Nikon D3500 vs Panasonic FZ330
The Nikon D3500 and the Panasonic Lumix DMC-FZ330 (labelled Panasonic FZ300 in some countries) are two digital cameras that were officially introduced, respectively, in August 2018 and July 2015. The D3500 is a DSLR, while the FZ330 is a fixed lens compact. The cameras are based on an APS-C (D3500) and a 1/2.3-inch (FZ330) sensor. The Nikon has a resolution of 24 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D3500||Panasonic FZ330|
|Digital single lens reflex||Fixed lens compact camera|
|Nikon F mount lenses||25-600mm f/2.8|
|24 MP, APS-C Sensor||12 MP, 1/2.3" Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-25600||ISO 100-6400|
|Optical viewfinder||Electronic viewfinder (1440k dots)|
|3.0" LCD, 921k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|5 shutter flaps per second||12 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|1550 shots per battery charge||380 shots per battery charge|
|124 x 97 x 70 mm, 365 g||132 x 92 x 117 mm, 691 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D3500 and the Panasonic Lumix DMC-FZ330? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon D3500 and the Panasonic FZ330 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D3500 and the Panasonic FZ330 are of equal size. It is noteworthy in this context that the FZ330 is splash and dust-proof, while the D3500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ330 has a lens built in, whereas the D3500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D3500 and their specifications in the Nikon Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Nikon D3500»||4.9 in||3.8 in||2.8 in||12.9 oz||1550||n||Aug 2018||429||Nikon D3500|
|Panasonic FZ330«||5.2 in||3.6 in||4.6 in||24.4 oz||380||Y||Jul 2015||599||Panasonic FZ330|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||Canon SX730|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||Canon SX60|
|Fujifilm X-A7« »||4.7 in||2.7 in||1.6 in||11.3 oz||440||n||Sep 2019||499||Fujifilm X-A7|
|Fujifilm X-A5« »||4.6 in||2.7 in||1.6 in||12.7 oz||450||n||Jan 2018||399||Fujifilm X-A5|
|Fujifilm XF10« »||4.4 in||2.5 in||1.6 in||9.8 oz||330||n||Jul 2018||499||Fujifilm XF10|
|Fujifilm X-E3« »||4.8 in||2.9 in||1.7 in||11.9 oz||350||n||Sep 2017||899||Fujifilm X-E3|
|Nikon D3400« »||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499||Nikon D3400|
|Nikon D5500« »||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||Nikon D5500|
|Nikon D3300« »||4.9 in||3.9 in||3.0 in||15.2 oz||700||n||Jan 2014||499||Nikon D3300|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||Panasonic ZS70|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||Panasonic FZ200|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||Panasonic FZ150|
|Panasonic LX5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||Panasonic LX5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D3500 features an APS-C sensor and the Panasonic FZ330 a 1/2.3-inch sensor. The sensor area in the FZ330 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the D3500 has a native 3:2 aspect ratio, while the one in the FZ330 offers a 4:3 aspect.
With 24MP, the D3500 offers a higher resolution than the FZ330 (12MP), but the D3500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 1.53μm for the FZ330) due to its larger sensor. Moreover, the D3500 is a much more recent model (by 3 years and 1 month) than the FZ330, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Nikon D3500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D3500 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ330 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Nikon D3500 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ330 are ISO 100 to ISO 6400 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Nikon D3500||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Nikon D3500|
|Panasonic FZ330||1/2.3||12.0||4000||3000||4K/30p||19.3||11.0||97||38||Panasonic FZ330|
|Canon M100||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon SX730||1/2.3||20.2||5184||3888||1080/60p||..||..||..||..||Canon SX730|
|Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon SX60||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Fujifilm X-A7||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-A7|
|Fujifilm X-A5||APS-C||24.0||6000||4000||4K/15p||..||..||..||..||Fujifilm X-A5|
|Fujifilm XF10||APS-C||24.0||6000||4000||4K/15p||..||..||..||..||Fujifilm XF10|
|Fujifilm X-E3||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-E3|
|Nikon D3400||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86||Nikon D3400|
|Nikon D5500||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Nikon D3300||APS-C||24.0||6000||4000||1080/60p||24.3||12.8||1385||82||Nikon D3300|
|Panasonic ZS70||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Panasonic FZ200||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic FZ150||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic LX5||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ330 provides a better video resolution than the D3500. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ330 has an electronic viewfinder (1440k dots), while the D3500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ330 offers a wider field of view (100%) than the one in the D3500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the FZ330 has a higher magnification (0.70x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D3500, the Panasonic FZ330, and comparable cameras.
|Nikon D3500||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3500|
|Panasonic FZ330||1440||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ330|
|Canon M100||none||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon SX730||none||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Canon G3 X||optional||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Canon SX60||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Fujifilm X-A7||none||n||3.5||2760||swivel||Y||1/4000s||6.0||Y||n||Fujifilm X-A7|
|Fujifilm X-A5||none||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A5|
|Fujifilm XF10||none||n||3.0||1040||fixed||Y||1/4000s||6.0||Y||n||Fujifilm XF10|
|Fujifilm X-E3||2360||n||3.0||1040||fixed||Y||1/4000s||8.0||n||n||Fujifilm X-E3|
|Nikon D3400||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3400|
|Nikon D5500||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Nikon D3300||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3300|
|Panasonic ZS70||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS70|
|Panasonic FZ200||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic FZ150||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Panasonic LX5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ330 has a touchscreen, while the D3500 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The FZ330 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D3500 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ330 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ330 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D3500 and the FZ330 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D3500 and Panasonic Lumix DMC-FZ330 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D3500||Y||mono||mono||-||-||mini||2.0||-||-||Y||Nikon D3500|
|Panasonic FZ330||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Panasonic FZ330|
|Canon M100||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon SX730||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon G3 X||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon SX60||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Fujifilm X-A7||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Fujifilm X-A7|
|Fujifilm X-A5||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Fujifilm X-A5|
|Fujifilm XF10||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Fujifilm X-E3||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-E3|
|Nikon D3400||Y||mono||mono||-||-||mini||2.0||-||-||Y||Nikon D3400|
|Nikon D5500||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Nikon D3300||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3300|
|Panasonic ZS70||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Panasonic FZ200||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic FZ150||Y||stereo||none||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic LX5||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
It is notable that the FZ330 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D3500 does not offer wifi capability.
Both the D3500 and the FZ330 are recent models that are part of the current product line-up. The FZ330 replaced the earlier Panasonic FZ200, while the D3500 followed on from the Nikon D3400. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Nikon D3500 and the Panasonic FZ330? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Nikon D3500:
- More detail: Offers more megapixels (24 vs 12MP) with a 44% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (1550 versus 380) on a single battery charge.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 3 years and 1 month of technical progress since the FZ330 launch.
Arguments in favor of the Panasonic Lumix DMC-FZ330:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.57x).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the D3500 requires a separate lens.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More heavily discounted: Has been around for much longer (launched in July 2015).
If the count of individual advantages (bullet points above) is taken as a guide, the FZ330 is the clear winner of the contest (17 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D3500 and the Panasonic FZ330 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the D3500 and the FZ330 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5D vs Panasonic FZ330
- Canon 5DS R vs Nikon D3500
- Canon 800D vs Panasonic FZ330
- Canon G5 X vs Panasonic FZ330
- Canon M100 vs Panasonic FZ330
- Canon R vs Nikon D3500
- Canon Rebel vs Nikon D3500
- Fujifilm X100 vs Nikon D3500
- Nikon D3500 vs Panasonic G1
- Nikon D7200 vs Panasonic FZ330
- Panasonic FZ330 vs Sony NEX-5T
- Panasonic FZ330 vs Sony NEX-F3
Specifications: Nikon D3500 vs Panasonic FZ330
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D3500||Panasonic FZ330|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Nikon F mount lenses||25-600mm f/2.8|
|Launch Date||August 2018||July 2015|
|Launch Price||USD 429||USD 599|
|Sensor Specs||Nikon D3500||Panasonic FZ330|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||23.5 x 15.6 mm||6.17 x 4.55 mm|
|Sensor Area||366.6 mm2||28.0735 mm2|
|Sensor Diagonal||28.2 mm||7.7 mm|
|Sensor Resolution||24 Megapixels||12 Megapixels|
|Image Resolution||6000 x 4000 pixels||4000 x 3000 pixels|
|Pixel Pitch||3.91 μm||1.53 μm|
|Pixel Density||6.55 MP/cm2||42.74 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||100-6400 ISO|
|Image Processor||EXPEED 4||Venus|
|DXO Sensor Quality (score)||..||38|
|DXO Color Depth (bits)||..||19.3|
|DXO Dynamic Range (EV)||..||11.0|
|DXO Low Light (ISO)||..||97|
|Screen Specs||Nikon D3500||Panasonic FZ330|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||921k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D3500||Panasonic FZ330|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||5 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Nikon D3500||Panasonic FZ330|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Nikon D3500||Panasonic FZ330|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||1550 shots per charge||380 shots per charge|
124 x 97 x 70 mm
(4.9 x 3.8 x 2.8 in)
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
|Camera Weight||365 g (12.9 oz)||691 g (24.4 oz)|
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