Nikon D5000 vs Sony A7R
The Nikon D5000 and the Sony Alpha A7R are two digital cameras that were revealed to the public, respectively, in April 2009 and October 2013. The D5000 is a DSLR, while the A7R is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D5000) and a full frame (A7R) sensor. The Nikon has a resolution of 12.2 megapixels, whereas the Sony provides 36.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5000 and the Sony Alpha A7R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon D5000 and the Sony A7R are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R is notably smaller (10 percent) than the Nikon D5000. Moreover, the A7R is markedly lighter (21 percent) than the D5000. It is noteworthy in this context that the A7R is splash and dust-proof, while the D5000 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D5000) and the Sony FE Lens Catalog (A7R). Mirrorless cameras, such as the A7R, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the D5000 gets 510 shots out of its EN-EL9a battery, while the A7R can take 340 images on a single charge of its NP-FW50 power pack. The power pack in the A7R can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Nikon D5000||127 mm||104 mm||80 mm||590 g||510||n||Apr 2009||749|
|2.||Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299|
|3.||Canon 450D||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|4.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799|
|5.||Nikon D5200||129 mm||98 mm||78 mm||555 g||500||n||Nov 2012||749|
|6.||Nikon D5100||128 mm||97 mm||79 mm||560 g||660||n||Apr 2011||749|
|7.||Nikon D3100||124 mm||96 mm||75 mm||505 g||550||n||Aug 2010||599|
|8.||Nikon D3000||126 mm||97 mm||64 mm||536 g||500||n||Jul 2009||599|
|9.||Nikon D60||126 mm||94 mm||64 mm||522 g||500||n||Jan 2008||629|
|10.||Nikon D90||132 mm||103 mm||77 mm||703 g||850||n||Aug 2008||1,299|
|11.||Nikon D40X||124 mm||94 mm||64 mm||522 g||520||n||Mar 2007||729|
|12.||Nikon D80||132 mm||103 mm||77 mm||668 g||600||n||Aug 2006||999|
|13.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|14.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|15.||Sony A7S||127 mm||94 mm||48 mm||489 g||380||Y||Apr 2014||2,499|
|16.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|17.||Sony RX1R||113 mm||65 mm||70 mm||482 g||270||n||Jun 2013||2,799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D5000 was launched at a markedly lower price (by 67 percent) than the A7R, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D5000 features an APS-C sensor and the Sony A7R a full frame sensor. The sensor area in the A7R is 131 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 36.2MP, the A7R offers a higher resolution than the D5000 (12.2MP), but the A7R has smaller individual pixels (pixel pitch of 4.88μm versus 5.53μm for the D5000). Yet, the A7R is a much more recent model (by 4 years and 6 months) than the D5000, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Nikon D5000 are 21.4 x 14.2 inches or 54.5 x 36.2 cm for good quality, 17.2 x 11.4 inches or 43.6 x 28.9 cm for very good quality, and 14.3 x 9.5 inches or 36.3 x 24.1 cm for excellent quality prints.
The Nikon D5000 has a native sensitivity range from ISO 200 to ISO 3200, which can be extended to ISO 200-6400. The corresponding ISO settings for the Sony Alpha A7R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7R offers substantially better image quality than the D5000 (overall score 23 points higher). The advantage is based on 2.9 bits higher color depth, 1.6 EV in additional dynamic range, and 1.7 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|13.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|14.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|15.||Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
|16.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|17.||Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7R provides a better video resolution than the D5000. It can shoot movie footage at 1080/60p, while the Nikon is limited to 720/24p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7R has an electronic viewfinder (2400k dots), while the D5000 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7R offers a wider field of view (100%) than the one in the D5000 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7R has a higher magnification (0.71x vs 0.51x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D5000, the Sony A7R, and comparable cameras.
|1.||Nikon D5000||optical||n||2.7 / 230||full-flex||n||1/4000s||4.0||Y||n|
|2.||Sony A7R||2400||n||3.0 / 1230||tilting||n||1/8000s||4.0||n||n|
|3.||Canon 450D||optical||n||3.0 / 230||fixed||n||1/4000s||3.5||Y||n|
|4.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0||Y||n|
|5.||Nikon D5200||optical||n||3.0 / 921||swivel||n||1/4000s||5.0||Y||n|
|6.||Nikon D5100||optical||n||3.0 / 921||swivel||n||1/4000s||4.0||Y||n|
|7.||Nikon D3100||optical||n||3.0 / 230||fixed||n||1/4000s||3.0||Y||n|
|8.||Nikon D3000||optical||n||3.0 / 230||fixed||n||1/4000s||3.0||Y||n|
|9.||Nikon D60||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|10.||Nikon D90||optical||Y||3.0 / 920||fixed||n||1/4000s||4.5||Y||n|
|11.||Nikon D40X||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|12.||Nikon D80||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|13.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|14.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||Y|
|15.||Sony A7S||2400||n||3.0 / 921||tilting||n||1/8000s||5.0||n||n|
|16.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||n|
|17.||Sony RX1R||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0||Y||n|
One difference between the cameras concerns the presence of an on-board flash. The D5000 has one, while the A7R does not. While the built-in flash of the D5000 is not very powerful, it can at times be useful as a fill-in light.The D5000 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7R does not have a selfie-screen.
The Nikon D5000 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D5000 writes its imaging data to SDHC cards, while the A7R uses SDXC or Memory Stick PRO Duo cards. The A7R supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D5000 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5000 and Sony Alpha A7R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D5000||Y||mono / mono||-||-||mini||2.0||-||-||-|
|2.||Sony A7R||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Canon 450D||Y||- / -||-||-||mini||2.0||-||-||-|
|4.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|5.||Nikon D5200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|6.||Nikon D5100||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|7.||Nikon D3100||Y||mono / mono||-||-||mini||2.0||-||-||-|
|8.||Nikon D3000||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Nikon D60||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Nikon D90||Y||mono / mono||-||-||mini||2.0||-||-||-|
|11.||Nikon D40X||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Nikon D80||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|14.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony A7S||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony RX1R||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the A7R offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D5000 does not provide wifi capability.
Both the D5000 and the A7R have been discontinued, but can regularly be found used on eBay. The D5000 was replaced by the Nikon D5100, while the A7R was followed by the Sony A7R II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So how do things add up? Which of the two cameras – the Nikon D5000 or the Sony A7R – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Nikon D5000:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (510 versus 340) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (67 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in April 2009).
Reasons to prefer the Sony Alpha A7R:
- More detail: Has more megapixels (36.2 vs 12.2MP), which boosts linear resolution by 72%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (23 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.9 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.7 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/60p vs 720/24p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.51x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 230k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Less heavy: Has a lower weight (by 125g or 21 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 6 months of technical progress since the D5000 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7R is the clear winner of the contest (23 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5000 and the Sony A7R place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D5000 or the A7R. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D5000||..||+ +||..||75/100||4/5||4.5/5||Apr 2009||749|
|2.||Sony A7R||5/5||+ +||..||82/100||4.5/5||5/5||Oct 2013||2,299|
|3.||Canon 450D||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799|
|4.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799|
|5.||Nikon D5200||4/5||+ +||..||79/100||4.5/5||4.5/5||Nov 2012||749|
|6.||Nikon D5100||5/5||+ +||..||76/100||4.5/5||4.5/5||Apr 2011||749|
|7.||Nikon D3100||5/5||+ +||..||72/100||4.5/5||4.5/5||Aug 2010||599|
|8.||Nikon D3000||..||+||..||72/100||4/5||4.5/5||Jul 2009||599|
|9.||Nikon D60||..||80/100||..||+ +||4/5||4.5/5||Jan 2008||629|
|10.||Nikon D90||..||+ +||..||+ +||4/5||4.5/5||Aug 2008||1,299|
|11.||Nikon D40X||..||79/100||..||+ +||4/5||4/5||Mar 2007||729|
|12.||Nikon D80||..||+||..||+ +||o||4.5/5||Aug 2006||999|
|13.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199|
|14.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|15.||Sony A7S||4/5||..||..||86/100||4.5/5||5/5||Apr 2014||2,499|
|16.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699|
|17.||Sony RX1R||5/5||..||..||..||4/5||4.5/5||Jun 2013||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Nikon D5000 vs Sony A7R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D5000||Sony A7R|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Sony E mount lenses|
|Launch Date||April 2009||October 2013|
|Launch Price||USD 749||USD 2,299|
|Sensor Specs||Nikon D5000||Sony A7R|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.6 x 15.8 mm||35.9 x 24.0 mm|
|Sensor Area||372.88 mm2||861.6 mm2|
|Sensor Diagonal||28.4 mm||43.2 mm|
|Sensor Resolution||12.2 Megapixels||36.2 Megapixels|
|Image Resolution||4288 x 2848 pixels||7360 x 4912 pixels|
|Pixel Pitch||5.53 μm||4.88 μm|
|Pixel Density||3.28 MP/cm2||4.20 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||720/24p Video||1080/60p Video|
|ISO Setting||200 - 3,200 ISO||100 - 25,600 ISO|
|ISO Boost||200 - 6,400 ISO||50 - 51,200 ISO|
|Image Processor||EXPEED||BIONZ X|
|DXO Sensor Quality (score)||72||95|
|DXO Color Depth (bits)||22.7||25.6|
|DXO Dynamic Range (EV)||12.5||14.1|
|DXO Low Light (ISO)||868||2746|
|Screen Specs||Nikon D5000||Sony A7R|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.7inch||3.0inch|
|LCD Resolution||230k dots||1230k dots|
|LCD Attachment||Fully flexible screen||Tilting screen|
|Shooting Specs||Nikon D5000||Sony A7R|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||4 shutter flaps/s||4 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||250 000 actuations|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDHC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Nikon D5000||Sony A7R|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Nikon D5000||Sony A7R|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||510 shots per charge||340 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
127 x 104 x 80 mm
(5.0 x 4.1 x 3.1 in)
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
|Camera Weight||590 g (20.8 oz)||465 g (16.4 oz)|
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