Nikon D50 vs Panasonic GX7
The Nikon D50 and the Panasonic Lumix DMC-GX7 are two digital cameras that were officially introduced, respectively, in April 2005 and August 2013. The D50 is a DSLR, while the GX7 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D50) and a Four Thirds (GX7) sensor. The Nikon has a resolution of 6 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D50||Panasonic GX7|
|Digital single lens reflex||Mirrorless system camera|
|Nikon F mount lenses||Micro Four Thirds lenses|
|6 MP, APS-C Sensor||15.8 MP, Four Thirds Sensor|
|no Video||1080/60p Video|
|ISO 200-1600||ISO 125-25600|
|Optical viewfinder||Electronic viewfinder (2760k dots)|
|2.0" LCD, 130k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|2.5 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|400 shots per battery charge||350 shots per battery charge|
|133 x 102 x 76 mm, 620 g||123 x 71 x 55 mm, 402 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D50 and the Panasonic Lumix DMC-GX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon D50 and the Panasonic GX7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The GX7 can be obtained in two different colors (black, silver), while the D50 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX7 is considerably smaller (36 percent) than the Nikon D50. Moreover, the GX7 is substantially lighter (35 percent) than the D50. In this context, it is worth noting that neither the D50 nor the GX7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D50) and the Micro Four Thirds Lens Catalog (GX7). Mirrorless cameras, such as the GX7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Nikon D50»||133 mm||102 mm||76 mm||620 g||400||n||Apr 2005||749||-||Nikon D50|
|Panasonic GX7«||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||-||Panasonic GX7|
|Nikon D5200« »||129 mm||98 mm||78 mm||555 g||500||n||Nov 2012||749||-||Nikon D5200|
|Nikon D5100« »||128 mm||97 mm||79 mm||560 g||660||n||Apr 2011||749||-||Nikon D5100|
|Nikon D3000« »||126 mm||97 mm||64 mm||536 g||500||n||Jul 2009||599||-||Nikon D3000|
|Nikon D5000« »||127 mm||104 mm||80 mm||590 g||510||n||Apr 2009||749||-||Nikon D5000|
|Nikon D60« »||126 mm||94 mm||64 mm||522 g||500||n||Jan 2008||629||-||Nikon D60|
|Nikon D40X« »||124 mm||94 mm||64 mm||522 g||520||n||Mar 2007||729||-||Nikon D40X|
|Nikon D40« »||124 mm||94 mm||64 mm||522 g||470||n||Nov 2006||499||-||Nikon D40|
|Nikon D80« »||132 mm||103 mm||77 mm||668 g||600||n||Aug 2006||999||-||Nikon D80|
|Nikon D70s« »||140 mm||111 mm||78 mm||679 g||500||n||Apr 2005||899||-||Nikon D70s|
|Nikon D70« »||140 mm||111 mm||78 mm||679 g||400||n||Jan 2004||999||-||Nikon D70|
|Olympus E-M10« »||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||-||Olympus E-M10|
|Olympus E-P5« »||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||-||Olympus E-P5|
|Panasonic G6« »||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic GX1« »||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699||-||Panasonic GX1|
|Panasonic GH2« »||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||-||Panasonic GH2|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D50 was launched at a somewhat lower price (by 25 percent) than the GX7, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D50 features an APS-C sensor and the Panasonic GX7 a Four Thirds sensor. The sensor area in the GX7 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D50 has a native 3:2 aspect ratio, while the one in the GX7 offers a 4:3 aspect.
Despite having a smaller sensor, the GX7 offers a higher resolution of 15.8 megapixels, compared with 6 MP of the D50. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 7.85μm for the D50). However, it should be noted that the GX7 is much more recent (by 8 years and 3 months) than the D50, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic GX7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GX7 for good quality output (200 dots per inch) amounts to 23 x 17.2 inch or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inch or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inch or 38.9 x 29.2 cm. The corresponding values for the Nikon D50 are 15 x 10 inch or 38.2 x 25.4 cm for good quality, 12 x 8 inch or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inch or 25.5 x 16.9 cm for excellent quality prints.
The Nikon D50 has a native sensitivity range from ISO 200 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-GX7 are ISO 125 to ISO 25600 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the GX7 offers substantially better image quality than the D50 (overall score 15 points higher). The advantage is based on 1.7 bits higher color depth, 1.4 EV in additional dynamic range, and 0.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Nikon D50»||APS-C||6.0||3008||2000||-||20.9||10.8||560||55||Nikon D50|
|Panasonic GX7«||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Nikon D5200« »||APS-C||24.0||6000||4000||1080/60i||24.2||13.9||1284||84||Nikon D5200|
|Nikon D5100« »||APS-C||16.1||4928||3264||1080/30p||23.5||13.6||1183||80||Nikon D5100|
|Nikon D3000« »||APS-C||10.0||3872||2592||-||22.3||11.1||563||62||Nikon D3000|
|Nikon D5000« »||APS-C||12.2||4288||2848||720/24p||22.7||12.5||868||72||Nikon D5000|
|Nikon D60« »||APS-C||10.0||3872||2592||-||22.5||11.4||562||65||Nikon D60|
|Nikon D40X« »||APS-C||10.0||3872||2592||-||22.4||11.4||516||63||Nikon D40X|
|Nikon D40« »||APS-C||6.0||3008||2000||-||21.0||11.0||561||56||Nikon D40|
|Nikon D80« »||APS-C||10.0||3872||2592||-||22.1||11.2||524||61||Nikon D80|
|Nikon D70s« »||APS-C||6.0||3008||2000||-||20.4||10.3||529||50||Nikon D70s|
|Nikon D70« »||APS-C||6.0||3008||2000||-||20.4||10.3||529||50||Nikon D70|
|Olympus E-M10« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Olympus E-P5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GX1« »||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55||Panasonic GX1|
|Panasonic GH2« »||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60||Panasonic GH2|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The GX7 indeed provides for movie recording, while the D50 does not. The highest resolution format that the GX7 can use is 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GX7 has an electronic viewfinder (2760k dots), while the D50 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GX7 offers a wider field of view (100%) than the one in the D50 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GX7 has a higher magnification (0.70x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Nikon D50 and Panasonic GX7 in connection with corresponding information for a sample of similar cameras.
|Nikon D50»||optical||n||2.0||130||fixed||n||1/4000s||2.5||Y||n||Nikon D50|
|Panasonic GX7«||2760||n||3.0||1040||tilting||Y||1/8000s||5.0||Y||Y||Panasonic GX7|
|Nikon D5200« »||optical||n||3.0||921||swivel||n||1/4000s||5.0||Y||n||Nikon D5200|
|Nikon D5100« »||optical||n||3.0||921||swivel||n||1/4000s||4.0||Y||n||Nikon D5100|
|Nikon D3000« »||optical||n||3.0||230||fixed||n||1/4000s||3.0||Y||n||Nikon D3000|
|Nikon D5000« »||optical||n||2.7||230||full-flex||n||1/4000s||4.0||Y||n||Nikon D5000|
|Nikon D60« »||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D60|
|Nikon D40X« »||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D40X|
|Nikon D40« »||optical||n||2.5||230||fixed||n||1/4000s||2.5||Y||n||Nikon D40|
|Nikon D80« »||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D80|
|Nikon D70s« »||optical||n||2.0||130||fixed||n||1/8000s||3.0||Y||n||Nikon D70s|
|Nikon D70« »||optical||n||1.8||130||fixed||n||1/8000s||3.0||Y||n||Nikon D70|
|Olympus E-M10« »||1440||n||3.0||1037||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10|
|Olympus E-P5« »||-||n||3.0||1037||tilting||Y||1/8000s||9.0||Y||Y||Olympus E-P5|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GX1« »||-||n||3.0||460||fixed||Y||1/4000s||4.2||Y||n||Panasonic GX1|
|Panasonic GH2« »||1534||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH2|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GX7 has a touchscreen, while the D50 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D50 writes its imaging data to SD cards, while the GX7 uses SDXC cards. The GX7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D50 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D50 and Panasonic Lumix DMC-GX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D50»||Y||-||-||-||-||-||2.0||-||-||-||Nikon D50|
|Panasonic GX7«||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Nikon D5200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D5200|
|Nikon D5100« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D5100|
|Nikon D3000« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D3000|
|Nikon D5000« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Nikon D5000|
|Nikon D60« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D60|
|Nikon D40X« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D40X|
|Nikon D40« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D40|
|Nikon D80« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D80|
|Nikon D70s« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D70s|
|Nikon D70« »||Y||-||-||-||-||-||1.0||-||-||-||Nikon D70|
|Olympus E-M10« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Olympus E-P5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GX1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GX1|
|Panasonic GH2« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic GH2|
It is notable that the GX7 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D50 does not offer wifi capability.
Both the D50 and the GX7 have been discontinued, but can regularly be found used on eBay. The D50 was replaced by the Nikon D40, while the GX7 was followed by the Panasonic GX85. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Nikon D50 and the Panasonic GX7? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Nikon D50:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (400 versus 350) on a single battery charge.
- More affordable: Was introduced into a lower priced segment (25 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in April 2005).
Advantages of the Panasonic Lumix DMC-GX7:
- More detail: Has more megapixels (15.8 vs 6MP), which boosts linear resolution by 59%.
- Better image quality: Scores substantially higher (15 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.7 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.4 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.4 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.50x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 130k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (123x71mm vs 133x102mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 218g or 35 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 8 years and 3 months of technical progress since the D50 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GX7 is the clear winner of the contest (25 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D50 and the Panasonic GX7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D50 or the GX7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon D50»||78/100||+ +||4/5||o||4.5/5||Apr 2005||749||-||Nikon D50|
|Panasonic GX7«||+||79/100||5/5||4.5/5||5/5||Aug 2013||999||-||Panasonic GX7|
|Nikon D5200« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Nov 2012||749||-||Nikon D5200|
|Nikon D5100« »||+ +||76/100||4.5/5||5/5||4.5/5||Apr 2011||749||-||Nikon D5100|
|Nikon D3000« »||+||72/100||4/5||3.5/5||4.5/5||Jul 2009||599||-||Nikon D3000|
|Nikon D5000« »||+ +||75/100||4/5||5/5||4.5/5||Apr 2009||749||-||Nikon D5000|
|Nikon D60« »||80/100||+ +||4/5||o||4.5/5||Jan 2008||629||-||Nikon D60|
|Nikon D40X« »||79/100||+ +||4/5||o||4/5||Mar 2007||729||-||Nikon D40X|
|Nikon D40« »||81/100||+ +||o||5/5||4.5/5||Nov 2006||499||-||Nikon D40|
|Nikon D80« »||+||+ +||o||4.5/5||4.5/5||Aug 2006||999||-||Nikon D80|
|Nikon D70s« »||-||-||-||o||5/5||Apr 2005||899||-||Nikon D70s|
|Nikon D70« »||-||+ +||-||o||-||Jan 2004||999||-||Nikon D70|
|Olympus E-M10« »||-||80/100||5/5||4.5/5||5/5||Jan 2014||699||-||Olympus E-M10|
|Olympus E-P5« »||+ +||78/100||4.5/5||4.5/5||5/5||May 2013||999||-||Olympus E-P5|
|Panasonic G6« »||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic GX1« »||+||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||699||-||Panasonic GX1|
|Panasonic GH2« »||+ +||79/100||4.5/5||4.5/5||5/5||Sep 2010||899||-||Panasonic GH2|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D vs Nikon D50
- Canon XS vs Nikon D50
- Fujifilm X-E2 vs Nikon D50
- Fujifilm X-T30 vs Panasonic GX7
- Leica M Typ 262 vs Nikon D50
- Leica M Typ 262 vs Panasonic GX7
- Leica S-E Typ 006 vs Nikon D50
- Nikon D3000 vs Nikon D50
- Nikon D50 vs Panasonic G2
- Nikon D50 vs Sony H200
- Nikon D50 vs Sony NEX-5
- Panasonic GM5 vs Panasonic GX7
Specifications: Nikon D50 vs Panasonic GX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D50||Panasonic GX7|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Micro Four Thirds lenses|
|Launch Date||April 2005||August 2013|
|Launch Price||USD 749||USD 999|
|Sensor Specs||Nikon D50||Panasonic GX7|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.7 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||369.72 mm2||224.9 mm2|
|Sensor Diagonal||28.4 mm||21.6 mm|
|Sensor Resolution||6 Megapixels||15.8 Megapixels|
|Image Resolution||3008 x 2000 pixels||4592 x 3448 pixels|
|Pixel Pitch||7.85 μm||3.77 μm|
|Pixel Density||1.63 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||200-1600 ISO||125-25600 ISO|
|DXO Sensor Quality (score)||55||70|
|DXO Color Depth (bits)||20.9||22.6|
|DXO Dynamic Range (EV)||10.8||12.2|
|DXO Low Light (ISO)||560||718|
|Screen Specs||Nikon D50||Panasonic GX7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2760k dots|
|LCD Framing||Live View|
|Rear LCD Size||2.0 inch||3.0 inch|
|LCD Resolution||130k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D50||Panasonic GX7|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||2.5 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SD cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Nikon D50||Panasonic GX7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Nikon D50||Panasonic GX7|
|Battery Life (CIPA)||400 shots per charge||350 shots per charge|
133 x 102 x 76 mm
(5.2 x 4.0 x 3.0 in)
123 x 71 x 55 mm
(4.8 x 2.8 x 2.2 in)
|Camera Weight||620 g (21.9 oz)||402 g (14.2 oz)|
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