Nikon D5 vs Olympus E-3
The Nikon D5 and the Olympus E-3 are two professional cameras that were officially introduced, respectively, in January 2016 and October 2007. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a full frame (D5) and a Four Thirds (E-3) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Olympus provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5 and the Olympus E-3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Nikon D5 and the Olympus E-3. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-3 is considerably smaller (35 percent) than the Nikon D5. Moreover, the E-3 is substantially lighter (38 percent) than the D5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D5) and the Four Thirds Lens Catalog (E-3).
Concerning battery life, the D5 gets 3780 shots out of its Nikon EN-EL18a battery, while the E-3 can take 750 images on a single charge of its Olympus BLM-1 power pack. As can be seen in the images above, the D5 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the E-3, Olympus provides the HLD-4 vertical grip as an optional accessory (see here on ebay).
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D5 | 160 mm | 159 mm | 92 mm | 1415 g | 3780 | Y | Jan 2016 | 6,499 | ebay.com | |
2. | Olympus E-3 | 142 mm | 116 mm | 75 mm | 876 g | 750 | Y | Oct 2007 | 1,699 | ebay.com | |
3. | Canon 1D X Mark II | 158 mm | 168 mm | 83 mm | 1530 g | 1210 | Y | Feb 2016 | 5,999 | ebay.com | |
4. | Leica SL | 147 mm | 104 mm | 39 mm | 847 g | 400 | Y | Oct 2015 | 7,450 | ebay.com | |
5. | Nikon D6 | 160 mm | 163 mm | 92 mm | 1270 g | 3580 | Y | Feb 2020 | 6,499 | amazon.com | |
6. | Nikon D7500 | 136 mm | 104 mm | 73 mm | 720 g | 950 | Y | Apr 2017 | 1,299 | amazon.com | |
7. | Nikon D500 | 147 mm | 115 mm | 81 mm | 860 g | 1240 | Y | Jan 2016 | 1,999 | ebay.com | |
8. | Nikon D7200 | 136 mm | 107 mm | 76 mm | 765 g | 1110 | Y | Mar 2015 | 1,199 | ebay.com | |
9. | Nikon D4S | 160 mm | 157 mm | 91 mm | 1350 g | 3020 | Y | Feb 2014 | 6,499 | ebay.com | |
10. | Nikon D610 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Oct 2013 | 1,999 | ebay.com | |
11. | Nikon D4 | 160 mm | 157 mm | 91 mm | 1340 g | 2600 | Y | Jan 2012 | 5,999 | ebay.com | |
12. | Nikon D3X | 160 mm | 157 mm | 88 mm | 1260 g | 4400 | Y | Dec 2008 | 7,999 | ebay.com | |
13. | Olympus E-5 | 142 mm | 117 mm | 75 mm | 873 g | 750 | Y | Sep 2010 | 1,699 | ebay.com | |
14. | Olympus E-30 | 142 mm | 108 mm | 75 mm | 701 g | 750 | n | Nov 2008 | 1,299 | ebay.com | |
15. | Olympus E-520 | 136 mm | 92 mm | 68 mm | 535 g | 750 | n | May 2008 | 699 | ebay.com | |
16. | Olympus E-510 | 136 mm | 92 mm | 68 mm | 538 g | 750 | n | Mar 2007 | 799 | ebay.com | |
17. | Olympus E-1 | 141 mm | 104 mm | 81 mm | 738 g | 750 | Y | Jun 2003 | 1,699 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-3 was launched at a markedly lower price (by 74 percent) than the D5, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D5 features a full frame sensor and the Olympus E-3 a Four Thirds sensor. The sensor area in the E-3 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the D5 has a native 3:2 aspect ratio, while the one in the E-3 offers a 4:3 aspect.
With 20.7MP, the D5 offers a higher resolution than the E-3 (10MP), but the D5 nevertheless has larger individual pixels (pixel pitch of 6.44μm versus 4.74μm for the E-3) due to its larger sensor. Moreover, the D5 is a much more recent model (by 8 years and 2 months) than the E-3, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Nikon D5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5 for good quality output (200 dots per inch) amounts to 27.9 x 18.6 inches or 71 x 47.1 cm, for very good quality (250 dpi) 22.4 x 14.8 inches or 56.8 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.3 x 31.4 cm. The corresponding values for the Olympus E-3 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Nikon D5 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-3280000. The corresponding ISO settings for the Olympus E-3 are ISO 100 to ISO 3200 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the D5 provides substantially higher image quality than the E-3, with an overall score that is 32 points higher. This advantage is based on 3.5 bits higher color depth, 1.8 EV in additional dynamic range, and 2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D5 | Full Frame | 20.7 | 5588 | 3712 | 4K/30p | 25.1 | 12.3 | 2343 | 88 | |
2. | Olympus E-3 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.6 | 10.5 | 571 | 56 | |
3. | Canon 1D X Mark II | Full Frame | 20.0 | 5472 | 3648 | 4K/60p | 24.1 | 13.5 | 3207 | 88 | |
4. | Leica SL | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 13.4 | 1821 | 88 | |
5. | Nikon D6 | Full Frame | 20.7 | 5568 | 3712 | 4K/30p | 25.3 | 14.3 | 2886 | 95 | |
6. | Nikon D7500 | APS-C | 20.7 | 5568 | 3712 | 4K/30p | 24.3 | 14.0 | 1483 | 86 | |
7. | Nikon D500 | APS-C | 20.7 | 5568 | 3712 | 4K/30p | 24.0 | 14.0 | 1324 | 83 | |
8. | Nikon D7200 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.5 | 14.6 | 1333 | 87 | |
9. | Nikon D4S | Full Frame | 16.2 | 4928 | 3280 | 1080/60p | 24.4 | 13.3 | 3074 | 89 | |
10. | Nikon D610 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.4 | 2925 | 94 | |
11. | Nikon D4 | Full Frame | 16.2 | 4928 | 3280 | 1080/30p | 24.7 | 13.1 | 2965 | 89 | |
12. | Nikon D3X | Full Frame | 24.4 | 6048 | 4032 | none | 24.7 | 13.7 | 1992 | 88 | |
13. | Olympus E-5 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.6 | 10.5 | 519 | 56 | |
14. | Olympus E-30 | Four Thirds | 12.2 | 4032 | 3024 | none | 21.3 | 10.4 | 530 | 55 | |
15. | Olympus E-520 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.4 | 10.4 | 548 | 55 | |
16. | Olympus E-510 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.2 | 10.0 | 442 | 52 | |
17. | Olympus E-1 | Four Thirds | 4.9 | 2560 | 1920 | none | 20.0 | 9.7 | -145 | 44 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The D5 indeed provides movie recording capabilities, while the E-3 does not. The highest resolution format that the D5 can use is 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The D5 and the E-3 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D5 has a higher magnification than the one of the E-3 (0.72x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D5, the Olympus E-3, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D5 | optical | Y | 3.2 / 2359 | fixed | Y | 1/8000s | 14.0/s | n | n | |
2. | Olympus E-3 | optical | Y | 2.5 / 230 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
3. | Canon 1D X Mark II | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 16.0/s | n | n | |
4. | Leica SL | 4400 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 11.0/s | n | n | |
5. | Nikon D6 | optical | Y | 3.2 / 2359 | fixed | Y | 1/8000s | 14.0/s | n | n | |
6. | Nikon D7500 | optical | Y | 3.2 / 922 | tilting | Y | 1/8000s | 8.0/s | Y | n | |
7. | Nikon D500 | optical | Y | 3.2 / 2359 | tilting | Y | 1/8000s | 10.0/s | n | n | |
8. | Nikon D7200 | optical | Y | 3.2 / 1229 | fixed | n | 1/8000s | 6.0/s | Y | n | |
9. | Nikon D4S | optical | Y | 3.2 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
10. | Nikon D610 | optical | Y | 3.2 / 921 | fixed | n | 1/4000s | 6.0/s | Y | n | |
11. | Nikon D4 | optical | Y | 3.2 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
12. | Nikon D3X | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 5.0/s | n | n | |
13. | Olympus E-5 | optical | Y | 3.0 / 920 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
14. | Olympus E-30 | optical | Y | 2.7 / 230 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
15. | Olympus E-520 | optical | n | 2.7 / 215 | fixed | n | 1/4000s | 3.5/s | Y | Y | |
16. | Olympus E-510 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 3.0/s | Y | Y | |
17. | Olympus E-1 | optical | Y | 1.8 / 134 | fixed | n | 1/4000s | 3.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The D5 has a touchscreen, while the E-3 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The E-3 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D5 does not have a selfie-screen.The Nikon D5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D5 writes its imaging data to Compact Flash or XQD cards, while the E-3 uses Compact Flash or xD Picture cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5 and Olympus E-3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D5 | Y | stereo / mono | Y | Y | mini | 3.0 | - | - | - | |
2. | Olympus E-3 | Y | - / - | - | - | - | 2.0 | - | - | - | |
3. | Canon 1D X Mark II | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
4. | Leica SL | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | - | |
5. | Nikon D6 | Y | stereo / mono | Y | Y | mini | 3.1 | Y | - | Y | |
6. | Nikon D7500 | Y | stereo / mono | Y | Y | mini | 2.0 | Y | - | Y | |
7. | Nikon D500 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | Y | Y | |
8. | Nikon D7200 | Y | stereo / mono | Y | Y | mini | 2.0 | Y | Y | - | |
9. | Nikon D4S | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
10. | Nikon D610 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
11. | Nikon D4 | Y | mono / mono | Y | Y | micro | 2.0 | - | - | - | |
12. | Nikon D3X | Y | - / - | - | - | mini | 2.0 | - | - | - | |
13. | Olympus E-5 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
14. | Olympus E-30 | Y | - / - | - | - | - | 2.0 | - | - | - | |
15. | Olympus E-520 | Y | - / - | - | - | - | 2.0 | - | - | - | |
16. | Olympus E-510 | Y | - / - | - | - | - | 2.0 | - | - | - | |
17. | Olympus E-1 | Y | - / - | - | - | - | 2.0 | - | - | - |
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the D5 and the E-3 have been discontinued, but can regularly be found used on ebay. The E-3 was replaced by the Olympus E-5, while the D5 was followed by the Nikon D6. Further information on the features and operation of the D5 and E-3 can be found, respectively, in the Nikon D5 Manual (free pdf) or the online Olympus E-3 Manual.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Nikon D5 and the Olympus E-3? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Nikon D5:
- More detail: Offers more megapixels (20.7 vs 10MP) with a 47% higher linear resolution.
- Better image quality: Scores substantially higher (32 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (3.5 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.8 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2 stops ISO advantage).
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.58x).
- Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 230k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (14 vs 5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (3780 versus 750) on a single battery charge.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- More modern: Reflects 8 years and 2 months of technical progress since the E-3 launch.
Reasons to prefer the Olympus E-3:
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (142x116mm vs 160x159mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 539g or 38 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (74 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in October 2007).
If the count of relative strengths (bullet points above) is taken as a measure, the D5 is the clear winner of the match-up (16 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5 and the Olympus E-3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the D5 and the E-3 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D5 | .. | .. | 4/5 | 89/100 | 4.5/5 | 5/5 | Jan 2016 | 6,499 | ebay.com | |
2. | Olympus E-3 | .. | 88/100 | .. | + + | o | 4/5 | Oct 2007 | 1,699 | ebay.com | |
3. | Canon 1D X Mark II | .. | .. | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2016 | 5,999 | ebay.com | |
4. | Leica SL | 4/5 | .. | 4/5 | 84/100 | 4.5/5 | 4/5 | Oct 2015 | 7,450 | ebay.com | |
5. | Nikon D6 | .. | .. | 4/5 | .. | 4.5/5 | 4.5/5 | Feb 2020 | 6,499 | amazon.com | |
6. | Nikon D7500 | 4.5/5 | + + | 4.5/5 | 86/100 | 5/5 | 4.5/5 | Apr 2017 | 1,299 | amazon.com | |
7. | Nikon D500 | 5/5 | + + | 4.7/5 | 91/100 | 4.5/5 | 5/5 | Jan 2016 | 1,999 | ebay.com | |
8. | Nikon D7200 | 4/5 | + + | .. | 84/100 | 4.5/5 | 4.5/5 | Mar 2015 | 1,199 | ebay.com | |
9. | Nikon D4S | 5/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Feb 2014 | 6,499 | ebay.com | |
10. | Nikon D610 | 4/5 | + + | .. | 87/100 | 4.5/5 | 4.5/5 | Oct 2013 | 1,999 | ebay.com | |
11. | Nikon D4 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Jan 2012 | 5,999 | ebay.com | |
12. | Nikon D3X | .. | .. | .. | 86/100 | 4/5 | 5/5 | Dec 2008 | 7,999 | ebay.com | |
13. | Olympus E-5 | 4/5 | .. | .. | 75/100 | 4/5 | 4.5/5 | Sep 2010 | 1,699 | ebay.com | |
14. | Olympus E-30 | .. | .. | .. | 71/100 | 4.5/5 | 4/5 | Nov 2008 | 1,299 | ebay.com | |
15. | Olympus E-520 | .. | 87/100 | .. | + + | 4.5/5 | 4.5/5 | May 2008 | 699 | ebay.com | |
16. | Olympus E-510 | .. | 89/100 | .. | + + | 3.5/5 | 4.5/5 | Mar 2007 | 799 | ebay.com | |
17. | Olympus E-1 | .. | .. | .. | + | o | .. | Jun 2003 | 1,699 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Nikon D5 vs Olympus E-3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon D5 | Olympus E-3 |
---|---|---|
Camera Type | Digital single lens reflex | Digital single lens reflex |
Camera Lens | Nikon F mount lenses | Four Thirds lenses |
Launch Date | January 2016 | October 2007 |
Launch Price | USD 6,499 | USD 1,699 |
Sensor Specs | Nikon D5 | Olympus E-3 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Full Frame Sensor | Four Thirds Sensor |
Sensor Size | 35.9 x 23.9 mm | 17.3 x 13.0 mm |
Sensor Area | 858.01 mm2 | 224.9 mm2 |
Sensor Diagonal | 43.1 mm | 21.6 mm |
Crop Factor | 1.0x | 2.0x |
Sensor Resolution | 20.7 Megapixels | 10 Megapixels |
Image Resolution | 5588 x 3712 pixels | 3648 x 2736 pixels |
Pixel Pitch | 6.44 μm | 4.74 μm |
Pixel Density | 2.42 MP/cm2 | 4.44 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | no Video |
ISO Setting | 100 - 102,400 ISO | 100 - 3,200 ISO |
ISO Boost | 50 - 3,280,000 ISO | no Enhancement |
Image Processor | EXPEED 5 | TruePic III |
DXO Sensor Quality (score) | 88 | 56 |
DXO Color Depth (bits) | 25.1 | 21.6 |
DXO Dynamic Range (EV) | 12.3 | 10.5 |
DXO Low Light (ISO) | 2343 | 571 |
Screen Specs | Nikon D5 | Olympus E-3 |
Viewfinder Type | Optical viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.72x | 0.58x |
Top-Level Screen | Control Panel | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 2.5inch |
LCD Resolution | 2359k dots | 230k dots |
LCD Attachment | Fixed screen | Swivel screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Nikon D5 | Olympus E-3 |
Focus System | Phase-detect AF | Phase-detect AF |
Continuous Shooting | 14 shutter flaps/s | 5 shutter flaps/s |
Shutter Life Expectancy | 400 000 actuations | 150 000 actuations |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | CF or XQD cards | CF or XD cards |
Single or Dual Card Slots | Dual card slots | Dual card slots |
Connectivity Specs | Nikon D5 | Olympus E-3 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | PC Sync socket |
USB Connector | USB 3.0 | USB 2.0 |
HDMI Port | mini HDMI | no HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | no Wifi | no Wifi |
Body Specs | Nikon D5 | Olympus E-3 |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Nikon EN-EL18a | Olympus BLM-1 |
Battery Life (CIPA) | 3780 shots per charge | 750 shots per charge |
Body Dimensions |
160 x 159 x 92 mm (6.3 x 6.3 x 3.6 in) |
142 x 116 x 75 mm (5.6 x 4.6 x 3.0 in) |
Camera Weight | 1415 g (49.9 oz) | 876 g (30.9 oz) |
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