Nikon D5100 vs Panasonic GX7
The Nikon D5100 and the Panasonic Lumix DMC-GX7 are two digital cameras that were revealed to the public, respectively, in April 2011 and August 2013. The D5100 is a DSLR, while the GX7 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D5100) and a Four Thirds (GX7) sensor. The Nikon has a resolution of 16.1 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5100 and the Panasonic Lumix DMC-GX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D5100 and the Panasonic GX7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The GX7 can be obtained in two different colors (black, silver), while the D5100 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX7 is notably smaller (30 percent) than the Nikon D5100. Moreover, the GX7 is markedly lighter (28 percent) than the D5100. In this context, it is worth noting that neither the D5100 nor the GX7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D5100) and the Micro Four Thirds Lens Catalog (GX7). Mirrorless cameras, such as the GX7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Nikon D5100||128 mm||97 mm||79 mm||560 g||660||n||Apr 2011||749|
|2.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|3.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|4.||Nikon D5600||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699|
|5.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799|
|6.||Nikon D3200||125 mm||96 mm||77 mm||505 g||540||n||Apr 2012||599|
|7.||Nikon D5200||129 mm||98 mm||78 mm||555 g||500||n||Nov 2012||749|
|8.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499|
|9.||Nikon D3100||124 mm||96 mm||75 mm||505 g||550||n||Aug 2010||599|
|10.||Nikon D5000||127 mm||104 mm||80 mm||590 g||510||n||Apr 2009||749|
|11.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|12.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599|
|13.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|14.||Panasonic GX85||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|15.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|16.||Sony NEX-5R||111 mm||59 mm||39 mm||276 g||330||n||Aug 2012||749|
|17.||Sony NEX-5N||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D5100 was launched at a somewhat lower price (by 25 percent) than the GX7, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D5100 features an APS-C sensor and the Panasonic GX7 a Four Thirds sensor. The sensor area in the GX7 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D5100 has a native 3:2 aspect ratio, while the one in the GX7 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 16.1MP, the D5100 offers a slightly higher resolution than the GX7 (15.8MP), but the D5100 nevertheless has larger individual pixels (pixel pitch of 4.80μm versus 3.77μm for the GX7) due to its larger sensor. However, the GX7 is a much more recent model (by 2 years and 3 months) than the D5100, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The Nikon D5100 has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GX7 are ISO 125 to ISO 25600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the D5100 has a notably higher overall DXO score than the GX7 (overall score 10 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.9 bits higher color depth, 1.4 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|11.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|12.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|13.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|14.||Panasonic GX85||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|15.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GX7 provides a faster frame rate than the D5100. It can shoot movie footage at 1080/60p, while the Nikon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GX7 has an electronic viewfinder (2760k dots), while the D5100 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GX7 offers a wider field of view (100%) than the one in the D5100 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GX7 has a higher magnification (0.70x vs 0.51x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Nikon D5100 and Panasonic GX7 in connection with corresponding information for a sample of similar cameras.
|1.||Nikon D5100||optical||n||3.0 / 921||swivel||n||1/4000s||4.0||Y||n|
|2.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0||Y||Y|
|3.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7||Y||n|
|4.||Nikon D5600||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0||Y||n|
|5.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0||Y||n|
|6.||Nikon D3200||optical||n||3.0 / 921||fixed||n||1/4000s||4.0||Y||n|
|7.||Nikon D5200||optical||n||3.0 / 921||swivel||n||1/4000s||5.0||Y||n|
|8.||Nikon D7000||optical||Y||3.0 / 921||fixed||n||1/8000s||6.0||Y||n|
|9.||Nikon D3100||optical||n||3.0 / 230||fixed||n||1/4000s||3.0||Y||n|
|10.||Nikon D5000||optical||n||2.7 / 230||full-flex||n||1/4000s||4.0||Y||n|
|11.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0||Y||Y|
|12.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0||n||Y|
|13.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|14.||Panasonic GX85||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|15.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
|16.||Sony NEX-5R||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0||n||n|
|17.||Sony NEX-5N||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0||n||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GX7 has a touchscreen, while the D5100 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The D5100 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GX7 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D5100 and the Panasonic GX7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D5100 and the GX7 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5100 and Panasonic Lumix DMC-GX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D5100||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|2.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|3.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|4.||Nikon D5600||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|6.||Nikon D3200||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|7.||Nikon D5200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Nikon D7000||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|9.||Nikon D3100||Y||mono / mono||-||-||mini||2.0||-||-||-|
|10.||Nikon D5000||Y||mono / mono||-||-||mini||2.0||-||-||-|
|11.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Panasonic GX85||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Sony NEX-5R||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|17.||Sony NEX-5N||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the D5100 has a microphone port, which is missing on the GX7. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the D5100 and the GX7 have been discontinued, but can regularly be found used on eBay. The D5100 was replaced by the Nikon D5200, while the GX7 was followed by the Panasonic GX85. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So how do things add up? Is there a clear favorite between the Nikon D5100 and the Panasonic GX7? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Nikon D5100:
- Better image quality: Scores markedly higher (10 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (1.4 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.7 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Longer lasting: Can take more shots (660 versus 350) on a single battery charge.
- More affordable: Was introduced into a lower priced segment (25 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in April 2011).
Reasons to prefer the Panasonic Lumix DMC-GX7:
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.51x).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (123x71mm vs 128x97mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 158g or 28 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 2 years and 3 months of technical progress since the D5100 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GX7 is the clear winner of the contest (16 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5100 and the Panasonic GX7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the D5100 and the GX7 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D5100||5/5||+ +||..||76/100||4.5/5||4.5/5||Apr 2011||749|
|2.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999|
|3.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|4.||Nikon D5600||4/5||..||4/5||79/100||4.5/5||4/5||Nov 2016||699|
|5.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799|
|6.||Nikon D3200||5/5||+ +||..||73/100||4.5/5||4.5/5||Apr 2012||599|
|7.||Nikon D5200||4/5||+ +||..||79/100||4.5/5||4.5/5||Nov 2012||749|
|8.||Nikon D7000||4/5||..||..||80/100||4.5/5||4.5/5||Sep 2010||1,499|
|9.||Nikon D3100||5/5||+ +||..||72/100||4.5/5||4.5/5||Aug 2010||599|
|10.||Nikon D5000||..||+ +||..||75/100||4/5||4.5/5||Apr 2009||749|
|11.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699|
|12.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599|
|13.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|14.||Panasonic GX85||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799|
|15.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|16.||Sony NEX-5R||..||..||..||..||4.5/5||4.5/5||Aug 2012||749|
|17.||Sony NEX-5N||3/5||+ +||..||79/100||4.5/5||4.5/5||Aug 2011||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1000D vs Panasonic GX7
- Canon 30D vs Nikon D5100
- Canon G3 X vs Nikon D5100
- Fujifilm X-T100 vs Nikon D5100
- Leica D-LUX 7 vs Panasonic GX7
- Leica S2 vs Panasonic GX7
- Nikon D1X vs Panasonic GX7
- Nikon D5100 vs Sony A5100
- Nikon D5100 vs Sony A58
- Nikon D5100 vs Sony A6000
- Panasonic G80 vs Panasonic GX7
- Panasonic GX7 vs Sony RX100
Specifications: Nikon D5100 vs Panasonic GX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D5100||Panasonic GX7|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Micro Four Thirds lenses|
|Launch Date||April 2011||August 2013|
|Launch Price||USD 749||USD 999|
|Sensor Specs||Nikon D5100||Panasonic GX7|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.7 mm||17.3 x 13.0 mm|
|Sensor Area||370.52 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||16.1 Megapixels||15.8 Megapixels|
|Image Resolution||4928 x 3264 pixels||4592 x 3448 pixels|
|Pixel Pitch||4.80 μm||3.77 μm|
|Pixel Density||4.34 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 6,400 ISO||125 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||EXPEED 2||Venus|
|DXO Sensor Quality (score)||80||70|
|DXO Color Depth (bits)||23.5||22.6|
|DXO Dynamic Range (EV)||13.6||12.2|
|DXO Low Light (ISO)||1183||718|
|Screen Specs||Nikon D5100||Panasonic GX7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2760k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||921k dots||1040k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D5100||Panasonic GX7|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||4 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Nikon D5100||Panasonic GX7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Nikon D5100||Panasonic GX7|
|Battery Life (CIPA)||660 shots per charge||350 shots per charge|
128 x 97 x 79 mm
(5.0 x 3.8 x 3.1 in)
123 x 71 x 55 mm
(4.8 x 2.8 x 2.2 in)
|Camera Weight||560 g (19.8 oz)||402 g (14.2 oz)|
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