Nikon D4 vs Sony A77 II
The Nikon D4 and the Sony Alpha SLT-A77 II are two digital cameras that were officially introduced, respectively, in January 2012 and May 2014. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a full frame (D4) and an APS-C (A77 II) sensor. The Nikon has a resolution of 16.2 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D4 and the Sony Alpha SLT-A77 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon D4 and the Sony A77 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A77 II is considerably smaller (41 percent) than the Nikon D4. Moreover, the A77 II is substantially lighter (52 percent) than the D4. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the D4 gets 2600 shots out of its EN-EL18 battery, while the A77 II can take 480 images on a single charge of its NP-FM500H power pack. As can be seen in the images above, the D4 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the A77 II, Sony provides the VG-C77AM vertical grip as an optional accessory (see here on eBay).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Nikon D4||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999|
|2.||Sony A77 II||143 mm||104 mm||81 mm||647 g||480||Y||May 2014||1,199|
|3.||Canon 1D X||158 mm||168 mm||83 mm||1551 g||1120||Y||Oct 2011||6,799|
|4.||Nikon D5||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499|
|5.||Nikon D7200||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199|
|6.||Nikon D4S||160 mm||157 mm||91 mm||1350 g||3020||Y||Feb 2014||6,499|
|7.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199|
|8.||Nikon Df||144 mm||110 mm||67 mm||760 g||1400||Y||Nov 2013||2,749|
|9.||Nikon D600||141 mm||113 mm||82 mm||850 g||900||Y||Sep 2012||2,099|
|10.||Nikon D800||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||2,999|
|11.||Nikon D800E||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||3,299|
|12.||Nikon D3S||160 mm||157 mm||88 mm||1240 g||4200||Y||Oct 2009||5,199|
|13.||Nikon D3X||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999|
|14.||Nikon D3||160 mm||157 mm||88 mm||1300 g||4300||Y||Aug 2007||4,999|
|15.||Sony A68||143 mm||104 mm||81 mm||610 g||540||n||Nov 2015||699|
|16.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|17.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A77 II was launched at a markedly lower price (by 80 percent) than the D4, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D4 features a full frame sensor and the Sony A77 II an APS-C sensor. The sensor area in the A77 II is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the A77 II offers a higher resolution of 24 megapixels, compared with 16.2 MP of the D4. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 7.29μm for the D4). However, it should be noted that the A77 II is much more recent (by 2 years and 3 months) than the D4, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony A77 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A77 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Nikon D4 are 24.6 x 16.4 inches or 62.6 x 41.7 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.3 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.8 cm for excellent quality prints.
The Nikon D4 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-204800. The corresponding ISO settings for the Sony Alpha SLT-A77 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|2.||Sony A77 II||APS-C||24.0||6000||4000||1080/60p||23.5||12.7||1442||77|
|3.||Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|4.||Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|6.||Nikon D4S||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89|
|8.||Nikon Df||Full Frame||16.2||4928||3280||none||24.6||13.1||3279||89|
|9.||Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|10.||Nikon D800||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95|
|11.||Nikon D800E||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96|
|12.||Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|13.||Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88|
|14.||Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
|16.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A77 II provides a faster frame rate than the D4. It can shoot movie footage at 1080/60p, while the Nikon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A77 II has an electronic viewfinder (2359k dots), while the D4 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A77 II has a higher magnification than the one of the D4 (0.73x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon D4 and Sony A77 II along with similar information for a selection of comparators.
|1.||Nikon D4||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0||n||n|
|2.||Sony A77 II||2359||Y||3.0 / 1229||full-flex||n||1/8000s||12.0||Y||Y|
|3.||Canon 1D X||optical||Y||3.2 / 1040||fixed||n||1/8000s||14.0||n||n|
|4.||Nikon D5||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0||n||n|
|5.||Nikon D7200||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|6.||Nikon D4S||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0||n||n|
|7.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|8.||Nikon Df||optical||Y||3.2 / 921||fixed||n||1/4000s||5.5||n||n|
|9.||Nikon D600||optical||Y||3.0 / 921||fixed||n||1/4000s||5.5||Y||n|
|10.||Nikon D800||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0||Y||n|
|11.||Nikon D800E||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0||Y||n|
|12.||Nikon D3S||optical||Y||3.0 / 921||fixed||n||1/8000s||11.0||n||n|
|13.||Nikon D3X||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0||n||n|
|14.||Nikon D3||optical||Y||3.0 / 922||fixed||n||1/8000s||11.0||n||n|
|15.||Sony A68||1440||Y||2.7 / 460||tilting||n||1/4000s||8.0||Y||Y|
|16.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||Y|
|17.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0||Y||Y|
One feature that differentiates the A77 II and the D4 is in-body image stabilization (IBIS). The A77 II reduces the risk of handshake-induced blur with all attached lenses, while the D4 offers no blur reduction with lenses that themselves do not provide optical image stabilization.The A77 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D4 does not have a selfie-screen.
The Nikon D4 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D4 writes its imaging data to Compact Flash or XQD cards, while the A77 II uses SDXC or Memory Stick PRO Duo cards. The D4 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A77 II only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D4 and Sony Alpha SLT-A77 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D4||Y||mono / mono||Y||Y||micro||2.0||-||-||-|
|2.||Sony A77 II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|3.||Canon 1D X||Y||mono / -||Y||-||mini||2.0||-||-||-|
|4.||Nikon D5||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|5.||Nikon D7200||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|6.||Nikon D4S||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|7.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|8.||Nikon Df||Y||- / -||-||-||mini||2.0||-||-||-|
|9.||Nikon D600||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|10.||Nikon D800||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|11.||Nikon D800E||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|12.||Nikon D3S||Y||stereo / -||-||-||mini||2.0||-||-||-|
|13.||Nikon D3X||Y||- / -||-||-||mini||2.0||-||-||-|
|14.||Nikon D3||Y||- / -||-||-||mini||2.0||-||-||-|
|15.||Sony A68||Y||stereo / mono||Y||-||micro||2.0||-||-||-|
|16.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the D4 has a headphone jack, which is not present on the A77 II This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The A77 II is a recent model that features in the current product line-up of Sony. In contrast, the D4 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the D4 was succeeded by the Nikon D4S. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what is the bottom line? Is the Nikon D4 better than the Sony A77 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Nikon D4:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (2600 versus 480) on a single battery charge.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in January 2012).
Arguments in favor of the Sony Alpha SLT-A77 II:
- More detail: Has more megapixels (24 vs 16.2MP), which boosts linear resolution by 22%.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 921k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (143x104mm vs 160x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 693g or 52 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
- More modern: Reflects 2 years and 3 months of technical progress since the D4 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A77 II emerges as the winner of the match-up (15 : 12 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D4 and the Sony A77 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the D4 and the A77 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D4||..||..||..||..||4.5/5||4.5/5||Jan 2012||5,999|
|2.||Sony A77 II||4/5||..||..||80/100||4.5/5||5/5||May 2014||1,199|
|3.||Canon 1D X||5/5||..||..||..||4.5/5||4.5/5||Oct 2011||6,799|
|4.||Nikon D5||..||..||4/5||89/100||4.5/5||5/5||Jan 2016||6,499|
|5.||Nikon D7200||4/5||+ +||..||84/100||4.5/5||4.5/5||Mar 2015||1,199|
|6.||Nikon D4S||5/5||..||..||..||4.5/5||4.5/5||Feb 2014||6,499|
|7.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199|
|8.||Nikon Df||4/5||..||..||81/100||4/5||4/5||Nov 2013||2,749|
|9.||Nikon D600||4/5||+ +||..||87/100||5/5||4.5/5||Sep 2012||2,099|
|10.||Nikon D800||5/5||+ +||..||82/100||5/5||5/5||Feb 2012||2,999|
|11.||Nikon D800E||..||..||..||84/100||5/5||5/5||Feb 2012||3,299|
|12.||Nikon D3S||5/5||..||..||89/100||4.5/5||5/5||Oct 2009||5,199|
|13.||Nikon D3X||..||..||..||86/100||4/5||5/5||Dec 2008||7,999|
|14.||Nikon D3||..||..||..||+ +||5/5||4.5/5||Aug 2007||4,999|
|15.||Sony A68||3/5||..||..||..||4/5||4/5||Nov 2015||699|
|16.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|17.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Nikon D4 vs Sony A77 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D4||Sony A77 II|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Nikon F mount lenses||Sony A mount lenses|
|Launch Date||January 2012||May 2014|
|Launch Price||USD 5,999||USD 1,199|
|Sensor Specs||Nikon D4||Sony A77 II|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 23.9 mm||23.5 x 15.6 mm|
|Sensor Area||860.4 mm2||366.6 mm2|
|Sensor Diagonal||43.2 mm||28.2 mm|
|Sensor Resolution||16.2 Megapixels||24 Megapixels|
|Image Resolution||4928 x 3280 pixels||6000 x 4000 pixels|
|Pixel Pitch||7.29 μm||3.91 μm|
|Pixel Density||1.88 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 12,800 ISO||100 - 25,600 ISO|
|ISO Boost||50 - 204,800 ISO||50 - 51,200 ISO|
|Image Processor||EXPEED 3||BIONZ X|
|DXO Sensor Quality (score)||89||..|
|DXO Color Depth (bits)||24.7||..|
|DXO Dynamic Range (EV)||13.1||..|
|DXO Low Light (ISO)||2965||..|
|Screen Specs||Nikon D4||Sony A77 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||921k dots||1229k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Nikon D4||Sony A77 II|
|Focus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||11 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||400 000 actuations||150 000 actuations|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF or XQD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Nikon D4||Sony A77 II|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Nikon D4||Sony A77 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||2600 shots per charge||480 shots per charge|
160 x 157 x 91 mm
(6.3 x 6.2 x 3.6 in)
143 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
|Camera Weight||1340 g (47.3 oz)||647 g (22.8 oz)|
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