detail: Offers more megapixels (24 vs 10MP) with a 58% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (29 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.7 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (3.6 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.4 stops ISO advantage).
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.57x vs 0.46x).
- Larger screen: Has a bigger rear LCD (3.2" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 215k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5 vs 3.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Less heavy: Is lighter (by 115g or 21 percent) and hence easier to carry around.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More modern: Reflects 6 years and 7 months of technical progress since the E-520 launch.
Reasons to prefer the Olympus E-520:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was released into a lower priced segment (22 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in May 2008).
If the number of relative strengths (bullet points above) is taken as a guide, the D5500 is the clear winner of the match-up (18 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5500 and the Olympus E-520 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the D5500 and the E-520 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D X Mark III vs Nikon D5500
- Canon D30 vs Nikon D5500
- Canon M50 vs Nikon D5500
- Canon T4i vs Olympus E-520
- Leica M10-P vs Nikon D5500
- Leica TL vs Nikon D5500
- Leica V-LUX 5 vs Olympus E-520
- Leica V-LUX Typ 114 vs Nikon D5500
- Nikon D5500 vs Nikon D600
- Nikon D5500 vs Olympus E-P3
- Nikon D5500 vs Panasonic LX5
- Olympus E-5 vs Olympus E-520
Specifications: Nikon D5500 vs Olympus E-520
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D5500||Olympus E-520|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Nikon F mount lenses||Four Thirds lenses|
|Launch Date||January 2015||May 2008|
|Launch Price||USD 899||USD 699|
|Sensor Specs||Nikon D5500||Olympus E-520|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.5 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||366.6 mm2||224.9 mm2|
|Sensor Diagonal||28.2 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||10 Megapixels|
|Image Resolution||6000 x 4000 pixels||3648 x 2736 pixels|
|Pixel Pitch||3.91 μm||4.74 μm|
|Pixel Density||6.55 MP/cm2||4.44 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||no Video|
|ISO Setting||100-25600 ISO||100-1600 ISO|
|Image Processor||EXPEED 4||TruePic III|
|DXO Sensor Quality (score)||84||55|
|DXO Color Depth (bits)||24.1||21.4|
|DXO Dynamic Range (EV)||14.0||10.4|
|DXO Low Light (ISO)||1438||548|
|Screen Specs||Nikon D5500||Olympus E-520|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||2.7 inch|
|LCD Resolution||1037k dots||215k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Nikon D5500||Olympus E-520|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||5 shutter flaps/s||3.5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||CF or XD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Nikon D5500||Olympus E-520|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Nikon D5500||Olympus E-520|
|Battery Life (CIPA)||820 shots per charge||750 shots per charge|
124 x 97 x 70 mm
(4.9 x 3.8 x 2.8 in)
136 x 92 x 68 mm
(5.4 x 3.6 x 2.7 in)
|Camera Weight||420 g (14.8 oz)||535 g (18.9 oz)|
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