Nikon D5 vs Panasonic L1
The Nikon D5 and the Panasonic Lumix DMC-L1 are two digital cameras that were officially introduced, respectively, in January 2016 and February 2006. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a full frame (D5) and a Four Thirds (L1) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Panasonic provides 7.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5 and the Panasonic Lumix DMC-L1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Nikon D5 and the Panasonic L1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L1 is considerably smaller (50 percent) than the Nikon D5. Moreover, the L1 is substantially lighter (57 percent) than the D5. It is worth mentioning in this context that the D5 is splash and dust resistant, while the L1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D5) and the Four Thirds Lens Catalog (L1).
As can be seen in the images above, the D5 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D5 | 160 mm | 159 mm | 92 mm | 1415 g | 3780 | Y | Jan 2016 | 6,499 | ebay.com | |
2. | Panasonic L1 | 146 mm | 87 mm | 64 mm | 606 g | 750 | n | Feb 2006 | 999 | ebay.com | |
3. | Canon 1D X Mark II | 158 mm | 168 mm | 83 mm | 1530 g | 1210 | Y | Feb 2016 | 5,999 | ebay.com | |
4. | Canon XT | 127 mm | 94 mm | 64 mm | 540 g | 400 | n | Feb 2005 | 899 | ebay.com | |
5. | Leica Digilux 3 | 146 mm | 87 mm | 77 mm | 606 g | 750 | n | Sep 2006 | 1,499 | ebay.com | |
6. | Nikon D6 | 160 mm | 163 mm | 92 mm | 1270 g | 3580 | Y | Feb 2020 | 6,499 | amazon.com | |
7. | Nikon D850 | 146 mm | 124 mm | 79 mm | 1005 g | 1840 | Y | Jul 2017 | 3,299 | amazon.com | |
8. | Nikon D4S | 160 mm | 157 mm | 91 mm | 1350 g | 3020 | Y | Feb 2014 | 6,499 | ebay.com | |
9. | Nikon D750 | 141 mm | 113 mm | 78 mm | 750 g | 1230 | Y | Sep 2014 | 2,299 | ebay.com | |
10. | Nikon D610 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Oct 2013 | 1,999 | ebay.com | |
11. | Nikon D4 | 160 mm | 157 mm | 91 mm | 1340 g | 2600 | Y | Jan 2012 | 5,999 | ebay.com | |
12. | Nikon D600 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Sep 2012 | 2,099 | ebay.com | |
13. | Nikon D3S | 160 mm | 157 mm | 88 mm | 1240 g | 4200 | Y | Oct 2009 | 5,199 | ebay.com | |
14. | Nikon D3X | 160 mm | 157 mm | 88 mm | 1260 g | 4400 | Y | Dec 2008 | 7,999 | ebay.com | |
15. | Olympus E-330 | 140 mm | 87 mm | 72 mm | 637 g | 750 | n | Jan 2006 | 999 | ebay.com | |
16. | Olympus E-300 | 147 mm | 85 mm | 64 mm | 624 g | 750 | n | Sep 2004 | 799 | ebay.com | |
17. | Panasonic L10 | 135 mm | 96 mm | 78 mm | 556 g | 450 | n | Aug 2007 | 599 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The L1 was launched at a markedly lower price (by 85 percent) than the D5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon D5 features a full frame sensor and the Panasonic L1 a Four Thirds sensor. The sensor area in the L1 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the D5 has a native 3:2 aspect ratio, while the one in the L1 offers a 4:3 aspect.
With 20.7MP, the D5 offers a higher resolution than the L1 (7.4MP), but the D5 nevertheless has larger individual pixels (pixel pitch of 6.44μm versus 5.51μm for the L1) due to its larger sensor. Moreover, the D5 is a much more recent model (by 9 years and 10 months) than the L1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Nikon D5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5 for good quality output (200 dots per inch) amounts to 27.9 x 18.6 inches or 71 x 47.1 cm, for very good quality (250 dpi) 22.4 x 14.8 inches or 56.8 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.3 x 31.4 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.
The Nikon D5 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-3280000. The corresponding ISO settings for the Panasonic Lumix DMC-L1 are ISO 100 to ISO 1600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D5 | Full Frame | 20.7 | 5588 | 3712 | 4K/30p | 25.1 | 12.3 | 2343 | 88 | |
2. | Panasonic L1 | Four Thirds | 7.4 | 3136 | 2352 | none | 20.8 | 10.4 | 80 | 52 | |
3. | Canon 1D X Mark II | Full Frame | 20.0 | 5472 | 3648 | 4K/60p | 24.1 | 13.5 | 3207 | 88 | |
4. | Canon XT | APS-C | 8.0 | 3456 | 2304 | none | 21.8 | 10.8 | 637 | 60 | |
5. | Leica Digilux 3 | Four Thirds | 7.4 | 3136 | 2352 | none | 21.0 | 10.6 | 127 | 53 | |
6. | Nikon D6 | Full Frame | 20.7 | 5568 | 3712 | 4K/30p | 25.3 | 14.3 | 2886 | 95 | |
7. | Nikon D850 | Full Frame | 45.4 | 8256 | 5504 | 4K/30p | 26.4 | 14.8 | 2660 | 100 | |
8. | Nikon D4S | Full Frame | 16.2 | 4928 | 3280 | 1080/60p | 24.4 | 13.3 | 3074 | 89 | |
9. | Nikon D750 | Full Frame | 24.2 | 6016 | 4016 | 1080/60p | 24.8 | 14.5 | 2956 | 93 | |
10. | Nikon D610 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.4 | 2925 | 94 | |
11. | Nikon D4 | Full Frame | 16.2 | 4928 | 3280 | 1080/30p | 24.7 | 13.1 | 2965 | 89 | |
12. | Nikon D600 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.2 | 2980 | 94 | |
13. | Nikon D3S | Full Frame | 12.1 | 4256 | 2832 | 720/24p | 23.5 | 12.0 | 3253 | 82 | |
14. | Nikon D3X | Full Frame | 24.4 | 6048 | 4032 | none | 24.7 | 13.7 | 1992 | 88 | |
15. | Olympus E-330 | Four Thirds | 7.4 | 3136 | 2352 | none | 20.8 | 10.4 | 73 | 52 | |
16. | Olympus E-300 | Four Thirds | 8.0 | 3264 | 2448 | none | 20.4 | 10.1 | -40 | 48 | |
17. | Panasonic L10 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.3 | 10.8 | 429 | 55 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The D5 indeed provides movie recording capabilities, while the L1 does not. The highest resolution format that the D5 can use is 4K/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The D5 and the L1 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the D5 offers a wider field of view (100%) than the one in the L1 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the D5 has a higher magnification (0.72x vs 0.47x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D5, the Panasonic L1, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D5 | optical | Y | 3.2 / 2359 | fixed | Y | 1/8000s | 14.0/s | n | n | |
2. | Panasonic L1 | optical | n | 2.5 / 207 | fixed | n | 1/4000s | 3.0/s | Y | n | |
3. | Canon 1D X Mark II | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 16.0/s | n | n | |
4. | Canon XT | optical | n | 1.8 / 115 | fixed | n | 1/4000s | 3.0/s | Y | n | |
5. | Leica Digilux 3 | optical | n | 2.5 / 207 | fixed | n | 1/4000s | 3.0/s | Y | n | |
6. | Nikon D6 | optical | Y | 3.2 / 2359 | fixed | Y | 1/8000s | 14.0/s | n | n | |
7. | Nikon D850 | optical | Y | 3.2 / 2359 | tilting | Y | 1/8000s | 9.0/s | n | n | |
8. | Nikon D4S | optical | Y | 3.2 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
9. | Nikon D750 | optical | Y | 3.2 / 1229 | tilting | n | 1/4000s | 6.0/s | Y | n | |
10. | Nikon D610 | optical | Y | 3.2 / 921 | fixed | n | 1/4000s | 6.0/s | Y | n | |
11. | Nikon D4 | optical | Y | 3.2 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
12. | Nikon D600 | optical | Y | 3.0 / 921 | fixed | n | 1/4000s | 5.5/s | Y | n | |
13. | Nikon D3S | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
14. | Nikon D3X | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 5.0/s | n | n | |
15. | Olympus E-330 | optical | n | 2.5 / 215 | tilting | n | 1/4000s | 3.0/s | Y | n | |
16. | Olympus E-300 | optical | n | 1.8 / 134 | fixed | n | 1/4000s | 2.5/s | Y | n | |
17. | Panasonic L10 | optical | n | 2.5 / 207 | swivel | n | 1/4000s | 3.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the D5, but is missing on the L1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Nikon D5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D5 writes its imaging data to Compact Flash or XQD cards, while the L1 uses SDHC cards. The D5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the L1 only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5 and Panasonic Lumix DMC-L1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D5 | Y | stereo / mono | Y | Y | mini | 3.0 | - | - | - | |
2. | Panasonic L1 | Y | - / - | - | - | - | 2.0 | - | - | - | |
3. | Canon 1D X Mark II | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
4. | Canon XT | Y | - / - | - | - | - | 2.0 | - | - | - | |
5. | Leica Digilux 3 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
6. | Nikon D6 | Y | stereo / mono | Y | Y | mini | 3.1 | Y | - | Y | |
7. | Nikon D850 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | Y | Y | |
8. | Nikon D4S | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
9. | Nikon D750 | Y | stereo / mono | Y | Y | mini | 2.0 | Y | - | - | |
10. | Nikon D610 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
11. | Nikon D4 | Y | mono / mono | Y | Y | micro | 2.0 | - | - | - | |
12. | Nikon D600 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
13. | Nikon D3S | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
14. | Nikon D3X | Y | - / - | - | - | mini | 2.0 | - | - | - | |
15. | Olympus E-330 | Y | - / - | - | - | - | 2.0 | - | - | - | |
16. | Olympus E-300 | Y | - / - | - | - | - | 2.0 | - | - | - | |
17. | Panasonic L10 | Y | - / - | - | - | - | 2.0 | - | - | - |
Studio photographers will appreciate that the Nikon D5 (unlike the L1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D5 and the L1 have been discontinued, but can regularly be found used on ebay. The L1 was replaced by the Panasonic L10, while the D5 was followed by the Nikon D6. Further information on the features and operation of the D5 and L1 can be found, respectively, in the Nikon D5 Manual (free pdf) or the online Panasonic L1 Manual.
Review summary
So how do things add up? Which of the two cameras – the Nikon D5 or the Panasonic L1 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Nikon D5:
- More detail: Offers more megapixels (20.7 vs 7.4MP) with a 71% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.47x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 207k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (3780 versus 750) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 9 years and 10 months of technical progress since the L1 launch.
Arguments in favor of the Panasonic Lumix DMC-L1:
- More compact: Is smaller (146x87mm vs 160x159mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 809g or 57 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (85 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in February 2006).
If the number of relative strengths (bullet points above) is taken as a guide, the D5 is the clear winner of the match-up (22 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5 and the Panasonic L1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the D5 or the L1 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D5 | .. | .. | 4/5 | 89/100 | 4.5/5 | 5/5 | Jan 2016 | 6,499 | ebay.com | |
2. | Panasonic L1 | .. | 85/100 | .. | + | .. | 3.5/5 | Feb 2006 | 999 | ebay.com | |
3. | Canon 1D X Mark II | .. | .. | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2016 | 5,999 | ebay.com | |
4. | Canon XT | .. | 80/100 | .. | + + | o | .. | Feb 2005 | 899 | ebay.com | |
5. | Leica Digilux 3 | .. | .. | .. | .. | .. | .. | Sep 2006 | 1,499 | ebay.com | |
6. | Nikon D6 | .. | .. | 4/5 | .. | 4.5/5 | 4.5/5 | Feb 2020 | 6,499 | amazon.com | |
7. | Nikon D850 | 4.5/5 | + + | 5/5 | 89/100 | 4.5/5 | 5/5 | Jul 2017 | 3,299 | amazon.com | |
8. | Nikon D4S | 5/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Feb 2014 | 6,499 | ebay.com | |
9. | Nikon D750 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 4.5/5 | Sep 2014 | 2,299 | ebay.com | |
10. | Nikon D610 | 4/5 | + + | .. | 87/100 | 4.5/5 | 4.5/5 | Oct 2013 | 1,999 | ebay.com | |
11. | Nikon D4 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Jan 2012 | 5,999 | ebay.com | |
12. | Nikon D600 | 4/5 | + + | .. | 87/100 | 5/5 | 4.5/5 | Sep 2012 | 2,099 | ebay.com | |
13. | Nikon D3S | 5/5 | .. | .. | 89/100 | 4.5/5 | 5/5 | Oct 2009 | 5,199 | ebay.com | |
14. | Nikon D3X | .. | .. | .. | 86/100 | 4/5 | 5/5 | Dec 2008 | 7,999 | ebay.com | |
15. | Olympus E-330 | .. | .. | .. | + | o | .. | Jan 2006 | 999 | ebay.com | |
16. | Olympus E-300 | .. | .. | .. | + | o | 4.5/5 | Sep 2004 | 799 | ebay.com | |
17. | Panasonic L10 | .. | 85/100 | .. | + | 3.5/5 | 4/5 | Aug 2007 | 599 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1000D vs Nikon D5
- Canon 500D vs Nikon D5
- Canon G1 X vs Panasonic L1
- Canon G7 X Mark II vs Nikon D5
- Leica S Typ 007 vs Panasonic L1
- Nikon D1X vs Nikon D5
- Nikon D2H vs Nikon D5
- Nikon D5 vs Panasonic S5 II
- Olympus E-1 vs Panasonic L1
- Panasonic L1 vs Sony A7R II
- Panasonic L1 vs Sony A7R IV
- Panasonic L1 vs Sony NEX-5N
Specifications: Nikon D5 vs Panasonic L1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon D5 | Panasonic L1 |
---|---|---|
Camera Type | Digital single lens reflex | Digital single lens reflex |
Camera Lens | Nikon F mount lenses | Four Thirds lenses |
Launch Date | January 2016 | February 2006 |
Launch Price | USD 6,499 | USD 999 |
Sensor Specs | Nikon D5 | Panasonic L1 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Full Frame Sensor | Four Thirds Sensor |
Sensor Size | 35.9 x 23.9 mm | 17.3 x 13.0 mm |
Sensor Area | 858.01 mm2 | 224.9 mm2 |
Sensor Diagonal | 43.1 mm | 21.6 mm |
Crop Factor | 1.0x | 2.0x |
Sensor Resolution | 20.7 Megapixels | 7.4 Megapixels |
Image Resolution | 5588 x 3712 pixels | 3136 x 2352 pixels |
Pixel Pitch | 6.44 μm | 5.51 μm |
Pixel Density | 2.42 MP/cm2 | 3.28 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | no Video |
ISO Setting | 100 - 102,400 ISO | 100 - 1,600 ISO |
ISO Boost | 50 - 3,280,000 ISO | no Enhancement |
Image Processor | EXPEED 5 | Venus |
DXO Sensor Quality (score) | 88 | .. |
DXO Color Depth (bits) | 25.1 | .. |
DXO Dynamic Range (EV) | 12.3 | .. |
DXO Low Light (ISO) | 2343 | .. |
Screen Specs | Nikon D5 | Panasonic L1 |
Viewfinder Type | Optical viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 95% |
Viewfinder Magnification | 0.72x | 0.47x |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 2.5inch |
LCD Resolution | 2359k dots | 207k dots |
LCD Attachment | Fixed screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Nikon D5 | Panasonic L1 |
Focus System | Phase-detect AF | Phase-detect AF |
Continuous Shooting | 14 shutter flaps/s | 3 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | CF or XQD cards | SDHC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
Connectivity Specs | Nikon D5 | Panasonic L1 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 3.0 | USB 2.0 |
HDMI Port | mini HDMI | no HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | no Wifi | no Wifi |
Body Specs | Nikon D5 | Panasonic L1 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Nikon EN-EL18a | Panasonic CGR-S602 |
Battery Life (CIPA) | 3780 shots per charge | 750 shots per charge |
Body Dimensions |
160 x 159 x 92 mm (6.3 x 6.3 x 3.6 in) |
146 x 87 x 64 mm (5.7 x 3.4 x 2.5 in) |
Camera Weight | 1415 g (49.9 oz) | 606 g (21.4 oz) |
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