Nikon D5300 vs Panasonic LX5
The Nikon D5300 and the Panasonic Lumix DMC-LX5 are two digital cameras that were announced, respectively, in October 2013 and July 2010. The D5300 is a DSLR, while the LX5 is a fixed lens compact. The cameras are based on an APS-C (D5300) and a 1/1.7-inch (LX5) sensor. The Nikon has a resolution of 24 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D5300||Panasonic LX5|
|Digital single lens reflex||Fixed lens compact camera|
|Nikon F mount lenses||24-90mm f/2.0-3.3|
|24 MP, APS-C Sensor||10 MP, 1/1.7" Sensor|
|1080/60p Video||720/60p Video|
|ISO 100-12,800 (100 - 25,600)||ISO 80-3,200 (80 - 12,800)|
|Optical viewfinder||Viewfinder optional|
|3.2 LCD, 1037k dots||3.0 LCD, 460k dots|
|Swivel screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|5 shutter flaps per second||2.5 shutter flaps per second|
|600 shots per battery charge||400 shots per battery charge|
|125 x 98 x 76 mm, 480 g||110 x 65 x 43 mm, 271 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5300 and the Panasonic Lumix DMC-LX5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon D5300 and the Panasonic LX5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The D5300 can be obtained in three different colors (black, grey, red), while the LX5 is available in two color-versions (black, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX5 is considerably smaller (42 percent) than the Nikon D5300. In this context, it is worth noting that neither the D5300 nor the LX5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX5 has a lens built in, whereas the D5300 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D5300 and their specifications in the Nikon Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799|
|Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|Nikon D5600||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699|
|Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499|
|Nikon D5500||124 mm||97 mm||70 mm||420 g||820||n||Jan 2015||899|
|Nikon D3300||124 mm||98 mm||76 mm||430 g||700||n||Jan 2014||499|
|Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199|
|Nikon D3200||125 mm||96 mm||77 mm||505 g||540||n||Apr 2012||599|
|Nikon D5200||129 mm||98 mm||78 mm||555 g||500||n||Nov 2012||749|
|Nikon D5100||128 mm||97 mm||79 mm||560 g||660||n||Apr 2011||749|
|Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX5 was launched at a lower price than the D5300, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D5300 features an APS-C sensor and the Panasonic LX5 a 1/1.7-inch sensor. The sensor area in the LX5 is 87 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.4. The sensor in the D5300 has a native 3:2 aspect ratio, while the one in the LX5 offers a 4:3 aspect. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 24MP, the D5300 offers a higher resolution than the LX5 (10MP), but the D5300 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.14μm for the LX5) due to its larger sensor. Moreover, the D5300 is a much more recent model (by 3 years and 2 months) than the LX5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D5300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon D5300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5300 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Nikon D5300 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-LX5 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the D5300 provides substantially higher image quality than the LX5, with an overall score that is 42 points higher. This advantage is based on 4.4 bits higher color depth, 3.1 EV in additional dynamic range, and 3.3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the D5300 provides a higher video resolution than the LX5. It can shoot video footage at 1080/60p, while the Panasonic is limited to 720/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the D5300 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX5 relies on live view and the rear LCD for framing. That said, the LX5 can be equipped with an optional viewfinder – the DMW-LVF1. The following table reports on some other key feature differences and similarities of the Nikon D5300, the Panasonic LX5, and comparable cameras.
|Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y|
The Nikon D5300 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D5300 and the LX5 write their files to SDXC cards. The D5300 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX5 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5300 and Panasonic Lumix DMC-LX5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the D5300 has a microphone port, which is missing on the LX5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Travel and landscape photographers will find it useful that the D5300 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the D5300 and the LX5 have been discontinued, but can regularly be found used on eBay. The LX5 was replaced by the Panasonic LX7, while the D5300 was followed by the Nikon D5500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Nikon D5300 and the Panasonic LX5? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Nikon D5300:
- More detail: Offers more megapixels (24 vs 10MP) with a 58% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (42 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (4.4 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (3.1 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (3.3 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/60p vs 720/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 460k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5 vs 2.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (600 versus 400) on a single battery charge.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 3 years and 2 months of technical progress since the LX5 launch.
Arguments in favor of the Panasonic Lumix DMC-LX5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Ready to shoot: Comes with an integrated lens, while the D5300 requires a separate lens.
- More compact: Is smaller (110x65mm vs 125x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the D5300).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in July 2010).
If the count of relative strengths (bullet points above) is taken as a measure, the D5300 is the clear winner of the match-up (21 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5300 and the Panasonic LX5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the D5300 or the LX5 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon D5300||+ +||79/100||4.5/5||4.5/5||4.5/5||Oct 2013||799|
|Panasonic LX5||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499|
|Canon 77D||..||82/100||4.5/5||4.5/5||4/5||Feb 2017||899|
|Canon G7 X||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699|
|Fujifilm X10||..||76/100||4/5||3.5/5||4.5/5||Sep 2011||599|
|Nikon D5600||..||79/100||4.5/5||4.5/5||4/5||Nov 2016||699|
|Nikon D3400||+||76/100||4/5||4.5/5||4.5/5||Aug 2016||499|
|Nikon D5500||+||79/100||4.5/5||5/5||4.5/5||Jan 2015||899|
|Nikon D3300||+||77/100||4.5/5||4.5/5||4.5/5||Jan 2014||499|
|Nikon D7100||+ +||85/100||4.5/5||5/5||4.5/5||Feb 2013||1,199|
|Nikon D3200||+ +||73/100||4.5/5||4.5/5||4.5/5||Apr 2012||599|
|Nikon D5200||+ +||79/100||4.5/5||4.5/5||4.5/5||Nov 2012||749|
|Nikon D5100||+ +||76/100||4.5/5||5/5||4.5/5||Apr 2011||749|
|Panasonic FZ200||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599|
|Panasonic LX7||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499|
|Panasonic FZ150||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499|
|Panasonic GF3||82/100||71/100||4.5/5||4.5/5||4/5||Jun 2011||549|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 7D vs Nikon D5300
- Canon M5 vs Nikon D5300
- Canon S120 vs Panasonic LX5
- Epson R-D1 vs Nikon D5300
- Fujifilm X-Pro1 vs Nikon D5300
- Leica M10-P vs Nikon D5300
- Nikon D5300 vs Nikon D7200
- Nikon D5300 vs Sony NEX-6
- Nikon D5300 vs Sony NEX-7
- Nikon D600 vs Panasonic LX5
- Nikon D7500 vs Panasonic LX5
- Panasonic LX5 vs Sony RX100
Specifications: Nikon D5300 vs Panasonic LX5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D5300||Panasonic LX5|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Nikon F mount lenses||24-90mm f/2.0-3.3|
|Launch Date||October 2013||July 2010|
|Launch Price||USD 799||USD 499|
|Sensor Specs||Nikon D5300||Panasonic LX5|
|Sensor Format||APS-C Sensor||1/1.7" Sensor|
|Sensor Size||23.5 x 15.6 mm||7.85 x 5.89 mm|
|Sensor Area||366.6 mm2||46.2365 mm2|
|Sensor Diagonal||28.2 mm||9.8 mm|
|Sensor Resolution||24 Megapixels||10 Megapixels|
|Image Resolution||6000 x 4000 pixels||3648 x 2736 pixels|
|Pixel Pitch||3.91 μm||2.14 μm|
|Pixel Density||6.55 MP/cm2||21.59 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||720/60p Video|
|ISO Setting||100 - 12,800 ISO||80 - 3,200 ISO|
|ISO Boost||100 - 25,600 ISO||80 - 12,800 ISO|
|Image Processor||EXPEED 4||Venus FHD|
|DXO Sensor Quality (score)||83||41|
|DXO Color Depth (bits)||24.0||19.6|
|DXO Dynamic Range (EV)||13.9||10.8|
|DXO Low Light (ISO)||1338||132|
|Screen Specs||Nikon D5300||Panasonic LX5|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1037k dots||460k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Nikon D5300||Panasonic LX5|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||5 shutter flaps/s||2.5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Nikon D5300||Panasonic LX5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Nikon D5300||Panasonic LX5|
|Battery Life (CIPA)||600 shots per charge||400 shots per charge|
125 x 98 x 76 mm
(4.9 x 3.9 x 3.0 in)
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
|Camera Weight||480 g (16.9 oz)||271 g (9.6 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.