Nikon D500 vs Olympus E-P5
The Nikon D500 and the Olympus PEN E-P5 are two enthusiast cameras that were announced, respectively, in January 2016 and May 2013. The D500 is a DSLR, while the E-P5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D500) and a Four Thirds (E-P5) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D500 and the Olympus PEN E-P5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Nikon D500 and the Olympus E-P5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The E-P5 can be obtained in three different colors (black, silver, white), while the D500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P5 is considerably smaller (50 percent) than the Nikon D500. Moreover, the E-P5 is substantially lighter (51 percent) than the D500. It is worth mentioning in this context that the D500 is splash and dust resistant, while the E-P5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D500) and the Micro Four Thirds Lens Catalog (E-P5). Mirrorless cameras, such as the E-P5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the D500 gets 1240 shots out of its Nikon EN-EL15 battery, while the E-P5 can take 330 images on a single charge of its Olympus BLN-1 power pack.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D500 | 147 mm | 115 mm | 81 mm | 860 g | 1240 | Y | Jan 2016 | 1,999 | ebay.com | |
2. | Olympus E-P5 | 122 mm | 69 mm | 37 mm | 420 g | 330 | n | May 2013 | 999 | ebay.com | |
3. | Canon 6D Mark II | 144 mm | 111 mm | 75 mm | 765 g | 1200 | Y | Jun 2017 | 1,999 | amazon.com | |
4. | Canon 80D | 139 mm | 105 mm | 79 mm | 730 g | 960 | Y | Feb 2016 | 1,199 | ebay.com | |
5. | Nikon D7500 | 136 mm | 104 mm | 73 mm | 720 g | 950 | Y | Apr 2017 | 1,299 | amazon.com | |
6. | Nikon D7200 | 136 mm | 107 mm | 76 mm | 765 g | 1110 | Y | Mar 2015 | 1,199 | ebay.com | |
7. | Nikon D750 | 141 mm | 113 mm | 78 mm | 750 g | 1230 | Y | Sep 2014 | 2,299 | ebay.com | |
8. | Nikon D7100 | 136 mm | 107 mm | 76 mm | 765 g | 950 | Y | Feb 2013 | 1,199 | ebay.com | |
9. | Nikon D610 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Oct 2013 | 1,999 | ebay.com | |
10. | Nikon D600 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Sep 2012 | 2,099 | ebay.com | |
11. | Nikon D300S | 147 mm | 115 mm | 81 mm | 938 g | 950 | Y | Jul 2009 | 1,799 | ebay.com | |
12. | Olympus E-M5 II | 124 mm | 85 mm | 45 mm | 469 g | 310 | Y | Feb 2015 | 1,099 | ebay.com | |
13. | Olympus E-M10 | 119 mm | 82 mm | 46 mm | 396 g | 320 | n | Jan 2014 | 699 | ebay.com | |
14. | Olympus E-PL7 | 115 mm | 67 mm | 38 mm | 357 g | 350 | n | Aug 2014 | 599 | ebay.com | |
15. | Olympus E-M1 | 130 mm | 94 mm | 63 mm | 497 g | 350 | Y | Sep 2013 | 1,399 | ebay.com | |
16. | Panasonic GH5 | 139 mm | 98 mm | 87 mm | 725 g | 410 | Y | Jan 2017 | 1,999 | ebay.com | |
17. | Panasonic GX7 | 123 mm | 71 mm | 55 mm | 402 g | 350 | n | Aug 2013 | 999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-P5 was launched at a markedly lower price (by 50 percent) than the D500, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon D500 features an APS-C sensor and the Olympus E-P5 a Four Thirds sensor. The sensor area in the E-P5 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D500 has a native 3:2 aspect ratio, while the one in the E-P5 offers a 4:3 aspect.
With 20.7MP, the D500 offers a higher resolution than the E-P5 (15.9MP), but the D500 nevertheless has larger individual pixels (pixel pitch of 4.22μm versus 3.76μm for the E-P5) due to its larger sensor. Moreover, the D500 is a much more recent model (by 2 years and 7 months) than the E-P5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon D500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D500 for good quality output (200 dots per inch) amounts to 27.8 x 18.6 inches or 70.7 x 47.1 cm, for very good quality (250 dpi) 22.3 x 14.8 inches or 56.6 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.1 x 31.4 cm. The corresponding values for the Olympus E-P5 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Nikon D500 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-1640000. The corresponding ISO settings for the Olympus PEN E-P5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the D500 provides substantially higher image quality than the E-P5, with an overall score that is 11 points higher. This advantage is based on 1.2 bits higher color depth, 1.6 EV in additional dynamic range, and 0.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D500 | APS-C | 20.7 | 5568 | 3712 | 4K/30p | 24.0 | 14.0 | 1324 | 83 | |
2. | Olympus E-P5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.4 | 895 | 72 | |
3. | Canon 6D Mark II | Full Frame | 26.0 | 6240 | 4160 | 1080/60p | 24.4 | 11.9 | 2862 | 85 | |
4. | Canon 80D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.2 | 1135 | 79 | |
5. | Nikon D7500 | APS-C | 20.7 | 5568 | 3712 | 4K/30p | 24.3 | 14.0 | 1483 | 86 | |
6. | Nikon D7200 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.5 | 14.6 | 1333 | 87 | |
7. | Nikon D750 | Full Frame | 24.2 | 6016 | 4016 | 1080/60p | 24.8 | 14.5 | 2956 | 93 | |
8. | Nikon D7100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.2 | 13.7 | 1256 | 83 | |
9. | Nikon D610 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.4 | 2925 | 94 | |
10. | Nikon D600 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.2 | 2980 | 94 | |
11. | Nikon D300S | APS-C | 12.2 | 4288 | 2848 | 720/24p | 22.5 | 12.2 | 787 | 70 | |
12. | Olympus E-M5 II | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 23.0 | 12.5 | 842 | 73 | |
13. | Olympus E-M10 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.3 | 884 | 72 | |
14. | Olympus E-PL7 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.7 | 12.4 | 873 | 72 | |
15. | Olympus E-M1 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 23.0 | 12.7 | 757 | 73 | |
16. | Panasonic GH5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.9 | 13.0 | 807 | 77 | |
17. | Panasonic GX7 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.6 | 12.2 | 718 | 70 |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D500 provides a higher video resolution than the E-P5. It can shoot video footage at 4K/30p, while the Olympus is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the D500 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the E-P5 relies on live view and the rear LCD for framing. That said, the E-P5 can be equipped with an optional viewfinder – the VF-4. The adjacent table lists some of the other core features of the Nikon D500 and Olympus E-P5 along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D500 | optical | Y | 3.2 / 2359 | tilting | Y | 1/8000s | 10.0/s | n | n | |
2. | Olympus E-P5 | optional | n | 3.0 / 1037 | tilting | Y | 1/8000s | 9.0/s | Y | Y | |
3. | Canon 6D Mark II | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 6.5/s | n | n | |
4. | Canon 80D | optical | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 7.0/s | Y | n | |
5. | Nikon D7500 | optical | Y | 3.2 / 922 | tilting | Y | 1/8000s | 8.0/s | Y | n | |
6. | Nikon D7200 | optical | Y | 3.2 / 1229 | fixed | n | 1/8000s | 6.0/s | Y | n | |
7. | Nikon D750 | optical | Y | 3.2 / 1229 | tilting | n | 1/4000s | 6.0/s | Y | n | |
8. | Nikon D7100 | optical | Y | 3.2 / 1229 | fixed | n | 1/8000s | 6.0/s | Y | n | |
9. | Nikon D610 | optical | Y | 3.2 / 921 | fixed | n | 1/4000s | 6.0/s | Y | n | |
10. | Nikon D600 | optical | Y | 3.0 / 921 | fixed | n | 1/4000s | 5.5/s | Y | n | |
11. | Nikon D300S | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 7.0/s | Y | n | |
12. | Olympus E-M5 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
13. | Olympus E-M10 | 1440 | n | 3.0 / 1037 | tilting | Y | 1/4000s | 8.0/s | Y | Y | |
14. | Olympus E-PL7 | optional | n | 3.0 / 1037 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
15. | Olympus E-M1 | 2360 | n | 3.0 / 1037 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
16. | Panasonic GH5 | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
17. | Panasonic GX7 | 2760 | n | 3.0 / 1040 | tilting | Y | 1/8000s | 5.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the D500, but is missing on the E-P5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Nikon D500 and the Olympus E-P5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D500 writes its imaging data to SDXC or XQD cards, while the E-P5 uses SDXC cards. The D500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-P5 only has one slot. The D500 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the E-P5 can use UHS-I cards (up to 104 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D500 and Olympus PEN E-P5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D500 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | Y | Y | |
2. | Olympus E-P5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
3. | Canon 6D Mark II | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
4. | Canon 80D | Y | stereo / mono | Y | Y | mini | 2.0 | Y | Y | - | |
5. | Nikon D7500 | Y | stereo / mono | Y | Y | mini | 2.0 | Y | - | Y | |
6. | Nikon D7200 | Y | stereo / mono | Y | Y | mini | 2.0 | Y | Y | - | |
7. | Nikon D750 | Y | stereo / mono | Y | Y | mini | 2.0 | Y | - | - | |
8. | Nikon D7100 | Y | stereo / mono | Y | Y | mini | 2.0 | - | - | - | |
9. | Nikon D610 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
10. | Nikon D600 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
11. | Nikon D300S | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
12. | Olympus E-M5 II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
13. | Olympus E-M10 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
14. | Olympus E-PL7 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
15. | Olympus E-M1 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
16. | Panasonic GH5 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
17. | Panasonic GX7 | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - |
It is notable that the D500 has a microphone port, which is missing on the E-P5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Nikon D500 (unlike the E-P5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D500 and the E-P5 have been discontinued, but can regularly be found used on ebay. The E-P5 was replaced by the Olympus E-P7, while the D500 does not have a direct successor. Further information on the features and operation of the D500 and E-P5 can be found, respectively, in the Nikon D500 Manual (free pdf) or the online Olympus E-P5 Manual.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Nikon D500 and the Olympus E-P5? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Nikon D500:
- More detail: Offers more megapixels (20.7 vs 15.9MP) with a 16% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (11 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.2 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.6 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.6 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 1037k dots).
- Longer lasting: Can take more shots (1240 versus 330) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 7 months of technical progress since the E-P5 launch.
Advantages of the Olympus PEN E-P5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (122x69mm vs 147x115mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 440g or 51 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in May 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the D500 is the clear winner of the match-up (22 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D500 and the Olympus E-P5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the D500 and the E-P5 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D500 | 5/5 | + + | 4.7/5 | 91/100 | 4.5/5 | 5/5 | Jan 2016 | 1,999 | ebay.com | |
2. | Olympus E-P5 | 5/5 | + + | .. | 78/100 | 4.5/5 | 5/5 | May 2013 | 999 | ebay.com | |
3. | Canon 6D Mark II | 4/5 | + | 4/5 | 80/100 | 4.5/5 | 4/5 | Jun 2017 | 1,999 | amazon.com | |
4. | Canon 80D | 4/5 | + + | 4.5/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2016 | 1,199 | ebay.com | |
5. | Nikon D7500 | 4.5/5 | + + | 4.5/5 | 86/100 | 5/5 | 4.5/5 | Apr 2017 | 1,299 | amazon.com | |
6. | Nikon D7200 | 4/5 | + + | .. | 84/100 | 4.5/5 | 4.5/5 | Mar 2015 | 1,199 | ebay.com | |
7. | Nikon D750 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 4.5/5 | Sep 2014 | 2,299 | ebay.com | |
8. | Nikon D7100 | 5/5 | + + | .. | 85/100 | 4.5/5 | 4.5/5 | Feb 2013 | 1,199 | ebay.com | |
9. | Nikon D610 | 4/5 | + + | .. | 87/100 | 4.5/5 | 4.5/5 | Oct 2013 | 1,999 | ebay.com | |
10. | Nikon D600 | 4/5 | + + | .. | 87/100 | 5/5 | 4.5/5 | Sep 2012 | 2,099 | ebay.com | |
11. | Nikon D300S | 5/5 | + + | .. | 82/100 | 4/5 | 4.5/5 | Jul 2009 | 1,799 | ebay.com | |
12. | Olympus E-M5 II | 5/5 | + + | 4.5/5 | 81/100 | 5/5 | 5/5 | Feb 2015 | 1,099 | ebay.com | |
13. | Olympus E-M10 | 4/5 | .. | .. | 80/100 | 5/5 | 5/5 | Jan 2014 | 699 | ebay.com | |
14. | Olympus E-PL7 | 4/5 | + | .. | .. | 5/5 | 4/5 | Aug 2014 | 599 | ebay.com | |
15. | Olympus E-M1 | 5/5 | + + | .. | 84/100 | 4.5/5 | 4.5/5 | Sep 2013 | 1,399 | ebay.com | |
16. | Panasonic GH5 | 4.5/5 | + + | .. | 85/100 | 4.5/5 | 5/5 | Jan 2017 | 1,999 | ebay.com | |
17. | Panasonic GX7 | 4/5 | + | .. | 79/100 | 5/5 | 5/5 | Aug 2013 | 999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D C vs Nikon D500
- Canon 1D Mark II vs Olympus E-P5
- Canon 80D vs Nikon D500
- Canon R5 C vs Nikon D500
- Fujifilm X30 vs Olympus E-P5
- Nikon D500 vs Olympus TG-4
- Nikon D500 vs Panasonic FZ100
- Nikon D500 vs Panasonic TZ90
- Nikon P1000 vs Olympus E-P5
- Nikon P7800 vs Olympus E-P5
- Olympus E-P5 vs Panasonic GM1
- Olympus E-P5 vs Sony A77
Specifications: Nikon D500 vs Olympus E-P5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon D500 | Olympus E-P5 |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Nikon F mount lenses | Micro Four Thirds lenses |
Launch Date | January 2016 | May 2013 |
Launch Price | USD 1,999 | USD 999 |
Sensor Specs | Nikon D500 | Olympus E-P5 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Four Thirds Sensor |
Sensor Size | 23.5 x 15.7 mm | 17.3 x 13.0 mm |
Sensor Area | 368.95 mm2 | 224.9 mm2 |
Sensor Diagonal | 28.3 mm | 21.6 mm |
Crop Factor | 1.5x | 2.0x |
Sensor Resolution | 20.7 Megapixels | 15.9 Megapixels |
Image Resolution | 5568 x 3712 pixels | 4608 x 3456 pixels |
Pixel Pitch | 4.22 μm | 3.76 μm |
Pixel Density | 5.60 MP/cm2 | 7.08 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 1080/30p Video |
ISO Setting | 100 - 51,200 ISO | 200 - 25,600 ISO |
ISO Boost | 50 - 1,640,000 ISO | 100 - 25,600 ISO |
Image Processor | EXPEED 5 | TruePic VI |
DXO Sensor Quality (score) | 83 | 72 |
DXO Color Depth (bits) | 24.0 | 22.8 |
DXO Dynamic Range (EV) | 14.0 | 12.4 |
DXO Low Light (ISO) | 1324 | 895 |
Screen Specs | Nikon D500 | Olympus E-P5 |
Viewfinder Type | Optical viewfinder | Viewfinder optional |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.67x | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 3.0inch |
LCD Resolution | 2359k dots | 1037k dots |
LCD Attachment | Tilting screen | Tilting screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Nikon D500 | Olympus E-P5 |
Focus System | Phase-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/8000s |
Continuous Shooting | 10 shutter flaps/s | 9 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | SDXC or XQD cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
UHS card support | UHS-II | UHS-I |
Connectivity Specs | Nikon D500 | Olympus E-P5 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 3.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | NFC built-in | no NFC |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Nikon D500 | Olympus E-P5 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Nikon EN-EL15 | Olympus BLN-1 |
Battery Life (CIPA) | 1240 shots per charge | 330 shots per charge |
Body Dimensions |
147 x 115 x 81 mm (5.8 x 4.5 x 3.2 in) |
122 x 69 x 37 mm (4.8 x 2.7 x 1.5 in) |
Camera Weight | 860 g (30.3 oz) | 420 g (14.8 oz) |
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