Nikon D500 vs Pentax K-70
The Nikon D500 and the Pentax K-70 are two digital cameras that were officially introduced, respectively, in January 2016 and June 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Pentax provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D500 and the Pentax K-70? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D500 and the Pentax K-70 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The K-70 can be obtained in two different colors (black, silver), while the D500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-70 is considerably smaller (31 percent) than the Nikon D500. Moreover, the K-70 is markedly lighter (20 percent) than the D500. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|2.||Pentax K-70||126 mm||93 mm||74 mm||688 g||410||Y||Jun 2016||649|
|3.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299|
|4.||Nikon D5600||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699|
|5.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499|
|6.||Nikon D5500||124 mm||97 mm||70 mm||470 g||820||n||Jan 2015||899|
|7.||Nikon D7200||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199|
|8.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299|
|9.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199|
|10.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999|
|11.||Nikon D600||141 mm||113 mm||82 mm||850 g||900||Y||Sep 2012||2,099|
|12.||Nikon D300S||147 mm||115 mm||81 mm||938 g||950||Y||Jul 2009||1,799|
|13.||Pentax K-3 III||135 mm||104 mm||74 mm||820 g||800||Y||Mar 2021||1,999|
|14.||Pentax KP||132 mm||101 mm||76 mm||703 g||390||Y||Jan 2017||1,099|
|15.||Pentax K-S2||123 mm||91 mm||73 mm||678 g||410||Y||Feb 2015||749|
|16.||Pentax K-3 II||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099|
|17.||Pentax K-50||130 mm||97 mm||71 mm||650 g||410||Y||Jun 2013||599|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The K-70 was launched at a markedly lower price (by 68 percent) than the D500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the K-70 is 1 percent smaller. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the K-70 offers a higher resolution of 24 megapixels, compared with 20.7 MP of the D500. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 4.22μm for the D500). However, it should be noted that the K-70 is a somewhat more recent model (by 5 months) than the D500, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Pentax K-70 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-70 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Nikon D500 are 27.8 x 18.6 inches or 70.7 x 47.1 cm for good quality, 22.3 x 14.8 inches or 56.6 x 37.7 cm for very good quality, and 18.6 x 12.4 inches or 47.1 x 31.4 cm for excellent quality prints.
The K-70 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the D500, the K-70 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Nikon D500 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-1640000. The corresponding ISO settings for the Pentax K-70 are ISO 100 to ISO 102400 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|8.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|10.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|11.||Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|13.||Pentax K-3 III||APS-C||25.6||6192||4128||4K/30p||24.2||13.7||2083||85|
|16.||Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D500 provides a higher video resolution than the K-70. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. The D500 and the K-70 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D500 has a higher magnification than the one of the K-70 (0.67x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Nikon D500 and Pentax K-70 in connection with corresponding information for a sample of similar cameras.
|1.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0/s||n||n|
|2.||Pentax K-70||optical||n||3.0 / 921||swivel||n||1/6000s||6.0/s||Y||Y|
|3.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0/s||Y||n|
|4.||Nikon D5600||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Nikon D3400||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|6.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0/s||Y||n|
|7.||Nikon D7200||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0/s||Y||n|
|8.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0/s||Y||n|
|9.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0/s||Y||n|
|10.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0/s||Y||n|
|11.||Nikon D600||optical||Y||3.0 / 921||fixed||n||1/4000s||5.5/s||Y||n|
|12.||Nikon D300S||optical||Y||3.0 / 920||fixed||n||1/8000s||7.0/s||Y||n|
|13.||Pentax K-3 III||optical||Y||3.2 / 1620||fixed||Y||1/8000s||12.0/s||n||Y|
|14.||Pentax KP||optical||n||3.0 / 921||tilting||n||1/6000s||7.0/s||Y||Y|
|15.||Pentax K-S2||optical||n||3.0 / 921||swivel||n||1/6000s||5.4/s||Y||Y|
|16.||Pentax K-3 II||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3/s||n||Y|
|17.||Pentax K-50||optical||n||3.0 / 921||fixed||n||1/6000s||6.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the D500, but is missing on the K-70 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The K-70 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D500 does not have a selfie-screen.
The Nikon D500 and the Pentax K-70 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D500 writes its imaging data to SDXC or XQD cards, while the K-70 uses SDXC cards. The D500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the K-70 only has one slot. The D500 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the K-70 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D500 and Pentax K-70 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|2.||Pentax K-70||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|3.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|4.||Nikon D5600||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Nikon D3400||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|6.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|7.||Nikon D7200||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|8.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|9.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|10.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|11.||Nikon D600||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|12.||Nikon D300S||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|13.||Pentax K-3 III||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|14.||Pentax KP||Y||stereo / mono||Y||-||-||2.0||Y||-||-|
|15.||Pentax K-S2||Y||mono / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Pentax K-3 II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|17.||Pentax K-50||Y||mono / mono||-||-||micro||2.0||-||-||-|
It is notable that the D500 has a headphone jack, which is not present on the K-70 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Studio photographers will appreciate that the Nikon D500 (unlike the K-70) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D500 and the K-70 are recent models that are part of the current product line-up. The D500 replaced the earlier Nikon D300S, while the K-70 followed on from the Pentax K-50. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Pentax websites.
So what conclusions can be drawn? Which of the two cameras – the Nikon D500 or the Pentax K-70 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Nikon D500:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.67x vs 0.63x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 921k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/6000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (1240 versus 410) on a single battery charge.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in January 2016).
Advantages of the Pentax K-70:
- More detail: Has more megapixels (24 vs 20.7MP), which boosts linear resolution by 8%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (126x93mm vs 147x115mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 172g or 20 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (68 percent cheaper at launch).
- More modern: Was introduced somewhat (5 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the D500 is the clear winner of the match-up (17 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D500 and the Pentax K-70 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the D500 or the K-70 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|2.||Pentax K-70||4.5/5||..||..||79/100||4.5/5||4.5/5||Jun 2016||649|
|3.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299|
|4.||Nikon D5600||4/5||..||4/5||79/100||4.5/5||4/5||Nov 2016||699|
|5.||Nikon D3400||4/5||+||4/5||76/100||4/5||4.5/5||Aug 2016||499|
|6.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899|
|7.||Nikon D7200||4/5||+ +||..||84/100||4.5/5||4.5/5||Mar 2015||1,199|
|8.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299|
|9.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199|
|10.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999|
|11.||Nikon D600||4/5||+ +||..||87/100||5/5||4.5/5||Sep 2012||2,099|
|12.||Nikon D300S||5/5||+ +||..||82/100||4/5||4.5/5||Jul 2009||1,799|
|13.||Pentax K-3 III||4/5||..||3/5||..||4.5/5||..||Mar 2021||1,999|
|14.||Pentax KP||4/5||..||3/5||82/100||5/5||4.5/5||Jan 2017||1,099|
|15.||Pentax K-S2||4.5/5||..||..||..||5/5||4.5/5||Feb 2015||749|
|16.||Pentax K-3 II||4.5/5||..||..||..||5/5||5/5||Apr 2015||1,099|
|17.||Pentax K-50||5/5||..||..||..||5/5||4.5/5||Jun 2013||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark IV vs Nikon D500
- Canon 1Ds Mark III vs Pentax K-70
- Canon M3 vs Nikon D500
- Fujifilm X-A1 vs Pentax K-70
- Fujifilm X-E4 vs Pentax K-70
- Nikon Coolpix A vs Nikon D500
- Nikon D300 vs Nikon D500
- Nikon D4 vs Nikon D500
- Nikon D500 vs Sony NEX-3
- Panasonic G6 vs Pentax K-70
- Panasonic GH4 vs Pentax K-70
- Pentax K-70 vs Ricoh GR III
Specifications: Nikon D500 vs Pentax K-70
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D500||Pentax K-70|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Nikon F mount lenses||Pentax K mount lenses|
|Launch Date||January 2016||June 2016|
|Launch Price||USD 1,999||USD 649|
|Sensor Specs||Nikon D500||Pentax K-70|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.5 x 15.7 mm||23.5 x 15.6 mm|
|Sensor Area||368.95 mm2||366.6 mm2|
|Sensor Diagonal||28.3 mm||28.2 mm|
|Sensor Resolution||20.7 Megapixels||24 Megapixels|
|Image Resolution||5568 x 3712 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.22 μm||3.91 μm|
|Pixel Density||5.60 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||100 - 51,200 ISO||100 - 102,400 ISO|
|ISO Boost||50 - 1,640,000 ISO||no Enhancement|
|Image Processor||EXPEED 5||PRIME MII|
|DXO Sensor Quality (score)||83||..|
|DXO Color Depth (bits)||24.0||..|
|DXO Dynamic Range (EV)||14.0||..|
|DXO Low Light (ISO)||1324||..|
|Screen Specs||Nikon D500||Pentax K-70|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2359k dots||921k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Nikon D500||Pentax K-70|
|Focus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/6000s|
|Continuous Shooting||10 shutter flaps/s||6 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||100 000 actuations|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC or XQD cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Nikon D500||Pentax K-70|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Nikon D500||Pentax K-70|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||1240 shots per charge||410 shots per charge|
147 x 115 x 81 mm
(5.8 x 4.5 x 3.2 in)
126 x 93 x 74 mm
(5.0 x 3.7 x 2.9 in)
|Camera Weight||860 g (30.3 oz)||688 g (24.3 oz)|
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