Nikon D5 vs Sony A5000
The Nikon D5 and the Sony Alpha A5000 are two digital cameras that were officially introduced, respectively, in January 2016 and January 2014. The D5 is a DSLR, while the A5000 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (D5) and an APS-C (A5000) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Sony provides 19.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5 and the Sony Alpha A5000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D5 and the Sony A5000 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The A5000 can be obtained in three different colors (black, silver, white), while the D5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A5000 is considerably smaller (73 percent) than the Nikon D5. Moreover, the A5000 is substantially lighter (81 percent) than the D5. It is worth mentioning in this context that the D5 is splash and dust resistant, while the A5000 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D5) and the Sony E-Mount Lens Catalog (A5000). Mirrorless cameras, such as the A5000, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the D5 gets 3780 shots out of its EN-EL18a battery, while the A5000 can take 420 images on a single charge of its NP-FW50 power pack. As can be seen in the images above, the D5 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the A5000 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Nikon D5||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499||ebay.com|
|2.||Sony A5000||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449||ebay.com|
|3.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999||ebay.com|
|4.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499||ebay.com|
|5.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450||ebay.com|
|6.||Nikon D6||160 mm||163 mm||92 mm||1270 g||3580||Y||Feb 2020||6,499||amazon.com|
|7.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299||amazon.com|
|8.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999||amazon.com|
|9.||Nikon D7200||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199||ebay.com|
|10.||Nikon D4S||160 mm||157 mm||91 mm||1350 g||3020||Y||Feb 2014||6,499||ebay.com|
|11.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999||amazon.com|
|12.||Nikon D4||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999||ebay.com|
|13.||Nikon D3X||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999||ebay.com|
|14.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||ebay.com|
|15.||Sony A5100||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549||ebay.com|
|16.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||ebay.com|
|17.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A5000 was launched at a markedly lower price (by 93 percent) than the D5, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon D5 features a full frame sensor and the Sony A5000 an APS-C sensor. The sensor area in the A5000 is 58 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 20.7MP, the D5 offers a slightly higher resolution than the A5000 (19.8MP), but the D5 nevertheless has larger individual pixels (pixel pitch of 6.44μm versus 4.25μm for the A5000) due to its larger sensor. Moreover, the D5 is a somewhat more recent model (by 1 year and 11 months) than the A5000, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The Nikon D5 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-3280000. The corresponding ISO settings for the Sony Alpha A5000 are ISO 100 to ISO 16000 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the D5 has a notably higher overall DXO score than the A5000 (overall score 9 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1.3 bits higher color depth, 0.7 EV of lower dynamic range, and 1.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|3.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|5.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|6.||Nikon D6||Full Frame||20.7||5568||3712||4K/30p||25.3||14.3||2886||95|
|10.||Nikon D4S||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89|
|11.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|12.||Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|13.||Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88|
|14.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the D5 provides a higher video resolution than the A5000. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the D5 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the A5000 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Nikon D5 and Sony A5000 in connection with corresponding information for a sample of similar cameras.
|1.||Nikon D5||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0/s||n||n|
|2.||Sony A5000||none||n||3.0 / 461||tilting||n||1/4000s||3.5/s||Y||n|
|3.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0/s||n||n|
|4.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6/s||Y||n|
|5.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0/s||n||n|
|6.||Nikon D6||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0/s||n||n|
|7.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0/s||Y||n|
|8.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0/s||n||n|
|9.||Nikon D7200||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0/s||Y||n|
|10.||Nikon D4S||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0/s||n||n|
|11.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0/s||Y||n|
|12.||Nikon D4||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0/s||n||n|
|13.||Nikon D3X||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0/s||n||n|
|14.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0/s||Y||Y|
|15.||Sony A5100||none||n||3.0 / 922||tilting||Y||1/4000s||6.0/s||Y||n|
|16.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|17.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the D5, but is missing on the A5000 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The A5000 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D5 does not have a selfie-screen.
The Nikon D5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D5 writes its imaging data to Compact Flash or XQD cards, while the A5000 uses SDXC or Memory Stick PRO Duo cards. The D5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A5000 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5 and Sony Alpha A5000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D5||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|2.||Sony A5000||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|4.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|5.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|6.||Nikon D6||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|7.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|8.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|9.||Nikon D7200||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|10.||Nikon D4S||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|11.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|12.||Nikon D4||Y||mono / mono||Y||Y||micro||2.0||-||-||-|
|13.||Nikon D3X||Y||- / -||-||-||mini||2.0||-||-||-|
|14.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony A5100||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
It is notable that the D5 has a hotshoe, while the A5000 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Nikon D5 (unlike the A5000) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D5 and the A5000 have been discontinued, but can regularly be found used on ebay. The A5000 was replaced by the Sony A5100, while the D5 was followed by the Nikon D6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Nikon D5 or the Sony A5000 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Nikon D5:
- Better image quality: Scores markedly higher (9 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.3 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (1.1 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 461k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 3.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (3780 versus 420) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Is somewhat more recent (announced 1 year and 11 months after the A5000).
Advantages of the Sony Alpha A5000:
- More dynamic range: Captures a broader range of light and dark details (0.7 EV of extra DR).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (110x63mm vs 160x159mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 1146g or 81 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (93 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the D5 is the clear winner of the match-up (22 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5 and the Sony A5000 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D5 or the A5000. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D5||..||..||4/5||89/100||4.5/5||5/5||Jan 2016||6,499||ebay.com|
|2.||Sony A5000||3/5||+||..||..||4.5/5||4.5/5||Jan 2014||449||ebay.com|
|3.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999||ebay.com|
|4.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499||ebay.com|
|5.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450||ebay.com|
|6.||Nikon D6||..||..||4/5||..||4.5/5||4.5/5||Feb 2020||6,499||amazon.com|
|7.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299||amazon.com|
|8.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999||amazon.com|
|9.||Nikon D7200||4/5||+ +||..||84/100||4.5/5||4.5/5||Mar 2015||1,199||ebay.com|
|10.||Nikon D4S||5/5||..||..||..||4.5/5||4.5/5||Feb 2014||6,499||ebay.com|
|11.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999||amazon.com|
|12.||Nikon D4||..||..||..||..||4.5/5||4.5/5||Jan 2012||5,999||ebay.com|
|13.||Nikon D3X||..||..||..||86/100||4/5||5/5||Dec 2008||7,999||ebay.com|
|14.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999||ebay.com|
|15.||Sony A5100||4.5/5||+||..||..||4.5/5||5/5||Aug 2014||549||ebay.com|
|16.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599||ebay.com|
|17.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon T3 vs Nikon D5
- Fujifilm X-H1 vs Nikon D5
- Leica D-LUX Typ 109 vs Sony A5000
- Nikon D5 vs Olympus E-M5
- Nikon D5 vs Olympus E-PL1
- Nikon D5 vs Olympus E-PM1
- Nikon D5 vs Sony A7S III
- Nikon D80 vs Sony A5000
- Olympus E-PL5 vs Sony A5000
- Olympus XZ-1 vs Sony A5000
- Panasonic FZ330 vs Sony A5000
- Sony A5000 vs Sony A7R II
Specifications: Nikon D5 vs Sony A5000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D5||Sony A5000|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Sony E mount lenses|
|Launch Date||January 2016||January 2014|
|Launch Price||USD 6,499||USD 449|
|Sensor Specs||Nikon D5||Sony A5000|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||35.9 x 23.9 mm||23.2 x 15.4 mm|
|Sensor Area||858.01 mm2||357.28 mm2|
|Sensor Diagonal||43.1 mm||27.8 mm|
|Sensor Resolution||20.7 Megapixels||19.8 Megapixels|
|Image Resolution||5588 x 3712 pixels||5456 x 3632 pixels|
|Pixel Pitch||6.44 μm||4.25 μm|
|Pixel Density||2.42 MP/cm2||5.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||100 - 102,400 ISO||100 - 16,000 ISO|
|ISO Boost||50 - 3,280,000 ISO||no Enhancement|
|Image Processor||EXPEED 5||BIONZ X|
|DXO Sensor Quality (score)||88||79|
|DXO Color Depth (bits)||25.1||23.8|
|DXO Dynamic Range (EV)||12.3||13.0|
|DXO Low Light (ISO)||2343||1089|
|Screen Specs||Nikon D5||Sony A5000|
|Viewfinder Type||Optical viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2359k dots||461k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Nikon D5||Sony A5000|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||14 shutter flaps/s||3.5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF or XQD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Nikon D5||Sony A5000|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Nikon D5||Sony A5000|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||3780 shots per charge||420 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
160 x 159 x 92 mm
(6.3 x 6.3 x 3.6 in)
110 x 63 x 36 mm
(4.3 x 2.5 x 1.4 in)
|Camera Weight||1415 g (49.9 oz)||269 g (9.5 oz)|
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