Nikon D5500 vs Z7
The Nikon D5500 and the Nikon Z7 are two digital cameras that were officially introduced, respectively, in January 2015 and August 2018. The D5500 is a DSLR, while the Z7 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D5500) and a full frame (Z7) sensor. The D5500 has a resolution of 24 megapixels, whereas the Z7 provides 45.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5500 and the Nikon Z7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D5500 and the Nikon Z7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The D5500 can be obtained in two different colors (black, red), while the Z7 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z7 is notably larger (13 percent) than the Nikon D5500. Moreover, the Z7 is substantially heavier (61 percent) than the D5500. It is noteworthy in this context that the Z7 is splash and dust-proof, while the D5500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the D5500 gets 820 shots out of its EN-EL14a battery, while the Z7 can take 330 images on a single charge of its EN-EL15b power pack. The power pack in the Z7 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Nikon D5500||124 mm||97 mm||70 mm||420 g||820||n||Jan 2015||899|
|2.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399|
|3.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979|
|4.||Nikon Z7 II||134 mm||101 mm||70 mm||705 g||420||Y||Oct 2020||2,999|
|5.||Nikon Z6||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999|
|6.||Nikon D850||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299|
|7.||Nikon D5600||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699|
|8.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|9.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499|
|10.||Nikon D3300||124 mm||98 mm||76 mm||430 g||700||n||Jan 2014||499|
|11.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799|
|12.||Nikon D3200||125 mm||96 mm||77 mm||505 g||540||n||Apr 2012||599|
|13.||Nikon D5200||129 mm||98 mm||78 mm||555 g||500||n||Nov 2012||749|
|14.||Samsung NX30||127 mm||96 mm||58 mm||375 g||360||n||Jan 2014||999|
|15.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|16.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999|
|17.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D5500 was launched at a markedly lower price (by 74 percent) than the Z7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon D5500 features an APS-C sensor and the Nikon Z7 a full frame sensor. The sensor area in the Z7 is 134 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, the Z7 uses a more advanced image processing engine (EXPEED 6) than the D5500 (EXPEED 4), with benefits for noise reduction, color accuracy, and processing speed.
With 45.4MP, the Z7 offers a higher resolution than the D5500 (24MP), but the Z7 nevertheless has larger individual pixels (pixel pitch of 4.35μm versus 3.91μm for the D5500) due to its larger sensor. Moreover, the Z7 is a much more recent model (by 3 years and 7 months) than the D5500, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Nikon Z7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z7 for good quality output (200 dots per inch) amounts to 41.3 x 27.5 inches or 104.9 x 69.9 cm, for very good quality (250 dpi) 33 x 22 inches or 83.9 x 55.9 cm, and for excellent quality (300 dpi) 27.5 x 18.3 inches or 69.9 x 46.6 cm. The corresponding values for the Nikon D5500 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The Z7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon D5500 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Nikon Z7 are ISO 64 to ISO 25600, with the possibility to increase the ISO range to 32-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the Z7 offers substantially better image quality than the D5500 (overall score 15 points higher). The advantage is based on 2.2 bits higher color depth, 0.6 EV in additional dynamic range, and 0.9 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|4.||Nikon Z7 II||Full Frame||45.4||8256||5504||4K/60p||26.3||14.7||2841||100|
|5.||Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|6.||Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|15.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|17.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the Z7 provides a better video resolution than the D5500. It can shoot movie footage at 4K/30p, while the D5500 is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the Z7 has an electronic viewfinder (3690k dots), while the D5500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the Z7 offers a wider field of view (100%) than the one in the D5500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the Z7 has a higher magnification (0.80x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon D5500 and Nikon Z7 along with similar information for a selection of comparators.
|1.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0||Y||n|
|2.||Nikon Z7||3690||Y||3.2 / 2100||tilting||Y||1/8000s||9.0||n||Y|
|3.||Canon M5||2360||n||3.2 / 1620||tilting||Y||1/4000s||9.0||Y||n|
|4.||Nikon Z7 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||10.0||n||Y|
|5.||Nikon Z6||3690||Y||3.2 / 2100||tilting||Y||1/8000s||12.0||n||Y|
|6.||Nikon D850||optical||Y||3.2 / 2359||tilting||Y||1/8000s||9.0||n||n|
|7.||Nikon D5600||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0||Y||n|
|8.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|9.||Nikon D3400||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|10.||Nikon D3300||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|11.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0||Y||n|
|12.||Nikon D3200||optical||n||3.0 / 921||fixed||n||1/4000s||4.0||Y||n|
|13.||Nikon D5200||optical||n||3.0 / 921||swivel||n||1/4000s||5.0||Y||n|
|14.||Samsung NX30||2359||n||3.0 / 1036||swivel||Y||1/8000s||9.0||Y||n|
|15.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|16.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
|17.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The D5500 has one, while the Z7 does not. While the built-in flash of the D5500 is not very powerful, it can at times be useful as a fill-in light.The D5500 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the Z7 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Z7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D5500 and the Nikon Z7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D5500 writes its imaging data to SDXC cards, while the Z7 uses XQD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5500 and Nikon Z7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|2.||Nikon Z7||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|3.||Canon M5||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Nikon Z7 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|5.||Nikon Z6||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|6.||Nikon D850||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|7.||Nikon D5600||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|8.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|9.||Nikon D3400||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|10.||Nikon D3300||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|12.||Nikon D3200||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|13.||Nikon D5200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|14.||Samsung NX30||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|16.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|17.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the Z7 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The D5500 lacks such a headphone port.
Both the D5500 and the Z7 have been discontinued, but can regularly be found used on eBay. The D5500 was replaced by the Nikon D5600, while the Z7 was followed by the Nikon Z7 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon website.
So what is the bottom line? Which of the two cameras – the Nikon D5500 or the Nikon Z7 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Nikon D5500:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (124x97mm vs 134x101mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 255g or 38 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (820 versus 330) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (74 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in January 2015).
Arguments in favor of the Nikon Z7:
- More detail: Has more megapixels (45.4 vs 24MP), which boosts linear resolution by 38%.
- Better image quality: Scores substantially higher (15 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (0.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.9 stops ISO advantage).
- Better jpgs: Has a more modern image processing engine (EXPEED 6 vs EXPEED 4).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.57x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1037k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 3 years and 7 months of technical progress since the D5500 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the Z7 is the clear winner of the contest (24 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5500 and the Nikon Z7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D5500 or the Z7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899|
|2.||Nikon Z7||5/5||+||4.8/5||89/100||4.5/5||5/5||Aug 2018||3,399|
|3.||Canon M5||4/5||+||4/5||82/100||4/5||4/5||Sep 2016||979|
|4.||Nikon Z7 II||4.5/5||..||4.5/5||..||4.5/5||4.5/5||Oct 2020||2,999|
|5.||Nikon Z6||5/5||..||5/5||89/100||4.5/5||5/5||Aug 2018||1,999|
|6.||Nikon D850||4.5/5||+ +||5/5||89/100||4.5/5||5/5||Jul 2017||3,299|
|7.||Nikon D5600||4/5||..||4/5||79/100||4.5/5||4/5||Nov 2016||699|
|8.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|9.||Nikon D3400||4/5||+||4/5||76/100||4/5||4.5/5||Aug 2016||499|
|10.||Nikon D3300||3/5||+||..||77/100||4.5/5||4.5/5||Jan 2014||499|
|11.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799|
|12.||Nikon D3200||5/5||+ +||..||73/100||4.5/5||4.5/5||Apr 2012||599|
|13.||Nikon D5200||4/5||+ +||..||79/100||4.5/5||4.5/5||Nov 2012||749|
|14.||Samsung NX30||3/5||..||..||77/100||4.5/5||4.5/5||Jan 2014||999|
|15.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199|
|16.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999|
|17.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon G9 X Mark II vs Nikon Z7
- Canon M6 Mark II vs Nikon Z7
- Canon SX710 vs Nikon D5500
- Canon T1i vs Nikon D5500
- Leica S-E Typ 006 vs Nikon D5500
- Leica V-LUX Typ 114 vs Nikon Z7
- Nikon B700 vs Nikon D5500
- Nikon D5500 vs Olympus E-M10 IV
- Nikon D5500 vs Olympus E-P3
- Nikon D80 vs Nikon Z7
- Nikon Z7 vs Sony NEX-7
- Nikon Z7 vs Sony RX10 IV
Specifications: Nikon D5500 vs Nikon Z7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D5500||Nikon Z7|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Nikon Z mount lenses|
|Launch Date||January 2015||August 2018|
|Launch Price||USD 899||USD 3,399|
|Sensor Specs||Nikon D5500||Nikon Z7|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.5 x 15.6 mm||35.9 x 23.9 mm|
|Sensor Area||366.6 mm2||858.01 mm2|
|Sensor Diagonal||28.2 mm||43.1 mm|
|Sensor Resolution||24 Megapixels||45.4 Megapixels|
|Image Resolution||6000 x 4000 pixels||8256 x 5504 pixels|
|Pixel Pitch||3.91 μm||4.35 μm|
|Pixel Density||6.55 MP/cm2||5.30 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||64 - 25,600 ISO|
|ISO Boost||no Enhancement||32 - 102,400 ISO|
|Image Processor||EXPEED 4||EXPEED 6|
|DXO Sensor Quality (score)||84||99|
|DXO Color Depth (bits)||24.1||26.3|
|DXO Dynamic Range (EV)||14.0||14.6|
|DXO Low Light (ISO)||1438||2668|
|Screen Specs||Nikon D5500||Nikon Z7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.2inch|
|LCD Resolution||1037k dots||2100k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Nikon D5500||Nikon Z7|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||5 shutter flaps/s||9 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||XQD cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Nikon D5500||Nikon Z7|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Nikon D5500||Nikon Z7|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||820 shots per charge||330 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
124 x 97 x 70 mm
(4.9 x 3.8 x 2.8 in)
134 x 101 x 67 mm
(5.3 x 4.0 x 2.6 in)
|Camera Weight||420 g (14.8 oz)||675 g (23.8 oz)|
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