Nikon D5300 vs Panasonic LX7
The Nikon D5300 and the Panasonic Lumix DMC-LX7 are two digital cameras that were announced, respectively, in October 2013 and July 2012. The D5300 is a DSLR, while the LX7 is a fixed lens compact. The cameras are based on an APS-C (D5300) and a 1/1.7-inch (LX7) sensor. The Nikon has a resolution of 24 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5300 and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D5300 and the Panasonic LX7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The D5300 can be obtained in three different colors (black, grey, red), while the LX7 is available in two color-versions (black, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is considerably smaller (38 percent) than the Nikon D5300. In this context, it is worth noting that neither the D5300 nor the LX7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX7 has a lens built in, whereas the D5300 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D5300 and their specifications in the Nikon Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799||ebay.com|
|2.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499||ebay.com|
|3.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549||ebay.com|
|4.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599||ebay.com|
|5.||Nikon D5600||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699||amazon.com|
|6.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499||ebay.com|
|7.||Nikon D5500||124 mm||97 mm||70 mm||470 g||820||n||Jan 2015||899||ebay.com|
|8.||Nikon D3300||124 mm||98 mm||76 mm||430 g||700||n||Jan 2014||499||ebay.com|
|9.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199||ebay.com|
|10.||Nikon D3200||125 mm||96 mm||77 mm||505 g||540||n||Apr 2012||599||ebay.com|
|11.||Nikon D5200||129 mm||98 mm||78 mm||555 g||500||n||Nov 2012||749||ebay.com|
|12.||Nikon D5100||128 mm||97 mm||79 mm||560 g||660||n||Apr 2011||749||ebay.com|
|13.||Nikon D5000||127 mm||104 mm||80 mm||590 g||510||n||Apr 2009||749||ebay.com|
|14.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499||ebay.com|
|15.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549||ebay.com|
|16.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499||ebay.com|
|17.||Sony A3000||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX7 was launched at a lower price than the D5300, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D5300 features an APS-C sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 89 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.65. The sensor in the D5300 has a native 3:2 aspect ratio, while the one in the LX7 offers a 4:3 aspect. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 24MP, the D5300 offers a higher resolution than the LX7 (10MP), but the D5300 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.05μm for the LX7) due to its larger sensor. Moreover, the D5300 is a somewhat more recent model (by 1 year and 2 months) than the LX7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D5300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon D5300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5300 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Nikon D5300 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the D5300 provides substantially higher image quality than the LX7, with an overall score that is 33 points higher. This advantage is based on 3.3 bits higher color depth, 2.2 EV in additional dynamic range, and 3.2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|14.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||20.5||10.0||573||50|
|15.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.1||459||50|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Beyond body and sensor, cameras can and do differ across a range of features. For example, the D5300 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The adjacent table lists some of the other core features of the Nikon D5300 and Panasonic LX7 along with similar information for a selection of comparators.
|1.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0/s||Y||n|
|2.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|3.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2/s||Y||Y|
|4.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0/s||Y||Y|
|5.||Nikon D5600||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0/s||Y||n|
|6.||Nikon D3400||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|7.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0/s||Y||n|
|8.||Nikon D3300||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|9.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0/s||Y||n|
|10.||Nikon D3200||optical||n||3.0 / 921||fixed||n||1/4000s||4.0/s||Y||n|
|11.||Nikon D5200||optical||n||3.0 / 921||swivel||n||1/4000s||5.0/s||Y||n|
|12.||Nikon D5100||optical||n||3.0 / 921||swivel||n||1/4000s||4.0/s||Y||n|
|13.||Nikon D5000||optical||n||2.7 / 230||full-flex||n||1/4000s||4.0/s||Y||n|
|14.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0/s||Y||n|
|15.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2/s||Y||n|
|16.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|17.||Sony A3000||202||n||3.0 / 230||fixed||n||1/4000s||2.5/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The Nikon D5300 and the Panasonic LX7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D5300 and the LX7 write their files to SDXC cards. The D5300 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX7 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5300 and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|2.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|4.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Nikon D5600||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Nikon D3400||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|7.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|8.||Nikon D3300||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|9.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|10.||Nikon D3200||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Nikon D5200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|12.||Nikon D5100||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|13.||Nikon D5000||Y||mono / mono||-||-||mini||2.0||-||-||-|
|14.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|17.||Sony A3000||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the D5300 has a microphone port, which is missing on the LX7. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Travel and landscape photographers will find it useful that the D5300 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the D5300 and the LX7 have been discontinued, but can regularly be found used on ebay. The LX7 was replaced by the Panasonic LX10, while the D5300 was followed by the Nikon D5500. Further information on the features and operation of the D5300 and LX7 can be found, respectively, in the Nikon D5300 Manual (free pdf) or the online Panasonic LX7 Manual.
So how do things add up? Is there a clear favorite between the Nikon D5300 and the Panasonic LX7? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Nikon D5300:
- More detail: Offers more megapixels (24 vs 10MP) with a 58% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (33 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (3.3 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.2 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (3.2 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (600 versus 330) on a single battery charge.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Is somewhat more recent (announced 1 year and 2 months after the LX7).
Advantages of the Panasonic Lumix DMC-LX7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the D5300 requires a separate lens.
- More compact: Is smaller (111x68mm vs 125x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the D5300).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in July 2012).
If the count of relative strengths (bullet points above) is taken as a measure, the D5300 is the clear winner of the match-up (18 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5300 and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the D5300 or the LX7 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799||ebay.com|
|2.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499||ebay.com|
|3.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549||ebay.com|
|4.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599||ebay.com|
|5.||Nikon D5600||4/5||..||4/5||79/100||4.5/5||4/5||Nov 2016||699||amazon.com|
|6.||Nikon D3400||4/5||+||4/5||76/100||4/5||4.5/5||Aug 2016||499||ebay.com|
|7.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899||ebay.com|
|8.||Nikon D3300||3/5||+||..||77/100||4.5/5||4.5/5||Jan 2014||499||ebay.com|
|9.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199||ebay.com|
|10.||Nikon D3200||5/5||+ +||..||73/100||4.5/5||4.5/5||Apr 2012||599||ebay.com|
|11.||Nikon D5200||4/5||+ +||..||79/100||4.5/5||4.5/5||Nov 2012||749||ebay.com|
|12.||Nikon D5100||5/5||+ +||..||76/100||4.5/5||4.5/5||Apr 2011||749||ebay.com|
|13.||Nikon D5000||..||+ +||..||75/100||4/5||4.5/5||Apr 2009||749||ebay.com|
|14.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499||ebay.com|
|15.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549||ebay.com|
|16.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499||ebay.com|
|17.||Sony A3000||3/5||+||..||..||4/5||4/5||Aug 2013||329||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon SL2 vs Nikon D5300
- Fujifilm X-Pro2 vs Panasonic LX7
- Fujifilm X-T10 vs Panasonic LX7
- Leica M8 vs Panasonic LX7
- Leica S-E Typ 006 vs Nikon D5300
- Leica V-LUX Typ 114 vs Panasonic LX7
- Nikon A1000 vs Panasonic LX7
- Nikon D5300 vs Nikon D70s
- Nikon D5300 vs Nikon Z7
- Nikon D5300 vs Pentax 645Z
- Nikon D5300 vs Sony RX1R
- Panasonic GX800 vs Panasonic LX7
Specifications: Nikon D5300 vs Panasonic LX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D5300||Panasonic LX7|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Nikon F mount lenses||24-90mm f/1.4-2.3|
|Launch Date||October 2013||July 2012|
|Launch Price||USD 799||USD 499|
|Sensor Specs||Nikon D5300||Panasonic LX7|
|Sensor Format||APS-C Sensor||1/1.7" Sensor|
|Sensor Size||23.5 x 15.6 mm||7.44 x 5.58 mm|
|Sensor Area||366.6 mm2||41.5152 mm2|
|Sensor Diagonal||28.2 mm||9.3 mm|
|Sensor Resolution||24 Megapixels||10 Megapixels|
|Image Resolution||6000 x 4000 pixels||3648 x 2736 pixels|
|Pixel Pitch||3.91 μm||2.05 μm|
|Pixel Density||6.55 MP/cm2||24.04 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100 - 12,800 ISO||80 - 6,400 ISO|
|ISO Boost||100 - 25,600 ISO||80 - 12,800 ISO|
|Image Processor||EXPEED 4||Venus|
|DXO Sensor Quality (score)||83||50|
|DXO Color Depth (bits)||24.0||20.7|
|DXO Dynamic Range (EV)||13.9||11.7|
|DXO Low Light (ISO)||1338||147|
|Screen Specs||Nikon D5300||Panasonic LX7|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1037k dots||920k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Nikon D5300||Panasonic LX7|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||5 shutter flaps/s||11 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Nikon D5300||Panasonic LX7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Nikon D5300||Panasonic LX7|
|Battery Life (CIPA)||600 shots per charge||330 shots per charge|
125 x 98 x 76 mm
(4.9 x 3.9 x 3.0 in)
111 x 68 x 46 mm
(4.4 x 2.7 x 1.8 in)
|Camera Weight||480 g (16.9 oz)||298 g (10.5 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.