Nikon D500 vs Panasonic LX5

The Nikon D500 and the Panasonic Lumix DMC-LX5 are two digital cameras that were revealed to the public, respectively, in January 2016 and July 2010. The D500 is a DSLR, while the LX5 is a fixed lens compact. The cameras are based on an APS-C (D500) and a 1/1.7-inch (LX5) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Panasonic provides 10 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon D500		Panasonic LX5
Digital single lens reflex		Fixed lens compact camera
Nikon F mount lenses		24-90mm f/2.0-3.3
20.7 MP – APS-C sensor		10 MP – 1/1.7" sensor
4K/30p Video		720/60p Video
ISO 100-51,200 (50 - 1,640,000)		ISO 80-3,200 (80 - 12,800)
Optical viewfinder		Viewfinder optional
3.2" LCD – 2359k dots		3.0" LCD – 460k dots
Tilting touchscreen		Fixed screen (not touch-sensitive)
10 shutter flaps per second		2.5 shutter flaps per second
Weathersealed body		not weather sealed
1240 shots per battery charge		400 shots per battery charge
147 x 115 x 81 mm, 860 g		110 x 65 x 43 mm, 271 g

Check D500 offers at
ebay.com
Check LX5 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D500 and the Panasonic Lumix DMC-LX5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Nikon D500 and the Panasonic LX5. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The LX5 can be obtained in two different colors (black, white), while the D500 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX5 is considerably smaller (58 percent) than the Nikon D500. It is worth mentioning in this context that the D500 is splash and dust resistant, while the LX5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX5 has a lens built in, whereas the D500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D500 and their specifications in the Nikon Lens Catalog.

Concerning battery life, the D500 gets 1240 shots out of its Nikon EN-EL15 battery, while the LX5 can take 400 images on a single charge of its Panasonic DMW-BCJ13 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon D500	147 mm	115 mm	81 mm	860 g	1240	Y	Jan 2016	1,999	ebay.com
2.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	499	ebay.com
3.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270	n	Sep 2011	599	ebay.com
4.		Nikon D300S	147 mm	115 mm	81 mm	938 g	950	Y	Jul 2009	1,799	ebay.com
5.		Nikon D600	141 mm	113 mm	82 mm	850 g	900	Y	Sep 2012	2,099	ebay.com
6.		Nikon D610	141 mm	113 mm	82 mm	850 g	900	Y	Oct 2013	1,999	ebay.com
7.		Nikon D750	141 mm	113 mm	78 mm	750 g	1230	Y	Sep 2014	2,299	ebay.com
8.		Nikon D3400	124 mm	98 mm	76 mm	445 g	1200	n	Aug 2016	499	ebay.com
9.		Nikon D5500	124 mm	97 mm	70 mm	470 g	820	n	Jan 2015	899	ebay.com
10.		Nikon D5600	124 mm	97 mm	70 mm	465 g	970	n	Nov 2016	699	ebay.com
11.		Nikon D7100	136 mm	107 mm	76 mm	765 g	950	Y	Feb 2013	1,199	ebay.com
12.		Nikon D7200	136 mm	107 mm	76 mm	765 g	1110	Y	Mar 2015	1,199	ebay.com
13.		Nikon D7500	136 mm	104 mm	73 mm	720 g	950	Y	Apr 2017	1,299	amazon.com
14.		Olympus XZ-1	111 mm	65 mm	42 mm	275 g	320	n	Jan 2011	499	ebay.com
15.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	499	ebay.com
16.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	549	ebay.com
17.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX5 was launched at a lower price than the D500, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Nikon D500 features an APS-C sensor and the Panasonic LX5 a 1/1.7-inch sensor. The sensor area in the LX5 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.4. The sensor in the D500 has a native 3:2 aspect ratio, while the one in the LX5 offers a 4:3 aspect. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 20.7MP, the D500 offers a higher resolution than the LX5 (10MP), but the D500 nevertheless has larger individual pixels (pixel pitch of 4.22μm versus 2.14μm for the LX5) due to its larger sensor. Moreover, the D500 is a much more recent model (by 5 years and 5 months) than the LX5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Nikon D500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D500 for good quality output (200 dots per inch) amounts to 27.8 x 18.6 inches or 70.7 x 47.1 cm, for very good quality (250 dpi) 22.3 x 14.8 inches or 56.6 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.1 x 31.4 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The Nikon D500 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-1640000. The corresponding ISO settings for the Panasonic Lumix DMC-LX5 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.

In terms of underlying technology, the D500 is build around a CMOS sensor, while the LX5 uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the D500 provides substantially higher image quality than the LX5, with an overall score that is 42 points higher. This advantage is based on 4.4 bits higher color depth, 3.2 EV in additional dynamic range, and 3.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon D500	APS-C	20.7	5568	3712	4K/30p	24.0	14.0	1324	83
2.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
3.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
4.		Nikon D300S	APS-C	12.2	4288	2848	720/24p	22.5	12.2	787	70
5.		Nikon D600	Full Frame	24.2	6016	4016	1080/30p	25.1	14.2	2980	94
6.		Nikon D610	Full Frame	24.2	6016	4016	1080/30p	25.1	14.4	2925	94
7.		Nikon D750	Full Frame	24.2	6016	4016	1080/60p	24.8	14.5	2956	93
8.		Nikon D3400	APS-C	24.0	6000	4000	1080/60p	24.8	13.9	1192	86
9.		Nikon D5500	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1438	84
10.		Nikon D5600	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1306	84
11.		Nikon D7100	APS-C	24.0	6000	4000	1080/60p	24.2	13.7	1256	83
12.		Nikon D7200	APS-C	24.0	6000	4000	1080/60p	24.5	14.6	1333	87
13.		Nikon D7500	APS-C	20.7	5568	3712	4K/30p	24.3	14.0	1483	86
14.		Olympus XZ-1	1/1.7	10.1	3664	2752	720/30p	18.8	10.4	117	34
15.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
16.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
17.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the D500 provides a higher video resolution than the LX5. It can shoot video footage at 4K/30p, while the Panasonic is limited to 720/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the D500 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX5 relies on live view and the rear LCD for framing. That said, the LX5 can be equipped with an optional viewfinder – the DMW-LVF1. The table below summarizes some of the other core capabilities of the Nikon D500 and Panasonic LX5 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon D500	optical	Y	3.2 / 2359	tilting	Y	1/8000s	10.0/s	n	n
2.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
3.		Fujifilm X10	optical	n	2.8 / 460	fixed	n	1/4000s	10.0/s	Y	Y
4.		Nikon D300S	optical	Y	3.0 / 920	fixed	n	1/8000s	7.0/s	Y	n
5.		Nikon D600	optical	Y	3.0 / 921	fixed	n	1/4000s	5.5/s	Y	n
6.		Nikon D610	optical	Y	3.2 / 921	fixed	n	1/4000s	6.0/s	Y	n
7.		Nikon D750	optical	Y	3.2 / 1229	tilting	n	1/4000s	6.0/s	Y	n
8.		Nikon D3400	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
9.		Nikon D5500	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
10.		Nikon D5600	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
11.		Nikon D7100	optical	Y	3.2 / 1229	fixed	n	1/8000s	6.0/s	Y	n
12.		Nikon D7200	optical	Y	3.2 / 1229	fixed	n	1/8000s	6.0/s	Y	n
13.		Nikon D7500	optical	Y	3.2 / 922	tilting	Y	1/8000s	8.0/s	Y	n
14.		Olympus XZ-1	optional	n	3.0 / 614	fixed	n	1/2000s	2.0/s	Y	Y
15.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
16.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
17.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the D500, but is missing on the LX5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The Nikon D500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The D500 writes its imaging data to SDXC or XQD cards, while the LX5 uses SDXC cards. The D500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the LX5 only has one slot. The D500 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the LX5 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D500 and Panasonic Lumix DMC-LX5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon D500	Y	stereo / mono	Y	Y	mini	3.0	Y	Y	Y
2.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-
3.		Fujifilm X10	Y	stereo / mono	-	-	mini	2.0	-	-	-
4.		Nikon D300S	Y	stereo / mono	Y	-	mini	2.0	-	-	-
5.		Nikon D600	Y	mono / mono	Y	Y	mini	2.0	-	-	-
6.		Nikon D610	Y	mono / mono	Y	Y	mini	2.0	-	-	-
7.		Nikon D750	Y	stereo / mono	Y	Y	mini	2.0	Y	-	-
8.		Nikon D3400	Y	mono / mono	-	-	mini	2.0	-	-	Y
9.		Nikon D5500	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
10.		Nikon D5600	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
11.		Nikon D7100	Y	stereo / mono	Y	Y	mini	2.0	-	-	-
12.		Nikon D7200	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
13.		Nikon D7500	Y	stereo / mono	Y	Y	mini	2.0	Y	-	Y
14.		Olympus XZ-1	Y	mono / -	-	-	mini	2.0	-	-	-
15.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
16.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
17.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the D500 has a microphone port, which is missing on the LX5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Nikon D500 (unlike the LX5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the D500 and the LX5 have been discontinued, but can regularly be found used on ebay. The LX5 was replaced by the Panasonic LX7, while the D500 does not have a direct successor. Further information on the features and operation of the D500 and LX5 can be found, respectively, in the Nikon D500 Manual (free pdf) or the online Panasonic LX5 Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Nikon D500 and the Panasonic LX5? Which camera is better? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Nikon D500:

• More detail: Offers more megapixels (20.7 vs 10MP) with a 47% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Scores substantially higher (42 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (4.4 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (3.2 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (3.3 stops ISO advantage).
• Better video: Provides higher definition movie capture (4K/30p vs 720/60p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2359k vs 460k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (10 vs 2.5 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Can take a variety of interchangeable lenses, including specialty optics.
• Longer lasting: Can take more shots (1240 versus 400) on a single battery charge.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards.
• More modern: Reflects 5 years and 5 months of technical progress since the LX5 launch.

Advantages of the Panasonic Lumix DMC-LX5:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Ready to shoot: Comes with an integrated lens, while the D500 requires a separate lens.
• More compact: Is smaller (110x65mm vs 147x115mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the D500).
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been around for much longer (launched in July 2010).

If the number of relative strengths (bullet points above) is taken as a guide, the D500 is the clear winner of the match-up (29 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon D500 and the Panasonic LX5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the D500 and the LX5 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon D500	5/5	+ +	4.7/5	91/100	4.5/5	5/5	Jan 2016	1,999	ebay.com
2.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	499	ebay.com
3.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	599	ebay.com
4.		Nikon D300S	5/5	+ +	..	82/100	4/5	4.5/5	Jul 2009	1,799	ebay.com
5.		Nikon D600	4/5	+ +	..	87/100	5/5	4.5/5	Sep 2012	2,099	ebay.com
6.		Nikon D610	4/5	+ +	..	87/100	4.5/5	4.5/5	Oct 2013	1,999	ebay.com
7.		Nikon D750	5/5	+ +	4/5	90/100	4.5/5	4.5/5	Sep 2014	2,299	ebay.com
8.		Nikon D3400	4/5	+	4/5	76/100	4/5	4.5/5	Aug 2016	499	ebay.com
9.		Nikon D5500	5/5	+	..	79/100	4.5/5	4.5/5	Jan 2015	899	ebay.com
10.		Nikon D5600	4/5	..	4/5	79/100	4.5/5	4/5	Nov 2016	699	ebay.com
11.		Nikon D7100	5/5	+ +	..	85/100	4.5/5	4.5/5	Feb 2013	1,199	ebay.com
12.		Nikon D7200	4/5	+ +	..	84/100	4.5/5	4.5/5	Mar 2015	1,199	ebay.com
13.		Nikon D7500	4.5/5	+ +	4.5/5	86/100	5/5	4.5/5	Apr 2017	1,299	amazon.com
14.		Olympus XZ-1	4/5	..	..	74/100	4.5/5	4.5/5	Jan 2011	499	ebay.com
15.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	499	ebay.com
16.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	549	ebay.com
17.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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