Nikon D5 vs Panasonic LX5

The Nikon D5 and the Panasonic Lumix DMC-LX5 are two digital cameras that were officially introduced, respectively, in January 2016 and July 2010. The D5 is a DSLR, while the LX5 is a fixed lens compact. The cameras are based on a full frame (D5) and a 1/1.7-inch (LX5) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Panasonic provides 10 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon D5		Panasonic LX5
Digital single lens reflex		Fixed lens compact camera
Nikon F mount lenses		24-90mm f/2.0-3.3
20.7 MP – Full Frame sensor		10 MP – 1/1.7" sensor
4K/30p Video		720/60p Video
ISO 100-102,400 (50 - 3,280,000)		ISO 80-3,200 (80 - 12,800)
Optical viewfinder		Viewfinder optional
3.2" LCD – 2359k dots		3.0" LCD – 460k dots
Fixed touchscreen		Fixed screen (not touch-sensitive)
14 shutter flaps per second		2.5 shutter flaps per second
Weathersealed body		not weather sealed
3780 shots per battery charge		400 shots per battery charge
160 x 159 x 92 mm, 1415 g		110 x 65 x 43 mm, 271 g

Check D5 offers at
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Check LX5 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5 and the Panasonic Lumix DMC-LX5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Nikon D5 and the Panasonic LX5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The LX5 can be obtained in two different colors (black, white), while the D5 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX5 is considerably smaller (72 percent) than the Nikon D5. It is worth mentioning in this context that the D5 is splash and dust resistant, while the LX5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX5 has a lens built in, whereas the D5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D5 and their specifications in the Nikon Lens Catalog.

Concerning battery life, the D5 gets 3780 shots out of its Nikon EN-EL18a battery, while the LX5 can take 400 images on a single charge of its Panasonic DMW-BCJ13 power pack. As can be seen in the images above, the D5 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon D5	160 mm	159 mm	92 mm	1415 g	3780	Y	Jan 2016	6,499	ebay.com
2.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	499	ebay.com
3.		Canon 1D X Mark II	158 mm	168 mm	83 mm	1530 g	1210	Y	Feb 2016	5,999	ebay.com
4.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270	n	Sep 2011	599	ebay.com
5.		Nikon D6	160 mm	163 mm	92 mm	1270 g	3580	Y	Feb 2020	6,499	amazon.com
6.		Nikon D850	146 mm	124 mm	79 mm	1005 g	1840	Y	Jul 2017	3,299	amazon.com
7.		Nikon D4S	160 mm	157 mm	91 mm	1350 g	3020	Y	Feb 2014	6,499	ebay.com
8.		Nikon D750	141 mm	113 mm	78 mm	750 g	1230	Y	Sep 2014	2,299	ebay.com
9.		Nikon D610	141 mm	113 mm	82 mm	850 g	900	Y	Oct 2013	1,999	ebay.com
10.		Nikon D4	160 mm	157 mm	91 mm	1340 g	2600	Y	Jan 2012	5,999	ebay.com
11.		Nikon D600	141 mm	113 mm	82 mm	850 g	900	Y	Sep 2012	2,099	ebay.com
12.		Nikon D3S	160 mm	157 mm	88 mm	1240 g	4200	Y	Oct 2009	5,199	ebay.com
13.		Nikon D3X	160 mm	157 mm	88 mm	1260 g	4400	Y	Dec 2008	7,999	ebay.com
14.		Olympus XZ-1	111 mm	65 mm	42 mm	275 g	320	n	Jan 2011	499	ebay.com
15.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	499	ebay.com
16.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	499	ebay.com
17.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	549	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX5 was launched at a lower price than the D5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Nikon D5 features a full frame sensor and the Panasonic LX5 a 1/1.7-inch sensor. The sensor area in the LX5 is 95 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 4.4. The sensor in the D5 has a native 3:2 aspect ratio, while the one in the LX5 offers a 4:3 aspect. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 20.7MP, the D5 offers a higher resolution than the LX5 (10MP), but the D5 nevertheless has larger individual pixels (pixel pitch of 6.44μm versus 2.14μm for the LX5) due to its larger sensor. Moreover, the D5 is a much more recent model (by 5 years and 5 months) than the LX5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Nikon D5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5 for good quality output (200 dots per inch) amounts to 27.9 x 18.6 inches or 71 x 47.1 cm, for very good quality (250 dpi) 22.4 x 14.8 inches or 56.8 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.3 x 31.4 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The Nikon D5 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-3280000. The corresponding ISO settings for the Panasonic Lumix DMC-LX5 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.

In terms of underlying technology, the D5 is build around a CMOS sensor, while the LX5 uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the D5 provides substantially higher image quality than the LX5, with an overall score that is 47 points higher. This advantage is based on 5.5 bits higher color depth, 1.5 EV in additional dynamic range, and 4.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon D5	Full Frame	20.7	5588	3712	4K/30p	25.1	12.3	2343	88
2.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
3.		Canon 1D X Mark II	Full Frame	20.0	5472	3648	4K/60p	24.1	13.5	3207	88
4.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
5.		Nikon D6	Full Frame	20.7	5568	3712	4K/30p	25.3	14.3	2886	95
6.		Nikon D850	Full Frame	45.4	8256	5504	4K/30p	26.4	14.8	2660	100
7.		Nikon D4S	Full Frame	16.2	4928	3280	1080/60p	24.4	13.3	3074	89
8.		Nikon D750	Full Frame	24.2	6016	4016	1080/60p	24.8	14.5	2956	93
9.		Nikon D610	Full Frame	24.2	6016	4016	1080/30p	25.1	14.4	2925	94
10.		Nikon D4	Full Frame	16.2	4928	3280	1080/30p	24.7	13.1	2965	89
11.		Nikon D600	Full Frame	24.2	6016	4016	1080/30p	25.1	14.2	2980	94
12.		Nikon D3S	Full Frame	12.1	4256	2832	720/24p	23.5	12.0	3253	82
13.		Nikon D3X	Full Frame	24.4	6048	4032	none	24.7	13.7	1992	88
14.		Olympus XZ-1	1/1.7	10.1	3664	2752	720/30p	18.8	10.4	117	34
15.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
16.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
17.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D5 provides a higher video resolution than the LX5. It can shoot video footage at 4K/30p, while the Panasonic is limited to 720/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the D5 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX5 relies on live view and the rear LCD for framing. That said, the LX5 can be equipped with an optional viewfinder – the DMW-LVF1. The adjacent table lists some of the other core features of the Nikon D5 and Panasonic LX5 along with similar information for a selection of comparators.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon D5	optical	Y	3.2 / 2359	fixed	Y	1/8000s	14.0/s	n	n
2.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
3.		Canon 1D X Mark II	optical	Y	3.2 / 1620	fixed	Y	1/8000s	16.0/s	n	n
4.		Fujifilm X10	optical	n	2.8 / 460	fixed	n	1/4000s	10.0/s	Y	Y
5.		Nikon D6	optical	Y	3.2 / 2359	fixed	Y	1/8000s	14.0/s	n	n
6.		Nikon D850	optical	Y	3.2 / 2359	tilting	Y	1/8000s	9.0/s	n	n
7.		Nikon D4S	optical	Y	3.2 / 921	fixed	n	1/8000s	11.0/s	n	n
8.		Nikon D750	optical	Y	3.2 / 1229	tilting	n	1/4000s	6.0/s	Y	n
9.		Nikon D610	optical	Y	3.2 / 921	fixed	n	1/4000s	6.0/s	Y	n
10.		Nikon D4	optical	Y	3.2 / 921	fixed	n	1/8000s	11.0/s	n	n
11.		Nikon D600	optical	Y	3.0 / 921	fixed	n	1/4000s	5.5/s	Y	n
12.		Nikon D3S	optical	Y	3.0 / 921	fixed	n	1/8000s	11.0/s	n	n
13.		Nikon D3X	optical	Y	3.0 / 922	fixed	n	1/8000s	5.0/s	n	n
14.		Olympus XZ-1	optional	n	3.0 / 614	fixed	n	1/2000s	2.0/s	Y	Y
15.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
16.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
17.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the D5, but is missing on the LX5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The Nikon D5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The D5 writes its imaging data to Compact Flash or XQD cards, while the LX5 uses SDXC cards. The D5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the LX5 only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5 and Panasonic Lumix DMC-LX5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon D5	Y	stereo / mono	Y	Y	mini	3.0	-	-	-
2.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-
3.		Canon 1D X Mark II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
4.		Fujifilm X10	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Nikon D6	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
6.		Nikon D850	Y	stereo / mono	Y	Y	mini	3.0	Y	Y	Y
7.		Nikon D4S	Y	mono / mono	Y	Y	mini	2.0	-	-	-
8.		Nikon D750	Y	stereo / mono	Y	Y	mini	2.0	Y	-	-
9.		Nikon D610	Y	mono / mono	Y	Y	mini	2.0	-	-	-
10.		Nikon D4	Y	mono / mono	Y	Y	micro	2.0	-	-	-
11.		Nikon D600	Y	mono / mono	Y	Y	mini	2.0	-	-	-
12.		Nikon D3S	Y	stereo / -	-	-	mini	2.0	-	-	-
13.		Nikon D3X	Y	- / -	-	-	mini	2.0	-	-	-
14.		Olympus XZ-1	Y	mono / -	-	-	mini	2.0	-	-	-
15.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
16.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
17.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the D5 has a microphone port, which is missing on the LX5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Nikon D5 (unlike the LX5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the D5 and the LX5 have been discontinued, but can regularly be found used on ebay. The LX5 was replaced by the Panasonic LX7, while the D5 was followed by the Nikon D6. Further information on the features and operation of the D5 and LX5 can be found, respectively, in the Nikon D5 Manual (free pdf) or the online Panasonic LX5 Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Nikon D5 or the Panasonic LX5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Advantages of the Nikon D5:

• More detail: Offers more megapixels (20.7 vs 10MP) with a 47% higher linear resolution.
• Better image quality: Scores substantially higher (47 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (5.5 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (1.5 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (4.1 stops ISO advantage).
• Better video: Provides higher definition movie capture (4K/30p vs 720/60p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2359k vs 460k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (14 vs 2.5 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Can take a variety of interchangeable lenses, including specialty optics.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Can take more shots (3780 versus 400) on a single battery charge.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Reflects 5 years and 5 months of technical progress since the LX5 launch.

Arguments in favor of the Panasonic Lumix DMC-LX5:

• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Ready to shoot: Comes with an integrated lens, while the D5 requires a separate lens.
• More compact: Is smaller (110x65mm vs 160x159mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the D5).
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been around for much longer (launched in July 2010).

If the count of relative strengths (bullet points above) is taken as a measure, the D5 is the clear winner of the match-up (24 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon D5 and the Panasonic LX5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D5 or the LX5. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon D5	..	..	4/5	89/100	4.5/5	5/5	Jan 2016	6,499	ebay.com
2.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	499	ebay.com
3.		Canon 1D X Mark II	..	..	4.5/5	89/100	4.5/5	4.5/5	Feb 2016	5,999	ebay.com
4.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	599	ebay.com
5.		Nikon D6	..	..	4/5	..	4.5/5	4.5/5	Feb 2020	6,499	amazon.com
6.		Nikon D850	4.5/5	+ +	5/5	89/100	4.5/5	5/5	Jul 2017	3,299	amazon.com
7.		Nikon D4S	5/5	..	..	..	4.5/5	4.5/5	Feb 2014	6,499	ebay.com
8.		Nikon D750	5/5	+ +	4/5	90/100	4.5/5	4.5/5	Sep 2014	2,299	ebay.com
9.		Nikon D610	4/5	+ +	..	87/100	4.5/5	4.5/5	Oct 2013	1,999	ebay.com
10.		Nikon D4	..	..	..	..	4.5/5	4.5/5	Jan 2012	5,999	ebay.com
11.		Nikon D600	4/5	+ +	..	87/100	5/5	4.5/5	Sep 2012	2,099	ebay.com
12.		Nikon D3S	5/5	..	..	89/100	4.5/5	5/5	Oct 2009	5,199	ebay.com
13.		Nikon D3X	..	..	..	86/100	4/5	5/5	Dec 2008	7,999	ebay.com
14.		Olympus XZ-1	4/5	..	..	74/100	4.5/5	4.5/5	Jan 2011	499	ebay.com
15.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	499	ebay.com
16.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	499	ebay.com
17.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	549	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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