Nikon D300S vs Olympus E-5
The Nikon D300S and the Olympus E-5 are two digital cameras that were revealed to the public, respectively, in July 2009 and September 2010. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (D300S) and a Four Thirds (E-5) sensor. Both cameras offer a resolution of 12.2 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D300S||Olympus E-5|
|Digital single lens reflex||Digital single lens reflex|
|Nikon F mount lenses||Four Thirds lenses|
|12.2 MP, APS-C Sensor||12.2 MP, Four Thirds Sensor|
|720/24p Video||720/30p Video|
|ISO 200-3200 (100-6400)||ISO 100-6400|
|Optical viewfinder||Optical viewfinder|
|3.0" LCD, 920k dots||3.0" LCD, 920k dots|
|Fixed screen (not touch-sensitive)||Swivel screen (not touch-sensitive)|
|7 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|950 shots per battery charge||750 shots per battery charge|
|147 x 115 x 81 mm, 938 g||142 x 117 x 75 mm, 873 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D300S and the Olympus E-5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D300S and the Olympus E-5. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-5 is somewhat smaller (2 percent) than the Nikon D300S. Moreover, the E-5 is markedly lighter (7 percent) than the D300S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D300S) and the Four Thirds Lens Catalog (E-5).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Nikon D300S»||5.8 in||4.5 in||3.2 in||33.1 oz||950||Y||Jul 2009||1,799||Nikon D300S|
|Olympus E-5«||5.6 in||4.6 in||3.0 in||30.8 oz||750||Y||Sep 2010||1,699||Olympus E-5|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon D7000« »||5.2 in||4.1 in||3.0 in||27.5 oz||1050||Y||Sep 2010||1,499||Nikon D7000|
|Nikon D3100« »||4.9 in||3.8 in||3.0 in||17.8 oz||550||n||Aug 2010||599||Nikon D3100|
|Nikon D5000« »||5.0 in||4.1 in||3.1 in||20.8 oz||510||n||Apr 2009||749||Nikon D5000|
|Nikon D60« »||5.0 in||3.7 in||2.5 in||18.4 oz||500||n||Jan 2008||629||Nikon D60|
|Nikon D700« »||5.8 in||4.8 in||3.0 in||37.9 oz||1000||Y||Jul 2008||2,999||Nikon D700|
|Nikon D300« »||5.8 in||4.5 in||2.9 in||32.6 oz||1000||Y||Aug 2007||1,799||Nikon D300|
|Nikon D2Xs« »||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Jun 2006||4,699||Nikon D2Xs|
|Nikon D200« »||5.8 in||4.4 in||2.9 in||32.5 oz||400||Y||Nov 2005||1,699||Nikon D200|
|Nikon D2X« »||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Sep 2004||4,999||Nikon D2X|
|Olympus E-30« »||5.6 in||4.3 in||3.0 in||24.7 oz||750||n||Nov 2008||1,299||Olympus E-30|
|Olympus E-520« »||5.4 in||3.6 in||2.7 in||18.9 oz||750||n||May 2008||699||Olympus E-520|
|Olympus E-3« »||5.6 in||4.6 in||3.0 in||30.9 oz||750||Y||Oct 2007||1,699||Olympus E-3|
|Olympus E-510« »||5.4 in||3.6 in||2.7 in||19.0 oz||750||n||Mar 2007||799||Olympus E-510|
|Olympus E-1« »||5.6 in||4.1 in||3.2 in||26.0 oz||750||Y||Jun 2003||1,699||Olympus E-1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-5 was somewhat cheaper (by 6 percent) than the D300S at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D300S features an APS-C sensor and the Olympus E-5 a Four Thirds sensor. The sensor area in the E-5 is 40 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D300S has a native 3:2 aspect ratio, while the one in the E-5 offers a 4:3 aspect.
Even though the D300S has a larger sensor, both cameras offer the same resolution of 12.2 megapixels. This implies that the D300S has a lower pixel density and larger individual pixels (with a pixel pitch of 5.53μm versus 4.29μm for the E-5), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the E-5 is a somewhat more recent model (by 1 year and 1 month) than the D300S, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The Nikon D300S has a native sensitivity range from ISO 200 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Olympus E-5 are ISO 100 to ISO 6400 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the D300S provides substantially higher image quality than the E-5, with an overall score that is 14 points higher. This advantage is based on 0.9 bits higher color depth, 1.7 EV in additional dynamic range, and 0.6 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Nikon D300S||APS-C||12.2||4288||2848||720/24p||22.5||12.2||787||70||Nikon D300S|
|Olympus E-5||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56||Olympus E-5|
|Nikon D500||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon D7000||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80||Nikon D7000|
|Nikon D3100||APS-C||14.2||4608||3072||1080/24p||22.5||11.3||919||67||Nikon D3100|
|Nikon D5000||APS-C||12.2||4288||2848||720/24p||22.7||12.5||868||72||Nikon D5000|
|Nikon D60||APS-C||10.0||3872||2592||none||22.5||11.4||562||65||Nikon D60|
|Nikon D700||Full Frame||12.1||4256||2832||none||23.5||12.2||2303||80||Nikon D700|
|Nikon D300||APS-C||12.2||4288||2848||none||22.1||12.0||679||67||Nikon D300|
|Nikon D2Xs||APS-C||12.2||4288||2848||none||22.2||10.9||489||59||Nikon D2Xs|
|Nikon D200||APS-C||10.0||3872||2592||none||22.3||11.5||583||64||Nikon D200|
|Nikon D2X||APS-C||12.2||4288||2848||none||22.1||10.9||476||59||Nikon D2X|
|Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55||Olympus E-30|
|Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55||Olympus E-520|
|Olympus E-3||Four Thirds||10.0||3648||2736||none||21.6||10.5||571||56||Olympus E-3|
|Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52||Olympus E-510|
|Olympus E-1||Four Thirds||4.9||2560||1920||none||..||..||..||..||Olympus E-1|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the E-5 provides a faster frame rate than the D300S. It can shoot movie footage at 720/30p, while the Nikon is limited to 720/24p.
Apart from body and sensor, cameras can and do differ across a range of features. The D300S and the E-5 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D300S has a higher magnification than the one of the E-5 (0.63x vs 0.575x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Nikon D300S and Olympus E-5 in connection with corresponding information for a sample of similar cameras.
|Nikon D300S||optical||Y||3.0||920||fixed||n||1/8000s||7.0||Y||n||Nikon D300S|
|Olympus E-5||optical||Y||3.0||920||swivel||n||1/8000s||5.0||Y||Y||Olympus E-5|
|Nikon D500||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Nikon D7000||optical||Y||3.0||921||fixed||n||1/8000s||6.0||Y||n||Nikon D7000|
|Nikon D3100||optical||n||3.0||230||fixed||n||1/4000s||3.0||Y||n||Nikon D3100|
|Nikon D5000||optical||n||2.7||230||full-flex||n||1/4000s||4.0||Y||n||Nikon D5000|
|Nikon D60||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D60|
|Nikon D700||optical||Y||3.0||922||fixed||n||1/8000s||8.0||Y||n||Nikon D700|
|Nikon D300||optical||Y||3.0||922||fixed||n||1/8000s||6.0||Y||n||Nikon D300|
|Nikon D2Xs||optical||Y||2.5||230||fixed||n||1/8000s||5.0||n||n||Nikon D2Xs|
|Nikon D200||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Nikon D200|
|Nikon D2X||optical||Y||2.5||235||fixed||n||1/8000s||5.0||n||n||Nikon D2X|
|Olympus E-30||optical||Y||2.7||230||swivel||n||1/8000s||5.0||Y||Y||Olympus E-30|
|Olympus E-520||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||Y||Olympus E-520|
|Olympus E-3||optical||Y||2.5||230||swivel||n||1/8000s||5.0||Y||Y||Olympus E-3|
|Olympus E-510||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||Y||Olympus E-510|
|Olympus E-1||optical||Y||1.8||134||fixed||n||1/4000s||3.0||n||n||Olympus E-1|
One feature that differentiates the E-5 and the D300S is in-body image stabilization (IBIS). The E-5 reduces the risk of handshake-induced blur with all attached lenses, while the D300S has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.The E-5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D300S does not have a selfie-screen.
The Nikon D300S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D300S writes its imaging data to Compact Flash or SDXC cards, while the E-5 uses Compact Flash or xD Picture cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D300S and Olympus E-5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D300S||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D300S|
|Olympus E-5||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-5|
|Nikon D500||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon D7000||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D7000|
|Nikon D3100||Y||mono||mono||-||-||mini||2.0||-||-||-||Nikon D3100|
|Nikon D5000||Y||mono||mono||-||-||mini||2.0||-||-||-||Nikon D5000|
|Nikon D60||Y||none||none||-||-||none||2.0||-||-||-||Nikon D60|
|Nikon D700||Y||none||none||-||-||mini||2.0||-||-||-||Nikon D700|
|Nikon D300||Y||none||none||-||-||mini||2.0||-||-||-||Nikon D300|
|Nikon D2Xs||Y||none||none||-||-||none||2.0||-||-||-||Nikon D2Xs|
|Nikon D200||Y||none||none||-||-||none||2.0||-||-||-||Nikon D200|
|Nikon D2X||Y||none||none||-||-||none||2.0||-||-||-||Nikon D2X|
|Olympus E-30||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-30|
|Olympus E-520||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-520|
|Olympus E-3||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-3|
|Olympus E-510||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-510|
|Olympus E-1||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-1|
It is notable that the D300S has a microphone port, which is missing on the E-5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the D300S and the E-5 have been discontinued, but can regularly be found used on eBay. The D300S was replaced by the Nikon D500, while the E-5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Olympus websites.
So what is the bottom line? Which of the two cameras – the Nikon D300S or the Olympus E-5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Nikon D300S:
- Better image quality: Scores substantially higher (14 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (1.7 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.6 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.575x).
- Faster burst: Shoots at higher frequency (7 vs 5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (950 versus 750) on a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in July 2009).
Reasons to prefer the Olympus E-5:
- Better video: Provides higher movie framerates (720/30p versus 720/24p).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More modern: Was introduced somewhat (1 year and 1 month) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the D300S is the clear winner of the match-up (9 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D300S and the Olympus E-5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the D300S and the E-5 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark III vs Olympus E-5
- Canon 1Ds vs Nikon D300S
- Canon 2000D vs Nikon D300S
- Canon XS vs Nikon D300S
- Fujifilm GFX 50R vs Olympus E-5
- Leica C-LUX vs Olympus E-5
- Leica D-LUX 5 vs Nikon D300S
- Nikon D2X vs Olympus E-5
- Nikon D300S vs Nikon D4S
- Nikon D300S vs Sony WX800
- Nikon Z7 vs Olympus E-5
- Olympus E-5 vs Sony RX1R II
Specifications: Nikon D300S vs Olympus E-5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D300S||Olympus E-5|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Nikon F mount lenses||Four Thirds lenses|
|Launch Date||July 2009||September 2010|
|Launch Price||USD 1799||USD 1699|
|Sensor Specs||Nikon D300S||Olympus E-5|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.8 mm||17.3 x 13.0 mm|
|Sensor Area||372.88 mm2||224.9 mm2|
|Sensor Diagonal||28.4 mm||21.6 mm|
|Sensor Resolution||12.2 Megapixels||12.2 Megapixels|
|Image Resolution||4288 x 2848 pixels||4032 x 3024 pixels|
|Pixel Pitch||5.53 μm||4.29 μm|
|Pixel Density||3.28 MP/cm2||5.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/24p Video||720/30p Video|
|ISO Setting||200-3200 ISO||100-6400 ISO|
|ISO Boost||100-6400 ISO||no Enhancement|
|Image Processor||EXPEED||TruePic V+|
|DXO Sensor Quality (score)||70||56|
|DXO Color Depth (bits)||22.5||21.6|
|DXO Dynamic Range (EV)||12.2||10.5|
|DXO Low Light (ISO)||787||519|
|Screen Specs||Nikon D300S||Olympus E-5|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||920k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Nikon D300S||Olympus E-5|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||7 shutter flaps/s||5 shutter flaps/s|
|Shutter Life Expectancy||150 000 actuations||150 000 actuations|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF or SDXC cards||CF or XD cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Nikon D300S||Olympus E-5|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Nikon D300S||Olympus E-5|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||950 shots per charge||750 shots per charge|
147 x 115 x 81 mm
(5.8 x 4.5 x 3.2 in)
142 x 117 x 75 mm
(5.6 x 4.6 x 3.0 in)
|Camera Weight||938 g (33.1 oz)||873 g (30.8 oz)|
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