Nikon D50 vs Sony A7 II
The Nikon D50 and the Sony Alpha A7 II are two digital cameras that were revealed to the public, respectively, in April 2005 and November 2014. The D50 is a DSLR, while the A7 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D50) and a full frame (A7 II) sensor. The Nikon has a resolution of 6 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D50||Sony A7 II|
|Digital single lens reflex||Mirrorless system camera|
|Nikon F mount lenses||Sony E mount lenses|
|6 MP, APS-C Sensor||24 MP, Full Frame Sensor|
|no Video||1080/60p Video|
|ISO 200-1600||ISO 100-25600 (50-51200)|
|Optical viewfinder||Electronic viewfinder (2400k dots)|
|2.0" LCD, 130k dots||3.0" LCD, 1230k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|2.5 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|400 shots per battery charge||350 shots per battery charge|
|133 x 102 x 76 mm, 620 g||127 x 96 x 60 mm, 599 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D50 and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D50 and the Sony A7 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is notably smaller (10 percent) than the Nikon D50. Moreover, the A7 II is slightly lighter (3 percent) than the D50. It is noteworthy in this context that the A7 II is splash and dust-proof, while the D50 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D50) and the Sony FE Lens Catalog (A7 II). Mirrorless cameras, such as the A7 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the D50 gets 400 shots out of its EN-EL3 battery, while the A7 II can take 350 images on a single charge of its NP-FW50 power pack. The power pack in the A7 II can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon D50»||5.2 in||4.0 in||3.0 in||21.9 oz||400||n||Apr 2005||749||-||Nikon D50|
|Sony A7 II«||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Nikon D5200« »||5.1 in||3.9 in||3.1 in||19.6 oz||500||n||Nov 2012||749||-||Nikon D5200|
|Nikon D5100« »||5.0 in||3.8 in||3.1 in||19.8 oz||660||n||Apr 2011||749||-||Nikon D5100|
|Nikon D3000« »||5.0 in||3.8 in||2.5 in||18.9 oz||500||n||Jul 2009||599||-||Nikon D3000|
|Nikon D5000« »||5.0 in||4.1 in||3.1 in||20.8 oz||510||n||Apr 2009||749||-||Nikon D5000|
|Nikon D60« »||5.0 in||3.7 in||2.5 in||18.4 oz||500||n||Jan 2008||629||-||Nikon D60|
|Nikon D40X« »||4.9 in||3.7 in||2.5 in||18.4 oz||520||n||Mar 2007||729||-||Nikon D40X|
|Nikon D40« »||4.9 in||3.7 in||2.5 in||18.4 oz||470||n||Nov 2006||499||-||Nikon D40|
|Nikon D80« »||5.2 in||4.1 in||3.0 in||23.6 oz||600||n||Aug 2006||999||-||Nikon D80|
|Nikon D70s« »||5.5 in||4.4 in||3.1 in||24.0 oz||500||n||Apr 2005||899||-||Nikon D70s|
|Nikon D70« »||5.5 in||4.4 in||3.1 in||24.0 oz||400||n||Jan 2004||999||-||Nikon D70|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-||Sony A7R|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D50 was launched at a markedly lower price (by 63 percent) than the A7 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D50 features an APS-C sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 131 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A7 II offers a higher resolution than the D50 (6MP), but the A7 II has smaller individual pixels (pixel pitch of 5.97μm versus 7.85μm for the D50). Yet, the A7 II is a much more recent model (by 9 years and 7 months) than the D50, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 II for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Nikon D50 are 15 x 10 inch or 38.2 x 25.4 cm for good quality, 12 x 8 inch or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inch or 25.5 x 16.9 cm for excellent quality prints.
The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon D50 has a native sensitivity range from ISO 200 to ISO 1600. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7 II offers substantially better image quality than the D50 (overall score 35 points higher). The advantage is based on 4 bits higher color depth, 2.8 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Nikon D50»||APS-C||6.0||3008||2000||-||20.9||10.8||560||55||Nikon D50|
|Sony A7 II«||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Nikon D5200« »||APS-C||24.0||6000||4000||1080/60i||24.2||13.9||1284||84||Nikon D5200|
|Nikon D5100« »||APS-C||16.1||4928||3264||1080/30p||23.5||13.6||1183||80||Nikon D5100|
|Nikon D3000« »||APS-C||10.0||3872||2592||-||22.3||11.1||563||62||Nikon D3000|
|Nikon D5000« »||APS-C||12.2||4288||2848||720/24p||22.7||12.5||868||72||Nikon D5000|
|Nikon D60« »||APS-C||10.0||3872||2592||-||22.5||11.4||562||65||Nikon D60|
|Nikon D40X« »||APS-C||10.0||3872||2592||-||22.4||11.4||516||63||Nikon D40X|
|Nikon D40« »||APS-C||6.0||3008||2000||-||21.0||11.0||561||56||Nikon D40|
|Nikon D80« »||APS-C||10.0||3872||2592||-||22.1||11.2||524||61||Nikon D80|
|Nikon D70s« »||APS-C||6.0||3008||2000||-||20.4||10.3||529||50||Nikon D70s|
|Nikon D70« »||APS-C||6.0||3008||2000||-||20.4||10.3||529||50||Nikon D70|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
Many modern cameras cannot only take still pictures, but also record videos. The A7 II indeed provides for movie recording, while the D50 does not. The highest resolution format that the A7 II can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7 II has an electronic viewfinder (2400k dots), while the D50 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7 II offers a wider field of view (100%) than the one in the D50 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7 II has a higher magnification (0.71x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D50, the Sony A7 II, and comparable cameras.
|Nikon D50»||optical||n||2.0||130||fixed||n||1/4000s||2.5||Y||n||Nikon D50|
|Sony A7 II«||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Nikon D5200« »||optical||n||3.0||921||swivel||n||1/4000s||5.0||Y||n||Nikon D5200|
|Nikon D5100« »||optical||n||3.0||921||swivel||n||1/4000s||4.0||Y||n||Nikon D5100|
|Nikon D3000« »||optical||n||3.0||230||fixed||n||1/4000s||3.0||Y||n||Nikon D3000|
|Nikon D5000« »||optical||n||2.7||230||full-flex||n||1/4000s||4.0||Y||n||Nikon D5000|
|Nikon D60« »||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D60|
|Nikon D40X« »||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D40X|
|Nikon D40« »||optical||n||2.5||230||fixed||n||1/4000s||2.5||Y||n||Nikon D40|
|Nikon D80« »||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D80|
|Nikon D70s« »||optical||n||2.0||130||fixed||n||1/8000s||3.0||Y||n||Nikon D70s|
|Nikon D70« »||optical||n||1.8||130||fixed||n||1/8000s||3.0||Y||n||Nikon D70|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony A7« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
One difference between the cameras concerns the presence of an on-board flash. The D50 has one, while the A7 II does not. While the built-in flash of the D50 is not very powerful, it can at times be useful as a fill-in light.
The D50 writes its imaging data to SD cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. The A7 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D50 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D50 and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D50»||Y||-||-||-||-||-||2.0||-||-||-||Nikon D50|
|Sony A7 II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Nikon D5200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D5200|
|Nikon D5100« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D5100|
|Nikon D3000« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D3000|
|Nikon D5000« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Nikon D5000|
|Nikon D60« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D60|
|Nikon D40X« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D40X|
|Nikon D40« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D40|
|Nikon D80« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D80|
|Nikon D70s« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D70s|
|Nikon D70« »||Y||-||-||-||-||-||1.0||-||-||-||Nikon D70|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A7R« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
It is notable that the A7 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D50 does not offer wifi capability.
Both the D50 and the A7 II have been discontinued, but can regularly be found used on eBay. The D50 was replaced by the Nikon D40, while the A7 II was followed by the Sony A7 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Nikon D50 and the Sony A7 II? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Nikon D50:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (400 versus 350) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (63 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in April 2005).
Advantages of the Sony Alpha A7 II:
- More detail: Has more megapixels (24 vs 6MP), which boosts linear resolution by 100%.
- Better image quality: Scores substantially higher (35 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.8 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.1 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.50x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 130k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 2.5 flaps/sec) to capture the decisive moment.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 9 years and 7 months of technical progress since the D50 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A7 II is the clear winner of the contest (22 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D50 and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the D50 and the A7 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon D50»||78/100||+ +||4/5||o||4.5/5||Apr 2005||749||-||Nikon D50|
|Sony A7 II«||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Nikon D5200« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Nov 2012||749||-||Nikon D5200|
|Nikon D5100« »||+ +||76/100||4.5/5||5/5||4.5/5||Apr 2011||749||-||Nikon D5100|
|Nikon D3000« »||+||72/100||4/5||3.5/5||4.5/5||Jul 2009||599||-||Nikon D3000|
|Nikon D5000« »||+ +||75/100||4/5||5/5||4.5/5||Apr 2009||749||-||Nikon D5000|
|Nikon D60« »||80/100||+ +||4/5||o||4.5/5||Jan 2008||629||-||Nikon D60|
|Nikon D40X« »||79/100||+ +||4/5||o||4/5||Mar 2007||729||-||Nikon D40X|
|Nikon D40« »||81/100||+ +||o||5/5||4.5/5||Nov 2006||499||-||Nikon D40|
|Nikon D80« »||+||+ +||o||4.5/5||4.5/5||Aug 2006||999||-||Nikon D80|
|Nikon D70s« »||-||-||-||o||5/5||Apr 2005||899||-||Nikon D70s|
|Nikon D70« »||-||+ +||-||o||-||Jan 2004||999||-||Nikon D70|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A7R II« »||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||+||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Sony A7« »||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||+ +||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-||Sony A7R|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X vs Nikon D50
- Canon 1D vs Sony A7 II
- Canon SX610 vs Nikon D50
- Leica V-LUX 4 vs Nikon D50
- Leica V-LUX Typ 114 vs Nikon D50
- Leica X Typ 113 vs Sony A7 II
- Leica X Vario vs Sony A7 II
- Nikon A1000 vs Sony A7 II
- Nikon D50 vs Olympus E-P1
- Nikon D50 vs Panasonic GH5s
- Panasonic G6 vs Sony A7 II
- Sony A7 II vs Sony RX100
Specifications: Nikon D50 vs Sony A7 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D50||Sony A7 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Sony E mount lenses|
|Launch Date||April 2005||November 2014|
|Launch Price||USD 749||USD 1999|
|Sensor Specs||Nikon D50||Sony A7 II|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.7 x 15.6 mm||35.8 x 23.9 mm|
|Sensor Area||369.72 mm2||855.62 mm2|
|Sensor Diagonal||28.4 mm||43 mm|
|Sensor Resolution||6 Megapixels||24 Megapixels|
|Image Resolution||3008 x 2000 pixels||6000 x 4000 pixels|
|Pixel Pitch||7.85 μm||5.97 μm|
|Pixel Density||1.63 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||200-1600 ISO||100-25600 ISO|
|ISO Boost||no Enhancement||50-51200 ISO|
|DXO Sensor Quality (score)||55||90|
|DXO Color Depth (bits)||20.9||24.9|
|DXO Dynamic Range (EV)||10.8||13.6|
|DXO Low Light (ISO)||560||2449|
|Screen Specs||Nikon D50||Sony A7 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View|
|Rear LCD Size||2.0 inch||3.0 inch|
|LCD Resolution||130k dots||1230k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Nikon D50||Sony A7 II|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||2.5 shutter flaps/s||5 shutter flaps/s|
|Shutter Life Expectancy||50 000 actuations||200 000 actuations|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SD cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Nikon D50||Sony A7 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Nikon D50||Sony A7 II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||350 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
133 x 102 x 76 mm
(5.2 x 4.0 x 3.0 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||620 g (21.9 oz)||599 g (21.1 oz)|
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