Nikon D5200 vs Sony A7R III

The Nikon D5200 and the Sony Alpha A7R III are two digital cameras that were revealed to the public, respectively, in November 2012 and October 2017. The D5200 is a DSLR, while the A7R III is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D5200) and a full frame (A7R III) sensor. The Nikon has a resolution of 24 megapixels, whereas the Sony provides 42.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon D5200		Sony A7R III
Digital single lens reflex		Mirrorless system camera
Nikon F mount lenses		Sony E mount lenses
24 MP – APS-C sensor		42.2 MP – Full Frame sensor
1080/60i Video		4K/30p Video
ISO 100-6,400 (100 - 25,600)		ISO 100-32,000 (50 - 102,400)
Optical viewfinder		Electronic viewfinder (3686k dots)
3.0" LCD – 921k dots		3.0" LCD – 1440k dots
Swivel screen (not touch-sensitive)		Tilting touchscreen
5 shutter flaps per second		10 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
500 shots per battery charge		650 shots per battery charge
129 x 98 x 78 mm, 555 g		127 x 96 x 74 mm, 650 g

Check D5200 offers at
ebay.com
Check A7R III offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5200 and the Sony Alpha A7R III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Nikon D5200 and the Sony A7R III are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The D5200 can be obtained in two different colors (black, red), while the A7R III is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R III is somewhat smaller (4 percent) than the Nikon D5200. However, the A7R III is markedly heavier (17 percent) than the D5200. It is noteworthy in this context that the A7R III is splash and dust-proof, while the D5200 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D5200) and the Sony FE Lens Catalog (A7R III). Mirrorless cameras, such as the A7R III, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the D5200 gets 500 shots out of its Nikon EN-EL14 battery, while the A7R III can take 650 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the A7R III can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon D5200	129 mm	98 mm	78 mm	555 g	500	n	Nov 2012	749	ebay.com
2.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650	Y	Oct 2017	3,199	ebay.com
3.		Nikon D60	126 mm	94 mm	64 mm	522 g	500	n	Jan 2008	629	ebay.com
4.		Nikon D3200	125 mm	96 mm	77 mm	505 g	540	n	Apr 2012	599	ebay.com
5.		Nikon D3300	124 mm	98 mm	76 mm	430 g	700	n	Jan 2014	499	ebay.com
6.		Nikon D3400	124 mm	98 mm	76 mm	445 g	1200	n	Aug 2016	499	ebay.com
7.		Nikon D5000	127 mm	104 mm	80 mm	590 g	510	n	Apr 2009	749	ebay.com
8.		Nikon D5100	128 mm	97 mm	79 mm	560 g	660	n	Apr 2011	749	ebay.com
9.		Nikon D5300	125 mm	98 mm	76 mm	480 g	600	n	Oct 2013	799	ebay.com
10.		Nikon D5500	124 mm	97 mm	70 mm	470 g	820	n	Jan 2015	899	ebay.com
11.		Nikon D5600	124 mm	97 mm	70 mm	465 g	970	n	Nov 2016	699	ebay.com
12.		Nikon D7100	136 mm	107 mm	76 mm	765 g	950	Y	Feb 2013	1,199	ebay.com
13.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	1,999	amazon.com
14.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	3,199	ebay.com
15.		Sony A7R IIIA	127 mm	96 mm	74 mm	650 g	650	Y	Apr 2021	3,199	amazon.com
16.		Sony A7R IV	129 mm	96 mm	78 mm	665 g	670	Y	Jul 2019	3,499	ebay.com
17.		Sony A9	127 mm	96 mm	63 mm	673 g	650	Y	Apr 2017	4,499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D5200 was launched at a markedly lower price (by 77 percent) than the A7R III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Nikon D5200 features an APS-C sensor and the Sony A7R III a full frame sensor. The sensor area in the A7R III is 135 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 42.2MP, the A7R III offers a higher resolution than the D5200 (24MP), but the A7R III nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 3.91μm for the D5200) due to its larger sensor. Moreover, the A7R III is a much more recent model (by 4 years and 11 months) than the D5200, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A7R III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R III for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Nikon D5200 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

The A7R III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the D5200, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Nikon D5200 has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A7R III are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the D5200 is build around a CMOS sensor, while the A7R III uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7R III offers substantially better image quality than the D5200 (overall score 16 points higher). The advantage is based on 1.8 bits higher color depth, 0.8 EV in additional dynamic range, and 1.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon D5200	APS-C	24.0	6000	4000	1080/60i	24.2	13.9	1284	84
2.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
3.		Nikon D60	APS-C	10.0	3872	2592	none	22.5	11.4	562	65
4.		Nikon D3200	APS-C	24.1	6016	4000	1080/30p	24.1	13.2	1131	81
5.		Nikon D3300	APS-C	24.0	6000	4000	1080/60p	24.3	12.8	1385	82
6.		Nikon D3400	APS-C	24.0	6000	4000	1080/60p	24.8	13.9	1192	86
7.		Nikon D5000	APS-C	12.2	4288	2848	720/24p	22.7	12.5	868	72
8.		Nikon D5100	APS-C	16.1	4928	3264	1080/30p	23.5	13.6	1183	80
9.		Nikon D5300	APS-C	24.0	6000	4000	1080/60p	24.0	13.9	1338	83
10.		Nikon D5500	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1438	84
11.		Nikon D5600	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1306	84
12.		Nikon D7100	APS-C	24.0	6000	4000	1080/60p	24.2	13.7	1256	83
13.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
14.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
15.		Sony A7R IIIA	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
16.		Sony A7R IV	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
17.		Sony A9	Full Frame	24.0	6000	4000	4K/30p	24.9	13.3	3517	92

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7R III provides a better video resolution than the D5200. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60i.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7R III has an electronic viewfinder (3686k dots), while the D5200 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7R III offers a wider field of view (100%) than the one in the D5200 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7R III has a higher magnification (0.78x vs 0.51x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Nikon D5200 and Sony A7R III in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon D5200	optical	n	3.0 / 921	swivel	n	1/4000s	5.0/s	Y	n
2.		Sony A7R III	3686	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
3.		Nikon D60	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
4.		Nikon D3200	optical	n	3.0 / 921	fixed	n	1/4000s	4.0/s	Y	n
5.		Nikon D3300	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
6.		Nikon D3400	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
7.		Nikon D5000	optical	n	2.7 / 230	full-flex	n	1/4000s	4.0/s	Y	n
8.		Nikon D5100	optical	n	3.0 / 921	swivel	n	1/4000s	4.0/s	Y	n
9.		Nikon D5300	optical	n	3.2 / 1037	swivel	n	1/4000s	5.0/s	Y	n
10.		Nikon D5500	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
11.		Nikon D5600	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
12.		Nikon D7100	optical	Y	3.2 / 1229	fixed	n	1/8000s	6.0/s	Y	n
13.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
14.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
15.		Sony A7R IIIA	3686	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
16.		Sony A7R IV	5760	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
17.		Sony A9	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The D5200 has one, while the A7R III does not. While the built-in flash of the D5200 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7R III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Nikon D5200 and the Sony A7R III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The D5200 writes its imaging data to SDXC cards, while the A7R III uses SDXC or Memory Stick PRO Duo cards. The A7R III features dual card slots, which can be very useful in case a memory card fails. In contrast, the D5200 only has one slot. The A7R III supports UHS-II cards (on its first slot), while the D5200 can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5200 and Sony Alpha A7R III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon D5200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
2.		Sony A7R III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
3.		Nikon D60	Y	- / -	-	-	-	2.0	-	-	-
4.		Nikon D3200	Y	mono / mono	Y	-	mini	2.0	-	-	-
5.		Nikon D3300	Y	mono / mono	Y	-	mini	2.0	-	-	-
6.		Nikon D3400	Y	mono / mono	-	-	mini	2.0	-	-	Y
7.		Nikon D5000	Y	mono / mono	-	-	mini	2.0	-	-	-
8.		Nikon D5100	Y	mono / mono	Y	-	mini	2.0	-	-	-
9.		Nikon D5300	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
10.		Nikon D5500	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
11.		Nikon D5600	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
12.		Nikon D7100	Y	stereo / mono	Y	Y	mini	2.0	-	-	-
13.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
14.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
15.		Sony A7R IIIA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
16.		Sony A7R IV	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
17.		Sony A9	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y

It is notable that the A7R III offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D5200 does not provide wifi capability.

Studio photographers will appreciate that the Sony A7R III (unlike the D5200) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the D5200 and the A7R III have been discontinued, but can regularly be found used on ebay. The D5200 was replaced by the Nikon D5300, while the A7R III was followed by the Sony A7R IV. Further information on the features and operation of the D5200 and A7R III can be found, respectively, in the Nikon D5200 Manual (free pdf) or the online Sony A7R III Manual.

Review summary

So how do things add up? Is there a clear favorite between the Nikon D5200 and the Sony A7R III? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Nikon D5200:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Less heavy: Is lighter (by 95g or 15 percent) and hence easier to carry around.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (77 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in November 2012).

Reasons to prefer the Sony Alpha A7R III:

• More detail: Has more megapixels (42.2 vs 24MP), which boosts linear resolution by 33%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Scores substantially higher (16 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (1.8 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (0.8 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (1.5 stops ISO advantage).
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.51x).
• More detailed LCD: Has a higher resolution rear screen (1440k vs 921k dots).
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Longer lasting: Gets more shots (650 versus 500) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 4 years and 11 months of technical progress since the D5200 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the A7R III is the clear winner of the contest (31 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon D5200 and the Sony A7R III place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the D5200 and the A7R III in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon D5200	4/5	+ +	..	79/100	4.5/5	4.5/5	Nov 2012	749	ebay.com
2.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	3,199	ebay.com
3.		Nikon D60	..	80/100	..	+ +	4/5	4.5/5	Jan 2008	629	ebay.com
4.		Nikon D3200	5/5	+ +	..	73/100	4.5/5	4.5/5	Apr 2012	599	ebay.com
5.		Nikon D3300	3/5	+	..	77/100	4.5/5	4.5/5	Jan 2014	499	ebay.com
6.		Nikon D3400	4/5	+	4/5	76/100	4/5	4.5/5	Aug 2016	499	ebay.com
7.		Nikon D5000	..	+ +	..	75/100	4/5	4.5/5	Apr 2009	749	ebay.com
8.		Nikon D5100	5/5	+ +	..	76/100	4.5/5	4.5/5	Apr 2011	749	ebay.com
9.		Nikon D5300	4/5	+ +	..	79/100	4.5/5	4.5/5	Oct 2013	799	ebay.com
10.		Nikon D5500	5/5	+	..	79/100	4.5/5	4.5/5	Jan 2015	899	ebay.com
11.		Nikon D5600	4/5	..	4/5	79/100	4.5/5	4/5	Nov 2016	699	ebay.com
12.		Nikon D7100	5/5	+ +	..	85/100	4.5/5	4.5/5	Feb 2013	1,199	ebay.com
13.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	1,999	amazon.com
14.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	3,199	ebay.com
15.		Sony A7R IIIA	..	+ +	4/5	90/100	4.5/5	5/5	Apr 2021	3,199	amazon.com
16.		Sony A7R IV	5/5	+	4.5/5	91/100	4.5/5	5/5	Jul 2019	3,499	ebay.com
17.		Sony A9	5/5	+ +	4.8/5	89/100	5/5	5/5	Apr 2017	4,499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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