Nikon D3300 vs Panasonic GM5
The Nikon D3300 and the Panasonic Lumix DMC-GM5 are two digital cameras that were officially introduced, respectively, in January 2014 and September 2014. The D3300 is a DSLR, while the GM5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D3300) and a Four Thirds (GM5) sensor. The Nikon has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D3300 and the Panasonic Lumix DMC-GM5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D3300 and the Panasonic GM5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The D3300 can be obtained in three different colors (black, grey, red), while the GM5 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GM5 is considerably smaller (51 percent) than the Nikon D3300. Moreover, the GM5 is substantially lighter (51 percent) than the D3300. In this context, it is worth noting that neither the D3300 nor the GM5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D3300) and the Micro Four Thirds Lens Catalog (GM5). Mirrorless cameras, such as the GM5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Nikon D3300||124 mm||98 mm||76 mm||430 g||700||n||Jan 2014||499|
|2.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749|
|3.||Nikon D3500||124 mm||97 mm||70 mm||415 g||1550||n||Aug 2018||429|
|4.||Nikon D5600||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699|
|5.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499|
|6.||Nikon D5500||124 mm||97 mm||70 mm||470 g||820||n||Jan 2015||899|
|7.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199|
|8.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799|
|9.||Nikon D3200||125 mm||96 mm||77 mm||505 g||540||n||Apr 2012||599|
|10.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|11.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|12.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749|
|13.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|14.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|15.||Sony A5000||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449|
|16.||Sony A5100||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549|
|17.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D3300 was launched at a markedly lower price (by 33 percent) than the GM5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D3300 features an APS-C sensor and the Panasonic GM5 a Four Thirds sensor. The sensor area in the GM5 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D3300 has a native 3:2 aspect ratio, while the one in the GM5 offers a 4:3 aspect.
With 24MP, the D3300 offers a higher resolution than the GM5 (15.8MP), but the D3300 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.77μm for the GM5) due to its larger sensor. However, the GM5 is a somewhat more recent model (by 8 months) than the D3300, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D3300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon D3300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D3300 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GM5 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The Nikon D3300 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GM5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the D3300 provides substantially higher image quality than the GM5, with an overall score that is 16 points higher. This advantage is based on 2.2 bits higher color depth, 1.1 EV in additional dynamic range, and 0.9 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|10.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|11.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|12.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|13.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|14.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GM5 has an electronic viewfinder (1166k dots), while the D3300 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GM5 offers a wider field of view (100%) than the one in the D3300 (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the D3300 has a higher magnification (0.57x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Nikon D3300 and Panasonic GM5 in connection with corresponding information for a sample of similar cameras.
|1.||Nikon D3300||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|2.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8||n||n|
|3.||Nikon D3500||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|4.||Nikon D5600||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0||Y||n|
|5.||Nikon D3400||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|6.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0||Y||n|
|7.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|8.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0||Y||n|
|9.||Nikon D3200||optical||n||3.0 / 921||fixed||n||1/4000s||4.0||Y||n|
|10.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0||Y||n|
|11.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|12.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0||Y||n|
|13.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2||Y||n|
|14.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
|15.||Sony A5000||none||n||3.0 / 461||tilting||n||1/4000s||3.5||Y||n|
|16.||Sony A5100||none||n||3.0 / 922||tilting||Y||1/4000s||6.0||Y||n|
|17.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
One difference between the cameras concerns the presence of an on-board flash. The D3300 has one, while the GM5 does not. While the built-in flash of the D3300 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GM5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GM5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D3300 and the GM5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D3300 and Panasonic Lumix DMC-GM5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D3300||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|2.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Nikon D3500||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|4.||Nikon D5600||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Nikon D3400||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|6.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|7.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|8.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|9.||Nikon D3200||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|11.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|12.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|15.||Sony A5000||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony A5100||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the D3300 has a microphone port, which is missing on the GM5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the D3300 and the GM5 have been discontinued, but can regularly be found used on eBay. The D3300 was replaced by the Nikon D3400, while the GM5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what conclusions can be drawn? Is the Nikon D3300 better than the Panasonic GM5 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Nikon D3300:
- More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (16 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.2 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.1 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.9 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.57x vs 0.46x).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Longer lasting: Can take more shots (700 versus 220) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2014).
Reasons to prefer the Panasonic Lumix DMC-GM5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (5.8 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (99x60mm vs 124x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 219g or 51 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More modern: Was introduced somewhat (8 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the D3300 emerges as the winner of the contest (14 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D3300 and the Panasonic GM5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the D3300 or the GM5 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D3300||3/5||+||..||77/100||4.5/5||4.5/5||Jan 2014||499|
|2.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749|
|3.||Nikon D3500||..||..||4/5||75/100||4/5||4.5/5||Aug 2018||429|
|4.||Nikon D5600||4/5||..||4/5||79/100||4.5/5||4/5||Nov 2016||699|
|5.||Nikon D3400||4/5||+||4/5||76/100||4/5||4.5/5||Aug 2016||499|
|6.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899|
|7.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199|
|8.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799|
|9.||Nikon D3200||5/5||+ +||..||73/100||4.5/5||4.5/5||Apr 2012||599|
|10.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|11.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|12.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749|
|13.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699|
|14.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|15.||Sony A5000||3/5||+||..||..||4.5/5||4.5/5||Jan 2014||449|
|16.||Sony A5100||4.5/5||+||..||..||4.5/5||5/5||Aug 2014||549|
|17.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 60D vs Panasonic GM5
- Canon 6D vs Nikon D3300
- Canon 850D vs Nikon D3300
- Canon M6 vs Panasonic GM5
- Canon SX740 vs Panasonic GM5
- Fujifilm X-Pro1 vs Panasonic GM5
- Nikon D3300 vs Nikon D5600
- Nikon D3300 vs Sony A7 II
- Nikon D3300 vs Sony NEX-6
- Nikon D3300 vs Sony RX1R
- Nikon D7100 vs Panasonic GM5
- Panasonic GM5 vs Panasonic LX100 II
Specifications: Nikon D3300 vs Panasonic GM5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D3300||Panasonic GM5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Micro Four Thirds lenses|
|Launch Date||January 2014||September 2014|
|Launch Price||USD 499||USD 749|
|Sensor Specs||Nikon D3300||Panasonic GM5|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.5 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||366.6 mm2||224.9 mm2|
|Sensor Diagonal||28.2 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||15.8 Megapixels|
|Image Resolution||6000 x 4000 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.91 μm||3.77 μm|
|Pixel Density||6.55 MP/cm2||7.04 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||100 - 25,600 ISO|
|Image Processor||EXPEED 4||Venus|
|DXO Sensor Quality (score)||82||66|
|DXO Color Depth (bits)||24.3||22.1|
|DXO Dynamic Range (EV)||12.8||11.7|
|DXO Low Light (ISO)||1385||721|
|Screen Specs||Nikon D3300||Panasonic GM5|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||921k dots||921k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D3300||Panasonic GM5|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/500s|
|Continuous Shooting||5 shutter flaps/s||5.8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Nikon D3300||Panasonic GM5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Nikon D3300||Panasonic GM5|
|Battery Life (CIPA)||700 shots per charge||220 shots per charge|
124 x 98 x 76 mm
(4.9 x 3.9 x 3.0 in)
99 x 60 x 36 mm
(3.9 x 2.4 x 1.4 in)
|Camera Weight||430 g (15.2 oz)||211 g (7.4 oz)|
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