Nikon D5500 versus Fujifilm X-T2
The Nikon D5500 and the Fujifilm X-T2 are two digital cameras that were revealed to the public, respectively, in January 2015 and July 2016. The D5500 is a DSLR, while the X-T2 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel.
The side-by-side display below illustrates the physical size and weight of the Nikon D5500 and the Fujifilm X-T2. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the D5500 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-T2 is somewhat larger (2 percent) than the Nikon D5500. Moreover, the X-T2 is markedly heavier (21 percent) than the D5500. It is noteworthy in this context that the X-T2 is splash and dust-proof, while the D5500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can find an overview of optics for the two cameras in the Nikon Lens Catalog (D5500) and the Fujinon X Lens Catalog (X-T2). Mirrorless cameras, such as the X-T2, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Nikon D5500 (⇒ rgt)||124 mm||97 mm||70 mm||420 g||820||no||2015||899||discont.||check|
|Fujifilm X-T2 (⇒ lft)||133 mm||92 mm||49 mm||507 g||340||YES||2016||1,599||latest||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Fujifilm X100F (⇒ lft | rgt)||127 mm||75 mm||52 mm||469 g||390||no||2017||1,299||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||121 mm||74 mm||43 mm||337 g||350||no||2017||899||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||117 mm||67 mm||40 mm||339 g||410||no||2016||399||latest||check|
|Fujifilm X-Pro2 (⇒ lft | rgt)||141 mm||83 mm||46 mm||495 g||350||YES||2016||1,699||latest||check|
|Fujifilm X-T1 (⇒ lft | rgt)||129 mm||90 mm||47 mm||440 g||350||YES||2014||1,699||discont.||check|
|Nikon D3400 (⇒ lft | rgt)||124 mm||98 mm||76 mm||445 g||1200||no||2016||499||latest||check|
|Nikon D500 (⇒ lft | rgt)||147 mm||115 mm||81 mm||860 g||1240||YES||2016||1,999||latest||check|
|Nikon D5600 (⇒ lft | rgt)||124 mm||97 mm||70 mm||465 g||970||no||2016||699||latest||check|
|Nikon D7200 (⇒ lft | rgt)||136 mm||107 mm||76 mm||765 g||1110||YES||2015||1,199||discont.||check|
|Nikon D3300 (⇒ lft | rgt)||124 mm||98 mm||76 mm||430 g||700||no||2014||499||discont.||check|
|Nikon D5300 (⇒ lft | rgt)||125 mm||98 mm||76 mm||480 g||600||no||2013||799||discont.||check|
|Nikon D3200 (⇒ lft | rgt)||125 mm||96 mm||77 mm||505 g||540||no||2012||599||discont.||check|
|Nikon D5200 (⇒ lft | rgt)||129 mm||98 mm||78 mm||555 g||500||no||2012||749||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D5500 was launched at a markedly lower price (by 44 percent) than the X-T2, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the X-T2 has a slightly larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the X-T2 has a lower pixel density and marginally larger individual pixels (with a pixel pitch of 3.92μm versus 3.91μm for the D5500), which gives it a potential advantage in terms of light gathering capacity. In addition, the X-T2 is a somewhat more recent model (by 1 year and 6 months) than the D5500, and its sensor might have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
For most cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Nikon D5500 (⇒ rgt)||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84|
|Fujifilm X-T2 (⇒ lft)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Fujifilm X100F (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-E3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-A3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-Pro2 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-T1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Nikon D3400 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86|
|Nikon D500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83|
|Nikon D5600 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84|
|Nikon D7200 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87|
|Nikon D3300 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.3||12.8||1385||82|
|Nikon D5300 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.0||13.9||1338||83|
|Nikon D3200 (⇒ lft | rgt)||APS-C||24.1||6016||4000||1080/30p||24.1||13.2||1131||81|
|Nikon D5200 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60i||24.2||13.9||1284||84|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the X-T2 provides a better video resolution than the D5500. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-T2 has an electronic viewfinder (2360k dots), while the D5500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Nikon D5500, the Fujifilm X-T2, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Nikon D5500 (⇒ rgt)||optical||no||3.2||1037||swivel||YES||4000||5.0||12||no|
|Fujifilm X-T2 (⇒ lft)||2360||no||3.0||1040||tilting||no||8000||14.0||no||no|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Fujifilm X100F (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||8.0||4.6||no|
|Fujifilm X-E3 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||YES||4000||8.0||no||no|
|Fujifilm X-A3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.0||7||no|
|Fujifilm X-Pro2 (⇒ lft | rgt)||2360||no||3.0||1620||fixed||no||8000||8.0||no||no|
|Fujifilm X-T1 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||no||4000||8.0||no||no|
|Nikon D3400 (⇒ lft | rgt)||optical||no||3.0||921||fixed||no||4000||5.0||7||no|
|Nikon D500 (⇒ lft | rgt)||optical||YES||3.2||2359||tilting||YES||8000||10.0||no||no|
|Nikon D5600 (⇒ lft | rgt)||optical||no||3.2||1037||swivel||YES||4000||5.0||12||no|
|Nikon D7200 (⇒ lft | rgt)||optical||YES||3.2||1229||fixed||no||8000||6.0||12||no|
|Nikon D3300 (⇒ lft | rgt)||optical||no||3.0||921||fixed||no||4000||5.0||12||no|
|Nikon D5300 (⇒ lft | rgt)||optical||no||3.2||1037||swivel||no||4000||5.0||12||no|
|Nikon D3200 (⇒ lft | rgt)||optical||no||3.0||921||fixed||no||4000||4.0||12||no|
|Nikon D5200 (⇒ lft | rgt)||optical||no||3.0||921||swivel||no||4000||5.0||12||no|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
The X-T2 is a current model that online retailers, such as amazon, will have in stock. In contrast, the D5500 has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the D5500 was succeeded by the Nikon D5600.
So what conclusions can be drawn? Is there a clear favorite between the Nikon D5500 and the Nikon D5500? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Nikon D5500:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less heavy: Is lighter (by 87g or 17 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (820 versus 340) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (44 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2015).
Reasons to prefer the Fujifilm X-T2:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 5 flaps/sec) to capture the decisive moment.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More modern: Was introduced somewhat (1 year and 6 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the D5500 emerges as the winner of the contest (9 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the D5500 and the X-T2 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Nikon D5500 (⇒ rgt)||Rec||79/100 Silver||4.5/5||5/5||4.5/5||2015||899||discont.||check|
|Fujifilm X-T2 (⇒ lft)||HiRec||86/100 Gold||4.5/5||5/5||5/5||2016||1,599||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Fujifilm X100F (⇒ lft | rgt)||Rec||83/100 Gold||4.5/5||..||4.5/5||2017||1,299||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||Rec||84/100 Gold||4.5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||-||74/100||4.5/5||-||4/5||2016||399||latest||check|
|Fujifilm X-Pro2 (⇒ lft | rgt)||Rec||83/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,699||latest||check|
|Fujifilm X-T1 (⇒ lft | rgt)||HiRec||84/100 Gold||5/5||4/5||5/5||2014||1,699||discont.||check|
|Nikon D3400 (⇒ lft | rgt)||Rec||76/100||4/5||4.5/5||4.5/5||2016||499||latest||check|
|Nikon D500 (⇒ lft | rgt)||HiRec||91/100 Gold||4.5/5||5/5||5/5||2016||1,999||latest||check|
|Nikon D5600 (⇒ lft | rgt)||-||79/100 Silver||4.5/5||4.5/5||4/5||2016||699||latest||check|
|Nikon D7200 (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4/5||4.5/5||2015||1,199||discont.||check|
|Nikon D3300 (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2014||499||discont.||check|
|Nikon D5300 (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||4.5/5||4.5/5||2013||799||discont.||check|
|Nikon D3200 (⇒ lft | rgt)||HiRec||73/100 Silver||4.5/5||4.5/5||4.5/5||2012||599||discont.||check|
|Nikon D5200 (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||4.5/5||4.5/5||2012||749||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
The review scores listed above should be treated with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If the camera you are interested in is not available, kindly get in touch, and I will try to locate and add the respective data to the application.
- Canon 2000D vs Panasonic LX15
- Canon G1 X Mark III vs Sony RX1R
- Canon M50 vs Sony A7S II
- Canon T6 vs Canon 1300D
- Leica D-LUX Typ 109 vs Panasonic GX7
- Nikon D100 vs Nikon D200
- Nikon D750 vs Panasonic GH5
- Nikon D7500 vs Panasonic LX15
- Panasonic GH5s vs Olympus E-M5
- Panasonic LX15 vs Canon M50
- Panasonic LX15 vs Olympus E-M10 II
- Pentax K-1 vs Nikon D5