Nikon D300S vs Panasonic GF7
The Nikon D300S and the Panasonic Lumix DMC-GF7 are two digital cameras that were revealed to the public, respectively, in July 2009 and January 2015. The D300S is a DSLR, while the GF7 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D300S) and a Four Thirds (GF7) sensor. The Nikon has a resolution of 12.2 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D300S and the Panasonic Lumix DMC-GF7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D300S and the Panasonic GF7. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The GF7 can be obtained in two different colors (black, pink), while the D300S is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF7 is considerably smaller (59 percent) than the Nikon D300S. Moreover, the GF7 is substantially lighter (72 percent) than the D300S. It is worth mentioning in this context that the D300S is splash and dust resistant, while the GF7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D300S) and the Micro Four Thirds Lens Catalog (GF7). Mirrorless cameras, such as the GF7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Nikon D300S||147 mm||115 mm||81 mm||938 g||950||Y||Jul 2009||1,799|
|2.||Panasonic GF7||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499|
|3.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|4.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499|
|5.||Nikon D3100||124 mm||96 mm||75 mm||505 g||550||n||Aug 2010||599|
|6.||Nikon D5000||127 mm||104 mm||80 mm||590 g||510||n||Apr 2009||749|
|7.||Nikon D60||126 mm||94 mm||64 mm||522 g||500||n||Jan 2008||629|
|8.||Nikon D700||147 mm||123 mm||77 mm||1074 g||1000||Y||Jul 2008||2,999|
|9.||Nikon D300||147 mm||114 mm||74 mm||925 g||1000||Y||Aug 2007||1,799|
|10.||Nikon D2Xs||158 mm||150 mm||86 mm||1252 g||3800||Y||Jun 2006||4,699|
|11.||Nikon D200||147 mm||113 mm||74 mm||920 g||400||Y||Nov 2005||1,699|
|12.||Nikon D2X||158 mm||150 mm||86 mm||1252 g||3800||Y||Sep 2004||4,999|
|13.||Panasonic GX850||107 mm||65 mm||33 mm||269 g||210||n||Jan 2017||549|
|14.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|15.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749|
|16.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|17.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF7 was launched at a markedly lower price (by 72 percent) than the D300S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D300S features an APS-C sensor and the Panasonic GF7 a Four Thirds sensor. The sensor area in the GF7 is 40 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D300S has a native 3:2 aspect ratio, while the one in the GF7 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the GF7 offers a higher resolution of 15.8 megapixels, compared with 12.2 MP of the D300S. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 5.53μm for the D300S). However, it should be noted that the GF7 is much more recent (by 5 years and 5 months) than the D300S, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic GF7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GF7 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Nikon D300S are 21.4 x 14.2 inches or 54.5 x 36.2 cm for good quality, 17.2 x 11.4 inches or 43.6 x 28.9 cm for very good quality, and 14.3 x 9.5 inches or 36.3 x 24.1 cm for excellent quality prints.
The Nikon D300S has a native sensitivity range from ISO 200 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Panasonic Lumix DMC-GF7 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||22.7||12.3||874||70|
|8.||Nikon D700||Full Frame||12.1||4256||2832||none||23.5||12.2||2303||80|
|13.||Panasonic GX850||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|14.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|15.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|16.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|17.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GF7 provides a better video resolution than the D300S. It can shoot movie footage at 1080/60p, while the Nikon is limited to 720/24p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the D300S has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF7 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Nikon D300S and Panasonic GF7 along with similar information for a selection of comparators.
|1.||Nikon D300S||optical||Y||3.0 / 920||fixed||n||1/8000s||7.0/s||Y||n|
|2.||Panasonic GF7||none||n||3.0 / 1040||tilting||Y||1/500s||5.8/s||Y||n|
|3.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0/s||n||n|
|4.||Nikon D7000||optical||Y||3.0 / 921||fixed||n||1/8000s||6.0/s||Y||n|
|5.||Nikon D3100||optical||n||3.0 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|6.||Nikon D5000||optical||n||2.7 / 230||full-flex||n||1/4000s||4.0/s||Y||n|
|7.||Nikon D60||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|8.||Nikon D700||optical||Y||3.0 / 922||fixed||n||1/8000s||8.0/s||Y||n|
|9.||Nikon D300||optical||Y||3.0 / 922||fixed||n||1/8000s||6.0/s||Y||n|
|10.||Nikon D2Xs||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0/s||n||n|
|11.||Nikon D200||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0/s||Y||n|
|12.||Nikon D2X||optical||Y||2.5 / 235||fixed||n||1/8000s||5.0/s||n||n|
|13.||Panasonic GX850||none||n||3.0 / 1040||tilting||Y||1/500s||10.0/s||Y||n|
|14.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0/s||Y||n|
|15.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8/s||n||n|
|16.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2/s||Y||n|
|17.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the D300S, but is missing on the GF7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The GF7 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D300S does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GF7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D300S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D300S writes its imaging data to Compact Flash or SDXC cards, while the GF7 uses SDXC cards. The D300S features dual card slots, which can be very useful in case a memory card fails. In contrast, the GF7 only has one slot. The GF7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D300S cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D300S and Panasonic Lumix DMC-GF7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D300S||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|2.||Panasonic GF7||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|4.||Nikon D7000||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|5.||Nikon D3100||Y||mono / mono||-||-||mini||2.0||-||-||-|
|6.||Nikon D5000||Y||mono / mono||-||-||mini||2.0||-||-||-|
|7.||Nikon D60||Y||- / -||-||-||-||2.0||-||-||-|
|8.||Nikon D700||Y||- / -||-||-||mini||2.0||-||-||-|
|9.||Nikon D300||Y||- / -||-||-||mini||2.0||-||-||-|
|10.||Nikon D2Xs||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Nikon D200||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Nikon D2X||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Panasonic GX850||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|15.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|17.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the D300S has a hotshoe, while the GF7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Nikon D300S (unlike the GF7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D300S and the GF7 have been discontinued, but can regularly be found used on eBay. The D300S was replaced by the Nikon D500, while the GF7 was followed by the Panasonic GX850. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Nikon D300S and the Panasonic GF7? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Nikon D300S:
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/500s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 5.8 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (950 versus 230) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in July 2009).
Advantages of the Panasonic Lumix DMC-GF7:
- More detail: Has more megapixels (15.8 vs 12.2MP), which boosts linear resolution by 12%.
- Better video: Provides higher definition movie capture (1080/60p vs 720/24p).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (107x65mm vs 147x115mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 672g or 72 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (72 percent cheaper at launch).
- More modern: Reflects 5 years and 5 months of technical progress since the D300S launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GF7 emerges as the winner of the match-up (15 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D300S and the Panasonic GF7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the D300S and the GF7 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D300S||5/5||+ +||..||82/100||4/5||4.5/5||Jul 2009||1,799|
|2.||Panasonic GF7||4/5||+||..||..||4.5/5||4.5/5||Jan 2015||499|
|3.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|4.||Nikon D7000||4/5||..||..||80/100||4.5/5||4.5/5||Sep 2010||1,499|
|5.||Nikon D3100||5/5||+ +||..||72/100||4.5/5||4.5/5||Aug 2010||599|
|6.||Nikon D5000||..||+ +||..||75/100||4/5||4.5/5||Apr 2009||749|
|7.||Nikon D60||..||80/100||..||+ +||4/5||4.5/5||Jan 2008||629|
|8.||Nikon D700||..||89/100||..||+ +||4.5/5||4.5/5||Jul 2008||2,999|
|9.||Nikon D300||..||+ +||..||+ +||5/5||4.5/5||Aug 2007||1,799|
|10.||Nikon D2Xs||..||..||..||..||..||..||Jun 2006||4,699|
|11.||Nikon D200||..||+ +||..||+ +||o||..||Nov 2005||1,699|
|12.||Nikon D2X||..||..||..||+ +||..||..||Sep 2004||4,999|
|13.||Panasonic GX850||..||+||..||76/100||4.5/5||4.5/5||Jan 2017||549|
|14.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|15.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749|
|16.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499|
|17.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D Mark IV vs Panasonic GF7
- Canon D60 vs Panasonic GF7
- Canon RP vs Panasonic GF7
- Fujifilm X-A5 vs Panasonic GF7
- Fujifilm X-A7 vs Nikon D300S
- Nikon D1X vs Nikon D300S
- Nikon D2X vs Nikon D300S
- Nikon D300S vs Nikon D610
- Nikon D300S vs Nikon Z7
- Nikon D300S vs Olympus E-PL3
- Nikon D7000 vs Panasonic GF7
- Olympus E-410 vs Panasonic GF7
Specifications: Nikon D300S vs Panasonic GF7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D300S||Panasonic GF7|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Micro Four Thirds lenses|
|Launch Date||July 2009||January 2015|
|Launch Price||USD 1,799||USD 499|
|Sensor Specs||Nikon D300S||Panasonic GF7|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.8 mm||17.3 x 13.0 mm|
|Sensor Area||372.88 mm2||224.9 mm2|
|Sensor Diagonal||28.4 mm||21.6 mm|
|Sensor Resolution||12.2 Megapixels||15.8 Megapixels|
|Image Resolution||4288 x 2848 pixels||4592 x 3448 pixels|
|Pixel Pitch||5.53 μm||3.77 μm|
|Pixel Density||3.28 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/24p Video||1080/60p Video|
|ISO Setting||200 - 3,200 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 6,400 ISO||100 - 25,600 ISO|
|DXO Sensor Quality (score)||70||..|
|DXO Color Depth (bits)||22.5||..|
|DXO Dynamic Range (EV)||12.2||..|
|DXO Low Light (ISO)||787||..|
|Screen Specs||Nikon D300S||Panasonic GF7|
|Viewfinder Type||Optical viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D300S||Panasonic GF7|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/500s|
|Continuous Shooting||7 shutter flaps/s||5.8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Nikon D300S||Panasonic GF7|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Nikon D300S||Panasonic GF7|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||950 shots per charge||230 shots per charge|
147 x 115 x 81 mm
(5.8 x 4.5 x 3.2 in)
107 x 65 x 33 mm
(4.2 x 2.6 x 1.3 in)
|Camera Weight||938 g (33.1 oz)||266 g (9.4 oz)|
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