Nikon D50 vs Panasonic GM5
The Nikon D50 and the Panasonic Lumix DMC-GM5 are two digital cameras that were officially introduced, respectively, in April 2005 and September 2014. The D50 is a DSLR, while the GM5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D50) and a Four Thirds (GM5) sensor. The Nikon has a resolution of 6 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D50 and the Panasonic Lumix DMC-GM5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D50 and the Panasonic GM5. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The GM5 can be obtained in two different colors (black, silver), while the D50 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GM5 is considerably smaller (56 percent) than the Nikon D50. Moreover, the GM5 is substantially lighter (66 percent) than the D50. In this context, it is worth noting that neither the D50 nor the GM5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D50) and the Micro Four Thirds Lens Catalog (GM5). Mirrorless cameras, such as the GM5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Nikon D50||133 mm||102 mm||76 mm||620 g||400||n||Apr 2005||749||ebay.com|
|2.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||ebay.com|
|3.||Nikon D5200||129 mm||98 mm||78 mm||555 g||500||n||Nov 2012||749||ebay.com|
|4.||Nikon D5100||128 mm||97 mm||79 mm||560 g||660||n||Apr 2011||749||ebay.com|
|5.||Nikon D3000||126 mm||97 mm||64 mm||536 g||500||n||Jul 2009||599||ebay.com|
|6.||Nikon D5000||127 mm||104 mm||80 mm||590 g||510||n||Apr 2009||749||ebay.com|
|7.||Nikon D60||126 mm||94 mm||64 mm||522 g||500||n||Jan 2008||629||ebay.com|
|8.||Nikon D40X||124 mm||94 mm||64 mm||522 g||520||n||Mar 2007||729||ebay.com|
|9.||Nikon D40||124 mm||94 mm||64 mm||522 g||470||n||Nov 2006||499||ebay.com|
|10.||Nikon D80||132 mm||103 mm||77 mm||668 g||600||n||Aug 2006||999||ebay.com|
|11.||Nikon D70s||140 mm||111 mm||78 mm||679 g||500||n||Apr 2005||899||ebay.com|
|12.||Nikon D70||140 mm||111 mm||78 mm||679 g||400||n||Jan 2004||999||ebay.com|
|13.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649||ebay.com|
|14.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|15.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749||ebay.com|
|16.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699||ebay.com|
|17.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon D50 features an APS-C sensor and the Panasonic GM5 a Four Thirds sensor. The sensor area in the GM5 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D50 has a native 3:2 aspect ratio, while the one in the GM5 offers a 4:3 aspect.
Despite having a smaller sensor, the GM5 offers a higher resolution of 15.8 megapixels, compared with 6 MP of the D50. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 7.85μm for the D50). However, it should be noted that the GM5 is much more recent (by 9 years and 4 months) than the D50, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic GM5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GM5 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Nikon D50 are 15 x 10 inches or 38.2 x 25.4 cm for good quality, 12 x 8 inches or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inches or 25.5 x 16.9 cm for excellent quality prints.
The Nikon D50 has a native sensitivity range from ISO 200 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-GM5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
In terms of underlying technology, the D50 is build around a CCD sensor, while the GM5 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the GM5 offers substantially better image quality than the D50 (overall score 11 points higher). The advantage is based on 1.2 bits higher color depth, 0.9 EV in additional dynamic range, and 0.4 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|13.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|14.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|15.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|16.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|17.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The GM5 indeed provides for movie recording, while the D50 does not. The highest resolution format that the GM5 can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GM5 has an electronic viewfinder (1166k dots), while the D50 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GM5 offers a wider field of view (100%) than the one in the D50 (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the D50 has a higher magnification (0.50x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Nikon D50 and Panasonic GM5 in connection with corresponding information for a sample of similar cameras.
|1.||Nikon D50||optical||n||2.0 / 130||fixed||n||1/4000s||2.5/s||Y||n|
|2.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8/s||n||n|
|3.||Nikon D5200||optical||n||3.0 / 921||swivel||n||1/4000s||5.0/s||Y||n|
|4.||Nikon D5100||optical||n||3.0 / 921||swivel||n||1/4000s||4.0/s||Y||n|
|5.||Nikon D3000||optical||n||3.0 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|6.||Nikon D5000||optical||n||2.7 / 230||full-flex||n||1/4000s||4.0/s||Y||n|
|7.||Nikon D60||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|8.||Nikon D40X||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|9.||Nikon D40||optical||n||2.5 / 230||fixed||n||1/4000s||2.5/s||Y||n|
|10.||Nikon D80||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|11.||Nikon D70s||optical||n||2.0 / 130||fixed||n||1/8000s||3.0/s||Y||n|
|12.||Nikon D70||optical||n||1.8 / 130||fixed||n||1/8000s||3.0/s||Y||n|
|13.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0/s||Y||n|
|14.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|15.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0/s||Y||n|
|16.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2/s||Y||n|
|17.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The D50 has one, while the GM5 does not. While the built-in flash of the D50 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GM5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GM5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D50 writes its imaging data to SD cards, while the GM5 uses SDXC cards. The GM5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D50 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D50 and Panasonic Lumix DMC-GM5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D50||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Nikon D5200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|4.||Nikon D5100||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|5.||Nikon D3000||Y||- / -||-||-||-||2.0||-||-||-|
|6.||Nikon D5000||Y||mono / mono||-||-||mini||2.0||-||-||-|
|7.||Nikon D60||Y||- / -||-||-||-||2.0||-||-||-|
|8.||Nikon D40X||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Nikon D40||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Nikon D80||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Nikon D70s||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Nikon D70||Y||- / -||-||-||-||1.0||-||-||-|
|13.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|15.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the GM5 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D50 does not provide wifi capability.
Both the D50 and the GM5 have been discontinued, but can regularly be found used on ebay. The D50 was replaced by the Nikon D40, while the GM5 does not have a direct successor. Further information on the features and operation of the D50 and GM5 can be found, respectively, in the Nikon D50 Manual (free pdf) or the online Panasonic GM5 Manual.
So how do things add up? Is there a clear favorite between the Nikon D50 and the Panasonic GM5? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Nikon D50:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.50x vs 0.46x).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Longer lasting: Can take more shots (400 versus 220) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More heavily discounted: Has been available for much longer (launched in April 2005).
Arguments in favor of the Panasonic Lumix DMC-GM5:
- More detail: Has more megapixels (15.8 vs 6MP), which boosts linear resolution by 59%.
- Better image quality: Scores substantially higher (11 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (0.9 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.4 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 130k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (5.8 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (99x60mm vs 133x102mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 409g or 66 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 9 years and 4 months of technical progress since the D50 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the GM5 is the clear winner of the contest (20 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D50 and the Panasonic GM5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the D50 and the GM5 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D50||..||78/100||..||+ +||4/5||4.5/5||Apr 2005||749||ebay.com|
|2.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749||ebay.com|
|3.||Nikon D5200||4/5||+ +||..||79/100||4.5/5||4.5/5||Nov 2012||749||ebay.com|
|4.||Nikon D5100||5/5||+ +||..||76/100||4.5/5||4.5/5||Apr 2011||749||ebay.com|
|5.||Nikon D3000||..||+||..||72/100||4/5||4.5/5||Jul 2009||599||ebay.com|
|6.||Nikon D5000||..||+ +||..||75/100||4/5||4.5/5||Apr 2009||749||ebay.com|
|7.||Nikon D60||..||80/100||..||+ +||4/5||4.5/5||Jan 2008||629||ebay.com|
|8.||Nikon D40X||..||79/100||..||+ +||4/5||4/5||Mar 2007||729||ebay.com|
|9.||Nikon D40||..||81/100||..||+ +||o||4.5/5||Nov 2006||499||ebay.com|
|10.||Nikon D80||..||+||..||+ +||o||4.5/5||Aug 2006||999||ebay.com|
|11.||Nikon D70s||..||..||..||..||..||5/5||Apr 2005||899||ebay.com|
|12.||Nikon D70||..||..||..||+ +||..||..||Jan 2004||999||ebay.com|
|13.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649||ebay.com|
|14.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|15.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749||ebay.com|
|16.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699||ebay.com|
|17.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1300D vs Nikon D50
- Canon 6D vs Panasonic GM5
- Canon G15 vs Panasonic GM5
- Canon SX70 vs Nikon D50
- Fujifilm XF10 vs Nikon D50
- Leica S2 vs Panasonic GM5
- Leica X-U Typ 113 vs Nikon D50
- Nikon D50 vs Olympus E-M10 II
- Nikon D50 vs Olympus E-PL5
- Olympus TG-4 vs Panasonic GM5
- Panasonic GM5 vs Panasonic S1R
- Panasonic GM5 vs Sony H400
Specifications: Nikon D50 vs Panasonic GM5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D50||Panasonic GM5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Micro Four Thirds lenses|
|Launch Date||April 2005||September 2014|
|Launch Price||USD 749||USD 749|
|Sensor Specs||Nikon D50||Panasonic GM5|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.7 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||369.72 mm2||224.9 mm2|
|Sensor Diagonal||28.4 mm||21.6 mm|
|Sensor Resolution||6 Megapixels||15.8 Megapixels|
|Image Resolution||3008 x 2000 pixels||4592 x 3448 pixels|
|Pixel Pitch||7.85 μm||3.77 μm|
|Pixel Density||1.63 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||200 - 1,600 ISO||200 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 25,600 ISO|
|DXO Sensor Quality (score)||55||66|
|DXO Color Depth (bits)||20.9||22.1|
|DXO Dynamic Range (EV)||10.8||11.7|
|DXO Low Light (ISO)||560||721|
|Screen Specs||Nikon D50||Panasonic GM5|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1166k dots|
|LCD Framing||Live View|
|Rear LCD Size||2.0inch||3.0inch|
|LCD Resolution||130k dots||921k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D50||Panasonic GM5|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/500s|
|Continuous Shooting||2.5 shutter flaps/s||5.8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SD cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Nikon D50||Panasonic GM5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Nikon D50||Panasonic GM5|
|Battery Life (CIPA)||400 shots per charge||220 shots per charge|
133 x 102 x 76 mm
(5.2 x 4.0 x 3.0 in)
99 x 60 x 36 mm
(3.9 x 2.4 x 1.4 in)
|Camera Weight||620 g (21.9 oz)||211 g (7.4 oz)|
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