Nikon D3400 vs Panasonic FZ2500
The Nikon D3400 and the Panasonic Lumix DMC-FZ2500 (labelled Panasonic FZ2000 in some countries) are two digital cameras that were officially introduced, respectively, in August 2016 and September 2016. The D3400 is a DSLR, while the FZ2500 is a fixed lens compact. The cameras are based on an APS-C (D3400) and an one-inch (FZ2500) sensor. The Nikon has a resolution of 24 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D3400 and the Panasonic Lumix DMC-FZ2500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D3400 and the Panasonic FZ2500. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The D3400 can be obtained in two different colors (black, red), while the FZ2500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2500 is notably larger (16 percent) than the Nikon D3400. In this context, it is worth noting that neither the D3400 nor the FZ2500 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2500 has a lens built in, whereas the D3400 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D3400 and their specifications in the Nikon Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499||ebay.com|
|2.||Panasonic FZ2500||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199||amazon.com|
|3.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899||ebay.com|
|4.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||ebay.com|
|5.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499||ebay.com|
|6.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299||ebay.com|
|7.||Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249||amazon.com|
|8.||Nikon D3500||124 mm||97 mm||70 mm||415 g||1550||n||Aug 2018||429||amazon.com|
|9.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299||amazon.com|
|10.||Nikon D5600||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699||amazon.com|
|11.||Nikon D5500||124 mm||97 mm||70 mm||470 g||820||n||Jan 2015||899||ebay.com|
|12.||Nikon D3300||124 mm||98 mm||76 mm||430 g||700||n||Jan 2014||499||ebay.com|
|13.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799||ebay.com|
|14.||Nikon D3200||125 mm||96 mm||77 mm||505 g||540||n||Apr 2012||599||ebay.com|
|15.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899||amazon.com|
|16.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||ebay.com|
|17.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D3400 features an APS-C sensor and the Panasonic FZ2500 an one-inch sensor. The sensor area in the FZ2500 is 68 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the D3400 offers a higher resolution than the FZ2500 (20MP), but the D3400 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.41μm for the FZ2500) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the D3400 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon D3400 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D3400 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ2500 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The Nikon D3400 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2500 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
In terms of underlying technology, the D3400 is build around a CMOS sensor, while the FZ2500 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|7.||Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||584||65|
|15.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||22.1||12.4||546||65|
|17.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ2500 provides a better video resolution than the D3400. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ2500 has an electronic viewfinder (2360k dots), while the D3400 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ2500 offers a wider field of view (100%) than the one in the D3400 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the FZ2500 has a higher magnification (0.74x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D3400, the Panasonic FZ2500, and comparable cameras.
|1.||Nikon D3400||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|2.||Panasonic FZ2500||2360||n||3.0 / 1040||swivel||Y||1/4000s||12.0/s||Y||Y|
|3.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|4.||Canon 200D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1/s||Y||n|
|6.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0/s||Y||n|
|7.||Leica V-LUX 5||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0/s||Y||Y|
|8.||Nikon D3500||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|9.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0/s||Y||n|
|10.||Nikon D5600||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0/s||Y||n|
|11.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0/s||Y||n|
|12.||Nikon D3300||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|13.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0/s||Y||n|
|14.||Nikon D3200||optical||n||3.0 / 921||fixed||n||1/4000s||4.0/s||Y||n|
|15.||Panasonic FZ1000 II||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0/s||Y||Y|
|16.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0/s||Y||Y|
|17.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ2500 has a touchscreen, while the D3400 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The FZ2500 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D3400 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ2500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D3400 and the FZ2500 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D3400 and Panasonic Lumix DMC-FZ2500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D3400||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|2.||Panasonic FZ2500||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|3.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon 200D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|6.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Leica V-LUX 5||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|8.||Nikon D3500||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|9.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|10.||Nikon D5600||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|11.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|12.||Nikon D3300||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|13.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|14.||Nikon D3200||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|15.||Panasonic FZ1000 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|16.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|17.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the FZ2500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D3400 does not provide wifi capability.
The FZ2500 is a recent model that features in the current product line-up of Panasonic. In contrast, the D3400 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the D3400 was succeeded by the Nikon D3500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Nikon D3400 and the Panasonic FZ2500? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Nikon D3400:
- More detail: Offers more megapixels (24 vs 20MP) with a 10% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More compact: Is smaller (124x98mm vs 138x102mm) and thus needs less room in the bag.
- Longer lasting: Can take more shots (1200 versus 350) on a single battery charge.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
Reasons to prefer the Panasonic Lumix DMC-FZ2500:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.57x).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the D3400 requires a separate lens.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
If the count of relative strengths (bullet points above) is taken as a measure, the FZ2500 is the clear winner of the contest (17 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D3400 and the Panasonic FZ2500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the D3400 and the FZ2500 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D3400||4/5||+||4/5||76/100||4/5||4.5/5||Aug 2016||499||ebay.com|
|2.||Panasonic FZ2500||..||+||..||82/100||4.5/5||5/5||Sep 2016||1,199||amazon.com|
|3.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899||ebay.com|
|4.||Canon 200D||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549||ebay.com|
|5.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499||ebay.com|
|6.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299||ebay.com|
|7.||Leica V-LUX 5||..||..||..||..||4/5||4/5||Jul 2019||1,249||amazon.com|
|8.||Nikon D3500||4/5||..||4/5||75/100||4/5||4.5/5||Aug 2018||429||amazon.com|
|9.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299||amazon.com|
|10.||Nikon D5600||4/5||..||4/5||79/100||4.5/5||4/5||Nov 2016||699||amazon.com|
|11.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899||ebay.com|
|12.||Nikon D3300||3/5||+||..||77/100||4.5/5||4.5/5||Jan 2014||499||ebay.com|
|13.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799||ebay.com|
|14.||Nikon D3200||5/5||+ +||..||73/100||4.5/5||4.5/5||Apr 2012||599||ebay.com|
|15.||Panasonic FZ1000 II||..||..||..||83/100||4.5/5||4.5/5||Feb 2019||899||amazon.com|
|16.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899||ebay.com|
|17.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G1 X Mark III vs Panasonic FZ2500
- Canon Rebel vs Panasonic FZ2500
- Canon XSi vs Nikon D3400
- Fujifilm X100F vs Panasonic FZ2500
- Nikon D200 vs Nikon D3400
- Nikon D2X vs Panasonic FZ2500
- Nikon D3400 vs Nikon D610
- Nikon D3400 vs Panasonic G90
- Nikon D3400 vs Panasonic GF7
- Nikon D3400 vs Panasonic GX85
- Panasonic FZ2500 vs Sony A1
- Panasonic FZ2500 vs Sony A6600
Specifications: Nikon D3400 vs Panasonic FZ2500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D3400||Panasonic FZ2500|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Nikon F mount lenses||24-480mm f/2.8-4.5|
|Launch Date||August 2016||September 2016|
|Launch Price||USD 499||USD 1,199|
|Sensor Specs||Nikon D3400||Panasonic FZ2500|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||23.5 x 15.6 mm||13.2 x 8.8 mm|
|Sensor Area||366.6 mm2||116.16 mm2|
|Sensor Diagonal||28.2 mm||15.9 mm|
|Sensor Resolution||24 Megapixels||20 Megapixels|
|Image Resolution||6000 x 4000 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.91 μm||2.41 μm|
|Pixel Density||6.55 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||125 - 12,800 ISO|
|ISO Boost||no Enhancement||80 - 25,600 ISO|
|Image Processor||EXPEED 4||Venus|
|DXO Sensor Quality (score)||86||..|
|DXO Color Depth (bits)||24.8||..|
|DXO Dynamic Range (EV)||13.9||..|
|DXO Low Light (ISO)||1192||..|
|Screen Specs||Nikon D3400||Panasonic FZ2500|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||921k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D3400||Panasonic FZ2500|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Nikon D3400||Panasonic FZ2500|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Nikon D3400||Panasonic FZ2500|
|Battery Life (CIPA)||1200 shots per charge||350 shots per charge|
124 x 98 x 76 mm
(4.9 x 3.9 x 3.0 in)
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
|Camera Weight||445 g (15.7 oz)||915 g (32.3 oz)|
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