Nikon D5 vs Panasonic LF1

The Nikon D5 and the Panasonic Lumix DMC-LF1 are two digital cameras that were officially introduced, respectively, in January 2016 and April 2013. The D5 is a DSLR, while the LF1 is a fixed lens compact. The cameras are based on a full frame (D5) and a 1/1.7-inch (LF1) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Panasonic provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon D5		Panasonic LF1
Digital single lens reflex		Fixed lens compact camera
Nikon F mount lenses		28-200mm f/2.0-5.9
20.7 MP – Full Frame sensor		12 MP – 1/1.7" sensor
4K/30p Video		1080/60i Video
ISO 100-102,400 (50 - 3,280,000)		ISO 80-6,400 (80 - 12,800)
Optical viewfinder		Electronic viewfinder (200k dots)
3.2" LCD – 2359k dots		3.0" LCD – 920k dots
Fixed touchscreen		Fixed screen (not touch-sensitive)
14 shutter flaps per second		10 shutter flaps per second
Weathersealed body		not weather sealed
3780 shots per battery charge		250 shots per battery charge
160 x 159 x 92 mm, 1415 g		103 x 62 x 28 mm, 192 g

Check D5 offers at
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Check LF1 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5 and the Panasonic Lumix DMC-LF1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Nikon D5 and the Panasonic LF1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LF1 is considerably smaller (75 percent) than the Nikon D5. It is worth mentioning in this context that the D5 is splash and dust resistant, while the LF1 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LF1 has a lens built in, whereas the D5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D5 and their specifications in the Nikon Lens Catalog.

As can be seen in the images above, the D5 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the LF1 can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon D5	160 mm	159 mm	92 mm	1415 g	3780	Y	Jan 2016	6,499	ebay.com
2.		Panasonic LF1	103 mm	62 mm	28 mm	192 g	250	n	Apr 2013	499	ebay.com
3.		Canon 1D X Mark II	158 mm	168 mm	83 mm	1530 g	1210	Y	Feb 2016	5,999	ebay.com
4.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	549	ebay.com
5.		Canon S120	100 mm	59 mm	29 mm	217 g	230	n	Aug 2013	449	ebay.com
6.		Canon SX50	123 mm	87 mm	106 mm	595 g	315	n	Sep 2012	429	ebay.com
7.		Leica SL	147 mm	104 mm	39 mm	847 g	400	Y	Oct 2015	7,450	ebay.com
8.		Nikon D3X	160 mm	157 mm	88 mm	1260 g	4400	Y	Dec 2008	7,999	ebay.com
9.		Nikon D4	160 mm	157 mm	91 mm	1340 g	2600	Y	Jan 2012	5,999	ebay.com
10.		Nikon D4S	160 mm	157 mm	91 mm	1350 g	3020	Y	Feb 2014	6,499	ebay.com
11.		Nikon D6	160 mm	163 mm	92 mm	1270 g	3580	Y	Feb 2020	6,499	amazon.com
12.		Nikon D500	147 mm	115 mm	81 mm	860 g	1240	Y	Jan 2016	1,999	ebay.com
13.		Nikon D610	141 mm	113 mm	82 mm	850 g	900	Y	Oct 2013	1,999	ebay.com
14.		Nikon D7200	136 mm	107 mm	76 mm	765 g	1110	Y	Mar 2015	1,199	ebay.com
15.		Nikon D7500	136 mm	104 mm	73 mm	720 g	950	Y	Apr 2017	1,299	amazon.com
16.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	599	ebay.com
17.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LF1 was launched at a lower price than the D5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Nikon D5 features a full frame sensor and the Panasonic LF1 a 1/1.7-inch sensor. The sensor area in the LF1 is 95 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 4.5. The sensor in the D5 has a native 3:2 aspect ratio, while the one in the LF1 offers a 4:3 aspect.

With 20.7MP, the D5 offers a higher resolution than the LF1 (12MP), but the D5 nevertheless has larger individual pixels (pixel pitch of 6.44μm versus 1.89μm for the LF1) due to its larger sensor. Moreover, the D5 is a much more recent model (by 2 years and 8 months) than the LF1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Nikon D5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5 for good quality output (200 dots per inch) amounts to 27.9 x 18.6 inches or 71 x 47.1 cm, for very good quality (250 dpi) 22.4 x 14.8 inches or 56.8 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.3 x 31.4 cm. The corresponding values for the Panasonic LF1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Nikon D5 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-3280000. The corresponding ISO settings for the Panasonic Lumix DMC-LF1 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the D5 provides substantially higher image quality than the LF1, with an overall score that is 36 points higher. This advantage is based on 4.3 bits higher color depth, 0.7 EV in additional dynamic range, and 3.5 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon D5	Full Frame	20.7	5588	3712	4K/30p	25.1	12.3	2343	88
2.		Panasonic LF1	1/1.7	12.0	4000	3000	1080/60i	20.8	11.6	211	52
3.		Canon 1D X Mark II	Full Frame	20.0	5472	3648	4K/60p	24.1	13.5	3207	88
4.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
5.		Canon S120	1/1.7	12.0	4000	3000	1080/60p	21.3	11.9	246	56
6.		Canon SX50	1/2.3	12.0	4000	3000	1080/24p	20.3	11.2	179	47
7.		Leica SL	Full Frame	24.0	6000	4000	4K/30p	25.0	13.4	1821	88
8.		Nikon D3X	Full Frame	24.4	6048	4032	none	24.7	13.7	1992	88
9.		Nikon D4	Full Frame	16.2	4928	3280	1080/30p	24.7	13.1	2965	89
10.		Nikon D4S	Full Frame	16.2	4928	3280	1080/60p	24.4	13.3	3074	89
11.		Nikon D6	Full Frame	20.7	5568	3712	4K/30p	25.3	14.3	2886	95
12.		Nikon D500	APS-C	20.7	5568	3712	4K/30p	24.0	14.0	1324	83
13.		Nikon D610	Full Frame	24.2	6016	4016	1080/30p	25.1	14.4	2925	94
14.		Nikon D7200	APS-C	24.0	6000	4000	1080/60p	24.5	14.6	1333	87
15.		Nikon D7500	APS-C	20.7	5568	3712	4K/30p	24.3	14.0	1483	86
16.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
17.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the D5 provides a higher video resolution than the LF1. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60i.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the LF1 has an electronic viewfinder (200k dots), while the D5 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Nikon D5, the Panasonic LF1, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon D5	optical	Y	3.2 / 2359	fixed	Y	1/8000s	14.0/s	n	n
2.		Panasonic LF1	200	n	3.0 / 920	fixed	n	1/4000s	10.0/s	Y	Y
3.		Canon 1D X Mark II	optical	Y	3.2 / 1620	fixed	Y	1/8000s	16.0/s	n	n
4.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
5.		Canon S120	none	n	3.0 / 922	fixed	Y	1/2000s	12.1/s	Y	Y
6.		Canon SX50	202	n	3.0 / 461	swivel	n	1/2000s	2.2/s	Y	Y
7.		Leica SL	4400	Y	3.0 / 1040	fixed	Y	1/8000s	11.0/s	n	n
8.		Nikon D3X	optical	Y	3.0 / 922	fixed	n	1/8000s	5.0/s	n	n
9.		Nikon D4	optical	Y	3.2 / 921	fixed	n	1/8000s	11.0/s	n	n
10.		Nikon D4S	optical	Y	3.2 / 921	fixed	n	1/8000s	11.0/s	n	n
11.		Nikon D6	optical	Y	3.2 / 2359	fixed	Y	1/8000s	14.0/s	n	n
12.		Nikon D500	optical	Y	3.2 / 2359	tilting	Y	1/8000s	10.0/s	n	n
13.		Nikon D610	optical	Y	3.2 / 921	fixed	n	1/4000s	6.0/s	Y	n
14.		Nikon D7200	optical	Y	3.2 / 1229	fixed	n	1/8000s	6.0/s	Y	n
15.		Nikon D7500	optical	Y	3.2 / 922	tilting	Y	1/8000s	8.0/s	Y	n
16.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
17.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the D5, but is missing on the LF1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The Nikon D5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The D5 writes its imaging data to Compact Flash or XQD cards, while the LF1 uses SDXC cards. The D5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the LF1 only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5 and Panasonic Lumix DMC-LF1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon D5	Y	stereo / mono	Y	Y	mini	3.0	-	-	-
2.		Panasonic LF1	-	stereo / mono	-	-	mini	2.0	Y	Y	-
3.		Canon 1D X Mark II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
4.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
5.		Canon S120	-	stereo / mono	-	-	mini	2.0	Y	-	-
6.		Canon SX50	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Leica SL	Y	stereo / mono	Y	Y	full	3.0	Y	-	-
8.		Nikon D3X	Y	- / -	-	-	mini	2.0	-	-	-
9.		Nikon D4	Y	mono / mono	Y	Y	micro	2.0	-	-	-
10.		Nikon D4S	Y	mono / mono	Y	Y	mini	2.0	-	-	-
11.		Nikon D6	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
12.		Nikon D500	Y	stereo / mono	Y	Y	mini	3.0	Y	Y	Y
13.		Nikon D610	Y	mono / mono	Y	Y	mini	2.0	-	-	-
14.		Nikon D7200	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
15.		Nikon D7500	Y	stereo / mono	Y	Y	mini	2.0	Y	-	Y
16.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
17.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the D5 has a hotshoe, while the LF1 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Studio photographers will appreciate that the Nikon D5 (unlike the LF1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the D5 and the LF1 have been discontinued, but can regularly be found used on ebay. The D5 was replaced by the Nikon D6, while the LF1 does not have a direct successor. Further information on the features and operation of the D5 and LF1 can be found, respectively, in the Nikon D5 Manual (free pdf) or the online Panasonic LF1 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Nikon D5 or the Panasonic LF1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Nikon D5:

• More detail: Offers more megapixels (20.7 vs 12MP) with a 34% higher linear resolution.
• Better image quality: Scores substantially higher (36 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (4.3 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (0.7 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (3.5 stops ISO advantage).
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2359k vs 920k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (14 vs 10 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Can take a variety of interchangeable lenses, including specialty optics.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Can take more shots (3780 versus 250) on a single battery charge.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Reflects 2 years and 8 months of technical progress since the LF1 launch.

Reasons to prefer the Panasonic Lumix DMC-LF1:

• More framing info: Has an electronic viewfinder that displays shooting data.
• Ready to shoot: Comes with an integrated lens, while the D5 requires a separate lens.
• More compact: Is smaller (103x62mm vs 160x159mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the D5).
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been around for much longer (launched in April 2013).

If the number of relative strengths (bullet points above) is taken as a guide, the D5 is the clear winner of the match-up (25 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon D5 and the Panasonic LF1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the D5 or the LF1 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Nikon D5	..	..	4/5	89/100	4.5/5	5/5	Jan 2016	6,499	ebay.com
2.		Panasonic LF1	3/5	+	..	..	4/5	4.5/5	Apr 2013	499	ebay.com
3.		Canon 1D X Mark II	..	..	4.5/5	89/100	4.5/5	4.5/5	Feb 2016	5,999	ebay.com
4.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	549	ebay.com
5.		Canon S120	..	+ +	..	..	4.5/5	4.5/5	Aug 2013	449	ebay.com
6.		Canon SX50	3/5	+ +	..	72/100	4.5/5	4.5/5	Sep 2012	429	ebay.com
7.		Leica SL	4/5	..	4/5	84/100	4.5/5	4/5	Oct 2015	7,450	ebay.com
8.		Nikon D3X	..	..	..	86/100	4/5	5/5	Dec 2008	7,999	ebay.com
9.		Nikon D4	..	..	..	..	4.5/5	4.5/5	Jan 2012	5,999	ebay.com
10.		Nikon D4S	5/5	..	..	..	4.5/5	4.5/5	Feb 2014	6,499	ebay.com
11.		Nikon D6	..	..	4/5	..	4.5/5	4.5/5	Feb 2020	6,499	amazon.com
12.		Nikon D500	5/5	+ +	4.7/5	91/100	4.5/5	5/5	Jan 2016	1,999	ebay.com
13.		Nikon D610	4/5	+ +	..	87/100	4.5/5	4.5/5	Oct 2013	1,999	ebay.com
14.		Nikon D7200	4/5	+ +	..	84/100	4.5/5	4.5/5	Mar 2015	1,199	ebay.com
15.		Nikon D7500	4.5/5	+ +	4.5/5	86/100	5/5	4.5/5	Apr 2017	1,299	amazon.com
16.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	599	ebay.com
17.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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