Nikon D5300 vs Olympus E-M1 II
The Nikon D5300 and the Olympus OM-D E-M1 Mark II are two digital cameras that were announced, respectively, in October 2013 and September 2016. The D5300 is a DSLR, while the E-M1 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D5300) and a Four Thirds (E-M1 II) sensor. The Nikon has a resolution of 24 megapixels, whereas the Olympus provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D5300||Olympus E-M1 II|
|Digital single lens reflex||Mirrorless system camera|
|Nikon F mount lenses||Micro Four Thirds lenses|
|24 MP, APS-C Sensor||20.2 MP, Four Thirds Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-12,800 (100 - 25,600)||ISO 200-25,600|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|3.2 LCD, 1037k dots||3.0 LCD, 1037k dots|
|Swivel screen (not touch-sensitive)||Swivel touchscreen|
|5 shutter flaps per second||18 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|not weather sealed||Weathersealed body|
|600 shots per battery charge||440 shots per battery charge|
|125 x 98 x 76 mm, 480 g||134 x 91 x 67 mm, 574 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5300 and the Olympus OM-D E-M1 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D5300 and the Olympus E-M1 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The D5300 can be obtained in three different colors (black, grey, red), while the E-M1 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D5300 and the Olympus E-M1 II are of equal size. However, the E-M1 II is markedly heavier (20 percent) than the D5300. It is noteworthy in this context that the E-M1 II is splash and dust-proof, while the D5300 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D5300) and the Micro Four Thirds Lens Catalog (E-M1 II). Mirrorless cameras, such as the E-M1 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Nikon D5300||4.9 in||3.9 in||3.0 in||16.9 oz||600||n||Oct 2013||799|
|Olympus E-M1 II||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999|
|Nikon D5600||4.9 in||3.8 in||2.8 in||16.4 oz||970||n||Nov 2016||699|
|Nikon D3400||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499|
|Nikon D5500||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899|
|Nikon D3300||4.9 in||3.9 in||3.0 in||15.2 oz||700||n||Jan 2014||499|
|Nikon D7100||5.4 in||4.2 in||3.0 in||27.0 oz||950||Y||Feb 2013||1,199|
|Nikon D3200||4.9 in||3.8 in||3.0 in||17.8 oz||540||n||Apr 2012||599|
|Nikon D5200||5.1 in||3.9 in||3.1 in||19.6 oz||500||n||Nov 2012||749|
|Nikon D5100||5.0 in||3.8 in||3.1 in||19.8 oz||660||n||Apr 2011||749|
|Nikon D5000||5.0 in||4.1 in||3.1 in||20.8 oz||510||n||Apr 2009||749|
|Olympus E-M1 III||5.3 in||3.6 in||2.7 in||20.5 oz||420||Y||Feb 2020||1,799|
|Olympus E-M1||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399|
|Panasonic G9||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699|
|Panasonic GH5||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999|
|Panasonic GX8||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199|
|Sony A3000||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D5300 was launched at a markedly lower price (by 60 percent) than the E-M1 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D5300 features an APS-C sensor and the Olympus E-M1 II a Four Thirds sensor. The sensor area in the E-M1 II is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D5300 has a native 3:2 aspect ratio, while the one in the E-M1 II offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24MP, the D5300 offers a higher resolution than the E-M1 II (20.2MP), but the D5300 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.34μm for the E-M1 II) due to its larger sensor. However, the E-M1 II is a much more recent model (by 2 years and 11 months) than the D5300, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Nikon D5300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5300 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-M1 II are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The E-M1 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the D5300, the E-M1 II has the capacity to capture high quality composite images (50MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Nikon D5300 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Olympus OM-D E-M1 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..|
|Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the E-M1 II provides a better video resolution than the D5300. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-M1 II has an electronic viewfinder (2360k dots), while the D5300 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the E-M1 II offers a wider field of view (100%) than the one in the D5300 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the E-M1 II has a higher magnification (0.74x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D5300, the Olympus E-M1 II, and comparable cameras.
|Olympus E-M1 II||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y|
|Olympus E-M1 III||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The D5300 has one, while the E-M1 II does not. While the built-in flash of the D5300 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M1 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D5300 and the Olympus E-M1 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D5300 and the E-M1 II write their files to SDXC cards. The E-M1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the D5300 only has one slot. The E-M1 II supports UHS-II cards (on its first slot), while the D5300 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5300 and Olympus OM-D E-M1 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Olympus E-M1 II||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
|Olympus E-M1 III||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y|
It is notable that the E-M1 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The D5300 lacks such a headphone port.
Studio photographers will appreciate that the Olympus E-M1 II (unlike the D5300) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the D5300 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The E-M1 II is a recent model that features in the current product line-up of Olympus. In contrast, the D5300 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the D5300 was succeeded by the Nikon D5500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Olympus websites.
So how do things add up? Is the Nikon D5300 better than the Olympus E-M1 II or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Nikon D5300:
- More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
- More dynamic range: Captures a larger spectrum of light and dark details (1.1 EV of extra DR).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Less heavy: Is lighter (by 94g or 16 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (600 versus 440) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in October 2013).
Arguments in favor of the Olympus OM-D E-M1 Mark II:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.57x).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (18 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 11 months of technical progress since the D5300 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the E-M1 II is the clear winner of the contest (19 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5300 and the Olympus E-M1 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the D5300 and the E-M1 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon D5300||+ +||79/100||4.5/5||4.5/5||4.5/5||Oct 2013||799|
|Olympus E-M1 II||+ +||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999|
|Nikon D5600||..||79/100||4.5/5||4.5/5||4/5||Nov 2016||699|
|Nikon D3400||+||76/100||4/5||4.5/5||4.5/5||Aug 2016||499|
|Nikon D5500||+||79/100||4.5/5||5/5||4.5/5||Jan 2015||899|
|Nikon D3300||+||77/100||4.5/5||4.5/5||4.5/5||Jan 2014||499|
|Nikon D7100||+ +||85/100||4.5/5||5/5||4.5/5||Feb 2013||1,199|
|Nikon D3200||+ +||73/100||4.5/5||4.5/5||4.5/5||Apr 2012||599|
|Nikon D5200||+ +||79/100||4.5/5||4.5/5||4.5/5||Nov 2012||749|
|Nikon D5100||+ +||76/100||4.5/5||5/5||4.5/5||Apr 2011||749|
|Nikon D5000||+ +||75/100||4/5||5/5||4.5/5||Apr 2009||749|
|Olympus E-M1 III||..||83/100||4.5/5||..||4/5||Feb 2020||1,799|
|Olympus E-M1||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399|
|Panasonic G9||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699|
|Panasonic GH5||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999|
|Panasonic GX8||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199|
|Sony A3000||+||..||4/5||4.5/5||4/5||Aug 2013||329|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 2000D vs Nikon D5300
- Canon 77D vs Olympus E-M1 II
- Canon D30 vs Olympus E-M1 II
- Canon M5 vs Olympus E-M1 II
- Fujifilm GFX 100 vs Nikon D5300
- Fujifilm X-H1 vs Olympus E-M1 II
- Fujifilm X-T30 vs Nikon D5300
- Nikon D1H vs Nikon D5300
- Nikon D3200 vs Olympus E-M1 II
- Nikon D5300 vs Nikon D60
- Olympus E-M1 II vs Panasonic TZ200
- Olympus E-M1 II vs YI M1
Specifications: Nikon D5300 vs Olympus E-M1 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D5300||Olympus E-M1 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Micro Four Thirds lenses|
|Launch Date||October 2013||September 2016|
|Launch Price||USD 799||USD 1,999|
|Sensor Specs||Nikon D5300||Olympus E-M1 II|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.5 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||366.6 mm2||224.9 mm2|
|Sensor Diagonal||28.2 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||20.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.91 μm||3.34 μm|
|Pixel Density||6.55 MP/cm2||8.96 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||64 - 25,600 ISO|
|Image Processor||EXPEED 4||TruePic VIII|
|DXO Sensor Quality (score)||83||80|
|DXO Color Depth (bits)||24.0||23.7|
|DXO Dynamic Range (EV)||13.9||12.8|
|DXO Low Light (ISO)||1338||1312|
|Screen Specs||Nikon D5300||Olympus E-M1 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1037k dots||1037k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D5300||Olympus E-M1 II|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||5 shutter flaps/s||18 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Single UHS-II|
|Connectivity Specs||Nikon D5300||Olympus E-M1 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Nikon D5300||Olympus E-M1 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||600 shots per charge||440 shots per charge|
125 x 98 x 76 mm
(4.9 x 3.9 x 3.0 in)
134 x 91 x 67 mm
(5.3 x 3.6 x 2.6 in)
|Camera Weight||480 g (16.9 oz)||574 g (20.2 oz)|
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