Nikon D50 vs Sony A7
The Nikon D50 and the Sony Alpha A7 are two digital cameras that were announced, respectively, in April 2005 and October 2013. The D50 is a DSLR, while the A7 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D50) and a full frame (A7) sensor. The Nikon has a resolution of 6 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D50 and the Sony Alpha A7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Nikon D50 and the Sony A7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 is notably smaller (12 percent) than the Nikon D50. Moreover, the A7 is markedly lighter (24 percent) than the D50. It is noteworthy in this context that the A7 is splash and dust-proof, while the D50 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D50) and the Sony FE Lens Catalog (A7). Mirrorless cameras, such as the A7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the D50 gets 400 shots out of its Nikon EN-EL3 battery, while the A7 can take 340 images on a single charge of its Sony NP-FW50 power pack. The power pack in the A7 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D50 | 133 mm | 102 mm | 76 mm | 620 g | 400 | n | Apr 2005 | 749 | ebay.com | |
2. | Sony A7 | 127 mm | 94 mm | 48 mm | 474 g | 340 | Y | Oct 2013 | 1,699 | ebay.com | |
3. | Nikon D5200 | 129 mm | 98 mm | 78 mm | 555 g | 500 | n | Nov 2012 | 749 | ebay.com | |
4. | Nikon D5100 | 128 mm | 97 mm | 79 mm | 560 g | 660 | n | Apr 2011 | 749 | ebay.com | |
5. | Nikon D3000 | 126 mm | 97 mm | 64 mm | 536 g | 500 | n | Jul 2009 | 599 | ebay.com | |
6. | Nikon D5000 | 127 mm | 104 mm | 80 mm | 590 g | 510 | n | Apr 2009 | 749 | ebay.com | |
7. | Nikon D60 | 126 mm | 94 mm | 64 mm | 522 g | 500 | n | Jan 2008 | 629 | ebay.com | |
8. | Nikon D40X | 124 mm | 94 mm | 64 mm | 522 g | 520 | n | Mar 2007 | 729 | ebay.com | |
9. | Nikon D40 | 124 mm | 94 mm | 64 mm | 522 g | 470 | n | Nov 2006 | 499 | ebay.com | |
10. | Nikon D80 | 132 mm | 103 mm | 77 mm | 668 g | 600 | n | Aug 2006 | 999 | ebay.com | |
11. | Nikon D70s | 140 mm | 111 mm | 78 mm | 679 g | 500 | n | Apr 2005 | 899 | ebay.com | |
12. | Nikon D70 | 140 mm | 111 mm | 78 mm | 679 g | 400 | n | Jan 2004 | 999 | ebay.com | |
13. | Samsung NX1 | 139 mm | 102 mm | 66 mm | 550 g | 500 | Y | Sep 2014 | 1,499 | ebay.com | |
14. | Sony A7C | 124 mm | 71 mm | 60 mm | 509 g | 740 | Y | Sep 2020 | 1,799 | amazon.com | |
15. | Sony A7 II | 127 mm | 96 mm | 60 mm | 599 g | 350 | Y | Nov 2014 | 1,999 | ebay.com | |
16. | Sony A7S | 127 mm | 94 mm | 48 mm | 489 g | 380 | Y | Apr 2014 | 2,499 | ebay.com | |
17. | Sony A7R | 127 mm | 94 mm | 48 mm | 465 g | 340 | Y | Oct 2013 | 2,299 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D50 was launched at a markedly lower price (by 56 percent) than the A7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon D50 features an APS-C sensor and the Sony A7 a full frame sensor. The sensor area in the A7 is 131 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A7 offers a higher resolution than the D50 (6MP), but the A7 has smaller individual pixels (pixel pitch of 5.97μm versus 7.85μm for the D50). Yet, the A7 is a much more recent model (by 8 years and 5 months) than the D50, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Nikon D50 are 15 x 10 inches or 38.2 x 25.4 cm for good quality, 12 x 8 inches or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inches or 25.5 x 16.9 cm for excellent quality prints.
The A7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon D50 has a native sensitivity range from ISO 200 to ISO 1600. The corresponding ISO settings for the Sony Alpha A7 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
In terms of underlying technology, the D50 is build around a CCD sensor, while the A7 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7 offers substantially better image quality than the D50 (overall score 35 points higher). The advantage is based on 3.9 bits higher color depth, 3.4 EV in additional dynamic range, and 2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D50 | APS-C | 6.0 | 3008 | 2000 | none | 20.9 | 10.8 | 560 | 55 | |
2. | Sony A7 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.8 | 14.2 | 2248 | 90 | |
3. | Nikon D5200 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 24.2 | 13.9 | 1284 | 84 | |
4. | Nikon D5100 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.5 | 13.6 | 1183 | 80 | |
5. | Nikon D3000 | APS-C | 10.0 | 3872 | 2592 | none | 22.3 | 11.1 | 563 | 62 | |
6. | Nikon D5000 | APS-C | 12.2 | 4288 | 2848 | 720/24p | 22.7 | 12.5 | 868 | 72 | |
7. | Nikon D60 | APS-C | 10.0 | 3872 | 2592 | none | 22.5 | 11.4 | 562 | 65 | |
8. | Nikon D40X | APS-C | 10.0 | 3872 | 2592 | none | 22.4 | 11.4 | 516 | 63 | |
9. | Nikon D40 | APS-C | 6.0 | 3008 | 2000 | none | 21.0 | 11.0 | 561 | 56 | |
10. | Nikon D80 | APS-C | 10.0 | 3872 | 2592 | none | 22.1 | 11.2 | 524 | 61 | |
11. | Nikon D70s | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
12. | Nikon D70 | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
13. | Samsung NX1 | APS-C | 28.0 | 6480 | 4320 | 4K/30p | 24.2 | 13.2 | 1363 | 83 | |
14. | Sony A7C | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3407 | 95 | |
15. | Sony A7 II | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.9 | 13.6 | 2449 | 90 | |
16. | Sony A7S | Full Frame | 12.0 | 4240 | 2832 | 1080/60p | 23.9 | 13.2 | 3702 | 87 | |
17. | Sony A7R | Full Frame | 36.2 | 7360 | 4912 | 1080/60p | 25.6 | 14.1 | 2746 | 95 |
Many modern cameras are not only capable of taking still images, but can also record movies. The A7 indeed provides for movie recording, while the D50 does not. The highest resolution format that the A7 can use is 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7 has an electronic viewfinder (2400k dots), while the D50 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7 offers a wider field of view (100%) than the one in the D50 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7 has a higher magnification (0.71x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D50, the Sony A7, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D50 | optical | n | 2.0 / 130 | fixed | n | 1/4000s | 2.5/s | Y | n | |
2. | Sony A7 | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 5.0/s | n | n | |
3. | Nikon D5200 | optical | n | 3.0 / 921 | swivel | n | 1/4000s | 5.0/s | Y | n | |
4. | Nikon D5100 | optical | n | 3.0 / 921 | swivel | n | 1/4000s | 4.0/s | Y | n | |
5. | Nikon D3000 | optical | n | 3.0 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
6. | Nikon D5000 | optical | n | 2.7 / 230 | full-flex | n | 1/4000s | 4.0/s | Y | n | |
7. | Nikon D60 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
8. | Nikon D40X | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
9. | Nikon D40 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 2.5/s | Y | n | |
10. | Nikon D80 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
11. | Nikon D70s | optical | n | 2.0 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
12. | Nikon D70 | optical | n | 1.8 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
13. | Samsung NX1 | 2360 | Y | 3.0 / 1036 | tilting | Y | 1/8000s | 15.0/s | Y | n | |
14. | Sony A7C | 2360 | n | 3.0 / 922 | swivel | Y | 1/4000s | 10.0/s | n | Y | |
15. | Sony A7 II | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 5.0/s | n | Y | |
16. | Sony A7S | 2400 | n | 3.0 / 921 | tilting | n | 1/8000s | 5.0/s | n | n | |
17. | Sony A7R | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 4.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The D50 has one, while the A7 does not. While the built-in flash of the D50 is not very powerful, it can at times be useful as a fill-in light.
The D50 writes its imaging data to SD cards, while the A7 uses SDXC or Memory Stick PRO Duo cards. The A7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D50 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D50 and Sony Alpha A7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D50 | Y | - / - | - | - | - | 2.0 | - | - | - | |
2. | Sony A7 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
3. | Nikon D5200 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
4. | Nikon D5100 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
5. | Nikon D3000 | Y | - / - | - | - | - | 2.0 | - | - | - | |
6. | Nikon D5000 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
7. | Nikon D60 | Y | - / - | - | - | - | 2.0 | - | - | - | |
8. | Nikon D40X | Y | - / - | - | - | - | 2.0 | - | - | - | |
9. | Nikon D40 | Y | - / - | - | - | - | 2.0 | - | - | - | |
10. | Nikon D80 | Y | - / - | - | - | - | 2.0 | - | - | - | |
11. | Nikon D70s | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Nikon D70 | Y | - / - | - | - | - | 1.0 | - | - | - | |
13. | Samsung NX1 | Y | stereo / mono | Y | Y | micro | 3.0 | Y | Y | Y | |
14. | Sony A7C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
15. | Sony A7 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
16. | Sony A7S | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
17. | Sony A7R | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - |
It is notable that the A7 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D50 does not provide wifi capability.
Both the D50 and the A7 have been discontinued, but can regularly be found used on ebay. The D50 was replaced by the Nikon D40, while the A7 was followed by the Sony A7 II. Further information on the features and operation of the D50 and A7 can be found, respectively, in the Nikon D50 Manual (free pdf) or the online Sony A7 Manual.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Nikon D50 and the Sony A7? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Nikon D50:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (400 versus 340) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in April 2005).
Arguments in favor of the Sony Alpha A7:
- More detail: Has more megapixels (24 vs 6MP), which boosts linear resolution by 100%.
- Better image quality: Scores substantially higher (35 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.9 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3.4 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.50x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 130k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 2.5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (127x94mm vs 133x102mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 146g or 24 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 8 years and 5 months of technical progress since the D50 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7 is the clear winner of the contest (24 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D50 and the Sony A7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D50 or the A7. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D50 | .. | 78/100 | .. | + + | 4/5 | 4.5/5 | Apr 2005 | 749 | ebay.com | |
2. | Sony A7 | 5/5 | + + | .. | 80/100 | 5/5 | 5/5 | Oct 2013 | 1,699 | ebay.com | |
3. | Nikon D5200 | 4/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Nov 2012 | 749 | ebay.com | |
4. | Nikon D5100 | 5/5 | + + | .. | 76/100 | 4.5/5 | 4.5/5 | Apr 2011 | 749 | ebay.com | |
5. | Nikon D3000 | .. | + | .. | 72/100 | 4/5 | 4.5/5 | Jul 2009 | 599 | ebay.com | |
6. | Nikon D5000 | .. | + + | .. | 75/100 | 4/5 | 4.5/5 | Apr 2009 | 749 | ebay.com | |
7. | Nikon D60 | .. | 80/100 | .. | + + | 4/5 | 4.5/5 | Jan 2008 | 629 | ebay.com | |
8. | Nikon D40X | .. | 79/100 | .. | + + | 4/5 | 4/5 | Mar 2007 | 729 | ebay.com | |
9. | Nikon D40 | .. | 81/100 | .. | + + | o | 4.5/5 | Nov 2006 | 499 | ebay.com | |
10. | Nikon D80 | .. | + | .. | + + | o | 4.5/5 | Aug 2006 | 999 | ebay.com | |
11. | Nikon D70s | .. | .. | .. | .. | .. | 5/5 | Apr 2005 | 899 | ebay.com | |
12. | Nikon D70 | .. | .. | .. | + + | .. | .. | Jan 2004 | 999 | ebay.com | |
13. | Samsung NX1 | 5/5 | .. | .. | 87/100 | 5/5 | 5/5 | Sep 2014 | 1,499 | ebay.com | |
14. | Sony A7C | 3.5/5 | .. | 3.5/5 | 86/100 | 4/5 | 4/5 | Sep 2020 | 1,799 | amazon.com | |
15. | Sony A7 II | 5/5 | + | 4/5 | 82/100 | 4.5/5 | 5/5 | Nov 2014 | 1,999 | ebay.com | |
16. | Sony A7S | 4/5 | .. | .. | 86/100 | 4.5/5 | 5/5 | Apr 2014 | 2,499 | ebay.com | |
17. | Sony A7R | 5/5 | + + | .. | 82/100 | 4.5/5 | 5/5 | Oct 2013 | 2,299 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Nikon D50 vs Sony A7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon D50 | Sony A7 |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Nikon F mount lenses | Sony E mount lenses |
Launch Date | April 2005 | October 2013 |
Launch Price | USD 749 | USD 1,699 |
Sensor Specs | Nikon D50 | Sony A7 |
Sensor Technology | CCD | CMOS |
Sensor Format | APS-C Sensor | Full Frame Sensor |
Sensor Size | 23.7 x 15.6 mm | 35.8 x 23.9 mm |
Sensor Area | 369.72 mm2 | 855.62 mm2 |
Sensor Diagonal | 28.4 mm | 43 mm |
Crop Factor | 1.5x | 1.0x |
Sensor Resolution | 6 Megapixels | 24 Megapixels |
Image Resolution | 3008 x 2000 pixels | 6000 x 4000 pixels |
Pixel Pitch | 7.85 μm | 5.97 μm |
Pixel Density | 1.63 MP/cm2 | 2.80 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | no Video | 1080/60p Video |
ISO Setting | 200 - 1,600 ISO | 100 - 25,600 ISO |
ISO Boost | no Enhancement | 50 - 51,200 ISO |
DXO Sensor Quality (score) | 55 | 90 |
DXO Color Depth (bits) | 20.9 | 24.8 |
DXO Dynamic Range (EV) | 10.8 | 14.2 |
DXO Low Light (ISO) | 560 | 2248 |
Screen Specs | Nikon D50 | Sony A7 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 95% | 100% |
Viewfinder Magnification | 0.50x | 0.71x |
Viewfinder Resolution | 2400k dots | |
LCD Framing | Live View | |
Rear LCD Size | 2.0inch | 3.0inch |
LCD Resolution | 130k dots | 1230k dots |
LCD Attachment | Fixed screen | Tilting screen |
Shooting Specs | Nikon D50 | Sony A7 |
Focus System | Phase-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 2.5 shutter flaps/s | 5 shutter flaps/s |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SD cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Nikon D50 | Sony A7 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | no HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Body Specs | Nikon D50 | Sony A7 |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Nikon EN-EL3 | Sony NP-FW50 |
Battery Life (CIPA) | 400 shots per charge | 340 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
133 x 102 x 76 mm (5.2 x 4.0 x 3.0 in) |
127 x 94 x 48 mm (5.0 x 3.7 x 1.9 in) |
Camera Weight | 620 g (21.9 oz) | 474 g (16.7 oz) |
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