Nikon D5200 vs Panasonic GH5
The Nikon D5200 and the Panasonic Lumix DC-GH5 are two digital cameras that were revealed to the public, respectively, in November 2012 and January 2017. The D5200 is a DSLR, while the GH5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D5200) and a Four Thirds (GH5) sensor. The Nikon has a resolution of 24 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5200 and the Panasonic Lumix DC-GH5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D5200 and the Panasonic GH5. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The D5200 can be obtained in two different colors (black, red), while the GH5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH5 is notably larger (8 percent) than the Nikon D5200. Moreover, the GH5 is markedly heavier (31 percent) than the D5200. It is noteworthy in this context that the GH5 is splash and dust-proof, while the D5200 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D5200) and the Micro Four Thirds Lens Catalog (GH5). Mirrorless cameras, such as the GH5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Nikon D5200||129 mm||98 mm||78 mm||555 g||500||n||Nov 2012||749||ebay.com|
|2.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||ebay.com|
|3.||Nikon D5600||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699||amazon.com|
|4.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499||ebay.com|
|5.||Nikon D5500||124 mm||97 mm||70 mm||470 g||820||n||Jan 2015||899||ebay.com|
|6.||Nikon D3300||124 mm||98 mm||76 mm||430 g||700||n||Jan 2014||499||ebay.com|
|7.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199||ebay.com|
|8.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799||ebay.com|
|9.||Nikon D3200||125 mm||96 mm||77 mm||505 g||540||n||Apr 2012||599||ebay.com|
|10.||Nikon D5100||128 mm||97 mm||79 mm||560 g||660||n||Apr 2011||749||ebay.com|
|11.||Nikon D5000||127 mm||104 mm||80 mm||590 g||510||n||Apr 2009||749||ebay.com|
|12.||Nikon D60||126 mm||94 mm||64 mm||522 g||500||n||Jan 2008||629||ebay.com|
|13.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||ebay.com|
|14.||OM System OM-1||135 mm||92 mm||73 mm||599 g||520||Y||Feb 2022||2,199||amazon.com|
|15.||Panasonic GH5 II||139 mm||98 mm||87 mm||727 g||400||Y||May 2021||1,699||amazon.com|
|16.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999||amazon.com|
|17.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699||amazon.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D5200 was launched at a markedly lower price (by 63 percent) than the GH5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D5200 features an APS-C sensor and the Panasonic GH5 a Four Thirds sensor. The sensor area in the GH5 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D5200 has a native 3:2 aspect ratio, while the one in the GH5 offers a 4:3 aspect.
With 24MP, the D5200 offers a higher resolution than the GH5 (20.2MP), but the D5200 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.34μm for the GH5) due to its larger sensor. However, the GH5 is a much more recent model (by 4 years and 1 month) than the D5200, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GH5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon D5200 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5200 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GH5 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The Nikon D5200 has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DC-GH5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the D5200 has a notably higher overall DXO score than the GH5 (overall score 7 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.3 bits higher color depth, 0.9 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|13.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|14.||OM System OM-1||Four Thirds||20.2||5184||3888||4K/60p||23.4||13.4||1553||77|
|15.||Panasonic GH5 II||Four Thirds||20.2||5184||3888||4K/60p||23.7||13.1||1136||79|
|16.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||25.1||14.5||2697||94|
|17.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||23.1||12.8||1138||74|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GH5 provides a better video resolution than the D5200. It can shoot movie footage at 4K/60p, while the Nikon is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GH5 has an electronic viewfinder (3680k dots), while the D5200 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GH5 offers a wider field of view (100%) than the one in the D5200 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GH5 has a higher magnification (0.76x vs 0.51x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D5200, the Panasonic GH5, and comparable cameras.
|1.||Nikon D5200||optical||n||3.0 / 921||swivel||n||1/4000s||5.0/s||Y||n|
|2.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|3.||Nikon D5600||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0/s||Y||n|
|4.||Nikon D3400||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|5.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0/s||Y||n|
|6.||Nikon D3300||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|7.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0/s||Y||n|
|8.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0/s||Y||n|
|9.||Nikon D3200||optical||n||3.0 / 921||fixed||n||1/4000s||4.0/s||Y||n|
|10.||Nikon D5100||optical||n||3.0 / 921||swivel||n||1/4000s||4.0/s||Y||n|
|11.||Nikon D5000||optical||n||2.7 / 230||full-flex||n||1/4000s||4.0/s||Y||n|
|12.||Nikon D60||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|13.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|14.||OM System OM-1||5760||n||3.0 / 1640||swivel||Y||1/8000s||10.0/s||n||Y|
|15.||Panasonic GH5 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||12.0/s||n||Y|
|16.||Panasonic S5||2360||n||3.0 / 1840||swivel||Y||1/8000s||7.0/s||n||Y|
|17.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The D5200 has one, while the GH5 does not. While the built-in flash of the D5200 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D5200 and the Panasonic GH5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D5200 and the GH5 write their files to SDXC cards. The GH5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D5200 only has one slot. The GH5 supports UHS-II cards (on both slots), while the D5200 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5200 and Panasonic Lumix DC-GH5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D5200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|2.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|3.||Nikon D5600||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Nikon D3400||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|5.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|6.||Nikon D3300||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|7.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|8.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|9.||Nikon D3200||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Nikon D5100||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Nikon D5000||Y||mono / mono||-||-||mini||2.0||-||-||-|
|12.||Nikon D60||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|14.||OM System OM-1||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|15.||Panasonic GH5 II||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|16.||Panasonic S5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|17.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
It is notable that the GH5 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D5200 does not provide wifi capability.
Studio photographers will appreciate that the Panasonic GH5 (unlike the D5200) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D5200 and the GH5 have been discontinued, but can regularly be found used on ebay. The D5200 was replaced by the Nikon D5300, while the GH5 was followed by the Panasonic GH5 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what is the bottom line? Is the Nikon D5200 better than the Panasonic GH5 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Nikon D5200:
- More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores markedly higher (7 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (0.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.7 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 170g or 23 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (500 versus 410) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (63 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in November 2012).
Arguments in favor of the Panasonic Lumix DC-GH5:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/60p vs 1080/60i).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.51x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 921k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 4 years and 1 month of technical progress since the D5200 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GH5 is the clear winner of the contest (23 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5200 and the Panasonic GH5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the D5200 and the GH5 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D5200||4/5||+ +||..||79/100||4.5/5||4.5/5||Nov 2012||749||ebay.com|
|2.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999||ebay.com|
|3.||Nikon D5600||4/5||..||4/5||79/100||4.5/5||4/5||Nov 2016||699||amazon.com|
|4.||Nikon D3400||4/5||+||4/5||76/100||4/5||4.5/5||Aug 2016||499||ebay.com|
|5.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899||ebay.com|
|6.||Nikon D3300||3/5||+||..||77/100||4.5/5||4.5/5||Jan 2014||499||ebay.com|
|7.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199||ebay.com|
|8.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799||ebay.com|
|9.||Nikon D3200||5/5||+ +||..||73/100||4.5/5||4.5/5||Apr 2012||599||ebay.com|
|10.||Nikon D5100||5/5||+ +||..||76/100||4.5/5||4.5/5||Apr 2011||749||ebay.com|
|11.||Nikon D5000||..||+ +||..||75/100||4/5||4.5/5||Apr 2009||749||ebay.com|
|12.||Nikon D60||..||80/100||..||+ +||4/5||4.5/5||Jan 2008||629||ebay.com|
|13.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999||ebay.com|
|14.||OM System OM-1||5/5||..||..||87/100||5/5||4.5/5||Feb 2022||2,199||amazon.com|
|15.||Panasonic GH5 II||4.5/5||..||4.5/5||85/100||4.5/5||5/5||May 2021||1,699||amazon.com|
|16.||Panasonic S5||4.5/5||+ +||4.5/5||88/100||4.5/5||4.5/5||Sep 2020||1,999||amazon.com|
|17.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699||amazon.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon D30 vs Nikon D5200
- Canon G7 X vs Nikon D5200
- Canon G9 X vs Panasonic GH5
- Nikon D40X vs Panasonic GH5
- Nikon D4S vs Nikon D5200
- Nikon D5200 vs Nikon D850
- Nikon D5200 vs Nikon W150
- Nikon D5200 vs Sony A900
- Panasonic GF7 vs Panasonic GH5
- Panasonic GH5 vs Samsung NX30
- Panasonic GH5 vs Sony A5100
- Panasonic GH5 vs Sony H400
Specifications: Nikon D5200 vs Panasonic GH5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D5200||Panasonic GH5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Micro Four Thirds lenses|
|Launch Date||November 2012||January 2017|
|Launch Price||USD 749||USD 1,999|
|Sensor Specs||Nikon D5200||Panasonic GH5|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.5 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||366.6 mm2||224.9 mm2|
|Sensor Diagonal||28.2 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||20.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.91 μm||3.34 μm|
|Pixel Density||6.55 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60i Video||4K/60p Video|
|ISO Setting||100 - 6,400 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||100 - 25,600 ISO|
|Image Processor||EXPEED 3||Venus 10|
|DXO Sensor Quality (score)||84||77|
|DXO Color Depth (bits)||24.2||23.9|
|DXO Dynamic Range (EV)||13.9||13.0|
|DXO Low Light (ISO)||1284||807|
|Screen Specs||Nikon D5200||Panasonic GH5|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||3680k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||921k dots||1620k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D5200||Panasonic GH5|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||5 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Nikon D5200||Panasonic GH5|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||full HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Nikon D5200||Panasonic GH5|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||410 shots per charge|
129 x 98 x 78 mm
(5.1 x 3.9 x 3.1 in)
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
|Camera Weight||555 g (19.6 oz)||725 g (25.6 oz)|
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